Bias and Externalities in Police/Community Interaction Tools the Catalan Case
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Holy Name of Jesus Catholic Church 511 Second St
Holy Name of Jesus Catholic Church 511 Second St. www.holynameparish.net Henderson KY 42420 270- 826-2096 fax 270-827-1494 May 16, 2021 Daily Mass Schedule: Bishop of the Diocese of Owensboro Monday, Tuesday & Saturday 7:00am Most Rev. William Francis Medley, D.D. Wednesday 12:05pm & 5:30pm Pastor Thursday & Friday 7:00am & 12:05pm Fr. Larry McBride Parochial Vicar Saturday Vigil 4:00pm Fr. Gary Clark & Fr. Maury Riney Sunday Mass Schedule: PARISH STAFF 7:30am 9:30am 11:30am Deacons 1:30pm (Misa en Español) & 5:30pm Richard Beaven, Joe Loeffler John Prough & Jaime Tiu Director of Religious Education Rose Wheeler Director of Youth Beth Probus Director of Liturgy/Music Jenny Mills Director of Hispanic Ministry Abraham Brown Faith Community Nurse Shannon Long Social Action Coordinator Ranni Dillard School President Julie Eadens School Principal Judy Jenkins Parish Office Manager Kaye Barron-Villines Parish Secretaries Jan Hays & Jill Hagan Maintenance Brad Eadens Parish Council Chair Marvin Hancock (270-577-3217) School Council Chair Aaron Hauser –[email protected] WELCOME TO HOLY NAME OF JESUS Holy Name of Jesus Parish extends the warmest of welcomes to all who celebrate the Eu- charist with us today, especially our visitors! May our worship together be an opportunity to deepen our faith, our love of God, and our love for one another. Please browse through this bulletin and our website www.holynameparish.net to learn more about our parish, find resources to aid in your own faith journey and also helpful information about the life of our parish. To become a registered member of the parish, please visit the website or contact the church office. -
Inter-Organizational Coordination: How Police Forces
INTER-ORGANIZATIONAL COORDINATION: HOW POLICE FORCES RELATE TO POLITICAL PRINCIPALS, JUDICIAL BODIES, AND OTHER POLICE FORCES Mila Gascó-Hernández Ángel Saz-Carranza Institute of Public Governance and Management ESADE Barcelona, Spain [email protected] / [email protected] Abstract This exploratory paper aims at understanding how several police forces across Europe manage their relationships with three of the main actors they must coordinate with: politicians, judges and prosecutors, and other police forces. The paper particularly refers to the specific case of two Spanish police forces: the Catalan police force and the Madrid local police force. Our main research question is exploratory in nature: how do police forces relate to other security forces and to political and judicial principals? Methodologically, the paper is part of a wider FP7 research, COMPOSITE (Comparative Police Studies in the European Union). Keywords Inter-organizational coordination, police forces, stakeholders, Weberian politics- administration separation, principal-agent theory INTRODUCTION Today’s complex world increases “wicked” problems (Rittel & Webber, 1973) and the need for organizational mechanisms combining dispersed power with unification (Agranoff & McGuire, 2001). Security issues are no exception. Terrorism, organized crime, and drug trafficking, to name a few, are ever more complex phenomena covering many different kinds of actors and territories. These social problems require modern police forces capable of coordinating and collaborating with other police bodies but, also, with such as the political principal, other governmental departments, and judicial bodies. Several theoretical streams are useful to approach coordination activities in such heterogeneous and fragmented context: network management (Agranoff & McGuire, 2001; Bouckaert, Peters & Verhoest, 2010), and agency theory (Verhoest et al., 2010). -
Policing in Federal States
