Modern Art Modern

09/05/2019 12.21 Live auction 886 auction Live MODERN ART MODERN

BRUUN RASMUSSEN MODERN ART AUCTION 886 • JUNE 2019 886_modernekunst_omslag.indd 1 MODERN ART Live auction 886

AUCTION 3 - 4 June 2019

PREVIEW Thursday 23 May 3 pm - 6 pm Friday 24 May 11 am - 5 pm Saturday 25 May 11 am - 4 pm Sunday 26 May 11 am - 4 pm Monday 27 May 11 am - 5 pm or by appointment

Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.com

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886_modernekunst_s001-015_start.indd 2 09/05/2019 14.32 DAYS OF SALE

Tuesday 28 May 2 pm Asian Art 1 - 64 4 pm Paintings, drawings and sculptures 101 - 237 Antiquities, weapons and greenlandica 238 - 261

Wednesday 29 May 2 pm Silver, glass and ceramics 262 - 307 Furniture, clocks, bronzes and carpets 308 - 436

Thursday 30 May Bank holiday – closed

Monday 3 June 4 pm Modern paintings and sculptures 1001 - 1135

Tuesday 4 June 2 pm Modern paintings and sculptures 1136 - 1235 Prints 1236 - 1298 5 pm Silver 1299 - 1331 Ceramics 1332 - 1366 Furniture, lamps and carpets 1367 - 1534

Wednesday 5 June Constitution Day – closed

Thursday 6 June 3 pm Jewellery 437 - 648 6 pm Wristwatches 649 - 721

Friday 7 June 2 pm Russian Art 2001 - 2072

DEADLINE FOR CLAIMING ITEMS: WEDNESDAY 19 JUNE Items bought at this auction must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 19 June at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 150 per item VAT included, and storage will cost DKK 150 per item per week VAT included.

886_modernekunst_s001-015_start.indd 3 09/05/2019 14.32 Kom og mød DESIGN Bruun Rasmussens specialister! Traditionel auktion 886

I slutningen af maj indtager de årligt tilbagevendende festivaler “Art Week” og “3 Days of Design” København. I den forbindelse sætter vi hos Bruun Rasmussen fokus på moderne kunst og designklassikere på eftersynet med en række talks og rundvisninger. Alle er velkomne!

Åbningstalk Bredgade 33, København Torsdag 23. maj kl. 15, auktionssalen “Bag kulissen – arbejdet med moderne kunst hos Bruun Rasmussen” Gruppeforedrag ved afdelingen for moderne kunst om deres daglige arbejde – fra indlevering og undersøgelse af værkerne og deres baggrundshistorie til det endelige auktionssalg Walk & Talk Lørdag 25. maj kl. 12, auktionssalen “Moderne kunst og samtidskunst” ved specialist i moderne kunst, Niels Boe-Hauggaard

Lørdag 25. maj kl. 14, auktionssalen “Dansk design” ved specialist i moderne design, Peter Kjelgaard

Søndag 26. maj kl. 14, auktionssalen “Moderne kunst og samtidskunst” ved specialist i moderne kunst, Kathrine Eriksen, og specialist i fotografi, Christine Almlund

Alle talks foregår på dansk

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AUKTION 3. - 4. juni 2019

EFTERSYN Torsdag 23. maj kl. 15 - 18 Fredag 24. maj kl. 11 - 17 Lørdag 25. maj kl. 11 - 16 Søndag 26. maj kl. 11 - 16 Mandag 27. maj kl. 11 - 17 eller efter aftale

Bredgade 33 · 1260 København K · Tel +45 8818 1111 [email protected] · bruun-rasmussen.dk

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886_modernekunst_s001-015_start.indd 6 09/05/2019 14.32 AUKTIONSKALENDER

Tirsdag 28. maj kl. 14 Asiatisk kunst og kunsthåndværk 1 - 64 kl. 16 Malerier, tegninger og skulpturer 101 - 237 Antikker, våben og grønlandica 238 - 261

Onsdag 29. maj kl. 14 Sølv, glas og keramik 262 - 307 Møbler, bronzer, ure og tæpper 308 - 436

Torsdag 30. maj Kristi himmelfartsdag - lukket

Mandag 3. juni kl. 16 Moderne malerier og skulpturer 1001 - 1135

Tirsdag 4. juni kl. 14 Moderne malerier og skulpturer 1136 - 1235 Grafik 1236 - 1298 kl. 17 Sølv 1299 - 1331 Keramik 1332 - 1366 Møbler, belysning og tæpper 1367 - 1534

Onsdag 5. juni Grundlovsdag - lukket

Torsdag 6. juni kl. 15 Smykker 437 - 648 kl. 18 Armbåndsure 649 - 721

Fredag 7. juni kl. 14 Russisk kunst og kunsthåndværk 2001 - 2072

SIDSTE FRIST FOR AFHENTNING: ONSDAG DEN 19. JUNI Genstande købt på denne auktion skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33 senest onsdag den 19. juni. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 150 kr. pr. genstand inkl. moms, og opbevaringen koster 150 kr. pr. genstand pr. påbegyndt uge inkl. moms.

886_modernekunst_s001-015_start.indd 7 09/05/2019 14.32 SPECIALISTS IN MODERN ART

Head of department Paintings, sculptures and prints Niels Raben Victor Svane Nielsen +45 8818 1181 +45 8818 1125 [email protected] [email protected]

Paintings, sculptures and prints Paintings, sculptures and prints Niels Boe-Hauggaard Stephanie Ingeman-Petersen +45 8818 1182 +45 8818 1185 [email protected] [email protected]

Paintings, sculptures and prints Paintings and design Kathrine Eriksen Peter Beck – Aarhus +45 8818 1184 +45 8818 1186 [email protected] [email protected]

Paintings, sculptures and prints Photographs Annemette Müller Fokdal Christine Almlund +45 8818 1196 +45 8818 1216 [email protected] [email protected]

Director of sales Representative France + Belgium Kasper Nielsen Ditte Herborg Krogh +45 8818 1121 +33 6 6185 4564 [email protected] [email protected]

International relations Representative USA Frederik Bruun Rasmussen Sandra Septimius +45 8818 1003 +1 718 764 7601 [email protected] [email protected]

Silver and branding Sales and Shipping Alexa Bruun Rasmussen Kirsten MacDonald +45 8818 1091 +45 8818 1095 [email protected] [email protected]

886_modernekunst_s001-015_start.indd 8 09/05/2019 14.32 Representatives Worldwide

BUY AND SELL AT AUCTION

Sweden Anna Sievert +46 72-253 98 16 [email protected]

BUY AT AUCTION

France & Belgium Ditte Herborg Krogh +33 6 6185 4564 [email protected]

USA Sandra Septimius · New York +1 718 764 7601 [email protected]

“I have worked for 20 years in the auction business in Sweden, where I SELL AT AUCTION have dealt with paintings and photographs as well as Asian ceramics and carpets. I am very excited about meeting Bruun Rasmussen’s Swedish Southern France & Luxembourg customers.” Peter Koch Anna Sievert, Bruun Rasmussen’s representative in Sweden. +45 4045 3403 [email protected]

Germany For more than 70 years, we have been the bridge between unique Nick Messmann art objects and interested buyers. With our extensive experience, +45 8818 1232 professional advice and assessment abilities, we each year bring more [email protected] than 75,000 items home to new owners from all over the world. Italy When you want to buy or sell at auction, Bruun Rasmussen’s Jeanette Ida Møller · Milano international representatives are standing by with advice and +39 340 053 9219 guidance. We are pleased to present the newest addition to our [email protected] group of international representatives, Anna Sievert. She is based in Stockholm and will be handling Bruun Rasmussen’s interests in Spain Sweden from now on. Vagn Erik Krogsøe +45 2445 1224 If you are considering a sale, you can get a non-binding valuation [email protected] from one of our representatives in Southern France, Germany, Italy, Spain, Sweden, Thailand, England or the United States. They will Thailand Anders Normann also help you with the practical aspects of consigning your items +66 818 177 273 for auction. You are also welcome to contact our specialists in [email protected] Denmark with questions regarding a sale at our auctions. United Kingdom If you are interested in investing in items sold at our auctions in- Anna Grundberg · London stead, you can get advice from our sales representatives in Sweden, +44 7976 554 439 France and the United States, who will act as your primary contact [email protected] person throughout the process. If there is no representative in your area, you are welcome to contact our sales department at USA [email protected]. Benedicte Hallowell +1 617 566 7333 Find your nearest representative in the column to the right. [email protected]

886_modernekunst_s001-015_start.indd 9 09/05/2019 14.32 Cubism, Chinese Avant-garde and Scathing Satire

Welcome to this summer’s auction of modern art, where the Cubist work ”Bretonne” from 1920 is one of the absolute highlights. The painting was created by the Polish-born Parisian artist Henri Hayden, and it has been owned by the British art collector and furniture manufacturer C.W.F. France. France settled in Denmark before the outbreak of the Second World War, and during the 1950s-1960s he played an important role in promoting Danish furniture art. Hayden’s Cubist period was relatively short, and his paintings within this style are therefore rare on the art market. The offered painting is done with multiple perspectives, and the figure is Cubist in its different pictorial elements – both in and around the figure. The elements dissolve and rhythmically shift as the planes of the image overlap and intertwine with each other. The title ”Bretonne” is a reference to the artist Paul Gauguin, who was one of Hayden’s earliest sources of inspiration in terms of the surface-oriented painting. Hayden spent several summers in Brittany, where Gauguin a couple of decades previously achieved a big breakthrough as a modernist with his depictions of the landscape and local population (cat. no. 1063). Read the whole story behind “Bretonne” on page 72.

As Hayden had done before her, the Chinese artist Xie ”Lalan” Jinglan also left her homeland in favour of the art metropolis of Paris. She arrived in 1948 initially to compose electronic music and study modern dance at the ”Conservatoire national supérieur de musique et de danse”. In the mid- 1950s, however, she turned her attention to the visual arts, and here she transferred the rhythms of music and the movements of dance to the canvas. At this auction, we present her poetic work ”Le Combat était il égal?” from 1967, which, like all her art, sits on the threshold between two cultures and draws on the traditions of one of the world’s oldest civilizations as well as European avant-garde art from the second half of the twentieth century (cat. no. 1070).

”There are devilish splinters in Harald Engman’s magic mirror, but we benefit from immersing ourselves in the views and reflections it offers. Even though it sometimes slightly stings the eyes!” These are the apt words in a small book about the artist and illustrator Harald Engman’s works from the 1930s-40s. Engman’s painting ”Today’s Painters” from 1938 is reproduced in this book, and it is now up for auction. In the painting, we get to experience Engman’s pointed and ima- ginative satire in the form of an apocalyptic and visionary depiction of the world, where he un- folds a sharp criticism of the Nazi regime with Hitler wearing angel wings, a sword and a dim- witted look on his face. The sky is covered by warplanes, and other representatives of society are also roasted, such as the artists with blinkers on and the fat-headed capitalist portrayed as an explosive bomb. In 1939, the work was exhibited in the pedestrian tunnel under the City Hall Square in Copenhagen, but Engman’s social criticism and opposition to Nazism meant that the work was ordered taken down. Engman’s boldness was also the reason why he had to move to Sweden for a number of years. On the other hand, this exile allowed him more freedom to express his merciless satire as an illustrator (cat. no. 1010).

The auction also includes the German art photographer Thomas Ruff, who is part of the prominent Düsseldorf school. In one of his works, he has played with the viewer’s perception of reality in a highly pixelated and blurred beach scene. Additional highlights of the auction include an impres- sive selection of prints made by the French artist Maurice Estève during the 1960s-80s, a painting by Asger Jorn from 1948 and a still life by William Scharff from 1916 (cat. no. 1132, 1027 and 1021).

Niels Raben & Jesper Bruun Rasmussen

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886_modernekunst_s001-015_start.indd 11 09/05/2019 14.32 Kubisme, kinesisk avantgarde og kras satire

Velkommen til sommerens auktion over moderne kunst, hvor det kubistiske værk ”Bretonne” (”Pige fra Bretagne”) fra 1920 af den polskfødte parisiske kunstner Henri Hayden fører an med en historie ud over det sædvanlige. Maleriet har været ejet af den engelskfødte kunstsamler og møbelprodu- cent C.W.F. France, der bosatte sig i Danmark før anden verdenskrig og fra 1950’erne fik afgørende betydning for dansk møbelkunst. Hayden arbejdede med kubisme inden for en relativt kort periode af sit virke, og hans værker af denne type er derfor sjældne på kunstmarkedet. Det udbudte maleri er flerperspektivisk, og figuren defineres på kubistisk vis ved, at forskellige billedelementer – både i og omkring den – opløser og forskyder sig rytmisk i takt med, at planerne overlejrer og griber ind i hinanden. Titlen “Bretonne” er en hilsen til en af Haydens tidligste inspirationskilder i forhold til et fladebetonet maleri, nemlig Paul Gauguin. Hayden tilbragte gentagne somre i Bretagne, hvor Gauguin et par årtier forinden for alvor satte sig igennem som modernist i mødet med landskabet og lokalbefolkningen (kat.nr. 1063). Læs hele historien om værket på side 72.

Den kinesiske kunstner Xie ”Lalan” Jinglan forlod også sit hjemland til fordel for kunstens centrum, Paris. Hun ankom i 1948 for i første omgang at komponere elektronisk musik og studere moderne dans på ”Conservatoire national supérieur de musique et de danse”. I midten af 1950’erne kastede hun sig over billedkunsten, og her overførte hun musikkens rytmer og dansens bevægelser til lærredet. Med på auktionen har vi det poetiske værk ”Le Combat était il égal?” (”Var dette en lige kamp?”) fra 1967, der som al hendes kunst befinder sig på tærsklen mellem to kulturer og viderebringer både traditionerne fra en af verdens ældste civilisationer og den avantgardistiske europæiske kunstscene i anden halvdel af det tyvende århundrede (kat.nr. 1070).

”Der er Djævlesplinter i Harald Engmans Troldspejl, men vi har godt af at fordybe os i Betragtnin- gen, og Selvbetragtningen, af dets Billeder. Selv om det af og til svider lidt i Øjnene!”. Sådan lyder de rammende ord i en lille bog om kunstneren og illustratoren Harald Engmans værker fra 1930- 40’erne. I bogen gengives ”Tidens Malere” fra 1938 – et maleri, som vi sætter under hammeren på denne auktion. Her møder vi Engmans spidende og fantasifulde satire i en form for apokalyptisk og visionært verdensteater, hvor han udfolder en skarp kritik af naziregimet med Hitler i front iført englevinger, glavind og et stupidt udtryk i ansigtet. Himlen er dækket af krigsfly, og også andre repræsentanter fra samfundet får én over næsen, fx kunstneren med skyklapper og den fedladne kapitalist skildret som en sprængfarlig bombe. Værket blev udstillet i fodgængertunellen under Rådhuspladsen i 1939, men Engmans samfundskritik og modvilje mod nazismen gjorde, at værket blev beordret fjernet. Hans dristighed var også årsagen til, at han måtte leve i landflygtighed i Sverige i en årrække, hvor han til gengæld frit kunne udfolde sin skånselsløse satire som bladteg- ner (kat.nr. 1010).

Auktionen rummer også den tyske kunstfotograf Thomas Ruff, der er en del af den prominente Düsseldorf-skole og i et af sine udbudte værker har leget med virkelighedsopfattelsen i et stærkt pixeleret og uskarpt strandmotiv. Nævnes skal også det flotte grafiske udvalg af den franske kunstner Maurice Estève fra 1960-80’erne, et maleri af Asger Jorn fra 1948 og et stilleben af William Scharff fra 1916 (kat.nr. 1132, 1027 og 1021).

Niels Raben & Jesper Bruun Rasmussen

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Monday 3 June 4 pm Lot 1001 - 1135

Lot 1116

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1001 ARR VILHELM LUNDSTRØM Literature: Preben Wilmann & Marianne Brøns: "Lund- b. Copenhagen 1893, d. s.p. 1950 strøm", Copenhagen, 1988 (1978), no. 332. "Opstilling. Lille gul kande med grøn papirrulle Exhibited: "Vilhelm Lundstrøms Mindeudstilling", oveni, liggende rød papirrulle på lyserød bordflade. Charlottenborg, Copenhagen; Rådhushallen, Aarhus Grønblå og lyserød baggrund" (Still life. Small yel- and Kunstnernes Hus, Oslo, Norway, 1951, cat. no. low pitcher with green paper roll on top, red paper 130a. roll on a pink table surface. Green and pink back- Provenance: Professor Villars Lund, Copenhagen. ground), 1942. Signed and dated on the reverse. Oil Provenance: Private collection, Denmark. on canvas. 55 x 46 cm. DKK 125,000-150,000 / € 16,500-20,000

16 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

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Literature: A. Hind: "Samleren fortæller", Samleren, 1935, ill. p. 219. 1002 Exhibited: A sketch for the work included in the EDVARD WEIE Weie-exhibition, Statens Museum for Kunst (The Na- b. Copenhagen 1879, d. Frederiksberg 1943 tional Gallery of Denmark), Copenhagen and Aarhus Portrait of art dealer Carl Clausen, c. 1927/28. Un- Kunstmuseum, 1987, cat. no. 87, ill. p. 204. signed. Oil on canvas. 81 x 93 cm. Provenance: Art dealer Carl Clausen, his auction 1930, no. 236. Presumably acquired here by Judge Axel Hind, On the painting is depicted a painting by Harald Copenhagen and hence by descent in the family. Giersing and a figurine by Johs. C. Bjerg. DKK 75,000-100,000 / € 10,000-13,500

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1004

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1003 ARR OLUF HØST b. Svaneke 1884, d. Gudhjem 1966 1005 ARR "Vintersol" (Winter sun), Bornholm, 1956. Double- OLUF HØST signed OH; titled and dated on the reverse. 38 x 66 cm. b. Svaneke 1884, d. Gudhjem 1966 DKK 60,000 / € 8,050 "Bognemark i Sne" (Bognemark in snow), Born- holm. Signed OH; titled on the reverse. Oil on can- 1004 ARR vas. 46 x 73 cm. OLUF HØST Provenance: Art dealer Edvard Brink, Copenhagen b. Svaneke 1884, d. Gudhjem 1966 (stamped on the reverse). Winter sun, Bornholm. Signed OH. Oil on canvas. Provenance: Private collection, Denmark. 29 x 48 cm. DKK 30,000-40,000 / € 4,000-5,350 DKK 175,000-200,000 / € 23,500-27,000

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1006 ARR 1007 ARR HANS SCHERFIG HANS SCHERFIG b. Copenhagen 1905, d. Fredensborg 1979 b. Copenhagen 1905, d. Fredensborg 1979 Næsehorn (Rhinos). Signed Scherfig 1959. Tempera Kremlin seen from the Bolshoi Kamennyj bridge. on masonite. 15 x 23 cm. Signed Scherfig 1950. Tempera on panel. 35 x 70 cm. Literature: Lena Lamberth: "Scherfig katalog", Lam- Literature: The work might be identical to "Soviet berths Forlag, Copenhagen, 2006. Presumably no. 577. Square in Moscow", Lena Lamberth: "Scherfig katalog" Exhibited: Corner, Charlottenborg, 1959, cat. no. 358. , Lamberths Forlag, Copehgaen, 2006, no. 434. Provenance: Acquired at the above mentioned exhibi- Provenance: Personal gift from the artist to the present tion and since by descent in the family. owner's father, who had come to know Scherfig in the DKK 30,000-40,000 / € 4,000-5,350 resistance movement during World War II. DKK 30,000-40,000 / € 4,000-5,350

1007

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1008 ARR 1009 ARR HANS SCHERFIG HANS SCHERFIG b. Copenhagen 1905, d. Fredensborg 1979 b. Copenhagen 1905, d. Fredensborg 1979 Malayan tapir with young. Signed Scherfig "Sort slange krybende i grøn vegetation" (Black Snake 1959. Tempera on masonite. 15 x 23 cm. Crawling in Green Vegetation). Signed Scherfig 1961. Tem- Literature: Lena Lamberth: "Scherfig katalog", pera on masonite. 26 x 29 cm. Lamberths Forlag, Copenhagen, 2006. Similar Literature: Lena Lamberth: “Scherfig katalog", Lamberths motif is ill. p. 128, no. 582. Forlag, Copenhagen, 2006, no. 614. Exhibited: Corner, Charlottenborg, 1959, cat. Exhibited: CORNER, Charlottenborg, Copenhagen, 1961, no. 357. cat. no. 288. Provenance: Bought at Corner exhibition and Provenance: Won in the art lottery of Magasin du Nord in 1961. since by descent in the family. DKK 30,000-40,000 / € 4,000-5,350 DKK 30,000-40,000 / € 4,000-5,350

1009

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1010 ARR HARALD ENGMAN b. Copenhagen 1903, d. s.p. 1968 "Tidens Malere" (Today's painters). Signed Harald Engman 1938. Oil on canvas. 96 x 70 cm. Literature: Josef Petersen: "Den forbudte maler. Billeder fra Besættelsestiden af Harald Engman", Copenhagen, 1945, ill. in colours p. 5.