NEPAL STEPSTONES PROJECTS Policing in Federal States Philipp Fluri and Marlene Urscheler (Eds.) Policing in Federal States Edited by Philipp Fluri and Marlene Urscheler Geneva Centre for the Democratic Control of Armed Forces (DCAF) www.dcaf.ch The Geneva Centre for the Democratic Control of Armed Forces is one of the world’s leading institutions in the areas of security sector reform (SSR) and security sector governance (SSG). DCAF provides in-country advisory support and practical assis- tance programmes, develops and promotes appropriate democratic norms at the international and national levels, advocates good practices and makes policy recommendations to ensure effective democratic governance of the security sector. DCAF’s partners include governments, parliaments, civil society, international organisations and the range of security sector actors such as police, judiciary, intelligence agencies, border security ser- vices and the military. 2011 Policing in Federal States Edited by Philipp Fluri and Marlene Urscheler Geneva, 2011 Philipp Fluri and Marlene Urscheler, eds., Policing in Federal States, Nepal Stepstones Projects Series # 2 (Geneva: Geneva Centre for the Democratic Control of Armed Forces, 2011). Nepal Stepstones Projects Series no. 2 © Geneva Centre for the Democratic Control of Armed Forces, 2011 Executive publisher: Procon Ltd., <www.procon.bg> Cover design: Angel Nedelchev ISBN 978-92-9222-149-2 PREFACE In this book we will be looking at specimens of federative police or- ganisations. As can be expected, the federative organisation of such states as Germany, Switzerland, the USA, India and Russia will be reflected in their police organisation, though the extremely decentralised approach of Switzerland with hardly any central man- agement structures can hardly serve as a paradigm of ‘the’ federal police organisation. -
Black Circle Song Catalogue
Black Circle Song Catalogue Ten Vitalogy Yield Riot Act Pearl Jam L. Bolt Singles / G. Hits Other Bands Hunger Strike Once Last Exit Brain of J. Can't Keep Gone Mind Your Manners Breath Rockin’In The Free World Even Spin the Black Faithful Save You Come Back Sirens I Got ID Love Reign Oér Me Flow Circle Given to Fly Love Boat Captain Inside Job Sleeping By Myself Can't Deny Me Baba O'Riley Alive Not For You Wishlist Ghost Future Days State of Love and Breed Why Go Tremor Christ Do THe Evolution I Am Mine Infallible Trust Heart-Shaped Box Black Nothingman Low Light Thumbing My Way Them Bones Jeremy Whipping In Hiding ½ Full Would? Oceans Corduroy All Those Yesterdays All or None Black Hole SUn Porch Satan's Bed Comfortably Numb Deep Better Man Little Wing Garden Immortality I Believe in Miracles Release You've got to Hide Your Love away Go Sometimes Light Years Sad The Fixer Comes Then Goes Sleepless Nights Low Light Ceiling Animal Hail, Hail Thin Air Leaving Here Just Breathe Superblood Setting Forth Of The Light Daughter Smile Insignificance Yellow Ledbetter Amongst the Wolfmoon Rise Pages Glorified G Off He Goes Hard to Imagine Waves Dance of The Hard Sun DIsarray Dissident Red Mosquito Wash Unthought Clairvoyants Society Penguins and Butterflies W.M.A Present Tense Known Quick Escape Guaranteed Autumn Theory Blood The End Divide Rearviewmirror Never Thought I Would Rats Drive Home in the Rain Small Town Leash Indifference Crazy Mary Vs. No Code Binaural Lost Dogs Backspacer Gigaton Vedder Black Circle. -
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Wash 2. Once 3. Even Flow 4. State Of Love And Trust 5. Alive 6. Why Go CHICAGO, ILLINOIS FRIDAY, NOVEMBER 29, 1991 LOCATION CHICAGO, IL Aragon Ballroom SET 1 1. Release 2. Even Flow 3. Smells Like Teen Spirit 4. Once 5. Alive 6. Jeremy 7. Why Go 8. Porch CHICAGO, ILLINOIS SATURDAY, MARCH 28, 1992 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Release 2. Even Flow 3. Improv (You Tell Me) 4. Rockin' In The Free World 5. Once 6. State Of Love And Trust 7. Alive 8. Black 9. Deep 10. Jeremy 11. Why Go 12. Porch TINLEY PARK, ILLINOIS SUNDAY, AUGUST 02, 1992 LOCATION TINLEY PARK, IL World Music Amphitheater SET 1 1. Summertime Rolls 2. Why Go 3. Deep 4. Jeremy 5. Even Flow 6. Alive 7. Black 8. Once 9. Porch CHICAGO, ILLINOIS THURSDAY, MARCH 10, 1994 LOCATION CHICAGO, IL Chicago Stadium SET 1 1. Release 2. Animal 3. Go 4. Even Flow 5. Dissident 6. Empire Carpet song 7. State Of Love And Trust 8. Why Go 9. Jeremy 10. Glorified G 11. Daughter 12. The Real Me 13. Not For You 14. Rearviewmirror 15. Blood 16. Alive 17. Porch 18. Garden 19. Happy Birthday (Jeff) 20. Spin The Black Circle 21. Black 22. Tremor Christ 23. Footsteps 24. Rockin' In The Free World 25. I Won't Back Down 26. Leash 27. Sonic Reducer Indifference CHICAGO, ILLINOIS SUNDAY, MARCH 13, 1994 LOCATION CHICAGO, IL New Regal Theater SET 1 1. -
Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law?
Journal of Civil Rights and Economic Development Volume 10 Issue 2 Volume 10, Spring 1995, Issue 2 Article 7 "Not for You"; Only for Ticketmaster: Do Ticketmaster's Exclusive Agreements with Concert Venues Violate Federal Antitrust Law? Matthew K. Finkelstein Colleen Lagan Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. "NOT FOR YOU";, ONLY FOR TICKETMASTER: DO TICKETMASTER'S EXCLUSIVE AGREEMENTS WITH CONCERT VENUES VIOLATE FEDERAL ANTITRUST LAW? America's antitrust laws are premised upon the belief that com- petition fosters the best allocation of resources within a given in- dustry.2 Lower prices, higher output, and better product quality that result from vigorous competition 3 are desirable from both so- cial and economic perspectives.4 The inherent conflict in applying antitrust law is that an effi- cient or innovative company may drive competitors out of busi- ness.5 A question then arises as to whether the dominant firm may have violated antitrust law simply because, through effi- 1 PEARL JAm, Not For You, on VrrALOGy (Sony Records 1994). 2 See National Soc'y of Professional Eng'rs v. United States, 435 U.S. 679, 695 (1978). In Professional Eng'rs, the Court stated that "[t]he Sherman Act reflects a legislative judg- ment that ultimately competition will produce lower prices, but better goods and services." Id.; see also Northern Pac. -
Contents Important Notice
Alchemy 2019 Pocket Guide Contents Important Notice ................................................................................................................................ ................................... 2 Are you bored? ...................................................................................................................................................................... 2 Stages ..................................................................................................................................................................................... 3 Camp Guide ........................................................................................................................................................................... 4 Things to See ....................................................................................................................................................................... 15 Things to Do ......................................................................................................................................................................... 24 1 | P a g e This Guide, like so many other parts of our event, would not be possible without the communal effort of many participants, both past and present, and it is from their collective wisdom that this Guide was created and offered to you. Important Notice The river is out of bounds at the event. This is at the request of the county fire department as they do not possess rescue services in the event of -
Season 4, Episode 6: Breathless Books + an Intro to Book Flights
Season 4, Episode 6: Breathless Books + An Intro to Book Flights Mon, 9/6 • 59:02 Meredith Monday Schwartz 00:10 Hey readers, welcome to the Currently Reading podcast. We are bookish best friends who spend time every week talking about the books that we read recently. And as you already know, we never shy away from having those strong opinions. So get ready. Kaytee Cobb 00:25 We are light on the chitchat, heavy on the book talk, and our descriptions will always be spoiler free. We'll discuss our current reads, a bookish deep dive, and then we'll press books into your hands. Meredith Monday Schwartz 00:34 I'm Meredith Monday Schwartz, a mom of four and full time CEO living in Austin, Texas, and I have been practicing all my life for my next readerly role. Kaytee Cobb 00:44 And I'm Kaytee Cobb, a homeschooling mom of four living in New Mexico. And if you give me a water feature, and entertain my children, I'll read all day long. This is episode number six of season four. And we are so glad you're here. Meredith Monday Schwartz 00:58 All right, Kaytee, I'm glad you're here. But you sound a little even sexier than you normally do. You always sound sexy, but you sound super sexy. today. Kaytee Cobb 01:07 I do have my my phone operator voice today, Meredith because I have had a little bit of a cold. I feel much better, but you guys might be able to hear it a little bit in my voice. -
Report to the Spanish Government on the Visit To