"The most important period in Engman's artwork oc- curred during the years 1938-45. His opposition to Na- zism resulted in a great number of highly provocative works in response to the Germans’ actions. Engman had his first clash with the Germans in 1939, where he at the initiative of the German envoy was banned from exhibiting the painting “Tidens malere” (Today’s Paint- ers) in the pedestrian tunnel at the City Hall Square. In 1940, German soldiers intervened directly and closed the exhibition “Black Banners”. Engman fled to Sweden in 1943, where many of his anti-Nazi drawings were created. After the war things quieted down, and Eng- man has since been given the nickname "The forbid- den painter"." Quoted from Joan Hauch's biography in Weilbachs Kunstnerleksikon. DKK 100,000-150,000 / € 13,500-20,000

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2323

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1011 ARR S. MELCHIOR HANSEN b. 1908, d. 1978, Danish painter "L'après-midi d'un Faune - 'Nijinsky'", c. 1937. Signed Melchior Hansen. Gouache on paper. Sheet size 99 x 74 cm. Unframed. DKK 30,000-40,000 / € 4,000-5,350

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1012 HENRI DE TOULOUSE-LAUTREC b. Albi 1864, d. Malromé 1901 "Reine de Joie", par Victor Joze chez tous les libraires", 1892. Signed in the stone. Lithograph in colours. Visible size 140 x 97 cm. Literature: Götz Adriani no. 5; Delteil no. 342; Adhémar no. 5; Adriani no. 7; Wittrock no. P 3. DKK 75,000-100,000 / € 10,000-13,500

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1013 ARR INGÁLVUR AV REYNI b. Tórshavn 1920, d. s.p. 2005 Scenery from Akraberg, Suderøy, the Faroe Islands. Signed Ing. av Reyni 1974. Oil on canvas. 70 x 100 cm. DKK 30,000-40,000 / € 4,000-5,350

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1014 ARR SAMUEL JOENSEN-MIKINES b. Mykines 1906, d. Copenhagen 1979 Faroese dance, the Faroe Islands. Signed S. J-Mikines 60. Oil on canvas. 108 x 138 cm. DKK 100,000-125,000 / € 13,500-16,500

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886_modernekunst_s014-204_kunst.indd 27 09/05/2019 14.35 1015 ARR OLUF HØST b. Svaneke 1884, d. Gudhjem 1966 Bognemark, Bornholm, early spring. Double signed O.H. Oil on canvas. 82 x 134 cm. DKK 250,000-300,000 / € 33,500-40,000

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1017

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1016 JENS ADOLF JERICHAU b. Roskilde 1890, d. Paris 1916 "Store Crier, Bandol", 1915. Unsigned. Oil on canvas. 46 x 55 cm. Literature: Troels Andersen: "Jens Adolf Jerichau (1890- 1916) En biografi og en fortegnelse over hans værker", Copenhagen, 1983, no. 143, ill. full page p. 114. Provenance: Bachs Kunsthandel, Gl. Strand, Copen 1018 hagen. DKK 20,000-25,000 / € 2,700-3,350 HARALD GIERSING b. Copenhagen 1881, d. s.p. 1927 "Skydebanen ved Tuel Sø, Sorø" (Skydebanen at 1017 ARR Tuel Lake, Sorø), 1916. Signed monogram. Oil on VILHELM LUNDSTRØM canvas. 75 x 65 cm. b. Copenhagen 1893, d. s.p. 1950 Exhibited: Harald Giersing Mindeudstilling, Charlot- The final scene from "Tosca". Unsigned. Oil on can- tenborg, Copenhagen, 1927, cat. no. 206. vas. 44 x 64 cm. Exhibited: Giersing Udstillingen, Stockholm and Literature: Preben Wilmann & Marianne Brøns: "Lund- Copenhagen, 1958 without catalogue. strøm", Copenhagen, 1987, no. S 3. Provenance: National Bank Director F.C.G. Schrøder. DKK 25,000 / € 3,350 DKK 40,000-50,000 / € 5,350-6,700

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886_modernekunst_s014-204_kunst.indd 31 09/05/2019 14.35 1019 ARR HELEN SCHOU b. Frederiksberg 1905, d. Charlottenlund 2006 "Moder og Barn" (Mother and Child), c. 1943. Signed Helen Schou, stamped L. Rasmussen, Broncestøberi Kbhvn. Green patinated bronze. H. 175 cm. The sculptor Helen Schou has left many lasting influences on Danish art history, but she is especially re- membered for “Den Jyske Hingst” (The Jutlandic Stal- lion) in Randers and the equestrian statue of Christian X in Aarhus – both monumental works that stand as proud landmarks in the cityscape.

“Moder og Barn" (Mother and Child), which we here offer for sale, may be known by summer guests at the Bellevue Beach north of Copenhagen, where a version of the sculpture is part of the view towards the Sound.

Unlike Helen Schou's more imposing works, this sculpture is a quite unsentimental depiction of a proud, self- aware mother carrying her young child on her arm. The woman stands in a classical contraposto, placing her weight on her left leg, which allows her to rest her arm on the hip and at the same time emphasizing the body's strength. DKK 150,000-200,000 / € 20,000-27,000 1019

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886_modernekunst_s014-204_kunst.indd 32 09/05/2019 14.35 1020 ARR CARL MILLES b. Örby 1875, d. Lidingö 1955 "Solglitter" (Sunglitter), "Najad på Delfin" (Nai- ad and Dolphin). Original executed 1917-18. This version cast 1971. Signed C. Milles, numbered 2/12 and stamped 'Danske Billedhuggeres Broncestøberi'. Green patinated bronze. H. 79 cm. W. 71 cm. Provenance: Kirsten & Axel Lind, Grenen Kunstmu- seum, Skagen, Denmark. Acquired directly at Milles- gården, Stockholm in 1977. DKK 200,000 / € 27,000 1020

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1021 ARR WILLIAM SCHARFF b. Copenhagen 1886, d. s.p. 1959 Nature morte with bottle and tube. On the reverse: "Johanne syr. Portræt af søsteren" (Johanne is sewing. Portrait of the sister), (1910). Signed W.S. 16. Oil on canvas. 102 x 83 cm. Literature: S. Danneskjold-Samsøe "Vor Tids Kunst 4", Copenhagen, 1931, p. 28. Literature: Ernst Mentze "William Scharff. En kunstner og hans tid", Copenhagen, 1958, "Fortegnelse over 577 af William Scharffs malerier og studier i olie og akvarel samt over kunstnerens store udsmykningsarbejder", no. 82. (The other version ill. in colours p. 49). The portrait of the artist's sister, Johanne, ill. p. 23. Exhibited: Kunstforeningens udstilling, Charlottenborg, Copenhagen, 1958, cat. no. 13. Provenance: Arne Bruun-Rasmussen, auction no. 134, Copenhagen, 1961, cat. no. 137. Provenance: Aage Dyssegaard, Fredsholm. DKK 300,000 / € 40,000

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1022 ARR SAMUEL JOENSEN-MIKINES b. Mykines 1906, d. Copenhagen 1979 View over the sea, the Faroe Islands. Signed S.J. Mikines 35. Oil on canvas. 102 x 120 cm. DKK 40,000-50,000 / € 5,350-6,700

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1023 ARR OLUF HØST b. Svaneke 1884, d. Gudhjem 1966 Smoke house, Bornholm. Certified on the reverse by Trygve Høst. Oil on canvas. 89 x 147 cm. DKK 200,000-250,000 / € 27,000-33,500

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1024 ARR SVEN HAVSTEEN-MIKKELSEN b. Argentina 1912, d. Ærøskøbing 1999 "Morgen" (Morning). Signed SHM; signed and dated titled on the reverse. Oil on canvas. 50 x 73 cm. Provenance: Bredgade Kunsthandel, Copenhagen. Acquired here by the present owner. DKK 30,000 / € 4,000

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1025 ARR SAMUEL JOENSEN-MIKINES b. Mykines 1906, d. Copenhagen 1979 Rocks by the Sea, the Faroe Islands. Signed S. J-Mikines 1958. Oil on canvas. 85 x 101 cm. DKK 60,000-75,000 / € 8,050-10,000

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1026 ARR ERIK THOMMESEN b. Copenhagen 1916, d. 2008 "Kvinde" (Woman). Signed Erik 1958. Bog oak. H. 16 cm. Literature: Henning Jørgensen: "Billedhuggeren Erik Thommesen", Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik, Bornholms Kunstmuseum, 2001, no. 201. Provenance: Jørgen Zahle, Copenhagen. DKK 40,000-50,000 / € 5,350-6,700

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1027 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 Untitled. Hjarnø 1948. Signed and dated on the Exhibited: "Asger Jorn - Robert Jacobsen", One-man reverse. Oil on canvas. 55 x 70 cm. exhibition with Robert Jacobsen. Catalogue preface by Literature: Guy Atkins: "Jorn in Scandinavia 1930- Hans Kjærholm, and a manifesto of three pages signed 1953", London, 1968, no. 579. by Jorn and others, Aarhus Universitet, Denmark, 1961, Exhibited: "Asger Jorn", One-man exhibition of works cat. no. 36, with the title "Graa komposition" (Grey in the private collections of Aage Damgaard, Frode composition). Folkvang, Einer Madsen, Viborg, Denmark, 1961, cat. Provenance: Mrs Gudrun Plett (Jorn's sister). no. 14, with the title "Grå komposition" (Grey compo- Provenance: Frode Folkvang, Holstebro, Denmark. sition). DKK 250,000-300,000 / € 33,500-40,000

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1028 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 Untitled. Signed Jorn 45. Black-white lithograph from the "Ars-portfolio" with hand colouring in watercolour. Visible size 48 x 34 cm. Literature: Van de Loo no. 89 (hand coloured version). Provenance: Private collection, Bornholm. Gift from the artist to the present owner's father. DKK 25,000-30,000 / € 3,350-4,000

1029 ARR REINHOUD D'HAESE b. Geraadsbergen 1928, d. Paris 2007 "Câlin", 1985. Unsigned. Tin. H. 32 cm. Literature: "Reinhoud Catalogue raisonné. Tome 3/ Sculptures 1982-1987", 2008, no. 1218, ill. p. 167. Provenance: Gallery GKM, Malmö, Sweden. DKK 25,000-30,000 / € 3,350-4,000 1029

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886_modernekunst_s014-204_kunst.indd 42 09/05/2019 14.37 ARR 1030 1030 HENRY HEERUP b. Copenhagen 1907, d. s.p. 1993 Untitled, c. 1937. Unsigned. Paint can, forks, egg have the "precious" we will include it. No snobbish- cup and small tin figure. H. 29.5 cm. ness here – neither towards high nor low. Each human Literature: Robert Dahlmann Olsen: "Henry Heerups makes its own ' Scrap Model'. Start Now! Anything Skralde-Modeller", Skulptur Veksølund 1986, Special can be used. An 'Artwork' doesn't get better because publication, ill. in the catalogue. it is more durable. 'My Best Artwork' is not 'Venus on a Horse' in a gold digger frame. A bishop’s crosier or "Children have always made 'scrap models'. They just marble clock. Smashing fine porcelain. Emperor Ring don't understand how to preserve them and call it art a Ding Ding, "My Artwork" is straightforward and the – not a shred of conceit. 'The scrap model' is closely coloured areas give it all the contrast and richness that related to nature, as the material does not attempt an outweighs gold and marble etc." illusion, but IS. Wood looks like wood and iron is first and foremost iron. It has to have some kind of name, Henry Heerup: "Skraldemand & Skralde-Model" (Dust- preferably a naturalistic one if the resemblance is clear man and scrap model) in "Helhesten", 2nd volume, enough. No precious metals are needed here, but if we 1943, p. 94. DKK 30,000-40,000 / € 4,000-5,350

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1031 ARR CORNEILLE b. Liège 1922, d. 2010 "Architecture de l'eau" (Water architecture), 1958. Signed, titled and dated on the reverse. Oil on canvas. 50 x 50 cm. Exhibited: FIAC, Grand Palais, Paris, 1992. Exhibited: Cobra Museum voor Moderne Kunst, Amstelveen, the Netherlands, 1996. Exhibited: "Corneille", Carl-Henning Pedersen and Else Alfelts Museum, Herning, 2005. Provenance: Galerie H. le Gendre, Paris. DKK 150,000 / € 20,000

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1032 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 “Treenighed" (Trinity), 1974. Signed, titled and dated on the reverse. Oil on canvas. 42 x 65 cm. DKK 80,000-100,000 / € 10,500-13,500

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1033

1033 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 Large bow with figure decoration on the outside. Signed Jorn 1953 (Nr 79). Executed in Sorring near Silkeborg. Ceramic. Polychrome decorated in blue, green and yellow. H. 13 cm. D. 32 cm. W. 30 cm. DKK 25,000-30,000 / € 3,350-4,000

1034 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 Vase on three legs. Signed Jorn. Ceramic. Polychrome decorated with glaze in red, white, blue and black. H. 33 cm. € 1034 Diam. 13 cm. DKK 25,000-30,000 / 3,350-4,000

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1035 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Mask composition "Februar 1971". Signed, titled and dated on the reverse. Oil on canvas. 92 x 73 cm. Provenance: Galerie Birch, Copenhagen. DKK 150,000-175,000 / € 20,000-23,500

886_modernekunst_s014-204_kunst.indd 47 09/05/2019 14.37 1036 ARR MOGENS BALLE b. Copenhagen 1921, d. Asminderup 1988 "Jeg slipper dig ikke" (I Won't Let You Go), 1988. Signed Balle; titled on the reverse. Oil on canvas. 64 x 46 cm. Literature: Lise Gotfredsen: “Mogens Balle", Borgen, Copenhagen, 1996. Discussed pp. 83- 86, ill. in colours p. 85. Literature: “Mogens Balle – The Sensing Artist", published in connection with the exhibition of the same name, 2009. Exhibited: "Mogens Balle – The Sensing Artist", Carl-Henning Pedersen and Else Alfelt’s Mu- seum, Herning, Skovhuset at Søndersø and Bispegaarden, Kalundborg, 2009-2010. Exhibited: "Mogens Balle – The Sensing Artist", CoBrA Museum voor Moderne Kunst, Amstel veen, 2010. Provenance: Galleri Franz Pedersen, Horsens.

"He entitled one of his final paintings “Jeg slipper Dig ikke” (I Won't Let You Go). It is a fairly small picture with a powerful motion towards the upper right corner. It is as if his dog creatures, as well as all his other creatures, are unit- 1036 ed in one great upward search, eager to survive, hold on or aspire to get out of the visual surface of the image." (Lise Gotfredsen pp. 83-84.) DKK 30,000 / € 4,000

1037 ARR EJLER BILLE b. Odder 1910, d. 2004 1037 "Dyret" (The Animal). Signed E. Bille E.A. Patinated bronze. H. 26 cm. DKK 50,000 / € 6,700

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1038 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Yellow Masks, 1974. Signed and dated on the reverse. Oil on canvas. 100 x 75 cm. DKK 150,000-175,000 / € 20,000-23,500

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886_modernekunst_s014-204_kunst.indd 49 09/05/2019 14.37 Enclosed black/white photograph showing Asger Jorn in the studio with the painting.

1039 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 "L'idole se promène", 1961. Signed Jorn; signed, Exhibited: "Asger Jorn", One-man retrospective exhi- titled and dated on the reverse. Oil on canvas. bition. Catalogue preface by Per Hovdenakk, Bergens 65 x 54 cm. Kunstforening, Trondhjem Kunstforening and Kunst nernes Hus, Oslo, Norway, 1965, cat. no. 15. Literature: Guy Atkins: "Asger Jorn. The crucial years: 1954-1964", London, 1977, no. 1400. Exhibited: "Asger Jorn", One-man exhibition. Cata- Literature: Yvon Taillandier: "La nouvelle figura- logue preface by Virtus Schade, an extract from his tion: une nouvelle tendence chez certains abstraits. book on Jorn, Konsthallen, Göteborg Konstförening Connaissance des Arts, Paris, 129, November, 1962, and Lunds Konsthall, Sweden, 1966, cat. no. 20. pp. 80-85, ill. p. 83 DKK 400,000-500,000 / € 53,500-67,000

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1040 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Green-Blue Mask, 1961. Signed and dated on the reverse. Oil on canvas. 100 x 74 cm. DKK 125,000-150,000 / € 16,500-20,000

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1041 ARR CARL-HENNING PEDERSEN b. Copenhagen 1913, d. s.p. 2007 "La dame et la licorne", Molesmes 1986. Signed, titled and dated on the reverse. Oil on canvas. 124 x 104 cm. DKK 200,000-250,000 / € 27,000-33,500

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1042 ARR CARL-HENNING PEDERSEN b. Copenhagen 1913, d. s.p. 2007 "Flyvende svane" (Flying Swan), 1957. Signed, titled and dated on the reverse. Oil on masonite. 61 x 68 cm. DKK 60,000-75,000 / € 8,050-10,000

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1043 ARR ASGER JORN b. Vejrum 1914, d. Århus 1973 Composition from the series "Luxury Paintings". Signed Jorn 61. Oil and acrylic on paper laid down on canvas. 38 x 52 cm. The work is registered in the archives of Museum Jorn, Silkeborg.

Provenance: Arthur Tooth & Sons, London. Provenance: Private collection, Denmark. DKK 150,000-175,000 / € 20,000-23,500

886_modernekunst_s014-204_kunst.indd 55 09/05/2019 14.38 Sonja Ferlov Mancoba working on “Den Lille Nænsomme” (The small gentle one), Gudhjem, 1951. Photo: Johnny Bonne/Ritzau Scanpix.

1044 ARR SONJA FERLOV MANCOBA b. Copenhagen 1911, d. Paris 1984 Untitled, 1951. Unsigned; numbered III/VI. Patinated bronze. H. 32 cm. W. 49 cm. D. 28 cm.

A version in the collection at ARoS, Aarhus Kunst museum. Five sculptures exist from her time in Denmark, one of Literature: Troels Andersen: "Sonja Ferlov Mancoba", which we present at this auction. According to Troels Copenhagen 1979, cat. 24, ill. p. 42. Andersen, the sculpture was a further development Literature: "Sonja Ferlov Mancoba - Skulpturer / Sculp- of the “proto-shape” that Ferlov worked on during tures", Fyns Kunstmuseum, Holstebro Kunstmuseum & the war years from 1940 to 1946. "It is probably the Nordjyllands Kunstmuseum 2003, cat. 25, ill. p. 118. piece that has taught me the most about working with sculptures and is the mother of everything that has Sonja Ferlov Mancoba joins a far too long list of female come after," Ferlov writes in a letter to Troels Andersen artists who, during their lifetime, never obtained the in September 1961. (Troels Andersen: "Sonja Ferlov recognition that they deserved based on their signifi- Mancoba", Borgen, 1979, p. 35) cance in art history alone. In a similar way, we are here dealing with a figure This has since been remedied. Sonja Ferlov Mancoba is whose contours rise from the ground in majestic fash- today represented at several museums in Denmark and ion towards a sudden culmination – and subsequent abroad, and her powerful, potent works are often in dramatic fall and end. However, with this figure from great demand on the auction market. With the current 1951, Ferlow works with the relationship, or tensions, exhibition at The National Gallery of Denmark, which between the open and closed form, where the underly- is organized in collaboration with the Centre Pompi- ing space is embraced and protected by a skeletal-like dou in Paris, this uncompromising artist is once again structure. In the typical style of Ferlov, the surface is pulled a further step into the limelight. marked with a granulated surface that leaves a trace of the creator’s hand as an expression of a close dia- Sonja Ferlov's sympathetic view on art – or "the expres- logue between the artist and the material. sion", as she preferred to call it – was based on a clear desire to shed light on the relationship and community In the following quote, Ferlov describes this very fact between people rather than to further her career or for – that the artist is merely a mediator for the release of economic reasons. The global approach and spiritual- the inherent power of the piece: "A human is driven by ity are therefore essential clues in the work of Ferlov inner forces to express itself in a material ... As long as Mancoba. Her sculptures grow out of a deep interest the thing is alive to me, speaks to me, I can and must in non-Western cultures – in particular the African art continue it.” she became acquainted with in the 1920s through the Danish collector Carl Kjersmeier. The interest was fur- (”Kunstneren er et middel for folket” (The Artist Is a ther nurtured in her meeting with her future husband, Means for the People), interview with Sonja Ferlov in the South African artist Ernest Mancoba. The couple met Danish newspaper Jyllandsposten, 1973. Quote from in Paris at the end of the 1930s, and apart from a brief "Sonja Ferlov Mancoba Skulpturer/Sculptures", Funen stay in Denmark from 1947-52, where they never felt Art Museum, Holstebro Kunstmuseum & KUNSTEN quite artistically or socially at home, it was in France Museum of Modern Art Aalborg 2003, p. 25). that they spent the rest of their lives together. DKK 200,000-250,000 / € 27,000-33,500

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1045 ARR CARL-HENNING PEDERSEN b. Copenhagen 1913, d. s.p. 2007 "Eva og gul fugl" (Eva and Yellow Bird), Molesmes, Bourgogne 1999. Signed, titled and dated on the reverse. Oil on canvas. 60 x 70 cm. DKK 150,000 / € 20,000

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1046 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Mask in green, 1966. Signed and dated on the reverse. Oil on canvas. 100 x 72 cm. DKK 150,000-175,000 / € 20,000-23,500

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1047 ARR ELSE ALFELT b. Copenhagen 1910, d. s.p. 1974 "Universum", 1952. Signed and dated on the reverse. Oil on plywood. 126 x 107 cm. DKK 75,000 / € 10,000

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1048 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Green Mask, 1964. Signed and dated on the reverse. Oil on canvas. 100 x 75 cm. DKK 150,000-175,000 / € 20,000-23,500

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1049 ARR KAREL APPEL b. Amsterdam 1921, d. Zürich 2006 Figure composition. Signed Appel 71. Acrylic on paper laid down on canvas. 58 x 76 cm. DKK 75,000-100,000 / € 10,000-13,500

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1050 ARR EGILL JACOBSEN b. Copenhagen 1910, d. s.p. 1998 Green Mask, 1985. Signed and dated on the reverse. Oil on canvas. 100 x 73 cm. Literature: Per Hovdenakk: "Egill Jacobsen 3. Malerier 1980-1998", Copenhagen, 2004, ill. p. 116. Provenance: Egill & Evelyn Jacobsens Foundation. DKK 100,000 / € 13,500

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1052

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886_modernekunst_s014-204_kunst.indd 64 09/05/2019 14.38 1051 ARR JACQUES DOUCET b. Boulogne-sur-Seine 1924, d. Paris 1994 "Paysage de Valmy", 1988. Signed Doucet; signed, titled and dated on the reverse. Oil on canvas. 65 x 81 cm. Literature: Andrée Doucet/Michel Ragon: "Jacques Doucet Parcours 1977-1994. Catalogue Raisonné Tome III", Paris, 1999, no. 1603, ill. p. 117. DKK 30,000-40,000 / € 4,000-5,350

1052 ARR EJLER BILLE b. Odder 1910, d. 2004 Untitled, 1999. Signed and dated on the reverse. Oil on canvas. 42 x 54 cm. DKK 50,000 / € 6,700

1053 ARR CARL-HENNING PEDERSEN b. Copenhagen 1913, d. s.p. 2007 "Den Røde Prinsesse" (The Red Princess). Signed chp 1994. Glass painting mounted in iron frame. Visible size 157 x 47 cm. Measures incl. iron frame with wall mount. 169.5 x 60.5 cm. Literature: "Carl-Henning Pedersen - Øjne i natten - Glasmalerier fra Per Steen Hebsgaards værksted", Rhodos, Copenhagen, 1996, ill. as pl. no. 1. DKK 100,000 / € 13,500 1053

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1055 1054 ARR PABLO PICASSO b. Malaga 1881, d. Mougins 1973 "Service visage noir - Asiette K", 1948. Executed in 1055 ARR 100 specimens. Stamped Madoura Plein Feu and PABLO PICASSO with the inscriptions 'Madoura', 'K', 'd'après Picasso' b. Malaga 1881, d. Mougins 1973 and the monogram of Suzanne Ramié. Faience dec- "Visage aux grands yeux", 1960. Dish. Stamped orated in colours and relief. Glazed. Diam. 23.5 cm. Empreinte Originale de Picasso, Madoura Plein Feu, Literature: Ramié no. 46. 55/100. White faience. Diam. 25 cm. DKK 40,000-50,000 / € 5,350-6,700 Literature: Ramié no. 443. DKK 20,000 / € 2,700

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1056 ARR PABLO PICASSO b. Malaga 1881, d. Mougins 1973 "Visage aux cercles", January 9. 1969. Pitcher decorated with green, blue, brown and white glaze. Stamped and inscribed Edition Picasso, Madoura Plein Feu, 68/500. White faience. H. 29 cm. Literature: Ramié no. 612. DKK 50,000 / € 6,700

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1058

1057 ARR 1058 ARR PABLO PICASSO PABLO PICASSO b. Malaga 1881, d. Mougins 1973 b. Malaga 1881, d. Mougins 1973 "Petit Soleil", 1968-69. Stamped Madoura Plein Feu "Petit Soleil", 1969. Stamped Madoura Plein Feu and Empreinte Original de Picasso, 11/100. Small and Empreinte Original de Picasso, 13/100. Small earthenware plaque decorated with polycrome earthenware plaque decorated with polycrome glaze. 10 x 16.5 cm. glaze. 10 x 16.5 cm. Literature: Ramié no. 545. Literature: Ramié nr. 546. DKK 10,000-12,000 / € 1,350-1,600 DKK 10,000-12,000 / € 1,350-1,600

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886_modernekunst_s014-204_kunst.indd 68 09/05/2019 14.38 1059 ARR PABLO PICASSO b. Malaga 1881, d. Mougins 1973 “Yan visage”, 1963. Edition Picasso, 45/300. Madoura Plein Feu. Red faience decorated in black. H. 28 cm. Literature: Ramié no. 512. DKK 20,000-25,000 / € 2,700-3,350

1059

1060

1060 ARR PABLO PICASSO b. Malaga 1881, d. Mougins 1973 "Visage en gros relief", 1963. Dish. Stamped Empreinte Originale de Picasso, Madoura Plein Feu, 59/100. White faience. Diam. 26 cm. Literature: Ramié no. 505. DKK 20,000 / € 2,700

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886_modernekunst_s014-204_kunst.indd 69 09/05/2019 14.38 1061 THORVALD HELLESEN b. Kristiania 1888, d. Oslo 1937 “La ville”. Signed Thorvald Hellesen Paris 26. Gouache on paper. 37 x 31 cm. Provenance: Albert Maurin Carrot, Alger. Collector stamp on the reverse. DKK 75,000-100,000 / € 10,000-13,500 1061

In 1914, Thorvald Hellesen received a stipend from the invitation. Although Léger’s influence on the younger Oslo academy to go to Paris for a few months but ended man is manifest, there are clear differences between the up staying for almost twenty years: ‘I entered the circle two artists’ work. Léger uses modulated grey tones to de- around Picasso and a new world opened up for me; from fine the volume and curves of the figures, projecting the that moment, I considered myself an artist.’ Hellesen was subjects forward from the flat, brightly coloured back- at first greatly influenced by both Picasso and Braque ground (see fig. 1). By contrast, Hellesen’s figures are at and their ongoing Cubist experiments, but by the end of once more colourful and less distinct from the scheme the Great War, Hellesen had met and befriended Fernand of the painting. Hellesen adopts the fundamental princi- Léger, an artist who was to have a profound effect on ples of Léger’s dynamic rhythms of contrasting line and Hellesen’s own work. Together Hellesen and Léger re- colour, yet without volume or shadow, he employs these turned to Norway in 1919 where they collaborated on contrasts across the whole composition and decorative an exhibition at the Tivoli Hall of Kristiania, Léger and scheme to create a geometric image of bold form and the Modern Spirit, for which Hellesen designed the strong purpose.

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886_modernekunst_s014-204_kunst.indd 70 09/05/2019 15.12 1062 THORVALD HELLESEN b. Kristiania 1888, d. Oslo 1937 Unitled. Signed Thorvald Hellesen Paris 27. Gouache on paper. 31 x 24 cm. Provenance: Darius Talyarken, London. DKK 75,000-100,000 / € 10,000-13,500 1062

Not surprisingly, as proponents of the same brand of a l’Effort Moderne represented Picasso, Braque, Gris, Léger, new Cubist aesthetic, Léger and Hellesen were often re- Gleizes and Metzinger, and had promoted and champi- ferred to in the same breath. The critic Theo van Does- oned the movement since 1914. After 1920, Hellesen be- burg wrote that ‘the young generation is going further came increasingly influenced by Gleizes and his theories in artistic expression than Picasso or Braque... Hellesen of animating a flat surface by creating rhythms within and Léger are playing an important role in the evolution space, ultimately to create a ‘pure art’ which has no ref- of Cubism’, while a critic from L’espirit Nouveau in 1921 erence to exterior reality. After 1925 Hellesen no longer wrote: ‘Among the Cubists, Hellesen is one of the most in- exhibited his paintings, which may explain why his work teresting, for he seems to have a well-defined aesthetic, remains more obscure than that of his contemporaries. where colour and form blend in systematic fashion’. There was, however, a rediscovery of the artist late in the twentieth century, and two of his paintings are now Hellesen further established himself as a scion of Cub- in the collection of the National Gallery of Oslo with ism by befriending Léonce Rosenberg, whose Galerie de another in the Musée d’Art moderne in Paris.

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886_modernekunst_s014-204_kunst.indd 71 09/05/2019 15.12 A Cubist Masterpiece by Henri Hayden from the Collection of Furniture Manufacturer C.W.F. France (1897-1972)

A contemporary re-interpretation at Bruun Rasmussen of the 1958 ‘France & Søn’ advert photo illustrated on the opposite page. 72The table by Hvidt & Mølgaard is offered as lot 1463 in our 886 Design catalogue. MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s014-204_kunst.indd 72 09/05/2019 14.39 Paris, where he lived for the remainder of his life. Here he came in direct contact with the new art trends. He was, in his earliest years in Paris, engrossed in Gau- guin’s surface-oriented “Synthetism” and the pictur- esque expression of Renoir. But it was especially the constructive element of Paul Cézanne, which from 1912-1914 and onwards had a lasting influence on Hayden and led him in a natural way towards artists such as Pablo Picasso, André Lhote, Georges Braque, Fernand Léger and André Derain. The friendships with the artists Jacques Lipchitz and Juan Gris became crucial for Hayden since the latter introduced him to the art dealer Léonce Rosenberg. Hayden signed a contract with Rosenberg in 1915 and thereby became part of the above-mentioned “Galerie de L’Effort Moderne” with artists such as Pablo Picasso, Gino Severini, Jean Metzinger, Henri Matisse and many more.

In 1919, Henri Hayden had a separate exhibition in Henri Hayden (1883-1970). Ill. from the biography by Jean Selz: Léonce Rosenberg’s gallery, and towards the end of the “Hayden”, Editions Pierre Cailler, Geneva 1962. same year he painted what, for posterity, is the main work in his relatively short cubist period, the work “Les Trois Musiciens”*, which in 1920 was exhibited at the “Il fallait être déjà un peu un initié pour se rendre dans ‘Salon des Indépendants’ and is today located at the la paisible Rue de La Baume et monter à ce premier Musée d’Art Moderne at Centre Georges Pompidou étage où Léonce Rosenberg, frère de Paul Rosenberg, in Paris. It is a work with clear compositional, pictur- cachait ses cubistes. Ils étaient tous là, sur la cimaise, esque and colouristic similarities with the painting de Braque, le plus célèbre, à Valmier, le moins connu.

“Bretonne” (1920) presented at this auction. * See illustration on next page. C’est en allant les voir dans leur repaire ou leur sanctu- aire que je fis connaissance avec la peinture de Hayden”.

“You had to be one of the initiated before being allowed to enter the quiet Rue de la Baume and go up to the first floor, where Léonce Rosenberg, Paul Rosen- berg’s brother, hid his cubists. They were all there on the shelf, from Braque – the most famous – to Valmier – the least known. It was when I visited them here in their den or sanctuary that I became acquainted with Hayden’s paintings.”

The description comes from the author Jean Selz’ biography of the Polish-born artist Henri Hayden (1883-1970) from 1962, and it conjures up a moment in time from around 1920 of discovering the artist’s works in their original Parisian gallery environment, where they were surrounded by works of the most influential cubist artists of the time.

Henri Hayden’s “Bretonne” (1920) partly depicted in a 1958 advert Hayden was born in Warsaw but left Poland in 1907 for ‘France & Søn’. Photo: VITA Publishing House, from the book to permanently settle in the artistic melting pot of “France & Søn - British Pioneer of Danish Furniture”.

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886_modernekunst_s014-204_kunst.indd 73 09/05/2019 14.39 to France, Hayden spent several summers in Brittany, where Paul Gauguin had established himself as a modernist in the encounter with the countryside and locals a couple of decades previously.

“Par sa construction secouée, l’articulation de ses plans, le rythme de ses aplats de couleur, la toile est puissamment évocatrice des mouve- ments syncopés du jazz. A la regarder on songe à l’expression de Paul Claudel: ‘L’oeil écoute’” (Jean Selz: “Hayden”, Genève 1962, p. 18).

”By his shaken construction, the articulation of the image planes and the rhythm of the colour surfaces, the canvas is strongly reminiscent of the syncopated rhythms and movements of jazz. When you see it, you think of Paul Claudel’s expression: “The eye listens”.

Henri Hayden: “Les Trois Musiciens”, 1920. Oil on canvas. 176 x 176 The Museum of Modern Art / Centre Georges Pompidou, Paris. Photo © RMN-Grand Palais / René-Gabriel Ojéda.

Already around 1922, Henri Hayden moved away from the dogma of Cubism towards a more direct study of nature, leading to an abrupt break with the art dealer Rosenberg. Contrary to Hayden, his colleagues Braque, Severini and Metzinger either further developed the cubist idiom or returned to it later in their careers. Hayden never went back, which also means that larger cubist oil paintings from Hayden’s hand are quite rare on the art market today.

“Bretonne”, 1920 The work “Bretonne” (1920) has clear compositional similarities to the major contemporary work of Hayden, “Les Trois Musiciens” (1919-20). But where the latter depicts three vertically-oriented figures in a con- densed, fragmented and multi-perspective space, the most obvious difference is of course that “Bretonne” concentrates on one vertical figure in a narrower visual space. The title and motif of “Bretonne” are likely nods to one of Hayden’s greatest and earliest sources of inspiration in relation to the surface-oriented, contoured and decorative painting style – namely the works of Paul Gauguin: “Breton Girl Spinning”, 1889. Oil on plaster. Paul Gauguin (1848-1903). Not long after his arrival 135 x 62 cm. © Van Gogh Museum, Amsterdam.

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886_modernekunst_s014-204_kunst.indd 74 09/05/2019 14.39 In Hayden’s “Bretonne”, all landscape references have C.W.F. France was a true European, born English in been distilled away in a further tight modernist focus on Scotland by a French mother, who on her side had a the formalities of the painting: surface, form and colour. Belgian mother born in Switzerland. Besides his moth- The work is pure cubist in its style and can be described er tongue, he mastered both Danish, German and as visually musical. The colour scheme moves across French. This ear for languages gave him great advan- a refined scale, where shades of green leap into burnt tages in terms of being able to do business effortlessly tones with contrasts of cool blue and some accents of across national borders. When France started his fur- crimson. The figure is defined precisely by the fact that niture business in Denmark, the local design scene had different elements in the image – both in and around the advantage of a good number of talented furniture the figure – dissolve and shift rhythmically as the planes architects. On the other hand, the prevailing carpentry of the image overlap and intertwine with each other. tradition in Denmark placed natural limits on a wider international distribution.

France’s success and importance for what has become known as “Danish Modern” was with a popular modern-day expression established through a “disruption”. France combined furniture art with craftsmanship and made an investment in “knock-down furniture” that could be flat-packed and subsequently assembled whereby they became profitable for export. Particular attention should be paid to the relationship with Finn Juhl, for whom France produced the “Japan Chair” and the “Spade Chair” among other designs. Through the years, it was not only Juhl but a large part of Kaare Klint’s students who ended up designing furniture for France, such as Ole Wanscher, Edvard Kindt-Larsen, Grete Jalk, Hvidt & Mølgaard and more.

Although France often placed the furniture together

The former owner of Henri Hayden’s “Bretonne”, C.W.F. France, in his with modern art in advertisements (see the previous factory in Hillerød, Denmark 1966. Photo: VITA Publishing House, spread), it is less known that he himself was an art col- from the book “France & Søn - British Pioneer of Danish Furniture”. lector with a particular liking for Cubism. France has been described as the epitome of a classic Englishman – always wearing immaculate suits from Savile Row The Provenance: British Pioneer of Danish and tailor-made shoes from Jermyn Street, a cigarette Furniture Art - Charles William Fearnley France from “Players No. 3” in the mouth and the interna- The Brit C.W.F. France (1897-1972) had family ties to tional edition of “The Times” under his arm. Based on the textile industry and already settled in Denmark this description, one can easily imagine C.W.F. France before World War II broke out. Initially, he founded walking through the door at Marlborough Fine Art in the “Lama” mattress factory, but it was after the war Old Bond Street and buying this offered masterpiece that he truly established a name for himself as a furni- by Henri Hayden. ture manufacturer with companies such as “France & Daverkosen” and “France & Son”.

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886_modernekunst_s014-204_kunst.indd 75 09/05/2019 14.39 1063 ARR HENRI HAYDEN b. Warsaw 1883, d. Paris 1970 "Bretonne" (A Breton Girl). Signed Hayden 1920; signed on the reverse Hayden XI-1920. Oil on canvas. 109 x 49.5 cm.

Provenance: Marlborough Fine Art Ltd., Old Bond Street, London (label on the reverse). Provenance: The British businessman and furniture manufacturer C. W. F. France (1897-1972), who through the company 'France & Daverkosen' - later 'France & Son' played a decisive role in the international breakthrough of Danish furniture design in the 1950s through the collaboration with Finn Juhl, Ole Wanscher, Edvard Kindt-Larsen, Grete Jalk and others. Acquired directly from Marlborough Fine Art Ltd. and hence by descent in the family.

A photo certificate from Mr Pierre Célice is enclosed. DKK 2,000,000-3,000,000 / € 270,000-400,000

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1064 ARR IB GEERTSEN b. Copenhagen 1919, d. s.p. 2009 Untitled, Jan. 22 - Dec. 3, 1953. Signed and dated on the reverse. Oil on canvas. 99 x 131 cm. Provenance: Furniture manufacturer Poul Hemmert Lund, owner of Bovirke, who from the end of the 1940s produced furniture for Finn Juhl a.o. Acquired directly from the artist and since by descent in the family. DKK 50,000 / € 6,700 Ib Geertsen at the exhibition of Linien II´s udstilling, Den Frie, Copen- hagen, 1948.

886_modernekunst_s014-204_kunst.indd 78 09/05/2019 14.39 Photo from the exhibition: Formes et Couleurs Murales 1951. From the left: Victor Vasarely, Robert Jacobsen, an unidentified person, Jean Dewasne, Denise René and Jean Deyrolle.

1065 1065 ARR ROBERT JACOBSEN, JEAN DEWASNE b. Copenhagen 1912, d. Egtved 1993, b. Lille 1921, d. Paris 1999 Concrete sculpture. Signed underneath R.J. 4-5-49. Polychrome decorated iron. The painted decoration made by Jean Dewasne. H. 30 cm. B. 26 cm. D. 18 cm.

After two years in Paris, Robert Jacobsen stayed in Den- mark for most of 1949. At the same time, the French painter Jean Dewasne was visiting Denmark, where he lived in the Jacobsen family’s allotment hut. The two artists shared a close and fruitful collaboration, which this beautiful, small sculpture is a concrete example of.

The dating on the sculpture is also interesting. Jacob- sen's sympathy with the resistance movement in Den- mark during WW II was heartfelt, and with his dating of 4-5-1949 on the piece it seems natural to interpret the ascending swirl of dancing triangles as a com- memorative symbol of the euphoria felt on the eve of Denmark’s liberation four years previously. DKK 125,000-150,000 / € 16,500-20,000

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1066 ARR VICTOR VASARELY b. Pecs 1908, d. Paris 1997 "Datta 2". Signed Vasarely. Collage of multi-coloured cardboard laid down on black cardboard. Sheet size 57 x 57 cm. A certificate is being issued to follow this lot. DKK 100,000 / € 13,500

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1067 KEY HIRAGA b. Tokyo 1936, d. 2000 Untitled. Signed Key Hiraga 67; signed and dated on the reverse. Oil and mixed media on canvas. 55 x 46 cm. Provenance: Galerie Feldballe, Kolding, Denmark. Acquired here by the present owner's parents in the early 1980s. DKK 100,000 / € 13,500

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1068 ARR PINOT GALLIZIO b. Alba 1902, d. s.p. 1964 "Viking", Copenhagen, March 1961. Signed, titled and dated on the reverse. Oil on canvas. 50 x 40 cm.

A photograph of the artist holding the painting is enclosed (12,5 x 8,5 cm.) Literature: Maria Teresa Roberto: "Pinot Gallizio. Cat- alogo generale delle opere 1953-1964", Mazzotta, Milan, 2001, cat. no. 61 DT 36. Provenance: Galerie Birch, Copenhagen. Provenance: Private collection, Denmark; by descent in the present owner's family. DKK 30,000 / € 4,000

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1069 ARR MEHMED MELIH DEVRIM NEJAD b. Istanbul 1923, d. 1995 Untitled. Signed Néjad 61; signed on the reverse. Oil on canvas. 72 x 60 cm. Provenance: Private collection, Denmark. DKK 60,000-75,000 / € 8,050-10,000

886_modernekunst_s014-204_kunst.indd 83 09/05/2019 14.40 Courtesy of Galerie Moderne, Silkeborg.

Lalan in front of the painting “Souda in Blue”, Corbeil-Essonnens, 1975. Courtesy of Maiiam, Contempoary Art Museum, Chiang Mai.

Zao Wou-Ki, Wu Dayu and Shou Yilin and Lalan. © Wu Chongli, Shou Chongning.

Lalan with her husband of second marriage, the French sculpture and musician Marcel Van Thienen, Paris 1958.

Lalan with her first husband, the Chinese artist Zao Wou-Ki, Paris 1952. Photo: Denise Colomb.

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886_modernekunst_s014-204_kunst.indd 84 09/05/2019 14.40 Lalan’s work balances on the border between two cul- As the playwright and founder of the French tures, and through them, she conveys both the tradi- avant-garde theater Eugéne Ionesco writes in tions of one of the world’s oldest civilizations as well as the preface to the exhibition catalogue from the forward-looking avant-garde scene of Paris in the “Lalan” at Galerie Moderne in Silkeborg, 1971: second half of the twentieth century. “What one can say is that it is very rare for Born in the Chinese province of Guizhou in 1921, Lalan an original artist to emerge. It is rare to be moves to Paris in 1948 with her spouse at the time, the able to confirm the existence of an inde- renowned Chinese artist Zao Wou-Ki. She composes pendent voice and a personal path. It is very electronic music and studies modern dance, and it is rare to be new to non-figurative painting, to only after the divorce from Wou-Ki in 1956 that the have such a strong, such a natural, and such muse becomes a painter herself. However, Lalan travels obvious originality as Lalan does. We have freely and with great ease between the different artistic a tendency to think that we can no longer genres. The bodily movement and rhythm are translated create something new, not in this or in any into a pictorial language, which beautifully combines other direction: and then suddenly the new a kinetic world with a visual one – through the brush’s is here, the unexpected. Here is a painter. sweeping dance across the canvas. Here is Lalan.”

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886_modernekunst_s014-204_kunst.indd 85 09/05/2019 14.40 Courtesy of Maiiam, Contempoary Art Museum, Chiang Mai.

1070 XIE "LALAN" JINGLAN b. Guizhou 1921, d. 1995

謝景蘭 /“蘭蘭” 这场战斗是平等的吗

"Le Combat était il égal?", 1967. Signed on the reverse; titled on the stretcher. Oil on canvas. 114 x 146 cm.

Provenance: Acquired by the present owner's family at Galerie Moderne, Silkeborg, Denmark. DKK 1,000,000 / € 135,000

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1071 ARR PREBEN HORNUNG b. Valby 1919, d. Frederiksberg 1989 Atelierbillede (Studio painting). Signed monogram. Oil on canvas. 80 x 112 cm. DKK 60,000 / € 8,050

1072 ARR PREBEN HORNUNG b. Valby 1919, d. Frederiksberg 1989 "Organisk form" (Organic shape), 1967. Signed monogram; signed, titled and dated on the reverse. Oil on canvas. 120 x 90 cm. DKK 40,000 / € 5,350 1072

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1073 ARR SVEND WIIG HANSEN b. Møgeltønder 1922, d. Helsingør 1997 Reclining figure, 1983. Signed S.W.H. Bronze. H. 23 cm. L. 38 cm. Literature: Jens Erik Sørensen (red): "Svend Wiig Hansen - Klassik og Kaos", Aarhus, 1989, another cast ill. in colours full page p. 110. Exhibited: Another cast exhibited "Svend Wiig Hansen - Klassik og Kaos", Aarhus Kunstmuseum and Stat- ens Museum for Kunst (National Gallery of Denmark), 1989-90, ill. in the catalogue p. 110. A cast in bronze in the collection of Ny Carlsberg Glyp- totek, Copenhagen. DKK 50,000 / € 6,700

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886_modernekunst_s014-204_kunst.indd 89 09/05/2019 14.41 1074 ARR KURT TRAMPEDACH b. Hillerød 1943, d. Sare, France 2013 "To børn, Solvognen og en falden engel" (Two children, The Sun Chariot and an fallen angel). Signed Trampedach 1987. Oil on thick paper laid down on canvas. 160 x 120 cm. Literature: Mikael Wivel: "Kurt Trampedach", 2001, no. 154, ill. full page in colours. Provenance: Allan Stone Gallery, New York. DKK 250,000-300,000 / € 33,500-40,000

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1075 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600

1076 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600

1077 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600 1077

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1078 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600

1079 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600

1080 ARR ANTONIO SAURA b. Huesca 1930, d. Cuenca 1998 ”Superimposition”. Signed Saura 82. Mixed media and collage on an old letter. Sheet size 31 x 21.5 cm. DKK 10,000-12,000 / € 1,350-1,600 1080

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1081 ARR SALVADOR DALÍ b. Port-Lligat 1904, d. s.p. 1989 "Space Venus", (1977-1984). Cast c. 2010. Stamped Dalí, I.A.R., 45/350 and with foundry stamp Perseo, Mendrisio. Green patinated bronze. H. 63 cm.

A Certificate of Authenticity from Perseo SA, Swit- zerland, is enclosed. Literature: Robert & Nicolas Descharnes: "Dalí. The Hard and The Soft. Spells for the Magic of Form. Sculp- tures & Objects", 2004, cat. 616, ill. p. 239. DKK 100,000-125,000 / € 13,500-16,500

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1082 ARR GUDMUNDUR GUDMUNDSSON ERRO b. Snæfellsbær, Iceland 1932 "The Toilet of Venus", 1977, from "Serie Spatiale 1977-79". Signed and dated on the reverse. Oil on canvas. 97 x 53 cm. Literature: Fernand Hazan: "Erró 1974-1986. Catalogue Général", no. 336, ill. p. 64. Provenance: The collection of Christa and film diretor Erik Bal ling, Copenhagen. DKK 75,000-100,000 / € 10,000-13,500

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886_modernekunst_s014-204_kunst.indd 96 09/05/2019 14.43 “My own story with painting is loving to paint, not knowing how to paint, inventing means to paint, and, then, rather quickly being able to call myself a Western painter.”

Quote Jean-Pierre Pincemin from the webpage of Galerie Dutko, Paris

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886_modernekunst_s014-204_kunst.indd 97 09/05/2019 14.43 1083 ARR JEAN-PIERRE PINCEMIN b. Paris 1944, d. Arcueil 2005 Untitled, 1979. Signed and dated on the reverse. Oil on canvas. 170 x 170 cm. Unframed. Jean-Pierre Pincemin was one of the leading French artists of his generation. Until the age of 23, he worked as a factory metal turner. He gave up this job to pursue his great passion and urge to create. Hence, Pincemin emerged in the late 1960s as an influential member of the Supports/Surfaces movement, who took an interest in materiality and investigating the full spectrum of the pictorial field.

Pincemin left the group in 1974 and returned to the more classical painterly tools of the easel and the paint- brush. Nevertheless, he continued to explore the harmo- ny and contrasts of colour in his work, demonstrating his quest for a geometric organisation determined by chromatic values.

A certificate is being issued by Mr Jacques Elbaz to follow this lot. DKK 300,000 / € 40,000

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886_modernekunst_s014-204_kunst.indd 99 09/05/2019 14.43 1084 ARR depth. Mortensen turns away from the figurative, but RICHARD MORTENSEN although his paintings from that point on exclusive- b. Copenhagen 1910, d. Kirke Hyllinge 1993 ly refer to phenomena and objects within the frame, "Hommage aux imponderables II", 1956. Signed, they never shut themselves off from the world entirely. titled and dated on the reverse. Oil on canvas. On the contrary, to a great extent they deal with our 116 x 81 cm. perception of the world. What we see, feel, think and Provenance: Previously in the collection of Maurice experience. Lefebvre-Foinets. Since by descent in the family of the present owner. As Knud W. Jensen puts it: "Whether Morten expresses himself as an expressionist in the earlier work of the Richard Mortensen's role in the development of the 30s and 40s or his talent and clear intellect later dic- Danish abstract painting is immeasurable. After a jour- tates him to paint in a seemingly more detached man- ney to Paris in 1947, where he became part of the circle ner in logical constructive compositions, he remains of concrete artists connected to Galerie Denise Renée, one of the century's greatest painters. Now that we his career took off in earnest. The 1950s became a have a bit of distance to the 1950s, we see how he ac- landmark period for Mortensen's artistic oeuvre, and in tually ran circles around most of his Parisian contem- 1951 he was one of the driving forces behind the exhi- poraries with his abilities as a painter." bition “Klar Form” (Clear Form) in Denmark, which had the ambitious artistic project of defining the idiom of (Villads Villadsen and Jens Erik Sørensen, Richard concrete painting: while large unbroken planes of col- Mortensen Paintings 1929-1993. Quote Knud W. our and lines form the illusion of space, diagonals and Jensen p. 102). sharp zigzag shapes create displacement, nerve and DKK 175,000-200,000 / € 23,500-27,000

100

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1085 ARR ROBERT COMBAS b. Lyon 1957 "Jesus". Signed Combas 92. Paint, paint brushes While Combas’ works often seem to carry an element and rose stems. 43 x 30 x 5 cm. of shock or confrontation, he insists that the images Provenance: Allan Stone Gallery, New York. are meant to engage the viewer, and their execution in vibrant colour and bold, unfettered line communi- Robert Combas is widely recognized as a progenitor cate a spirit of proletarian camaraderie that offsets the of the "figuration libre" movement that began in Paris tendency to overwhelm, in the larger works especially. around 1980 as a reaction to the art establishment in In a biographical note on Robert Combas’ official web- general and minimalism and conceptual art in particular. site the artist asserts his aim is to: "Figuration libre" is often regarded as having roots in “provoke, that is, to trigger a reaction in the spectator Fauvism and Expressionism and is linked to contem- only to ‘invite’ him, beckoning him in and whispering porary movements such as Bad Painting and Neo- in his ear ‘come over and talk to me, I want to tell you expressionism. It draws on pop cultural influences such about the stupidity, violence, beauty, love, hatred, seri- as graffiti, cartoons and rock music in an attempt to ousness and fun, the logic and senselessness that per- produce a more varied, direct and honest reflection of vade our day-to-day lives’ ”. contemporary society, often satirizing or critiquing its Combas lives and works in Paris. excesses. DKK 20,000-25,000 / € 2,700-3,350

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1086 ARR KURT TRAMPEDACH b. Hillerød 1943, d. Sare, France 2013 "Egeskoven under havet" (The oak wood under the sea). Signed Trampedach, Dag Hammarskjölds Alle 40, Copenhagen, 2002. Mixed media on papir laid down on canvas. 135 x 100 cm. DKK 150,000-175,000 / € 20,000-23,500

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1087 ARR RAINER FETTING b. Wilhelmschaffen 1949 "Alte Mauer", 1999. Signed Fetting 99 (297). Mixed media on paper. Sheet size 75 x 56 cm. DKK 15,000-20,000 / € 2,000-2,700

1088 ARR RAINER FETTING b. Wilhelmschaffen 1949 "Alte Fritz mit Mauer + Debis". Signed Fet- ting 2000. Mixed media on paper. Sheet size 75 56 cm. DKK 15,000-20,000 / € 2,000-2,700 1088

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1089 ARR GINA PELLÓN b. Cienfuegos, Cuba 1926, d. Paris 2014 Composition with figure. Signed Gina Pellón. Oil on canvas. 92 x 73 cm. DKK 30,000-40,000 / € 4,000-5,350

1090 ARR GINA PELLÓN b. Cienfuegos, Cuba 1926, d. Paris 2014 Composition with woman. Signed on the reverse G. Pellón 1999. Oil on canvas. 81 x 65 cm. DKK 30,000 / € 4,000 1090

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1092

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886_modernekunst_s014-204_kunst.indd 106 09/05/2019 14.44 1091 ARR PETER LOUIS-JENSEN b. 1941, d. 1999 Untitled, c. 1962. Relief of cardboard and painted wooden lists on masonite. 60 x 60 cm. Literature: A similar work can be found at Silkeborg Art Museum and is reproduced in "Peter Louis-Jensen Retrospective", exhibition catalogue from Vestsjællands Kunstmuseum, 2003. Provenance: The artist's family. DKK 25,000-30,000 / € 3,350-4,000

1092 * ARR STIG BRØGGER b. Slagelse 1941 "Punkt 1" (Point 1), 1965. Signed and dated on the reverse. Lacquer paint, 1093 mixed media and collage on masonite. 152 x 122 cm. Literature: Registrered in "Fotografier af dansk billedkunst", Danmarks Kunstbib liotek, DAK 043-009. Exhibited: Kunstnernes Efterårsudstilling, Charlottenborg, Copenhagen, 1965, cat. no. 160. DKK 20,000-25,000 / € 2,700-3,350

1093 ARR POUL GERNES b. Frederiksberg 1925, d. Ängelholm 1996 Composition yellow, orange, red. Signed on the reverse Poul Gernes. Lacquer paint on panel; mounted on board. 61 x 61 cm. Overall 94 x 94 cm. DKK 40,000-50,000 / € 5,350-6,700

1094 ARR POUL GERNES b. Frederiksberg 1925, d. Ängelholm 1996 Composition yellow, orange, black, beige, 1960s. Signed on the reverse Poul Gernes. Lacquer paint on panel; mounted on board. 61 x 61 cm. Overall 94 x 94 cm. DKK 40,000-50,000 / € 5,350-6,700 1094

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1095 MICHAEL GOLDBERG b. New York 1924, d. s.p. 2007 Untitled. Signed Goldberg 99. Mixed media on paper. Sheet size 69 x 69 cm. Provenance: Galleri Weinberger, Copenhagen. Acquired here by the present owner, 2003. DKK 20,000-25,000 / € 2,700-3,350

1096 ARR GÜNTHER FÖRG b. Füssen 1952, d. 2013 "Untitled (Stele)", c. 1998. Signed Förg. Patinated bronze. H. 21 cm. Provenance: Galerie Mikael Andersen, Copenhagen. Acquired here by the present owner. DKK 25,000-30,000 / € 3,350-4,000 1096

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1097 ARR BJØRN NØRGAARD b. Copenhagen 1947 "Lilit" (The Sea), 2010. Signed Bjørn Nør- gaard. Mixed media; silkscreen, oil, gold and silver leaf, cut and coloured glass. Sheet size 160 x 160 cm. Provenance: Galleri Susanne Ottesen, Copen hagen. DKK 30,000-40,000 / € 4,000-5,350

1098 ARR GÜNTHER FÖRG b. Füssen 1952, d. 2013 Dish. Signed Förg 96 and stamped Tommerup Keramisk Værksted 1996 (885-28-4). Poly- chrome decorated earthenware. Diam. 31.5 cm. Provenance: Galerie Mikael Andersen, Copen hagen. Acquired here by the present owner. DKK 20,000 / € 2,700 1098

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1099 ARR ROBERT JACOBSEN b. Copenhagen 1912, d. Egtved 1993 "K.E.J", 1989. Signed R.J. Black painted iron. H. 135 cm. W. 85 cm. D. 50 cm. Literature: Karl-Erik Johansson: "Samla sitt liv. Kon- stälskarens bilderbok" (Collect one’s life. The art lover's book of paintings), Värnamo, 2010, ill. on the book's cover and title page. Provenance: Private collection, Sweden; acquired directly from the artist. DKK 100,000-125,000 / € 13,500-16,500

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1100 RICHARD MORTENSEN b. Copenhagen 1910, d. Kirke Hyllinge 1993 "Osani", 1977. Signed, titled and dated on the reverse. Oil on canvas. 130 x 97 cm. Literature: Jan Würtz Frandsen: "Richard Mortensen. Erindringens år 1958-1993. Ting og tegn. II: Billeddel", Copenhagen, 2001, fig. 455, ill. p. 318. Exhibited: "Richard Mortensen. Malerier 1970-1980", Statens Museum for Kunst (National Gallery of Den- mark), Copenhagen, 1980, cat. no. 40. Exhibited: Kunstforeningen, Copenhagen, 1985, cat. no. 62. DKK 300,000 / € 40,000

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1101 ARR JØRGEN HAUGEN SØRENSEN b. Copenhagen 1934 "Ham der bærer" (Him who carries). Unsigned. Travertine. H. c. 90 cm. Provenance: Acquired at Veksølund by the present owner. DKK 40,000-50,000 / € 5,350-6,700

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1102 ARR ARNE HAUGEN SØRENSEN b. Copenhagen 1932 "Kentaur med væltet dame i klassisk landskab" (Centaur with overturned lady in classical landscape). Signed A. Haugen Sørensen 84. Acrylic on canvas. 100 x 100 cm. Literature: Hans Edvard Nørregård-Nielsen (ed.): "Arne Haugen Sørensen", Copenhagen, 1987, ill. in colours p. 137. Exhibited: Venice Biennial, 1986. Provenance: Galleri Asbæk, Copenhagen. DKK 75,000 / € 10,000

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1103 ARR VILHELM BJERKE-PETERSEN b. Frederiksberg 1909, d. Halmstad, Sweden 1957 "Stilhedens drømmeflugt" (The dream escape of si- lence), 1947. Signed on the reverse. Oil on canvas. 61 x 46 cm. DKK 30,000-40,000 / € 4,000-5,350

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1104 ARR RICHARD MORTENSEN b. Copenhagen 1910, d. Kirke Hyllinge 1993 "Opus II, no. 7", 26-6 1943. Signed, titled and dated on the reverse. Oil on canvas. 90 x 68 cm. DKK 60,000 / € 8,050

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1105 ARR ARNE HAUGEN SØRENSEN b. Copenhagen 1932 "Vandringsmand" (Wanderer). Signed Sørensen 96; signed, titled and dated on the reverse. Acrylic on canvas. 150 x 150 cm. DKK 50,000-60,000 / € 6,700-8,050

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1106 ARR JENS BIRKEMOSE b. Copenhagen 1943 Untitled, Copenhagen, 1999. Signed and dated on the reverse. Oil on board. 200 x 150 cm. DKK 40,000-50,000 / € 5,350-6,700

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1107 ARR MOGENS ANDERSEN b. Copenhagen 1916, d. s.p. 2003 Untitled. Signed Mogens Andersen 1969; signed and dated on the reverse. Oil on canvas. 146 x 195 cm. Exhibited: Kunstforeningen, Copenhagen, 1988, cat. no. 38. DKK 40,000-50,000 / € 5,350-6,700

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1108 ARR MAJA LISA ENGELHARDT b. Frederiksberg 1956 "Mark", 1993. Signed M.L.E. 93; signed, titled and dated on the reverse. Acrylic on paper laid down on canvas. 180 x 210 cm. DKK 40,000-50,000 / € 5,350-6,700

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1109 ARR PER KIRKEBY b. Copenhagen 1938, d. s.p. 2018 Untitled. Signed PK maj 93. Mixed media on paper. Sheet sizes 65 x 98 cm. DKK 60,000 / € 8,050

120120

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1110 ARR ALLAN OTTE b. Aars 1978 "Kødet blev jord" (And the Meat Turned to Soil), 2010. Signed, titled and dated on the reverse. Acrylic on board. 100 x 162 cm. Provenance: Galleri Tom Christoffersen, Copenhagen. DKK 75,000-100,000 / € 10,000-13,500

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1111 ARR KATHRINE ÆRTEBJERG b. Sorø 1969 "They belong together", 2010. Signed, titled and dated on the reverse. Acrylic on canvas. 140 x 100 cm. Un- framed. DKK 75,000 / € 10,000

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1112 ARR CATHRINE RABEN DAVIDSEN b. Copenhagen 1972 "Studie til 'Control'" (Study for 'Control'), 2009. Signed, titled and dated on the reverse. Oil on canvas. 90 x 90 cm. Unframed. Provenance: Martin Asbæk Gallery, Copenhagen. Acquired here by the present owner. DKK 50,000 / € 6,700

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1113 ARR ERIK A. FRANDSEN b. Randers 1957 "Coca-Cola flaske med uudsprungne mælkebøt- ter" (Coca-Cola bottle with unopened dandelions), 2005. Unsigned. Titled and dated on a gallery label on the reverse EAF-2005-46. Engraved polished stainless steel. 190 x 90 cm. Unframed. Provenance: Acquired directly from the artist. DKK 60,000 / € 8,050

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1114 ARR MICHAEL KVIUM b. Horsens 1955 "Absolute Nature", 2011. Signed, titled and dated on the reverse. Oil on canvas. 50 x 50 cm. Exhibited: "Fugl" (Bird), Johannes Larsen Museet, Kerteminde, 2016. Exhibited: "Fugl", Sophienholm in Lyngby, 2016. Exhibited: "Fugl", Vendsyssel Kunstmuseum, Hjørring, 2016-2017. Provenance: Nils Stærk, Copenhagen. DKK 80,000-100,000 / € 10,500-13,500

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886_modernekunst_s014-204_kunst.indd 125 09/05/2019 14.47 André Butzer is one of Germany´s most relevant contemporary artists. His works are in high demand on the current market, as he continues to have frequent international coverage in numerous art publications, exhibitions at prestigeous institutions, and rep- resentation in several private and public collections. Much of Butzer’s work considers the radical notion that colour and history are inextricably linked. In a wild fantasizing language with impasto swathes of oil paint he finds his colourful experiences and in- spirations amongst old and modern masters such as Giotto, Tizian, Raphael, Munch and Matisse - as well as pop-cultural references. This type of painting, which the offered work is a characteristic example of, should be seen as part of his “Science-Fiction-Expressionism”, that utilize all manner of references from corporate logos to car- toon figures. At the same time, he compresses together symbols of 20th century cultural, political and technological thought into extremely dense works.

”There is no choice with colour. It’s all about colour or it’s nothing. Nothing is not so good.” Katrina Kufer interview with André Butzer, Buro 24/7, 2011.

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1115 ARR ANDRÉ BUTZER b. Stuttgart 1973 "Herr Haxe als Limonadenmann. Henry Matisse", 2007. Signed, titled and dated on the reverse. Oil on canvas. 230 x 190 cm. Unframed. Provenance: Galleri Faurschou, Copenhagen. DKK 350,000-400,000 / € 47,000-53,500

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1116 ARR ANETTE HARBOE FLENSBURG b. Kolding 1961 “So Where Are You Now Gallery”, 2007. Signed on the reverse Anette Harboe-Flensburg. Oil on canvas. 80 x 125 cm. Provenance: Galerie MøllerWitt, Aarhus. DKK 50,000 / € 6,700

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1117 ARR PETER MARTENSEN b. Odense 1953 "Tilskuere" (Spectators), 2000. Signed, titled and dated at the reverse. Oil on canvas. 80 x 100 cm. Unframed. Provenance: Galerie MøllerWitt, Aarhus. DKK 50,000-60,000 / € 6,700-8,050

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886_modernekunst_s014-204_kunst.indd 130 09/05/2019 14.48 1118 * ARR MICHAEL KVIUM b. Horsens 1955 "Natural dead ends", 2008. Signed, titled and dated on the reverse. Triptych. Oil on canvas. 120 x 371 cm. Unframed. Provenance: Galleri Franz Pedersen, Horsens. DKK 200,000-250,000 / € 27,000-33,500

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1119 ARR MICHAEL KVIUM b. Horsens 1955 "Double Fun", 1998. Signed, titled and dated on the reverse. Oil on canvas. 100 x 100 cm. Provenance: Nils Stærk, Copenhagen. DKK 180,000 / € 24,000

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1120 ARR LARS NØRGÅRD b. Aalborg 1956 "Smuthuller" (Loopholes)", 2008. Signed, titled and dated on the reverse. Oil and acrylic on canvas. 180 x 180 cm. Unframed. DKK 40,000-50,000 / € 5,350-6,700

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1121 ARR MICHAEL KVIUM b. Horsens 1955 "Be Creative". Signed Kvium 99. Mixed media on two joint sheets of paper. Sheet size 65 x 90 cm. Provenance: Galleri Franz Pedersen, Horsens. DKK 50,000 / € 6,700

1122 ARR KEN CURRIE b. North Shields 1960 "Study for the bathers", 1992. Signed, titled and dated on the reverse. Pastel and charcoal on paper. 176 x 100 cm. Provenance: Raab Boukamel Galleries, 9 Cork Street, London W1. DKK 20,000-25,000 / € 2,700-3,350 1122

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1123 ARR LARS NØRGÅRD b. Aalborg 1956 "André", 2010. Stamped L. N. EA. Patinated bronze, balloon in aluminum and ballon string in steel. Cast by Fjellerup Bronzestøberi, Svendborg H. 43 cm. W. 47 cm. D. 15 cm.

Executed in an edition of 6, but only 4 sculptures have been cast besides this EA version. One version in the collection of Horsens Kunstmuseum. DKK 40,000-50,000 / € 5,350-6,700

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1124 ARR PIA SCHUTZMANN b. Bergamo, Italien 1940 Untitled, 1991. Signed on the reverse. Mixed media on canvas. 203 x 136 cm. DKK 20,000-25,000 / € 2,700-3,350

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1125 ARR ERIK A. FRANDSEN b. Randers 1957 "Heart Beat / Body Drawing", c. 1997. Unsigned. Neon tubes mounted on board with aluminum mounting frame. 220 x 160 x 15 cm. Transformers for placement on the floor are enclosed. Exhibited: "Erik A. Frandsen - The Double Space." Retrospective exhibition of works from 1982-2008, ARoS, Aarhus Art Museum, Denmark, 2008. DKK 30,000-40,000 / € 4,000-5,350

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Photo: Søren Gylling.

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886_modernekunst_s014-204_kunst.indd 138 09/05/2019 14.49 1126 ARR MICHAEL KVIUM b. Horsens 1955 "Fingermaleri/Finger painting", 2000. Signed, titled and dated on the reverse. Oil on canvas in five parts. 110 x 400 cm. Unframed. (5) Exhibited: "Michael Kvium: Jaywalking Eyes", ARoS, Aarhus, 2006, one Finger ill. in the exhibition catalogue p. 47. Provenance: Galleri Faurschou, Copenhagen. DKK 300,000 / € 40,000

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1127 ARR KATHRINE ÆRTEBJERG b. Sorø 1969 "Hendes mave var en ovn som brændte verden" (Her stomach was an oven that burned the world), 2011. Signed, titled and dated on the reverse. Oil on canvas. 125 x 100 cm. Unframed. DKK 60,000-75,000 / € 8,050-10,000

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1128 JEFF ELROD b. Dallas, Texas 1966, Lives and works in Marfa, Texas and Brooklyn, New York "Untitled", 2001. Signed, titled and dated on the reverse. Acrylic on canvas. 92 x 73 cm. Unframed. Provenance: Leo Koenig Inc., New York, U.S.A. (inscrip- tion on the reverse). Provenance: CCA Andratx, Mallorca, Spain. Provenance: Private collection, Denmark. Acquired from the above. DKK 250,000 / € 33,500

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1129 ARR JOHN KØRNER b. Aarhus 1967 Untitled, 2004. Signed, titled and dated on the reverse. Mixed media and mirror on board. Frame painted by the artist. 98 x 78 cm. DKK 60,000 / € 8,050

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1130 ARR LARS NØRGÅRD b. Aalborg 1956 "Søuhyre" (Sea Monster), 2009. Signed, titled and dated on the reverse. Oil on canvas. 220 x 260 cm. Unframed. DKK 60,000-80,000 / € 8,050-10,500

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886_modernekunst_s014-204_kunst.indd 143 09/05/2019 14.50 Two Photographs by Thomas Ruff

The German photographer Thomas Ruff is one of the most important European contemporary photogra- phers to emerge at the end of the 20th century. His works are rooted in the documentary tradition of the Düsseldorf School of photography founded by Bernd and Hilla Becher, known for its detached, objective gaze. He is part of the first and most influential generation of students from this school, which counts nota- ble artists such as Andreas Gursky, Thomas Struth and Candida Höfer.

Since his first series “Interieurs” appeared in 1979, Thomas Ruff took on new approaches to photography and has since then constantly challenged the conventions of the medium and the documentary style his work sprung from. Essentially his works are photos on photography. And with each new series of works, he has explored the medium, its genres, motifs and tech- The work from the series “Substrat”, presented on the niques, with a methodical approach: opposite page, is an example of this new approach to photography. It is a form of appropriation art more “His work contains neither narrative nor anecdotal than a traditional photograph. Ruff has taken a Manga moments it is purely an expression of a conceptual comic figure found on the Internet and edited it digital- working method in a scientific form which dissects the ly. The original image ends up as a completely different, objects, reassembles them and in doing so combines colourful and abstract amorphous structure becoming analysis and original image creation: “The artist is not a work in its own right, enhanced further by the large there to entertain, but to enlighten and contextual- format (this piece measures 269.2 x 167.6 cm). ize. Art must make people think.”” (Thomas Weski: The Scientific rtist.A In: Thomas Ruff, Works 1979-2011. In 2004 Thomas Ruff presented the series “jpeg” (lot (2012), p.36). number 1132). In this series, Ruff initially worked with photos of disasters, e.g. the attack on the Twin Towers Ruff experimented with human perception, references in New York, but later he also included his own land- to reality and the conventions of photography early on, scape motifs in the series, like the one presented here. e.g. colour vs. black and white, small vs. oversize, an- He used low-resolution photos and enlarged them alogue vs. digital photography. Later he moved away many times, creating images that can be seen from the from exploring the boundaries of traditional photogra- distance but dissolve into abstract squares when you phy to discover the Internet and its way of generating approach them, like impressionist paintings. “The deni- visual information: “The computer is an excellent new al of information is part of the artistic strategy, which tool for photography, an extension for the dark room. It not only reflects the nature of digitally generated im- allows us to change colours and resolutions, parts of a ages, but also poses the question as to their technical picture or even an entire picture.” (Weski, 2012, p.31). construction and truthfulness.” (Weski 2012, p. 34).

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1131 ARR THOMAS RUFF b. Zell am Harmersbach 1958 "Substrat 24 III". Signed on the reverse Thomas Ruff Provenance: David Zwirner, New York (label on the 1/3, 2004 with title. C-print on diasec. reverse numbered RUFTH0594). 269.2 x 167.6 cm. Provenance: Holtermann Fine Art, London. Acquired Literature: Okwui Enwezor, Thomas Weski and Valeria here by the present owner. Liebermann: "Thomas Ruff, Works 1979-2011", 2012. Provenance: Private collection, Denmark / Norway. Similar works shown p. 174-183. DKK 300,000-350,000 / € 40,000-47,000

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886_modernekunst_s014-204_kunst.indd 145 09/05/2019 14.50 1132 ARR THOMAS RUFF b. Zell am Harmersbach 1958 "Jpeg cn01 (Norwegian Sea)". Signed on the reverse Thomas Ruff 2/3, 2005 with title. C-print on diasec. 188 x 243 cm. Literature: Okwui Enwezor, Thomas Weski and Valeria Liebermann: "Thomas Ruff, Works 1979-2011", 2012. Similar works shown p. 196-209. Provenance: David Zwirner, New York (label on the reverse numbered RUFTH0569). Provenance: Holtermann Fine Art, London. Acquired here by the present owner. Provenance: Private collection, Denmark / Norway. DKK 200,000-250,000 / € 27,000-33,500

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1133 ARR MARTIN BIGUM b. Copenhagen 1966 "Hunter and the hunted", 1997. Signed and dated on the reverse. Oil on canvas. 115 x 175 cm. DKK 50,000-75,000 / € 6,700-10,000

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1134 GEORGE KEYT b. Kandy, Sri Lanka 1901, d. Colombo, Sri Lanka 1993 Untitled. Signed G. Keyt 54. Oil on panel. 62 x 44 cm. DKK 80,000-100,000 / € 10,500-13,500

149

886_modernekunst_s014-204_kunst.indd 149 09/05/2019 14.50 1135

1135 ARR FERNANDEZ ARMAN b. Nice 1928, d. New York 2005 Sliced eagle. Signed Arman, 3/8. Bronze; on a marble base. H. 84 cm. DKK 75,000-100,000 / € 10,000-13,500

150 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s014-204_kunst.indd 150 09/05/2019 14.50 INDEX

A E Haugen Sørensen, Jørgen 1101 Achenbach, Christian 1231 Elrod, Jeff 1128 Havsteen-Mikkelsen, Sven 1024 Alfelt, Else 1047, 1159 Engelhardt, Maja Lisa 1108 Hayden, Henri 1063 Amelin, Albin 1147 Engman, Harald 1010 Heerup, Henry 1030, 1156 Andersen, Ivan 1220 Eriksson, Andreas 1186 Hellesen, Thorvald 1061, 1062 Andersen, Mogens 1107, 1170 Ernst, Helge 1176, 1179 Henderson, Pipin 1171 1174, 1175, 1180 1189, 1191, 1192 Hiraga, Key 1067 Appel, Karel 1049 Erro, Gudmundur Gudmundsson Hornung, Preben 1071, 1072, 1166 Arman, Fernandez 1135 1082 Hundertwasser, Friedensreich 1278 1173, 1187, 1188 Estève, Maurice 1279, 1280 Høst, Oluf 1003, 1004 1224, 1225, 1227 1281, 1282, 1283 1005, 1015, 1023 Arp, Jean Hans 1277 1284, 1285, 1286 J 1287, 1288, 1289 B Jacobsen, Egill 1032 1290, 1291, 1292 Bak Jensen, Per 1267 1035, 1038, 1040 1293, 1294, 1295 Balle, Mogens 1036 1046, 1048, 1050 1296, 1297, 1298 Battaglia, Carlo 1230 Jacobsen, Robert 1065, 1099, 1168 Bigum, Martin 1133 F 1169, 1201, 1202 Bille, Ejler 1037, 1052 Farcas, Oana 1226 Jensen, Søren Georg 1167 Birkemose, Jens 1106 Ferguson, Van Hood 1193 Jerichau, Jens Adolf 1016 Bjerke-Petersen, Vilhelm 1103 Ferlov Mancoba, Sonja 1044 Jinglan, Xie “Lalan” 1070 Bonde, Peter 1233 Fetting, Rainer 1087, 1088 Joensen-Mikines, Samuel 1014 Bonnén, Kaspar 1213 Fontana, Lucio 1270 1022, 1025 Breuning, Olaf 1264 Forslund, Leonard 1232, 1234 Jorn, Asger 1027 Brøgger, Stig 1092 Francis, Sam 1243 1028, 1033, 1034 Butzer, André 1115 Frandsen, Erik A. 1113, 1125 1039, 1043, 1276 C Förg, Günther 1096, 1098 K Cacciola, Enzo 1228 G Keyt, George 1134 Christensen, Torben 1263 Gallizio, Pinot 1068 Kippenberger, Martin 1269 Christoffersen, Frede 1164, 1165 Galster, Johan G. C. 1150 Kirkeby, Per 1109, 1199 Combas, Robert 1085 Gandia, Vicente 1197 Kvetny, Ida 1222 Corbusier, Le 1235 Gauguin, Jean René 1143 Kvium, Michael 1114 Corneille 1031, 1157, 1160 Geertsen, Ib 1064 1118, 1119, 1121 1161, 1162, 1163 Gernes, Poul 1093, 1094 1126, 1214, 1215 Currie, Ken 1122 Giersing, Harald 1018, 1154, 1155 Kørner, John 1129 D Gjerdevik, Nils Erik 1219 L Goldberg, Michael 1095 d’Haese, Reinhoud 1029 Landgreen, Malene 1212 Graham, Dan 1265 Dalí, Salvador 1081 Larsen, Karl 1136, 1137 Green, Alan 1229 Delaunay, Sonia 1241, 1242 Laxness, Halldór 1276 Dewasne, Jean 1065 H Lerfeldt, Hans Henrik 1204, 1205 Doucet, Jacques 1051 Harboe Flensburg, Anette 1116 Lieber, Tom 1185 Downing, Joe 1195 Hashmi, Zarina 1268 Lindemann, Kai 1196 Dröscher, Benny 1221, 1223 Haugen Sørensen, Arne 1102, 1105 Lindström, Bengt 1206, 1207

240 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s240-256-slut.indd 240 09/05/2019 15.23 INDEX

Louis-Jensen, Peter 1091 S Lundstrøm, Vilhelm 1001, 1017 Salto, Axel 1153 M Saura, Antonio 1075, 1076, 1077 1078, 1079, 1080 Martensen, Peter 1117 Scharff, William 1021, 1141 Marín, Manuel 1182 Scherfig, Hans 1006 Mathiesen, Egon 1148 1007, 1008, 1009 Melchior Hansen, S. 1011 Schou, Helen 1019 Mi Ju 1211 Schutzmann, Pia 1124 Milles, Carl 1020 Severini, Gino 1249 Miotte, Jean 1200 Song, Lu 1198 Miró, Joan 1274, 1275 Soulages, Pierre 1236, 1237 Monk, Jonathan 1216, 1217 1238, 1239, 1240 Mortensen, Richard 1084 Steinberg, Eduard Arkadevich 1178 1100, 1104, 1203 Swane, Sigurd 1140, 1142 Music, Zoran Antonio 1245 Sylvester, Leif 1194 Müller, Max 1144, 1145 Sørensen, Jens-Flemming 1181 N T Nejad, Mehmed Melih Devrim 1069 Thommesen, Erik 1026 Nielsen, Palle 1190 Ting, Walasse 1208, 1209 Nørgaard, Bjørn 1097, 1218 Toulouse-Lautrec, Henri de Nørgård, Lars 1120, 1123, 1130 1012, 1251 O Trampedach, Kurt 1074, 1086 Otte, Allan 1110 V P Vasarely, Victor 1066 Pedersen, Carl-Henning 1041, 1042 Velde, Bram van 1271, 1272, 1273 1045, 1053, 1158 W Pellón, Gina 1089, 1090 Waldach, Brigitte 1184 Picasso, Pablo 1054, 1055 Warhol, Andy 1255, 1256 1056, 1057, 1058 1257, 1258, 1260 1059, 1060, 1246 Wei, Yi 1210 1247, 1248, 1250 Weie, Edvard 1002, 1138, 1139 1252, 1253, 1254 Wesselmann, Tom 1259 Pincemin, Jean-Pierre 1083 Wiig Hansen, Svend 1073, 1172 Poliakoff, Serge 1244 Willumsen, J. F. 1152 R Wittrup, Ebbe Stub 1266 Raben Davidsen, Cathrine 1112 Woods, Clare 1183 Rauschenberg, Robert 1262 Z Reyni, Ingálvur av 1013 Zevs 1261 Richter, Hans 1177 Rude, Olaf 1146, 1149, 1151 Æ Ruff, Thomas 1131, 1132 Ærtebjerg, Kathrine 1111, 1127

BRUUN RASMUSSEN LIVE AUCTION 886 241

886_modernekunst_s240-256-slut.indd 241 09/05/2019 15.23 Foto: Lærke Posselt. Billedet er taget i forbindelse med udstillingen Himmelsten. H.K.H. Prins Henriks samling af orientalsk jadekunst på Koldinghus i 2016.

886_modernekunst_s240-256-slut.indd 242 09/05/2019 15.23 PRINS HENRIKS SAMLING PÅ AUKTION

Prins Henrik var gennem hele sit liv en passioneret samler, der var særligt optaget af masker og skulpturer fra Afrika og jadekunst fra Asien. Til august indledes salget af Prinsens omfattende samling på auktion. Hos Bruun Rasmussen Kunstauktioner er vi glade for, at Kongehuset har valgt os til at formidle salget og ser frem til at præsentere samlingen for vores danske og internationale kunder.

Prins Henriks samling af afrikanske værker og asiatiske jader rummer mere end 6.000 genstande. Hos Bruun Rasmussen går vores erfarne specialister inden for disse områder nu i gang med at katalogisere og fotografere den spektakulære samling. Til august er vi klar til at indlede salget af Prinsens samling. Dele af den har tidligere været udstillet på Museet på Koldinghus i 2017 samt på Gl. Holtegaard og Silkeborg Kunstmuseum i 2009. En passioneret samler Prins Henrik var en passioneret og inkarneret samler, og den livslange interesse for afrikansk og asiatisk kultur blev grundlagt i de tidlige år. Prinsens opvækst i Fransk Indokina dannede baggrund for interessen for den asiatiske jadekunst, mens interessen for det afrikanske kontinents historie blev vakt, da Prinsen i forbindelse med sine studier blev introdu- ceret til afrikanske værker. Mange af samlingens genstande erhvervede Prinsen under sine rejser. Beslutningen om et auktionssalg I forbindelse med boopgørelsen efter Prins Henriks bortgang er det besluttet, at salget af samlingerne sker i overensstemmelse med Prinsens tilkendegivelser i sit testamente. Arvingerne har udvalgt en række genstande fra samlingen, som de ønsker at beholde, ligesom det er besluttet, at der fortsat vil være en samling af jader og afrikanske værker udstillet på Château de Cayx i Frankrig. En del af provenuet fra auktionen går til de to kongelige fonde, Kronprinsparrets Fond samt Nikolai og Felix Fonden.

I takt med vores katalogiseringsarbejde vil vi opdatere hjemmesiden med en mere udførlig præsentation af Prins Henriks samling. Tilmeld dig vores generelle nyhedsbrev på bruun-rasmussen.dk for at holde dig opdateret.

For yderligere information, kontakt venligst: Alexa Bruun Rasmussen: mobil 6035 1091/ [email protected]

886_modernekunst_s240-256-slut.indd 243 09/05/2019 15.23 KØBSVILKÅR FOR TRADITIONELLE AUKTIONER LIVE BIDDING: B: MED BETALINGS/KREDITKORT (Dankort, Visa, Det er muligt at følge auktionen live og byde med via MasterCard, Diners Club og JCB) på bruunrasmussen. bruunrasmussen.dk dk under købers personlige side. FORAUKTION: C: VIA BANKOVERFØRSEL til BRK’s konto i Danske Bank: Disse købsvilkår udgør Bruun Rasmussen Kunst Visse traditionelle auktioner indledes med en netauktion. 4183 4310970638 · Swift/BIC: DABADKKK · IBAN: UNDER AUKTIONEN DK4130004310970638. auktioner A/S’ (“BRK”) købsvilkår for traditionelle De højeste bud på netauktionen danner udgangspunktet på den efterfølgende traditionelle auktion. auktioner og er gældende fra 1. februar 2017. 4 BRK’S ROLLE 10 MOMSFRITAGELSE, -BETALING BRK kan til enhver tid ændre købsvilkårene. 4.1 Salget af en genstand formidles af BRK på vegne af EFTER AUKTIONEN OG -DEPONERING Ved bud accepterer budgiver/køber at være bundet af sælger. BRK afhænder altid udbudte genstande til den højst mulige pris under budgivningen. 10.1 Visse købere kan vælge hvilken momstype, der skal være de til enhver tid gældende købsvilkår, som fremgår 7 BELØB, DER TILLÆGGES HAMMERSLAGET 4.2 Udbudte genstande kan have en med sælger aftalt mindste gældende for handlen. Valget skal meddeles BRK senest to på bruunrasmussen.dk. Købsvilkårene gælder både pris, hvorunder den ikke kan sælges. Denne pris er fortrolig. 7.1 I tillæg til hammerslaget, jf. punkt 5.3, skal køber for den hverdage efter købet og kan ikke omgøres. i forhold til erhvervsdrivende og forbrugere. 4.3 De traditionelle auktioner overværes af en af Justits enkelte genstand betale købersalær og, hvis betingelserne A: Momsregistrerede virksomheder i Danmark kan vælge, ministeriet beskikket auktionsleder, der sikrer, at er opfyldt, de øvrige beløb, der er nærmere beskrevet at handlen skal ske efter reglerne om fuldmoms, jf. auktionerne går retmæssigt for sig. nedenfor. Det samlede beløb, som køber skal betale til BRK, punkt 7.1.3. benævnes "købesummen". B: Momsregistrerede virksomheder i et andet EUland kan 5 BUDGIVNING 7.1.1 Købersalær: Hammerslaget tillægges et salær til BRK. På de fritages for dansk moms, når det kan dokumenteres, traditionelle auktioner udgør salæret 24 % af hammerslaget at genstanden er transporteret til den udenlandske 5.1 Auktionerne afvikles i danske kroner. De tilnærmelsesvise + moms af salæret, i alt 30 %. For frimærker og mønter udgør adresse, som køber har oplyst over for BRK, og som er beløb i euro/US dollar vil blive oplyst på skærme i salæret 20 % af hammerslaget + moms af salæret, i alt 25 %. anført på fakturaen. I sådanne tilfælde skal der afregnes FØR AUKTIONEN auktionssalen og i øvrigt på opfordring. 7.1.2 "LIVE bidding": BRK's egen "LIVE bidding"software via moms efter de gældende regler i det land, hvor køber er 5.2 Auktionarius bestemmer overbuds størrelse og i hvilket bruunrasmussen.dk er gratis at benytte for budgivere. momsregistreret. Det tilrådes at søge oplysning hos de 1 VURDERING AF GENSTANDE tempo, auktionen afvikles. Overbud stiger normalt med Benyttes en "LIVE bidding"software fra tredje part, lokale myndigheder. Køber kan undlade at gøre brug af 5 % 10 % i forhold til det foregående bud. Normalt tillægges købersalæret en afgift på 3 % plus moms, der muligheden for momsfritagelse og i stedet betale dansk 1.1 Alle udbudte genstande er vurderet af BRK. Vurderingen sælges der 50100 katalognumre i timen. videregives til tredje part i sin helhed. brugtmoms/fuldmoms. er et skøn over det forventede hammerslag, jf. punkt 5.3. 5.3 Hammerslag betegner både det forhold, at auktionarius 7.1.3 Fuldmoms: Visse genstande handles efter de gældende C: Købere med bopæl uden for EU kan fritages for dansk Vurderingen er baseret på tidligere salg af samme type slår med hammeren og derved markerer budgivningens regler om fuldmoms. Her beregnes der moms på 25 moms, når det kan dokumenteres, at genstanden er genstande og erfaringer hos BRK. Hammerslag kan derfor afslutning, og den pris (budsum), den udbudte genstand % af både hammerslag og salær. Disse genstande er i falde højere eller lavere ud end vurderingen. transporteret ud af EU. BRK udsteder så vidt muligt sælges til. Se punkt 7 vedrørende beløb, der tillægges beskrivelsen i kataloget og på bruunrasmussen.dk mærket og mod gebyr de fornødne eksportpapirer, som skal med symbolet ”*” eller med teksten: ”Dette emne handles i hammerslaget. fremvises ved toldmyndighederne. Køber kan undlade at fuldmoms”. 2 BESKRIVELSE AF GENSTANDE 5.4 Køber er den budgiver, der opnår hammerslag. Ved gøre brug af muligheden for momsfritagelse og i stedet hammerslaget indgås på baggrund af disse købsvilkår en 7.1.4 Kunstnerafgift: Ifølge dansk lovgivning om ophavsret skal betale dansk brugtmoms/fuldmoms. 2.1 Udbudte genstande præsenteres med fotos og beskrivelse bindende købs/salgsaftale. der opkræves kunstnerafgift (følgeretsvederlag) for værker i kataloger og på bruunrasmussen.dk. Beskrivelsen fore af nyere danske og visse udenlandske kunstnere, som 10.2 Momsregistrerede virksomheder i et andet EUland og tages efter bedste overbevisning af BRK og ud fra en nøje 5.5 Bydes på andres vegne, hæfter budgiver som selvskyldner enten er nulevende eller ikke har været døde i mere end købere med bopæl uden for EU skal deponere den danske undersøgelse efter den på salgstidspunktet herskende kautionist for handlen. 70 år. Kunstnerafgiften opkræves på vegne af VISDA. Disse moms af fakturabeløbet hos BRK, indtil eksporten er opfattelse blandt eksperter. 5.6 Genstande købes som beset, og køber har uanset budtype værker er i kataloget mærket med ”ARR” (Artist’s Resale gennemført på dokumenteret lovpligtig vis. Foretages 2.2 De udbudte genstande er af en alder og art, der ingen fortrydelsesret, heller ikke efter forbrugeraftaleloven. Right) og på bruunrasmussen.dk med teksten ”Dette emne eksporten af en af BRK godkendt speditør, skal momsen bevirker, at de ofte er behæftede med slitage, mangler, 5.7 Budgiver skal efter anvisninger fra BRK identificere sig og er belagt med kunstnerafgift”. Kunstnerafgiften tillægges ikke deponeres. Se listen over godkendte speditører på beskadigelser og reparationer. Som udgangspunkt dokumentere sin betalingsdygtighed, f.eks. ved registrering hammerslaget + salær (ekskl. moms), når beløbet overstiger bruunrasmussen.dk sælges alt som brugte genstande, og derfor indeholder af gyldigt betalings/kreditkort, bankgaranti eller indbeta 300 euro, som angivet nedenfor: beskrivelsen i kataloget og på bruunrasmussen.dk ikke ling af depositum. Hammerslag + salær (ekskl. moms) Betalingssats 11 OVERSKRIDELSE AF BETALINGSFRIST en redegørelse for ovenstående punkter eller genstandens 5.8 BRK kan nægte at acceptere et bud, hvis en tilstrækkelig 300 50.000 euro 5% stand. sikkerhed for betaling mangler, eller hvis budgiver tidligere 50.000 200.000 euro 3% 11.1 Overskrides en betalingsfrist, herunder fristen i punkt 8, 2.3 I visse tilfælde vælger BRK at beskrive en genstands har misligholdt betalingsforpligtigelser ved køb hos BRK. 200.000 350.000 euro 1% opkræves morarenter, som beregnes efter Nationalbankens officielle udlånsrente + 8 % om året af det skyldige beløb. oprindelse. Det sker, hvis en tidligere ejer er offentlig 5.9 Auktionslederen træffer i samråd med auktionarius 350.000 500.000 euro 0.5% kendt, og/eller hvis historien om et tidligere ejerskab afgørelse i alle tvivlstilfælde omkring budgivningen. over 500.000 euro 0.25% 11.2 Betales købesummen inkl. renter ikke senest ti dage efter, belyser genstanden og dens art. Omvendt sker det også, Kunstnerafgiften kan ikke overstige 12.500 euro (ekskl. at der er fremsat påkrav herom, er BRK berettiget til at søge at sådanne informationer udelades fra beskrivelsen, moms) for den enkelte genstand. Afgiften skal betales i købesummen betalt ved modregning i depositum/ved træk f.eks. for at imødekomme sælgers ønske om diskretion. 6 BUDTYPER danske kroner, og omregningskursen (EUR/DKK) fastsættes på bankgaranti eller at hæve købet. 2.4 Vurderingen og beskrivelsen kan blive revideret forud 6.1 Der er følgende muligheder for at afgive bud: af VISDA. 11.3 Hæves købet, er BRK berettiget til at sælge genstanden på for auktionen. Ændringer offentliggøres på PERSONLIGT FREMMØDE: 7.1.5 Betalings/kreditkortgebyr: BRK forbeholder sig ret til at en ny auktion og kræve omkostningerne og en eventuel bruunrasmussen.dk opkræve de af indløsningsselskaberne pålagte betalings/ Registrering og udlevering af bydeskilt foregår ved difference mellem hammerslag (samt salær), der er opnået kreditkortgebyrer. Satserne fremgår ved budgivning via indgangen til auktionssalen. Når budgiver ønsker at byde, på de to auktioner, betalt af den misligholdende køber. bruunrasmussen.dk og ved betaling. 3 EFTERSYN signaleres dette til auktionarius ved at række bydeskiltet 11.4 Alle forfaldne krav (inkl. omkostninger), som ikke betales i vejret og tydeligt fremvise dets nummer. rettidigt, kan BRK i tillæg til inkasso søge inddrevet på 3.1 Udbudte genstande udstilles op til auktionen i et 8 BETALINGSFRIST følgende måder: showroom hos BRK. Potentielle budgivere opfordres til at KOMMISSIONSBUD: se genstanden efter i detaljer og har selv ansvaret for at Det ønskede maksimale bud kan afgives via bruun 8.1 Købesummen forfalder til betaling ved hammerslaget, og A: For købers regning sælge genstande indleveret til forvisse sig om dens stand på disse eftersyn, hvor der også rasmussen.dk frem til auktionens start eller pr. email, fax køber har herefter otte dage til at betale købesummen til auktion af eller på vegne af køber. Salget kan er mulighed for at rådføre sig hos vurderingssagkyndige. eller telefon, så buddet er modtaget senest 24 timer forud BRK. gennemføres uden hensyntagen til en aftalt for auktionens start. En kommissionær byder på budgivers mindstepris. 3.2 Hvis en potentiel køber ikke har mulighed for at besigtige vegne inden for rammerne af det ønskede maksimalbud og Genstande indleveret til auktion kan ikke kræves genstanden ved selvsyn, kan der i de fleste tilfælde ud vil altid afgive lavest muligt overbud. 9 BETALINGSMÅDER udleveret, så længe forfalden gæld henstår ubetalt. færdiges en konditionsrapport. Beskrivelsen heri er fore taget efter BRK’s bedste overbevisning, men er ikke baseret TELEFONBUD: 9.1 Betaling kan ske på følgende måder: B: Inddrage købers tilgodehavende hos BRK, herunder på videnskabelige undersøgelser. En konditionsrapport I forhold til visse genstande er der mulighed for at blive A: MED BETALINGS/KREDITKORT (Dankort, Visa, tilgodehavende fra salg af genstande indleveret af eller tjener blot som identifikation og er ment som en hjælp ringet op af en medarbejder fra BRK, der vil byde på bud MasterCard, Diners Club, China UnionPay og JCB) eller på vegne af køber, uanset om et sådant tilgodehavende til budgivere, der ikke selv har mulighed for at besigtige givers vegne under auktionen. Servicen kan bestilles via kontant (op til 50.000 kr.) i auktionssalen eller efter stammer fra auktionssalg, som ligger forud for eller genstanden på eftersynet. bruunrasmussen.dk indtil tre timer før auktionens start. følgende i en afdeling hos BRK. efter tidspunktet for købers misligholdelse.

244 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s240-256-slut.indd 244 09/05/2019 15.23 KØBSVILKÅR FOR TRADITIONELLE AUKTIONER LIVE BIDDING: B: MED BETALINGS/KREDITKORT (Dankort, Visa, Det er muligt at følge auktionen live og byde med via MasterCard, Diners Club og JCB) på bruunrasmussen. bruunrasmussen.dk dk under købers personlige side. FORAUKTION: C: VIA BANKOVERFØRSEL til BRK’s konto i Danske Bank: Disse købsvilkår udgør Bruun Rasmussen Kunst Visse traditionelle auktioner indledes med en netauktion. 4183 4310970638 · Swift/BIC: DABADKKK · IBAN: UNDER AUKTIONEN DK4130004310970638. auktioner A/S’ (“BRK”) købsvilkår for traditionelle De højeste bud på netauktionen danner udgangspunktet på den efterfølgende traditionelle auktion. auktioner og er gældende fra 1. februar 2017. 4 BRK’S ROLLE 10 MOMSFRITAGELSE, -BETALING BRK kan til enhver tid ændre købsvilkårene. 4.1 Salget af en genstand formidles af BRK på vegne af EFTER AUKTIONEN OG -DEPONERING Ved bud accepterer budgiver/køber at være bundet af sælger. BRK afhænder altid udbudte genstande til den højst mulige pris under budgivningen. 10.1 Visse købere kan vælge hvilken momstype, der skal være de til enhver tid gældende købsvilkår, som fremgår 7 BELØB, DER TILLÆGGES HAMMERSLAGET 4.2 Udbudte genstande kan have en med sælger aftalt mindste gældende for handlen. Valget skal meddeles BRK senest to på bruunrasmussen.dk. Købsvilkårene gælder både pris, hvorunder den ikke kan sælges. Denne pris er fortrolig. 7.1 I tillæg til hammerslaget, jf. punkt 5.3, skal køber for den hverdage efter købet og kan ikke omgøres. i forhold til erhvervsdrivende og forbrugere. 4.3 De traditionelle auktioner overværes af en af Justits enkelte genstand betale købersalær og, hvis betingelserne A: Momsregistrerede virksomheder i Danmark kan vælge, ministeriet beskikket auktionsleder, der sikrer, at er opfyldt, de øvrige beløb, der er nærmere beskrevet at handlen skal ske efter reglerne om fuldmoms, jf. auktionerne går retmæssigt for sig. nedenfor. Det samlede beløb, som køber skal betale til BRK, punkt 7.1.3. benævnes "købesummen". B: Momsregistrerede virksomheder i et andet EUland kan 5 BUDGIVNING 7.1.1 Købersalær: Hammerslaget tillægges et salær til BRK. På de fritages for dansk moms, når det kan dokumenteres, traditionelle auktioner udgør salæret 24 % af hammerslaget at genstanden er transporteret til den udenlandske 5.1 Auktionerne afvikles i danske kroner. De tilnærmelsesvise + moms af salæret, i alt 30 %. For frimærker og mønter udgør adresse, som køber har oplyst over for BRK, og som er beløb i euro/US dollar vil blive oplyst på skærme i salæret 20 % af hammerslaget + moms af salæret, i alt 25 %. anført på fakturaen. I sådanne tilfælde skal der afregnes FØR AUKTIONEN auktionssalen og i øvrigt på opfordring. 7.1.2 "LIVE bidding": BRK's egen "LIVE bidding"software via moms efter de gældende regler i det land, hvor køber er 5.2 Auktionarius bestemmer overbuds størrelse og i hvilket bruunrasmussen.dk er gratis at benytte for budgivere. momsregistreret. Det tilrådes at søge oplysning hos de 1 VURDERING AF GENSTANDE tempo, auktionen afvikles. Overbud stiger normalt med Benyttes en "LIVE bidding"software fra tredje part, lokale myndigheder. Køber kan undlade at gøre brug af 5 % 10 % i forhold til det foregående bud. Normalt tillægges købersalæret en afgift på 3 % plus moms, der muligheden for momsfritagelse og i stedet betale dansk 1.1 Alle udbudte genstande er vurderet af BRK. Vurderingen sælges der 50100 katalognumre i timen. videregives til tredje part i sin helhed. brugtmoms/fuldmoms. er et skøn over det forventede hammerslag, jf. punkt 5.3. 5.3 Hammerslag betegner både det forhold, at auktionarius 7.1.3 Fuldmoms: Visse genstande handles efter de gældende C: Købere med bopæl uden for EU kan fritages for dansk Vurderingen er baseret på tidligere salg af samme type slår med hammeren og derved markerer budgivningens regler om fuldmoms. Her beregnes der moms på 25 moms, når det kan dokumenteres, at genstanden er genstande og erfaringer hos BRK. Hammerslag kan derfor afslutning, og den pris (budsum), den udbudte genstand % af både hammerslag og salær. Disse genstande er i falde højere eller lavere ud end vurderingen. transporteret ud af EU. BRK udsteder så vidt muligt sælges til. Se punkt 7 vedrørende beløb, der tillægges beskrivelsen i kataloget og på bruunrasmussen.dk mærket og mod gebyr de fornødne eksportpapirer, som skal med symbolet ”*” eller med teksten: ”Dette emne handles i hammerslaget. fremvises ved toldmyndighederne. Køber kan undlade at fuldmoms”. 2 BESKRIVELSE AF GENSTANDE 5.4 Køber er den budgiver, der opnår hammerslag. Ved gøre brug af muligheden for momsfritagelse og i stedet hammerslaget indgås på baggrund af disse købsvilkår en 7.1.4 Kunstnerafgift: Ifølge dansk lovgivning om ophavsret skal betale dansk brugtmoms/fuldmoms. 2.1 Udbudte genstande præsenteres med fotos og beskrivelse bindende købs/salgsaftale. der opkræves kunstnerafgift (følgeretsvederlag) for værker i kataloger og på bruunrasmussen.dk. Beskrivelsen fore af nyere danske og visse udenlandske kunstnere, som 10.2 Momsregistrerede virksomheder i et andet EUland og tages efter bedste overbevisning af BRK og ud fra en nøje 5.5 Bydes på andres vegne, hæfter budgiver som selvskyldner enten er nulevende eller ikke har været døde i mere end købere med bopæl uden for EU skal deponere den danske undersøgelse efter den på salgstidspunktet herskende kautionist for handlen. 70 år. Kunstnerafgiften opkræves på vegne af VISDA. Disse moms af fakturabeløbet hos BRK, indtil eksporten er opfattelse blandt eksperter. 5.6 Genstande købes som beset, og køber har uanset budtype værker er i kataloget mærket med ”ARR” (Artist’s Resale gennemført på dokumenteret lovpligtig vis. Foretages 2.2 De udbudte genstande er af en alder og art, der ingen fortrydelsesret, heller ikke efter forbrugeraftaleloven. Right) og på bruunrasmussen.dk med teksten ”Dette emne eksporten af en af BRK godkendt speditør, skal momsen bevirker, at de ofte er behæftede med slitage, mangler, 5.7 Budgiver skal efter anvisninger fra BRK identificere sig og er belagt med kunstnerafgift”. Kunstnerafgiften tillægges ikke deponeres. Se listen over godkendte speditører på beskadigelser og reparationer. Som udgangspunkt dokumentere sin betalingsdygtighed, f.eks. ved registrering hammerslaget + salær (ekskl. moms), når beløbet overstiger bruunrasmussen.dk sælges alt som brugte genstande, og derfor indeholder af gyldigt betalings/kreditkort, bankgaranti eller indbeta 300 euro, som angivet nedenfor: beskrivelsen i kataloget og på bruunrasmussen.dk ikke ling af depositum. Hammerslag + salær (ekskl. moms) Betalingssats 11 OVERSKRIDELSE AF BETALINGSFRIST en redegørelse for ovenstående punkter eller genstandens 5.8 BRK kan nægte at acceptere et bud, hvis en tilstrækkelig 300 50.000 euro 5% stand. sikkerhed for betaling mangler, eller hvis budgiver tidligere 50.000 200.000 euro 3% 11.1 Overskrides en betalingsfrist, herunder fristen i punkt 8, 2.3 I visse tilfælde vælger BRK at beskrive en genstands har misligholdt betalingsforpligtigelser ved køb hos BRK. 200.000 350.000 euro 1% opkræves morarenter, som beregnes efter Nationalbankens officielle udlånsrente + 8 % om året af det skyldige beløb. oprindelse. Det sker, hvis en tidligere ejer er offentlig 5.9 Auktionslederen træffer i samråd med auktionarius 350.000 500.000 euro 0.5% kendt, og/eller hvis historien om et tidligere ejerskab afgørelse i alle tvivlstilfælde omkring budgivningen. over 500.000 euro 0.25% 11.2 Betales købesummen inkl. renter ikke senest ti dage efter, belyser genstanden og dens art. Omvendt sker det også, Kunstnerafgiften kan ikke overstige 12.500 euro (ekskl. at der er fremsat påkrav herom, er BRK berettiget til at søge at sådanne informationer udelades fra beskrivelsen, moms) for den enkelte genstand. Afgiften skal betales i købesummen betalt ved modregning i depositum/ved træk f.eks. for at imødekomme sælgers ønske om diskretion. 6 BUDTYPER danske kroner, og omregningskursen (EUR/DKK) fastsættes på bankgaranti eller at hæve købet. 2.4 Vurderingen og beskrivelsen kan blive revideret forud 6.1 Der er følgende muligheder for at afgive bud: af VISDA. 11.3 Hæves købet, er BRK berettiget til at sælge genstanden på for auktionen. Ændringer offentliggøres på PERSONLIGT FREMMØDE: 7.1.5 Betalings/kreditkortgebyr: BRK forbeholder sig ret til at en ny auktion og kræve omkostningerne og en eventuel bruunrasmussen.dk opkræve de af indløsningsselskaberne pålagte betalings/ Registrering og udlevering af bydeskilt foregår ved difference mellem hammerslag (samt salær), der er opnået kreditkortgebyrer. Satserne fremgår ved budgivning via indgangen til auktionssalen. Når budgiver ønsker at byde, på de to auktioner, betalt af den misligholdende køber. bruunrasmussen.dk og ved betaling. 3 EFTERSYN signaleres dette til auktionarius ved at række bydeskiltet 11.4 Alle forfaldne krav (inkl. omkostninger), som ikke betales i vejret og tydeligt fremvise dets nummer. rettidigt, kan BRK i tillæg til inkasso søge inddrevet på 3.1 Udbudte genstande udstilles op til auktionen i et 8 BETALINGSFRIST følgende måder: showroom hos BRK. Potentielle budgivere opfordres til at KOMMISSIONSBUD: se genstanden efter i detaljer og har selv ansvaret for at Det ønskede maksimale bud kan afgives via bruun 8.1 Købesummen forfalder til betaling ved hammerslaget, og A: For købers regning sælge genstande indleveret til forvisse sig om dens stand på disse eftersyn, hvor der også rasmussen.dk frem til auktionens start eller pr. email, fax køber har herefter otte dage til at betale købesummen til auktion af eller på vegne af køber. Salget kan er mulighed for at rådføre sig hos vurderingssagkyndige. eller telefon, så buddet er modtaget senest 24 timer forud BRK. gennemføres uden hensyntagen til en aftalt for auktionens start. En kommissionær byder på budgivers mindstepris. 3.2 Hvis en potentiel køber ikke har mulighed for at besigtige vegne inden for rammerne af det ønskede maksimalbud og Genstande indleveret til auktion kan ikke kræves genstanden ved selvsyn, kan der i de fleste tilfælde ud vil altid afgive lavest muligt overbud. 9 BETALINGSMÅDER udleveret, så længe forfalden gæld henstår ubetalt. færdiges en konditionsrapport. Beskrivelsen heri er fore taget efter BRK’s bedste overbevisning, men er ikke baseret TELEFONBUD: 9.1 Betaling kan ske på følgende måder: B: Inddrage købers tilgodehavende hos BRK, herunder på videnskabelige undersøgelser. En konditionsrapport I forhold til visse genstande er der mulighed for at blive A: MED BETALINGS/KREDITKORT (Dankort, Visa, tilgodehavende fra salg af genstande indleveret af eller tjener blot som identifikation og er ment som en hjælp ringet op af en medarbejder fra BRK, der vil byde på bud MasterCard, Diners Club, China UnionPay og JCB) eller på vegne af køber, uanset om et sådant tilgodehavende til budgivere, der ikke selv har mulighed for at besigtige givers vegne under auktionen. Servicen kan bestilles via kontant (op til 50.000 kr.) i auktionssalen eller efter stammer fra auktionssalg, som ligger forud for eller genstanden på eftersynet. bruunrasmussen.dk indtil tre timer før auktionens start. følgende i en afdeling hos BRK. efter tidspunktet for købers misligholdelse.

BRUUN RASMUSSEN LIVE AUCTION 886 245

886_modernekunst_s240-256-slut.indd 245 09/05/2019 15.23 12 AFHENTNING OG UDLEVERING normalt indhentes problemfrit, når liste 1genstande CONDITIONS OF PURCHASE – LIVE AUCTIONS enten er solgt med et CITESsalgscertifikat eller er 12.1 Ejendomsretten til en købt genstand overgår til køber, færdigforarbejdet før 1947. Liste 2genstande opnår når hele købesummen inkl. eventuelle renter og gebyrer ligeledes normalt problemfrit en reeksporttilladelse. er betalt, og først herefter kan udlevering af genstanden finde sted. D: I forbindelse med eksport til lande uden for EU kan 4.2 Items up for auction can have a reserve price that has been særlige regler gøre sig gældende ifm. den efterfølgende These conditions of purchase represent Bruun Rasmus 12.2 Ved udlevering af en købt genstand forbeholder BRK sig sen Kunstauktioner A/S’ (“BRK”) conditions of pur agreed upon with the seller. The price is confidential and import, og køber opfordres til at indhente oplysninger the item cannot be sold below this price. retten til at kræve tilfredsstillende dokumentation for, fra egne myndigheder. chase for live auctions and are effective from 1 January at den person, som ønsker genstanden udleveret, enten 4.3 The live auctions are presided over by one of the Danish selv er køberen eller er bemyndiget af køberen til at få 2017. BRK may modify the conditions of purchase at Ministry of Justice’s appointed auctioneers, en suring that genstanden udleveret. 15 MANGLER VED KØBTE GENSTANDE any time. the auctions proceed correctly and lawfully. 12.3 Udlevering af visse våben kræver forevisning af gyldig 15.1 Købelovens mangelsregler kan finde anvendelse. Nedenfor By bidding, the bidder/buyer accepts the current våbentilladelse. Sådant krav er angivet med teksten ”Køb er angivet et ikke udtømmende uddrag af købers mangels conditions of purchase as they appear on bruun 5 BIDDING af dette emne kræver forevisning af gyldig våbentilladelse” beføjelser. i kataloget og på bruunrasmussen.dk rasmussen.dk. The conditions of purchase are applicable 5.1 The currency used while the auctions take place is Danish 15.2 Køber er berettiget til at annullere et køb, hvis beskrivelsen to both business owners and consumers. 12.4 Købte genstande henligger fra hammerslaget for købers kroner. The approximate amount in euro/US dollars is har været behæftet med væsentlige fejl, der har ført til et shown on screens in the saleroom and also on request. regning og risiko. Afhentning skal ske senest otte hverdage højere hammerslag, end en korrekt beskrivelse ville have 5.2 The auctioneer determines the size of the bid increment efter sidste auktionsdag. resulteret i. I sådanne tilfælde vil den samlede købesum BEFORE THE AUCTION and the pace of the auction. Bid increments usually rise by 12.5 Foretages afhentningen ikke rettidigt, transporteres de blive refunderet. Køber kan ikke kræve betaling af renter af 5% 10% compared to the previous bid. Approximately købte genstande til et lager for købers regning og risiko. købesummen eller kræve dækning af anden udgift eller tab. 50100 auction lots are sold per hour. Transporten koster 150 kr. inkl. moms pr. genstand, og 15.3 Et køb kan ikke annulleres, og køber kan ikke kræve 1 VALUATION OF ITEMS 5.3 The hammer price refers both to the gavel used by the opbevaringen koster 150 kr. inkl. moms pr. genstand pr. købesummen refunderet eller rejse noget andet krav mod 1.1 All the offered items are valued by BRK. The valuation auctioneer that signifies the end of a bidding round on an påbegyndt uge. Henligger en genstand uafhentet i så lang BRK, hvis beskrivelsen af genstanden er i overensstemmelse tid, at lagerlejen overstiger genstandens værdi, er BRK is an estimate based on the expected hammer price, see item and to the price (bidding amount) that the item up med punkt 2, eller hvis en påvisning af falskneri havde paragraph 5.3. The estimate is based on the previous sale berettiget til for købers regning og risiko og uden hensyn for auction is sold for. See paragraph 7 regarding amounts krævet brug af videnskabelige metoder, der enten ikke var of similar items as well as BRK’s past experience. The til mindstepris at bortauktionere genstanden eller sælge added to the hammer price. tilgængelige på salgstidspunktet, havde været uforholds hammer price can therefore be higher or lower than the den underhånden. Køber hæfter fortsat for udgifter til mæssigt omkostningskrævende at anvende eller havde ført estimated price. 5.4 The buyer is the bidder that submits the highest bid, there transport og lagerleje, der ikke dækkes ved sådant salg. by obtaining the hammer price. At the moment the til beskadigelse af den pågældende genstand. hammer price is determined, a binding purchase/sale agree 15.4 Krav om annullering af et køb skal meddeles BRK, når 2 DESCRIPTION OF ITEMS ment is entered into based on these conditions of purchase. 13 FORSENDELSE køber er blevet bekendt med det forhold, der berettiger køber til at annullere købet, dog senest to år fra den 2.1 Items up for auction are presented with photographs and 5.5 If bids are made on behalf of others, the bidder serves as 13.1 Er køber forhindret i selv at afhente en genstand, tilbyder descriptions in catalogues and on bruunrasmussen.dk. surety for the transaction. BRK for købers regning og risiko at emballere og arrangere seneste afhentningsdato efter punkt 12.4. Den købte genstand skal returneres til BRK i samme stand som på The description is worded according to the best of BRK’s 5.6 Items are purchased in their present state and condition, forsendelse enten med post eller speditør. Se punkt 12.2 knowledge and based on detailed research in accordance hammerslagstidspunktet. Overholdes disse betingelser and regardless of the type of bidding the buyer has no angående legitimation. with the prevailing views among experts at the time of sale. ikke, mister køber retten til at annullere købet og kan ikke right to cancel his purchase, neither under the Danish kræve købesummen refunderet. Køber er selv ansvarlig for 2.2 The items up for auction are of an age and nature that Consumer Contracts Act. often mean that they are in a worn, repaired or damaged 14 EKSPORTTILLADELSE at betale de omkostninger, der er forbundet med returne 5.7 Bidders are required, in accordance with BRK’s instructions, condition. As a starting point everything is sold as used ring af genstanden. to identify themselves and document their ability to pay, 14.1 For at sikre at dansk kulturarv af afgørende betydning items. For this reason, the descriptions in the catalogue forbliver i Danmark, kan Kulturværdiudvalget for visse or at bruunrasmussen.dk do not include a statement for instance by registration of a valid debit/credit card, genstandes vedkommende nedlægge eksportforbud. Hvis 16 INDSIGELSES- OG ANSVARSBEGRÆNSNING regarding the above or the condition of the item. bank guarantee or a deposit. køber ønsker at eksportere en genstand ud af Danmark, 2.3 In some cases, BRK may choose to describe an item’s 5.8 BRK may refuse to accept a bid if a sufficient guarantee of 16.1 BRK tager forbehold for fejl, tekniske vanskeligheder samt hvor der er nedlagt et eksportforbud, annulleres købet, provenance. Such a description is made if a former owner the bidder’s ability to pay is not provided, or if the bidder og Kulturværdiudvalget er forpligtet til at overtage udefrakommende misbrug eller forstyrrende påvirkning is publicly known and/or if the story of previous ownership has previously defaulted on payment obligations on pur genstanden til den pris, der blev opnået på auktionen. under auktionen. Budgivere kan ikke rejse noget krav mod sheds further light on the item and its background. In chases from BRK. Køber kan ikke rejse krav mod BRK som følge af, at et BRK som følge heraf. other cases, such information is left out of the description, 5.9 The overseeing auctioneer will, in consultation with the eksportforbud bliver nedlagt. 16.2 Køber er i alle tilfælde selv ansvarlig for korrekt betaling for instance to meet the seller’s wish for privacy. auctioneer at the podium, decide what to do in matters of 14.2 Visse genstande er omfattet af Washingtonkonventionen, af moms og andre afgifter, gebyrer mv. i overensstemmelse 2.4 It is possible that the estimate and description are revised dispute concerning a bidding round. også kendt som CITES, der har til formål at stoppe ulovlig med danske og udenlandske regler. prior to the auction. Changes are published on BRK’s website. handel med genstande fremstillet af udryddelsestruede 16.3 Medmindre andet fremgår af disse købsvilkår, kan BRK 6 TYPES OF BIDDING vilde dyr og planter. Såfremt en genstand er omfattet af aldrig blive ansvarlig for budgivers/købers driftstab, 3 PREVIEW Washingtonkonventionen, CITES, liste 1, vil det fremgå af avance tab, andre indirekte tab eller følgeskader. 6.1 Bidding options: beskrivelsen på bruunrasmussen.dk og være markeret 3.1 Items up for auction are presented prior to the auction in IN PERSON: med symbolet ”” i kataloget. Følgende regler gør sig one of BRK’s showrooms. Potential bidders are encouraged gældende: 17 PERSONDATAPOLITIK to inspect the items closely and are responsible for Registration and obtaining the bidding paddle take place determining the condition of the items at these previews, at the entrance to the saleroom. When the bidder wishes to A: Genstande omfattet af Washingtonkonventionen, 17.1 Det er vigtigt for BRK at sikre fortrolighed og sikkerhed bid, it is signalled to the auctioneer on the podium by CITES, liste 1, må kun handles, når der foreligger en where they also have the opportunity to consult with the omkring budgivers/købers personlige oplysninger. valuation experts. raising the bidding paddle in the air and clearly displaying dispensation i form af et såkaldt CITESsalgscertifikat. Persondatapolitikken fremgår af bruunrasmussen.dk. its number. BRK indhenter det fornødne certifikat fra Natur 3.2 If a potential buyer does not have the opportunity to inspect styrelsen, der tillader handel og eksport til lande inden the item personally, a condition report can be drafted in COMMISSION BIDS: for EU. Dog kan genstande, som er færdigforarbejdet 18 KLAGE, TVISTLØSNING OG LOVVALG most cases. The description in this report has been made The intended maximum bid can be submitted via bruun før 1947, frit handles inden for EU uden et certifikat. according to BRK's honest conviction but is not based rasmussen.dk until the start of the auction or by email, 18.1 Har budgiver/køber en klage, kan der altid rettes henvend on scientific studies. A condition report only serves as an fax or phone, so that the bid is received no later than 24 B: Det er alene genstande omfattet af Washington else til BRK. identification and is meant as an aid to bidders who do not hours prior to the start of the auction. A commission agent konventionen, CITES, liste 1, som er særkilt markeret have the opportunity to inspect the item at the preview. på bruunrasmussen.dk og i kataloget. Genstande 18.2 Er budgiver/køber forbruger, og kan der ikke findes en løs bids on behalf of the bidder within the limits of the stated omfattet af Washingtonkonventionen, CITES, liste 2, ning, kan der klages til Center for Klageløsning, Nævnenes maximum bid. The commission agent will always bid the der frit kan sælges og transporteres inden for EU, er Hus, Toldboden 2, 8800 Viborg, hvis betingel serne herfor DURING THE AUCTION lowest possible amount to achieve the hammer price. ikke særskilt markeret. er opfyldt. Budgiver/køber kan klage til Center for Klage TELEPHONE BID: løsning via forbrug.dk. C: Ved eksport til lande uden for EU skal der uanset 4 THE ROLE OF BRK With certain items it is possible to have a BRK employee årstallet for genstandens færdigforarbejdning altid ind 18.3 Tvister skal indbringes i Danmark ved Københavns Byret, call the bidder over the phone. The employee will then bid hentes en CITESreeksporttilladelse fra Naturstyrelsen, jf. dog punkt 18.2. I forbrugerforhold gælder de ufravige 4.1 The sale of an item is facilitated by BRK on behalf of the on behalf of the bidder during the auction. The service can når genstanden er omfattet af Washingtonkonven lige værnetingsregler. seller, and BRK always sells items up for auction at the be booked via bruunrasmussen.dk up until three hours tionen, CITES, liste 1 og 2. Denne eksporttilladelse kan Jesper Bruun Rasmussen, auktionsholder highest price offered during the bidding round. before the auction is set to begin. Rev. 06.18

246 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s240-256-slut.indd 246 09/05/2019 15.23 12 AFHENTNING OG UDLEVERING normalt indhentes problemfrit, når liste 1genstande CONDITIONS OF PURCHASE – LIVE AUCTIONS enten er solgt med et CITESsalgscertifikat eller er 12.1 Ejendomsretten til en købt genstand overgår til køber, færdigforarbejdet før 1947. Liste 2genstande opnår når hele købesummen inkl. eventuelle renter og gebyrer ligeledes normalt problemfrit en reeksporttilladelse. er betalt, og først herefter kan udlevering af genstanden finde sted. D: I forbindelse med eksport til lande uden for EU kan 4.2 Items up for auction can have a reserve price that has been særlige regler gøre sig gældende ifm. den efterfølgende These conditions of purchase represent Bruun Rasmus 12.2 Ved udlevering af en købt genstand forbeholder BRK sig sen Kunstauktioner A/S’ (“BRK”) conditions of pur agreed upon with the seller. The price is confidential and import, og køber opfordres til at indhente oplysninger the item cannot be sold below this price. retten til at kræve tilfredsstillende dokumentation for, fra egne myndigheder. chase for live auctions and are effective from 1 January at den person, som ønsker genstanden udleveret, enten 4.3 The live auctions are presided over by one of the Danish selv er køberen eller er bemyndiget af køberen til at få 2017. BRK may modify the conditions of purchase at Ministry of Justice’s appointed auctioneers, en suring that genstanden udleveret. 15 MANGLER VED KØBTE GENSTANDE any time. the auctions proceed correctly and lawfully. 12.3 Udlevering af visse våben kræver forevisning af gyldig 15.1 Købelovens mangelsregler kan finde anvendelse. Nedenfor By bidding, the bidder/buyer accepts the current våbentilladelse. Sådant krav er angivet med teksten ”Køb er angivet et ikke udtømmende uddrag af købers mangels conditions of purchase as they appear on bruun 5 BIDDING af dette emne kræver forevisning af gyldig våbentilladelse” beføjelser. i kataloget og på bruunrasmussen.dk rasmussen.dk. The conditions of purchase are applicable 5.1 The currency used while the auctions take place is Danish 15.2 Køber er berettiget til at annullere et køb, hvis beskrivelsen to both business owners and consumers. 12.4 Købte genstande henligger fra hammerslaget for købers kroner. The approximate amount in euro/US dollars is har været behæftet med væsentlige fejl, der har ført til et shown on screens in the saleroom and also on request. regning og risiko. Afhentning skal ske senest otte hverdage højere hammerslag, end en korrekt beskrivelse ville have 5.2 The auctioneer determines the size of the bid increment efter sidste auktionsdag. resulteret i. I sådanne tilfælde vil den samlede købesum BEFORE THE AUCTION and the pace of the auction. Bid increments usually rise by 12.5 Foretages afhentningen ikke rettidigt, transporteres de blive refunderet. Køber kan ikke kræve betaling af renter af 5% 10% compared to the previous bid. Approximately købte genstande til et lager for købers regning og risiko. købesummen eller kræve dækning af anden udgift eller tab. 50100 auction lots are sold per hour. Transporten koster 150 kr. inkl. moms pr. genstand, og 15.3 Et køb kan ikke annulleres, og køber kan ikke kræve 1 VALUATION OF ITEMS 5.3 The hammer price refers both to the gavel used by the opbevaringen koster 150 kr. inkl. moms pr. genstand pr. købesummen refunderet eller rejse noget andet krav mod 1.1 All the offered items are valued by BRK. The valuation auctioneer that signifies the end of a bidding round on an påbegyndt uge. Henligger en genstand uafhentet i så lang BRK, hvis beskrivelsen af genstanden er i overensstemmelse tid, at lagerlejen overstiger genstandens værdi, er BRK is an estimate based on the expected hammer price, see item and to the price (bidding amount) that the item up med punkt 2, eller hvis en påvisning af falskneri havde paragraph 5.3. The estimate is based on the previous sale berettiget til for købers regning og risiko og uden hensyn for auction is sold for. See paragraph 7 regarding amounts krævet brug af videnskabelige metoder, der enten ikke var of similar items as well as BRK’s past experience. The til mindstepris at bortauktionere genstanden eller sælge added to the hammer price. tilgængelige på salgstidspunktet, havde været uforholds hammer price can therefore be higher or lower than the den underhånden. Køber hæfter fortsat for udgifter til mæssigt omkostningskrævende at anvende eller havde ført estimated price. 5.4 The buyer is the bidder that submits the highest bid, there transport og lagerleje, der ikke dækkes ved sådant salg. by obtaining the hammer price. At the moment the til beskadigelse af den pågældende genstand. hammer price is determined, a binding purchase/sale agree 15.4 Krav om annullering af et køb skal meddeles BRK, når 2 DESCRIPTION OF ITEMS ment is entered into based on these conditions of purchase. 13 FORSENDELSE køber er blevet bekendt med det forhold, der berettiger køber til at annullere købet, dog senest to år fra den 2.1 Items up for auction are presented with photographs and 5.5 If bids are made on behalf of others, the bidder serves as 13.1 Er køber forhindret i selv at afhente en genstand, tilbyder descriptions in catalogues and on bruunrasmussen.dk. surety for the transaction. BRK for købers regning og risiko at emballere og arrangere seneste afhentningsdato efter punkt 12.4. Den købte genstand skal returneres til BRK i samme stand som på The description is worded according to the best of BRK’s 5.6 Items are purchased in their present state and condition, forsendelse enten med post eller speditør. Se punkt 12.2 knowledge and based on detailed research in accordance hammerslagstidspunktet. Overholdes disse betingelser and regardless of the type of bidding the buyer has no angående legitimation. with the prevailing views among experts at the time of sale. ikke, mister køber retten til at annullere købet og kan ikke right to cancel his purchase, neither under the Danish kræve købesummen refunderet. Køber er selv ansvarlig for 2.2 The items up for auction are of an age and nature that Consumer Contracts Act. often mean that they are in a worn, repaired or damaged 14 EKSPORTTILLADELSE at betale de omkostninger, der er forbundet med returne 5.7 Bidders are required, in accordance with BRK’s instructions, condition. As a starting point everything is sold as used ring af genstanden. to identify themselves and document their ability to pay, 14.1 For at sikre at dansk kulturarv af afgørende betydning items. For this reason, the descriptions in the catalogue forbliver i Danmark, kan Kulturværdiudvalget for visse or at bruunrasmussen.dk do not include a statement for instance by registration of a valid debit/credit card, genstandes vedkommende nedlægge eksportforbud. Hvis 16 INDSIGELSES- OG ANSVARSBEGRÆNSNING regarding the above or the condition of the item. bank guarantee or a deposit. køber ønsker at eksportere en genstand ud af Danmark, 2.3 In some cases, BRK may choose to describe an item’s 5.8 BRK may refuse to accept a bid if a sufficient guarantee of 16.1 BRK tager forbehold for fejl, tekniske vanskeligheder samt hvor der er nedlagt et eksportforbud, annulleres købet, provenance. Such a description is made if a former owner the bidder’s ability to pay is not provided, or if the bidder og Kulturværdiudvalget er forpligtet til at overtage udefrakommende misbrug eller forstyrrende påvirkning is publicly known and/or if the story of previous ownership has previously defaulted on payment obligations on pur genstanden til den pris, der blev opnået på auktionen. under auktionen. Budgivere kan ikke rejse noget krav mod sheds further light on the item and its background. In chases from BRK. Køber kan ikke rejse krav mod BRK som følge af, at et BRK som følge heraf. other cases, such information is left out of the description, 5.9 The overseeing auctioneer will, in consultation with the eksportforbud bliver nedlagt. 16.2 Køber er i alle tilfælde selv ansvarlig for korrekt betaling for instance to meet the seller’s wish for privacy. auctioneer at the podium, decide what to do in matters of 14.2 Visse genstande er omfattet af Washingtonkonventionen, af moms og andre afgifter, gebyrer mv. i overensstemmelse 2.4 It is possible that the estimate and description are revised dispute concerning a bidding round. også kendt som CITES, der har til formål at stoppe ulovlig med danske og udenlandske regler. prior to the auction. Changes are published on BRK’s website. handel med genstande fremstillet af udryddelsestruede 16.3 Medmindre andet fremgår af disse købsvilkår, kan BRK 6 TYPES OF BIDDING vilde dyr og planter. Såfremt en genstand er omfattet af aldrig blive ansvarlig for budgivers/købers driftstab, 3 PREVIEW Washingtonkonventionen, CITES, liste 1, vil det fremgå af avance tab, andre indirekte tab eller følgeskader. 6.1 Bidding options: beskrivelsen på bruunrasmussen.dk og være markeret 3.1 Items up for auction are presented prior to the auction in IN PERSON: med symbolet ”” i kataloget. Følgende regler gør sig one of BRK’s showrooms. Potential bidders are encouraged gældende: 17 PERSONDATAPOLITIK to inspect the items closely and are responsible for Registration and obtaining the bidding paddle take place determining the condition of the items at these previews, at the entrance to the saleroom. When the bidder wishes to A: Genstande omfattet af Washingtonkonventionen, 17.1 Det er vigtigt for BRK at sikre fortrolighed og sikkerhed bid, it is signalled to the auctioneer on the podium by CITES, liste 1, må kun handles, når der foreligger en where they also have the opportunity to consult with the omkring budgivers/købers personlige oplysninger. valuation experts. raising the bidding paddle in the air and clearly displaying dispensation i form af et såkaldt CITESsalgscertifikat. Persondatapolitikken fremgår af bruunrasmussen.dk. its number. BRK indhenter det fornødne certifikat fra Natur 3.2 If a potential buyer does not have the opportunity to inspect styrelsen, der tillader handel og eksport til lande inden the item personally, a condition report can be drafted in COMMISSION BIDS: for EU. Dog kan genstande, som er færdigforarbejdet 18 KLAGE, TVISTLØSNING OG LOVVALG most cases. The description in this report has been made The intended maximum bid can be submitted via bruun før 1947, frit handles inden for EU uden et certifikat. according to BRK's honest conviction but is not based rasmussen.dk until the start of the auction or by email, 18.1 Har budgiver/køber en klage, kan der altid rettes henvend on scientific studies. A condition report only serves as an fax or phone, so that the bid is received no later than 24 B: Det er alene genstande omfattet af Washington else til BRK. identification and is meant as an aid to bidders who do not hours prior to the start of the auction. A commission agent konventionen, CITES, liste 1, som er særkilt markeret have the opportunity to inspect the item at the preview. på bruunrasmussen.dk og i kataloget. Genstande 18.2 Er budgiver/køber forbruger, og kan der ikke findes en løs bids on behalf of the bidder within the limits of the stated omfattet af Washingtonkonventionen, CITES, liste 2, ning, kan der klages til Center for Klageløsning, Nævnenes maximum bid. The commission agent will always bid the der frit kan sælges og transporteres inden for EU, er Hus, Toldboden 2, 8800 Viborg, hvis betingel serne herfor DURING THE AUCTION lowest possible amount to achieve the hammer price. ikke særskilt markeret. er opfyldt. Budgiver/køber kan klage til Center for Klage TELEPHONE BID: løsning via forbrug.dk. C: Ved eksport til lande uden for EU skal der uanset 4 THE ROLE OF BRK With certain items it is possible to have a BRK employee årstallet for genstandens færdigforarbejdning altid ind 18.3 Tvister skal indbringes i Danmark ved Københavns Byret, call the bidder over the phone. The employee will then bid hentes en CITESreeksporttilladelse fra Naturstyrelsen, jf. dog punkt 18.2. I forbrugerforhold gælder de ufravige 4.1 The sale of an item is facilitated by BRK on behalf of the on behalf of the bidder during the auction. The service can når genstanden er omfattet af Washingtonkonven lige værnetingsregler. seller, and BRK always sells items up for auction at the be booked via bruunrasmussen.dk up until three hours tionen, CITES, liste 1 og 2. Denne eksporttilladelse kan Jesper Bruun Rasmussen, auktionsholder highest price offered during the bidding round. before the auction is set to begin. Rev. 06.18

BRUUN RASMUSSEN LIVE AUCTION 886 247

886_modernekunst_s240-256-slut.indd 247 09/05/2019 15.23 LIVE BIDDING: Diners Club, China UnionPay and JCB) or cash (up to 12 PICK-UP & COLLECTION D: In connection with export to other countries outside DKK 50,000) in the saleroom or subsequently at one of the EU, special rules may apply concerning the sub It is possible to follow the auction live and bid on the 12.1 The title to a purchased item passes to the buyer when the BRK’s locations. auction lots via bruunrasmussen.dk. full purchase price, including any interest and fees, has been sequent import, and the buyer is encouraged to consult the relevant local authorities about this issue. PREAUCTION: B: With debit/credit card (Dankort, Visa, MasterCard, paid, and only then can the collection of an item take place. Diners Club and JCB) via BRK’s website on the buyer’s 12.2 In connection with the collection of a purchased item, BRK Some live auctions are preceded by an online auction. personal page. 15 DEFECTS IN THE PURCHASED ITEMS The highest bids from the online auction then represent the reserves the right to demand satisfactory documentation starting bids at the following live auction. C: By bank transfer into BRK’s account with Danske Bank: that the person who wants to pick up the item is either the 15.1 The lack of conformity rules of the Danish Sale of Goods 4183 4310970638 · Swift/BIC: DABADKKK · IBAN: buyer himself/herself or authorized by the buyer to receive Act may apply. Below is a nonexhaustive excerpt of the DK4130004310970638. the item on his/her behalf. buyer’s remedies in regard to lack of conformity. AFTER THE AUCTION 12.3 The collection of certain weapons requires presentation of 15.2 The buyer is entitled to cancel a purchase if the description 10 VAT EXEMPTION, PAYMENT & DEPOSIT a valid weapons certificate. Items with such requirements contained significant errors that have led to a higher hammer 7 AMOUNTS ADDED TO THE HAMMER PRICE 10.1 Some buyers can choose which type of VAT should apply are listed with the text: “The purchase of this item requires price than a correct description would have resulted in. In to the transaction. The choice has to be communicated to the presentation of a valid weapons certificate” in the such cases, the total purchase price will be refunded. The 7.1 In addition to the hammer price, see paragraph 5.3, the BRK no later than two working days after the purchase and catalogue and on bruunrasmussen.dk. buyer cannot demand payment of interest on the purchase buyer pays a buyer's premium for the individual items as cannot be changed subsequently. 12.4 Purchased items are stored after the auction at the buyer’s price or demand payment of any other expenses or losses. well as the other amounts described below if the conditions expense and risk. Pickup must take place no later than 15.3 A purchase cannot be cancelled and the buyer cannot for these are applicable. The total amount that the buyer A: Businesses in Denmark registered for VAT can decide eight working days after the last auction day. demand a refund of the purchase price or raise any other pays to BRK is called the "purchase price". that the transaction is to be conducted in accordance with the rules for full VAT, see paragraph 7.1.3. 12.5 If the item(s) is/are not picked up on time, the purchased claims against BRK if the description of the item is in 7.1.1 Buyer’s Premium: The hammer price always includes an items will be transported to a warehouse at the buyer’s risk compliance with paragraph 15.2. The same applies if additional fee to BRK. At the live auctions, the fee is 24% B: Businesses registered for VAT in another EU Member and expense. The transport costs are DKK 150 including evidence of forgery has required the use of scientific of the hammer price + VAT of the fee, 30% in total. For State can be exempted from paying Danish VAT if it VAT per item and the storage costs are DKK 150 including methods that were either not available at the time of sale, stamps and coins, the fee is 20% of the hammer price + can be proved that the item has been transported to the VAT per item for each week or part of a week. If an item were excessively costly to use or led to the damage of the VAT of the fee, a total of 25%. foreign address that the buyer has registered with BRK item in question. and which is written on the invoice. In such cases, the is left unclaimed for an amount of time that results in the 7.1.2 "LIVE Bidding": BRK's own "LIVE Bidding" software is VAT should be settled according to the rules applicable storage costs exceeding the value of the item, BRK will be 15.4 Claims for a cancellation of a purchase must be notified to free to use for bidders on bruunrasmussen.dk. If a "LIVE in the country where the buyer is registered for VAT. entitled to, at the buyer’s expense and risk and without BRK when the buyer has discovered the fact that entitles Bidding" software from a third party is used, an additional It is advisable to consult with the local authorities. The regard to the reserve price, sell the item at an auction or the buyer to cancel the purchase. This notice, however, has 3% (including VAT) is added to the buyer's premium. The buyer can decide not to be exempt from regular VAT privately. The buyer is still liable for the costs of transpor to be given no later than two years after the final pickup added fee is transferred to the third party in its entirety. and instead pay Danish VAT on secondhand goods/ tation and storage not covered by such sale. date according to paragraph 12.4. The item purchased 7.1.3 Full VAT: Certain items are sold at auction in accordance full VAT. must be returned to BRK in the same condition as it was with the current rules regarding full VAT. In such a 13 SHIPPING on the day it was sold at auction. If these conditions are C: Buyers residing outside the EU can be exempted from situation, a VAT of 25% is imposed on both the hammer not met, the buyer loses the right to cancel the purchase Danish VAT if it can be proved that the item has been 13.1 If the buyer is unable to pick up the purchased item, price and the buyer’s premium. These items are marked in and cannot claim a refund of the purchase price. The buyer transported out of the EU. To the extent possible BRK offers to pack and arrange delivery either by mail or the catalogue and on bruunrasmussen.dk with the symbol is responsible for paying the costs associated with the and for a fee, BRK can issue the necessary export by freight forwarder at the buyer’s risk and expense. "*", or with the text: “This item is subject to full VAT”. return of the item. documents for the customs authorities. The buyer may See paragraph 12.2 regarding identification.

7.1.4 Artist's Resale Right: In accordance with Danish copyright decide not to be exempt from regular VAT and instead law, a royalty fee covering the Artist's Resale Right has to pay Danish VAT on secondhand goods/full VAT. 14 EXPORT LICENSE 16 OBJECTIONS & LIMITATIONS OF LIABILITY be charged for works by newer Danish artists, and some foreign artists, who are either alive or have not been dead 10.2 Companies registered for VAT in another EU Member State 14.1 To ensure that Danish cultural heritage of vital importance 16.1 BRK is aware that errors, technical difficulties and external for more than 70 years. The royalty fee covering the Artist's and buyers residing outside the EU must deposit the Danish remains in Denmark, the Danish Cultural Assets Commission abuse or disruptive influences may occur during the auction. Resale Right is charged on behalf of VISDA (Visual Rights VAT on the amount invoiced with BRK until the export can place an export ban on certain items. If the buyer wishes Bidders cannot raise any claims against BRK as a result of Denmark). These works are marked "ARR" in the printed process has been completed in a documented, lawful to export an item that is subject to an export ban in Den such events. fashion. If the export is undertaken by one of BRK’s catalogue, and on bruunrasmussen.dk the description mark, the purchase will be cancelled and the Danish Cultural 16.2 The buyer is always responsible for the correct payment of of the works includes the text: "This lot is subject to the authorized forwarding agents, the VAT does not have to Assets Commission is obliged to acquire ownership of the be deposited. See the list of authorized forwarding agents VAT and other costs, fees etc. in accordance with Danish Artist's Resale Right". The royalty fee covering the Artist's item for the price obtained at auction. The buyer cannot and foreign regulations. Resale Right is added to the hammer price + the buyer’s on bruunrasmussen.dk. raise any claims against BRK as a result of an export ban. 16.3 Unless otherwise stated in these conditions of purchase, premium (excluding VAT) if the amount exceeds EUR 300, 14.2 Certain items are included in the Washington Convention, BRK may never be held liable for bidders’/buyers’ operating as indicated below: 11 OVERDUE PAYMENTS also known as CITES. The purpose of CITES is to stop the loss, loss of profits, other indirect losses or consequential Hammer price + buyer’s premium (ex. VAT) Payment Rate 11.1 If payment is made after a deadline, including the deadline trade of items made with endangered species and flora. If loss. specified in paragraph 8, interest on overdue payments will the item is included in the Washington Convention, CITES, 300 50,000 euro 5% be charged and estimated in accordance with the Danish Appendix 1, this will appear in the description of the item 50,000 200,000 euro 3% Central Bank’s official lending rate + 8% per year on the on bruunrasmussen.dk and be marked with the symbol 17 PRIVACY POLICY 200,000 350,000 euro 1% amount due. ”” in the catalogue. The following rules are applicable: 17.1 It is important to BRK to ensure confidentiality and 350,000 500,000 euro 0.5% 11.2 If the purchase price, including interest, has still not been A: Items that are included in the Washington Convention, security regarding the bidder’s/buyer’s personal information. paid ten days after the demand for payment has been CITES, Appendix 1, can only be traded when a The privacy policy can be found on bruunrasmussen.dk. over 500,000 euro 0.25% made, BRK is entitled to seek the purchase price paid by dispensation in the form of a CITES certificate has been The royalty fee covering the Artist's Resale Right cannot making a setoff against the deposit/by drawing on the obtained. BRK obtains the required certificate from the 18 COMPLAINTS, DISPUTE RESOLUTION exceed EUR 12,500 (excluding VAT) for each item. The bank guarantee or to cancel the purchase. Danish Nature Agency that allows trade and export fee must be paid in Danish kroner, and the conversion rate to countries within the EU. Items that were produced AND APPLICABLE LAW (EUR/DKK) is set by VISDA. 11.3 If the purchase is cancelled, BRK is entitled to sell the item before 1947 can, however, be freely traded within the 18.1 BRK can always be contacted if the bidder/buyer has a at a new auction and demand the costs and any difference EU without a certificate. 7.1.5 Debit/Credit Card Fee: Amounts Added to the Hammer between the new and the earlier hammer price (including complaint. Price: BRK reserves the right to charge the debit/credit card B: It is only items included in the Washington Convention, the buyer’s premium) covered by the defaulting buyer. 18.2 If the bidder/buyer is a consumer and a solution cannot fees imposed by the payment services companies. The rates CITES, Appendix 1 that are marked individually on be found, a complaint can be submitted to the Complaint will appear when bidding on bruunrasmussen.dk and at 11.4 In addition to debt collection, BRK may seek recovery of all bruunrasmussen.dk and in our catalogue. Items inclu payment. due claims (including costs) not paid in a timely manner in ded in the Washington Convention, CITES, Appendix 2, Resolution Centre, Nævnenes Hus, Toldboden 2, 8800 the following ways: Viborg, Denmark, if the conditions for such a complaint which can be freely sold and transported within the EU, A: Making the buyer cover the costs of selling items are not individually marked. are met. The bidder/buyer can complain to the Complaint 8 PAYMENT DEADLINE Resolution Centre on forbrug.dk. consigned to auction by or on behalf of the buyer. C: Export to countries outside the EU must, regardless 8.1 The purchase price falls due after the hammer price has The sale can be conducted without regard to an agreed of the year of the item’s production, always procure a 18.3 In Denmark, disputes must be brought before the City Court been determined, and then the buyer has eight days to pay reserve price. Items consigned for auction cannot be CITES reexport permit from the Danish Nature Agency of Copenhagen, but see paragraphs 18.2. The mandatory BRK the purchase price. collected as long as overdue debts are unpaid. if the item is included in the Washington Convention, rules on jurisdiction apply to consumer interests. B: Seizing the buyer’s remaining balance with BRK, Appendix 1 and 2. This export permit can usually be Jesper Bruun Rasmussen, Auctioneer 9 PAYMENT METHODS including the balance from the sale of items consigned obtained without problems, if the item is either sold by or on behalf of the buyer, regardless of whether such with a CITES certificate or was made prior to 1947. The above is an English translation of the Danish version of the 9.1 The payment can be made in the following ways: receivables derive from auction sales prior to or after Appendix 2 items usually also receive a reexport permit Conditions of Purchase. In case of a dispute, only the Danish version A: With debit/credit card (Dankort, Visa, MasterCard, the date of the buyer’s default on the payment. without problems. of the present Conditions of Purchase of Bruun Rasmussen is valid. Rev. 05.19

248 MORE PHOTOS AND DETAILS AT BRUUN-RASMUSSEN.DK

886_modernekunst_s240-256-slut.indd 248 09/05/2019 15.23 LIVE BIDDING: Diners Club, China UnionPay and JCB) or cash (up to 12 PICK-UP & COLLECTION D: In connection with export to other countries outside DKK 50,000) in the saleroom or subsequently at one of the EU, special rules may apply concerning the sub It is possible to follow the auction live and bid on the 12.1 The title to a purchased item passes to the buyer when the BRK’s locations. auction lots via bruunrasmussen.dk. full purchase price, including any interest and fees, has been sequent import, and the buyer is encouraged to consult the relevant local authorities about this issue. PREAUCTION: B: With debit/credit card (Dankort, Visa, MasterCard, paid, and only then can the collection of an item take place. Diners Club and JCB) via BRK’s website on the buyer’s 12.2 In connection with the collection of a purchased item, BRK Some live auctions are preceded by an online auction. personal page. 15 DEFECTS IN THE PURCHASED ITEMS The highest bids from the online auction then represent the reserves the right to demand satisfactory documentation starting bids at the following live auction. C: By bank transfer into BRK’s account with Danske Bank: that the person who wants to pick up the item is either the 15.1 The lack of conformity rules of the Danish Sale of Goods 4183 4310970638 · Swift/BIC: DABADKKK · IBAN: buyer himself/herself or authorized by the buyer to receive Act may apply. Below is a nonexhaustive excerpt of the DK4130004310970638. the item on his/her behalf. buyer’s remedies in regard to lack of conformity. AFTER THE AUCTION 12.3 The collection of certain weapons requires presentation of 15.2 The buyer is entitled to cancel a purchase if the description 10 VAT EXEMPTION, PAYMENT & DEPOSIT a valid weapons certificate. Items with such requirements contained significant errors that have led to a higher hammer 7 AMOUNTS ADDED TO THE HAMMER PRICE 10.1 Some buyers can choose which type of VAT should apply are listed with the text: “The purchase of this item requires price than a correct description would have resulted in. In to the transaction. The choice has to be communicated to the presentation of a valid weapons certificate” in the such cases, the total purchase price will be refunded. The 7.1 In addition to the hammer price, see paragraph 5.3, the BRK no later than two working days after the purchase and catalogue and on bruunrasmussen.dk. buyer cannot demand payment of interest on the purchase buyer pays a buyer's premium for the individual items as cannot be changed subsequently. 12.4 Purchased items are stored after the auction at the buyer’s price or demand payment of any other expenses or losses. well as the other amounts described below if the conditions expense and risk. Pickup must take place no later than 15.3 A purchase cannot be cancelled and the buyer cannot for these are applicable. The total amount that the buyer A: Businesses in Denmark registered for VAT can decide eight working days after the last auction day. demand a refund of the purchase price or raise any other pays to BRK is called the "purchase price". that the transaction is to be conducted in accordance with the rules for full VAT, see paragraph 7.1.3. 12.5 If the item(s) is/are not picked up on time, the purchased claims against BRK if the description of the item is in 7.1.1 Buyer’s Premium: The hammer price always includes an items will be transported to a warehouse at the buyer’s risk compliance with paragraph 15.2. The same applies if additional fee to BRK. At the live auctions, the fee is 24% B: Businesses registered for VAT in another EU Member and expense. The transport costs are DKK 150 including evidence of forgery has required the use of scientific of the hammer price + VAT of the fee, 30% in total. For State can be exempted from paying Danish VAT if it VAT per item and the storage costs are DKK 150 including methods that were either not available at the time of sale, stamps and coins, the fee is 20% of the hammer price + can be proved that the item has been transported to the VAT per item for each week or part of a week. If an item were excessively costly to use or led to the damage of the VAT of the fee, a total of 25%. foreign address that the buyer has registered with BRK item in question. and which is written on the invoice. In such cases, the is left unclaimed for an amount of time that results in the 7.1.2 "LIVE Bidding": BRK's own "LIVE Bidding" software is VAT should be settled according to the rules applicable storage costs exceeding the value of the item, BRK will be 15.4 Claims for a cancellation of a purchase must be notified to free to use for bidders on bruunrasmussen.dk. If a "LIVE in the country where the buyer is registered for VAT. entitled to, at the buyer’s expense and risk and without BRK when the buyer has discovered the fact that entitles Bidding" software from a third party is used, an additional It is advisable to consult with the local authorities. The regard to the reserve price, sell the item at an auction or the buyer to cancel the purchase. This notice, however, has 3% (including VAT) is added to the buyer's premium. The buyer can decide not to be exempt from regular VAT privately. The buyer is still liable for the costs of transpor to be given no later than two years after the final pickup added fee is transferred to the third party in its entirety. and instead pay Danish VAT on secondhand goods/ tation and storage not covered by such sale. date according to paragraph 12.4. The item purchased 7.1.3 Full VAT: Certain items are sold at auction in accordance full VAT. must be returned to BRK in the same condition as it was with the current rules regarding full VAT. In such a 13 SHIPPING on the day it was sold at auction. If these conditions are C: Buyers residing outside the EU can be exempted from situation, a VAT of 25% is imposed on both the hammer not met, the buyer loses the right to cancel the purchase Danish VAT if it can be proved that the item has been 13.1 If the buyer is unable to pick up the purchased item, price and the buyer’s premium. These items are marked in and cannot claim a refund of the purchase price. The buyer transported out of the EU. To the extent possible BRK offers to pack and arrange delivery either by mail or the catalogue and on bruunrasmussen.dk with the symbol is responsible for paying the costs associated with the and for a fee, BRK can issue the necessary export by freight forwarder at the buyer’s risk and expense. "*", or with the text: “This item is subject to full VAT”. return of the item. documents for the customs authorities. The buyer may See paragraph 12.2 regarding identification.

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COPENHAGEN – BREDGADE REPRESENTATIVES: FRANCE & BELGIUM BREDGADE 33 DITTE HERBORG KROGH . PARIS DK-1260 COPENHAGEN K Tel +33 6 6185 4564 Tel +45 8818 1111 E-mail: [email protected] E-mail: [email protected] SOUTHERN FRANCE & LUXEMBOURG PETER KOCH COPENHAGEN – SUNDKROGSGADE Tel +45 4045 3403 E-mail: [email protected] SUNDKROGSGADE 30 GERMANY DK-2150 NORDHAVN NICK MESSMANN Tel +45 8818 1111 Tel +45 8818 1232 E-mail: [email protected] E-mail: [email protected] ITALY JEANETTE IDA MØLLER · MILANO COPENHAGEN – BALTIKAVEJ Tel +39 340 053 9219 BALTIKAVEJ 10 E-mail: [email protected] DK-2150 NORDHAVN SPAIN VAGN ERIK KROGSØE Tel +45 8818 1111 Tel +45 2445 1224 E-mail: [email protected] E-mail: [email protected] SWEDEN AARHUS ANNA SIEVERT Tel +46 72-253 98 16 SØREN FRICHS VEJ 34 D E-mail: [email protected] DK-8230 ÅBYHØJ THAILAND Tel +45 8818 1100 ANDERS NORMANN E-mail: [email protected] Tel +66 818 177 273 E-mail: [email protected]

FYN UNITED KINGDOM ANNA GRUNDBERG . LONDON NICK MESSMANN Tel +44 7976 554 439 Tel +45 8818 1232 E-mail: [email protected] E-mail: [email protected] USA SANDRA SEPTIMIUS · NEW YORK ONLINE AUCTIONS - SUPPORT Tel +1 718 764 7601 E-mail: [email protected] BRUUN-RASMUSSEN.DK BENEDICTE HALLOWELL Tel +45 8818 1114 Tel and Fax +1 617 566 7333 E-mail: [email protected] E-mail: [email protected]

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HOVEDNUMMER / MAIN NUMBER MODERNE DESIGN / MODERN DESIGN Peter Kjelgaard Jensen +45 8818 1191 Bruun Rasmussen Auctioneers +45 8818 1111 [email protected] ADMINISTRATION Ole Ravn +45 8818 1192 [email protected] Jakob Dupont, CEO +45 8818 1081 [email protected] MODERNE KUNST / MODERN ART Niels Raben +45 8818 1181 KUNDESERVICE / CUSTOMER SERVICE [email protected] Niels Boe Hauggaard +45 8818 1182 [email protected] +45 8818 1010 [email protected] [email protected] +45 8818 1010 MODERNE SØLV / MODERN SILVER KOMMISSIONER / COMMISSIONS Amalie Hansen +45 8818 1194 Lise Winther Wobido +45 8818 1013 [email protected] Anja Bering Hansen +45 8818 1028 [email protected] PORCELÆN, GLAS OG ASIATISK KUNST BESTILLING AF KATALOGER / CATALOGUE REQUESTS / CERAMICS, GLASS AND ASIAN ART Kundeservice / Customer service +45 8818 1111 Ralph Lexner +45 8818 1161 rl@ bruun-rasmussen.dk AUKTIONSRÅDGIVNING / AUCTION GUIDANCE Charlotte Hviid +45 8818 1162 Franziska Kampmann +45 8818 1026 [email protected] [email protected] RUSSISK KUNST / RUSSIAN ART SHIPPING Martin Hans Borg +45 8818 1128 [email protected] +45 8818 1055 [email protected]

VURDERING OG INFORMATION SMYKKER / JEWELLERY / VALUATION AND INFORMATION Katrin Mikkelsen Sørensen +45 8818 1174 [email protected] INDBOVURDERINGER / VALUATION AT YOUR HOME David Utzon-Frank +45 8818 1221 TÆPPER / CARPETS duf@ bruun-rasmussen.dk Henrik Schleppegrell +45 8818 1145 [email protected] Kasper Nielsen +45 8818 1121 [email protected] VIN / WINE Hans Ruben +45 8818 1231 Morten Stenør Larsen +45 8818 1207 [email protected] [email protected] Ralph Lexner +45 8818 1161 VÅBEN / WEAPONS [email protected] David Utzon-Frank +45 8818 1221 duf@ bruun-rasmussen.dk Liselotte Toxværd Møller +45 8818 1234 [email protected] ÆLDRE KUNST / FINE ART Julie Arendse Voss +45 8818 1123 ARMBÅNDSURE / WRISTWATCHES [email protected] Henrik Jørgensen +45 8818 1168 [email protected] Birte Stokholm +45 8818 1122 [email protected] BØGER / BOOKS Lærke Bøgh +45 8818 1217 ÆLDRE MØBLER / FURNITURE [email protected] Anders Fredsted +45 8818 1142 [email protected] FRIMÆRKER / STAMPS Christian Grundtvig +45 8818 1214 Henrik Schleppegrel +45 8818 1145 [email protected] [email protected]

MØNTER / COINS ÆLDRE SØLV / SILVER Michael Fornitz +45 8818 1201 Heidi Schophuus Jensen +45 8818 1163 [email protected] [email protected]

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It is possible to leave commission bids if you can not be present Det er muligt at afgive kommissionsbud, hvis De ikke selv kan at the auction yourself. This service is free of charge. være til stede på auktionsdagen. Denne service er gratis. When leaving a commission bid, you are instructing our custom- Når De afgiver en kommission, beder De vores kundeservice på er service to bid up to a specified amount on your behalf. Deres vegne byde op til et af Dem bestemt beløb i hammerslag. The situation can occur that another buyer has already bid the Der kan opstå den situation, at en anden køber allerede har budt same as you were prepared to. Are you then willing to bid fur- det beløb, som De ønsker at afgive. Er De da villig til at gå et ther? If not the lot will be sold to another buyer. bud højere eller er De indforstået med at nummeret sælges til If you do not wish to exceed your bid then write “Max”, for anden side? maximum, next to the amount. You can also allow us to raise Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er your bid by approx. 15% or approx. 25%. De i tvivl om hvor højt De vil byde, kan De hæve budet med op The hammer price may be higher or lower than the estimated til ca. 15% eller ca. 25%. price, so it is possible to buy below the estimate. Bruun Rasmus- Salgsprisen kan blive højere eller lavere end vurderingen, så der sen will always buy at the lowest price possible, as if you your- er også mulighed for at købe til under den angivne vurdering. self had been present at the auction. Vor kundeservice køber altid så billigt som muligt til Dem, som All commission bids are strictly confidential. havde De selv været tilstede på auktionen. Commission bids must be submitted no later than 24 hours prior Alle kommissioner behandles strengt fortroligt. to the start of the auction. Kommisionsbud skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.

HOW TO MAKE A COMMISSION BID: SÅDAN BYDER DE:

Complete the commission form with all pertinent information. Udfyld blanketten kommissionsbud med alle oplysninger. Indicate the lot number. Angiv katalognummer. Indicate the amount you are prepared to bid. Angiv beløbet De ønsker at byde. Should this amount be the absolute maximum, please write Er dette Deres absolutte maximum bedes De anføre “Max” i kol- “Max” in the appropriate column. onnen. You can also allow us to bid by up to approx. 15% or approx. De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca. 25% more by indicating so. 25%, ved at indikere dette i kolonnen. Sign the commission form and make sure that Bruun Rasmussen De bedes underskrive kommissionsblanketten og sikre Dem, at receives it 24 hours prior to the start of the auction. Bruun Rasmussen modtager den senest 24 timer før auktionens If the information should be insufficient, Bruun Rasmussen can start. abstain from bidding. Bruun Rasmussen can not be held respon- Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Ras sible for error in bidding or failure to execute bids. mussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen. INTERNET: INTERNET: Commision bids can be submitted via website bruun-rasmussen.dk directly from the page with the item you want to submit a bid for. Kommisionsbud kan afgives på hjemmesiden bruun-rasmussen.dk Deadline for submissions of bids via the website is 3 hours prior direkte fra siden med den effekt, De ønsker at byde på. to the start of the auction. Seneste afgivelse af bud via hjemmesiden er 3 timer før auktio- Submitted bids are shown under “Your bids” when you are nens start. logged in. Please contact technical support on +45 8818 1114 Afgivne bud kan ses på hjemmesiden under “Deres bud”, når for questions about the registration and submission of bids on de er logget ind. Kontakt teknisk support på 8818 1114 for the website. spørgsmål om registrering og budgivning via internettet. For additional information, please consult “Conditions of For yderligere information, se “Købskonditioner”, §1. Purchase” §1.

TELEPHONE BIDDING: TELEFONBUD:

Should you wish to bid at auction by telephone, please inform Såfremt De ønsker at byde pr. telefon, bedes De oplyse Bruun Bruun Rasmussen of your name and telephone number, as well Rasmussen Deres navn og telefonnummer samt hvilke katal- as which catalogue numbers you are interested in, no later than ognumre, De ønsker at byde på, senest 3 timer før auktionens 3 hours prior to the start og the auction. You will then be con- start. De vil så blive ringet op kort før, den aktuelle vare kommer tacted shortly before the relevant lot comes under the hammer, under hammeren, og De kan på denne måde deltage i auktionen thereby allowing you to participate without being in the auction uden selv at være til stede. room yourself. For yderligere information, se “Købskonditioner” på For additional information, please consult “Conditions of Purchase” bruun-rasmussen.dk under “Guide”. §1.

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Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start. Must be submitted no later than 24 hours prior to the start of the auction. AUKTION NR AUCTION NO: 886

Navn Name: * ...... Adresse Address: * ...... Postnr./by City: * ...... Land Country: * ...... Fax: ...... Tel: * ...... e-mail: ...... CVR-nr. VAT No.: ......

Bank: ...... Konto nr. Acct. No.: ......

Adresse Address: ......

Postnr./By City: ...... Land Country: ......

Tel: ...... Kontaktperson Contact: ...... Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix * Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag. I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.

Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne. The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.

Signatur: * ...... B.R. kunde-nr. Client No.: ......

Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email dagligt efter auktion I wish to receive sales results on the items I have been bidding on via e-mail every day after the auction

på e-mail adressen on this e-mail address: ......

Katalog nr. Beskrivelse Bud kr. Max +15% +25% Lot. No. Description Bid DKK

BRUUN RASMUSSEN KUNSTAUKTIONER A/S

Bredgade 33 · DK-1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 · [email protected] · bruun-rasmussen.dk Fortsættes næste side Please turn over

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Katalog nr. Beskrivelse Bud kr. Max +15% +25% Lot. No. Description Bid DKK Ret til ændringer forbeholdes © 2019 Bruun Rasmussen Kunstauktioner Bruun Rasmussen Ret til ændringer forbeholdes © 2019 Cool Gray Madsen· Tryk: Bent Lange, Henrik Wichmann & Peter Foto: & Lene Søbo Bettina Stefensen Figueiredo, og dtp: Jorge Grafik

AUKTION NR AUCTION NO: 886

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886_modernekunst_s240-256-slut.indd 254 09/05/2019 15.23 Bruun Rasmussen LIVE – bid wherever you are! Experience the atmosphere of the auction room If you are unable to attend the traditional auctions in person, you can follow an auction in progress and experience the atmosphere in the auction room via live streaming – just as if you were there. Bid via Bruun Rasmussen Live When the auction begins, you will be able to see the link “Live: Watch auction” at bruun-rasmussen.dk, from where you can follow the auctioneer during the auction.

If you wish to submit a bid, simply log in first. What to do: • Click on the “Live: Watch auction” link • Log in • Submit your bid The bidding process Your bid will be treated in the same way as the bids submitted by those present in the room. If your bid is successful, you will be required to pay the standard costs which apply to all purchases from Bruun Rasmussen according to the conditions of purchase. Bruun Rasmussen accepts no liability for bids lost as a result of technical problems. Technical assistance If you require technical assistance, please contact our IT support team on tel. +45 8818 1114 or e-mail: [email protected]

Please note that we are also on hand during the auctions to deal with any technical issues. Ret til ændringer forbeholdes © 2019 Bruun Rasmussen Kunstauktioner Bruun Rasmussen Ret til ændringer forbeholdes © 2019 Cool Gray Madsen· Tryk: Bent Lange, Henrik Wichmann & Peter Foto: & Lene Søbo Bettina Stefensen Figueiredo, og dtp: Jorge Grafik

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