CPT/Inf (2011) 11 Report to the Spanish Government on the visit to Spain carried out by the European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment (CPT) from 19 September to 1 October 2007 The Spanish Government has requested the publication of this report and of its response. The Government’s response is set out in document CPT/Inf (2011) 12. Strasbourg, 25 March 2011 - 3 - CONTENTS Copy of the letter transmitting the CPT's report ........................................................................ 5 I. INTRODUCTION................................................................................................................ 7 A. Dates of the visit and composition of the delegation........................................................... 7 B. Establishments visited.......................................................................................................... 8 C. Consultations held by the delegation................................................................................. 10 D. Cooperation between the CPT and the authorities of Spain ............................................ 10 E. Immediate observations under Article 8, paragraph 5, of the Convention ..................... 12 II. FACTS FOUND DURING THE VISIT AND ACTION PROPOSED ............................ 13 A. Law enforcement agencies................................................................................................. 13 1. Preliminary remarks................................................................................................... -
[ ALTERNATIVE by ARTIST ] [ No of Tunes = 408 ] 28 DAYS >> SONG
[ ALTERNATIVE by ARTIST ] [ No of Tunes = 408 ] 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 3 DOORS DOWN >> KRYPTONITE {K} 3OH!3 >> DON'T TRUST ME 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 50 CENT >> PLACES TO GO A >> STARBUCKS ALIEN ANT FARM >> GLOW ALIEN ANT FARM >> MOVIES ALIEN ANT FARM >> SMOOTH CRIMINAL {K} ALL AMERICAN REJECTS >> GIVES YOU HELL {K} ANDREW W K >> WE WANT FUN ANDROIDS >> DO IT WITH MADONNA {K} ARCTIC MONKEYS >> I BET YOU LOOK GOOD ON THE DANCE FLOOR AREA 7 >> START MAKING SENSE ASHLEE SIMPSON >> LA LA {K} AVRIL LAVIGNE >> GIRLFRIEND {K} AVRIL LAVIGNE >> HERE'S TO NEVER GROWING UP {K} AVRIL LAVIGNE >> MY HAPPY ENDING {K} AVRIL LAVIGNE >> SK8ER BOI {K} AVRIL LAVIGNE >> SMILE {K} BABY ANIMALS >> RUSH YOU BEASTIE BOYS >> BODY MOVIN BEASTIE BOYS >> INTERGALATIC BEN FOLDS FIVE >> ROCKIN' THE SUBURBS BIG AUDIO DYNAMITE >> RUSH BLACK KEYS >> LONELY BOY {K} BLIND MELON >> NO RAIN BLINK 182 >> ALL THE SMALL THINGS {K} BLINK 182 >> BORED TO DEATH BLINK 182 >> DAMMIT BLINK 182 >> I MISS YOU {K} BLINK 182 >> MAN OVERBOARD {K} BLINK 182 >> ROCK SHOW BLINK 182 >> WHAT'S MY AGE BLOODHOUND GANG >> FIRE WATER BURN BLUR >> CRAZY BEAT BLUR >> SONG 2 BODY ROCKERS >> I LIKE THE WAY {K} BODYJAR >> FALL TO THE GROUND {K} BODYJAR >> TOO DRUNK TO DRIVE BUSTED >> WHAT I GO TO SCHOOL FOR CAKE >> SHORT SKIRT - LONG JACKET CALLING >> OUR LIVES CARDIGANS >> MY FAVOURITE GAME CITIZEN KING >> BETTER DAYS COLDPLAY >> DON'T PANIC COLDPLAY >> EVERY TEARDROP IS A WATERFALL COLDPLAY >> PARADISE COLDPLAY >> SPEED OF SOUND {K} COLDPLAY >> TALK {K} CORNERSHOP -
What Sovereignty Sounds Like April 25Th 2017 – the Music Gallery – Toronto, Ontario Kristine Mccorkell
What Sovereignty Sounds Like April 25th 2017 – The Music Gallery – Toronto, Ontario Kristine McCorkell David Dacks: Good evening everybody. Welcome to The Music Gallery. I’m David Dacks, the artistic director here. Thank you for being here tonight. Before every event that we host at The Music Gallery, we acknowledge the land because it’s the very least we can do to acknowledge something so central to all of our existence here. But in speaking with Jarrett, from Revolutions Per Minute (RPM), and Jeremy, our host tonight, about how this should be addressed; they both said that land acknowledgment is a given wherever Indigenous People gather. In any case the land acknowledgment should only be the beginning of engagement with Indigeneity for arts institutions. I’d like to thank Dylan Robinson and Keavy Martin’s recent book “Arts of Engagement” which discusses Indigenous aesthetic action as an interface with the Truth and Reconciliation events from structure to content. It has implications for artistic production in places like The Music Gallery. The book became a major inspiration for this event. Many chapters speak of the land acknowledgment by settlers is a performative gesture that is somewhat meaningless, especially if it is merely a tossed off statement at the beginning of a concert. I hope that this event, which Jeremy, Jarrett, and The Music Gallery staff have worked hard to structure in this format, promotes vibrant conversation and musical uplifting all in one. Greater measures are required to build events that are truly welcoming and inclusive, and prioritize Indigenous voices for their own sake rather than trying to shoe horn Indigeneity into an institutions metrics of diversity. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun