DOCSLIB.ORG

08-La Ruota Della Storia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Walks in Rome The wheel of history The Oppian and Esquiline Hills Walks in Rome • The Oppian and Esquiline Hills 8 1. Walking, walking... 9 2. The Domus Aurea 12 3. Walking, walking... 14 4. San Pietro in Vincoli 18 5. Walking, walking... 21 6. San Martino ai Monti 26 7. Walking, walking... 29 8. The Trofei di Mario and the Porta Magica 33 9. Walking, walking... 36 Rome for you Information series on the City of Rome Produced by:: Cosmofilm spa - Elio de Rosa editor Texts: Alberto Tagliaferri, Valerio Varriale (Cultural Association Mirabilia Urbis) Piazza Vittorio Emanuele II, the “Porta Magica” (Magic door) flanked by Editorial coordination: Emanuela Bosi statues of the Egyptian God Bes Graphics and page setting: Marco C. Mastrolorenzi Translation by: Teri Leigh VanLandingham and Stephen Geoffrey Wheeler The wheel of history Photography: D. Bianca: pages 32 bottom, 34 bottom; C. De Santis: pages 3, 9 left, 10, 11 bottom, 14, 15 top, 18, 21, 22, 23, 24, 29, 30, 31, 32 top, 33, 34 top, 35 bottom, 36, 37; A. Idini: page 35 top; A. Marchionne Gunter: page 20; P. Soriani: pages 2, 12, 13, 15 bottom, 16, 17, 25, 26, 27, 28; SSPMR: pages 9 The Oppian and Esquiline Hills right, 19; E. Vagni: page 38; Archivio Cosmofilm: page 11 top. Cover image, the so-called Trofei di Mario (Trophies of Marius) On this page, San Martino ai Monti, detail of the room with staircase leading underground T h e w h e e l o f h i Presentation s t o r y alks in Rome are a series of itineraries for those wishing to further their knowledge of the city. Publications cove - Wring Rome’s great Renaissance period have already been made available - Caravaggio, Raphael, Michelangelo, and Baroque art as expressed in the architecture of Bernini and Borromini. Now further special walks have been drawn up to accompany and aid the visitor in their “step by step” discovery of our city.As such, the city is represented and “read” as a unique picture, a mosaic which comes together and dissolves according to the needs of the visitor. You can choose from monumental Rome (Via dei Fori Imperiali and the Colosseum), The Hill A nineteenth-century view of the Esquiline Hill by B. Pinelli of Poetry (the Aventine and its surroundings), Amid Woods and Aque - ducts (the Caelian Hill), The dawning of Christian Rome (San Giovanni in Laterano and Santa Croce in Gerusalemme), The Suburra (the neigh - bourhood of Monti and Santa Maria Maggiore), and A Virtual Film Set (Via Veneto and Surroundings).It has been daunting enterprise but a fulfilling one that has succeeded in simply conveying an image of the city’s traditions and cultural identity, whilst being at the same time scientifically accurate. The narration uses both a graphic approach and text, which is an effective system for conveying an understanding of Rome’s vast and unbelievable history. Our guides allows tourists to immediately identify the main significance of their chosen walk and at the same time orientate themselves in the area they wish to visit.These carefully selected walking guides serve well as a symbolic “artist’s sket - chbook,” providing the visitor with a large window display, full of mir - rors, inside of which there is a cultural horizon that could not be more Roman, evocative or abundant in enduring values. Rome awaits you! The Tourist Office of the Rome Municipal Council An eighteenth-century engraving of the so-called Trofei di Mario (Trophies of Marius) by 5 G.B. Piranesi T p h a e m m e a h p T Key 1. Walking, walking... 2. The Domus Aurea 3. Walking, walking... 4. San Pietro in Vincoli 5. Walking, walking... 6. San Martino ai Monti 7. Walking, walking... 8. The Trofei di Mario and the Porta Magica 9. Walking, walking... 5 9 6 8 7 4 1 2 3 6 7 T h 8 e k w l h a e e W l 1. o urjourneybegins re is a small building f …Begin the atLargo Corra - Walking, with a courtyard that h i s walking tour ... do Ricci. Take is adorned with a six- t O walking... o a right at the begin - teenth-century foun- r ning of via Cavour onto tainwhose water flows y via del Colosseo , one of the roads from a grotesque mask. Most that survived the many demolitions of likely, the fountain, which was transfer - the nineteenth and twentieth centuries. red here, is what remained of the por - The Oppian and Esquiline Hills This road leads us into the fabric of tion of the sixteenth-century Villa Silve - ancient Rome. After a few metres, take a stri that was ultimately demolished for ntheancientcity, Esquiliae was the second half of the sixteenth century, left onto via del Buon Consiglio , which via dei Fori Imperiali . The remainder of name given to the eastern hilly area Sixtus V launched a rebirth of the area gets its name from the church of the the Villa became the Pio Istituto Rivaldi. Ithat created the fifth Augustea with the construction of his own villa in Madonna del Buon Consiglio. The chur - At the end of via del Cardello , we find our - District. The name, which probably ori - the area of present-day Termini train ch was initially given the name San Pan - selves again on via del Colosseo . Precisely ginates from the verb ex-colere (resident station as well as with the creation of a taleo but around the middle of the eigh - at this intersection, there is the church of the exterior), illustrated that the area modern network of roads that had the teenth century, it was assigned to the of Santa Maria ad Nives, which in was considerably different in respect to Basilica of Santa Maria Maggiore at its archconfraternity of the Madonna di ancient times was dedicated to San the original centre on the Palatine. centre. Successive centuries would see Genazzano , also known as the Buon Con - Andrea de Portugallo . The single nave Beginning in the ninth century BC, a the area flourish with grand noble vil - siglio, who restored it. Severely dama - church, adorned with paintings from good part of the Esquiline was used as a las, emulating those of classical anti - ged by a fire during the last century, it the seventeenth and eighteenth centu - burial area and maintained this purpo - quity which made the hilly area into an has since been deconsecrated, but at ries, at one time belonged to the Univer - se throughout the entire republican unforgettable city-garden until 1870. one time exorcisms were held here for sità dei Rigattieri . It changed its name period. However, the western summits However, when Rome became the capi - the possessed. According to traditions, when it was passed to the confraternity known as the Oppian, Fagutalis and tal, everything was sold, parcelled out there is an underground well that has of Santa Maria della Neve. The late miraculous water containing the body Baroque façade, perhaps designed by Cispius were a part of the primitive Septi - and destroyed. According to the 1873 of St. Pantaleon. At the end of via del Carlo Fontana or Giuseppe Sardi, has a montium (religious festival of the seven regulatory plan, the area was designa - Buon Consiglio , take a right onto via del slightly convex progression and inclu - hills) and consequently were included ted for public administration and a new Cardello , famous in the past for being the des a sectioned tympanum and angular within the Servian Wall. During the Rome was superimposed over the location of one of the most noted six - pilasters. To the left of the church, on via princeps of Augustus, the cemetery area ancient one. During the twentieth cen - teenth-century osteria (taverns), the del Colosseo , there is a protective wall and was reclaimed, fully included within the tury, the Esquiline experienced a “Gatto Nero” (Black Cat). At no.15, the - the massive Pio Istituto Rivaldi, previou - city and luxurious villas such as the strong increase in its residential popula - Mecenate began to embellish the enti - tion with a progressive urban deteriora - re area. Throughout the imperial tion. Beginning in the eighties, a neigh - period, many of these aristocratic resi - bourhood advancement programme dences became encompassed into was launched that began with the reno - imperial property despite the fact the vation of Piazza Vittorio. Thus, the area maintained a peripheral feel in wheel of history continued to turn and respect to the more ancient nucleus of provide new challenges and changes. the city. Its distance from the centre Currently, the area between the encouraged the concentration of the Oppian and Esquiline Hills has the lar - early Christian basilicas here and some gest number of inhabitants originating of the most ancient tituli quickly fol - from other areas of the globe and exhi - lowed, as such a new Christian city arose bits all of the advantages and difficulties next to the pagan one. Events during that this dimension involves. The the Middle Ages caused the few survi - ancient Esquiline finds itself at the cut - ving inhabitants to concentrate their ting edge of new strategies for advanta - activities near the banks of the Tiber, geous co-habitation among cultures. 8 thus the hills of the Esquiline remained Yet again, it is the birthplace of a new Madonna del Buon Consiglio, façade Madonna del Buon Consiglio, interior 9 practically uninhabited. During the city. T h 8 e k w l h a e e W l o features the remnants of lacunar cei - testify. The complex was successively f lings adorned with the various coats of The Annibaldi Tower demolished for building material until h i s arms of noble families and grotesque the 1930s when it became a part of a t o decorations, whereas the garden con - definitive public park area.
Recommended publications
  • Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V

    Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V

    Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1).
  • The Quietest Painting in the Room

    The Quietest Painting in the Room

    The Quietest Painting in the Room cardus.ca/comment/article/the-quietest-painting-in-the-room/ I hate that line in Good Will Hunting when the counselor (Robin Williams) says to the genius janitor (Matt Damon): So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. I hate it not because it seems to me a kind of bullying, like age condescending to youth and inexperience (though that's true), but because the Sistine Chapel doesn't have any particular smell. The Domus Aurea, sure: a bit mossy and dank, but cool, and with imaginary lavender. The Palatine smells vaguely of cats and burning wheat. Even Saint Peter's, just a stone's throw from Capella Sistina, has a scent: clay, and neoprene rope, and tourists. But the Sistine Chapel hasn't even an olfactory trace of incense, or oil paints, or sweating sixteenth century architects lying on their backs. It may have had all those things when, in 1598, another painter named Michelangelo (Merisi da Caravaggio), from a town by whose name he was eventually known, made the first of his many visits there to see the great painting that his namesake had called forth from the abyss. We think of the Sistine ceiling as heavenly and eternal, but it helps to remember it was new once, shocking, and influential in a different sense than we mean it now.
  • VESPASIAN. AD 68, Though Not a Particularly Constructive Year For

    VESPASIAN. AD 68, Though Not a Particularly Constructive Year For

    138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet.
  • The Conservation Works the Hall of Masks in the Domus Aurea Conservation Studies Held in the 80'S Conservation Works of the H

    The Conservation Works the Hall of Masks in the Domus Aurea Conservation Studies Held in the 80'S Conservation Works of the H

    The conservation works the Hall of Masks in the Domus Aurea Donatella Cavezzali1, Annamaria Giovagnoli, Elisabetta Giani, Bruno Mazzone, Carlo Cacace, Fabio Aramini 1 Istituto Superiore per la Conservazione ed il Restauro (ISCR), Rome, Italy Since 2004 the Istituto Superiore per la Conservazione ed il Restauro (ISCR) of Rome has begun to study the conservation conditions of the Hall of Masks in the Domus Aurea (64-68 AD), the palace of Emperor Nero whose decorations have inspired artist such as Rafael, Giovanni da Udine and Vasari becoming reference model for all the Renaissance. Conservation studies and restoration works have been focused in particular on two rooms of the great hypogeal palace, the Hall of Masks (room n. 114) and the nearby Corridor (room n. 131), whose frescoes are among the most famous and better preserved of all the site. In the last twenty years the rooms have been experimentally confined with airtight doors (1986) to test the microclimatic conditions in absence of light and thermo-hygrometric exchanges. After this long period of experimentation ISCR has lead a pilot conservation project to deal with the conservation and musealization of the Hall of Masks and Corridor n. 131. Conservation studies held in the 80’s Since 1969 the Central Institute of Restoration (now ISCR) began to study the preservation of the Domus Aurea, in particular focusing on the frescoes of the Golden Vault. Later (1986) began the studies in The Hall of Masks and the Corridor n. 131, focused on the stabilization of the microclimate as preventive conservation of the paintings. The two connected rooms were confined with airtight doors and restoration tests of frescoes were held to experiment maintenance in time.
  • 21 CHAPTER I the Formation of the Missionary Gaspar's Youth The

    21 CHAPTER I the Formation of the Missionary Gaspar's Youth The

    !21 CHAPTER I The Formation of the Missionary Gaspar’s Youth The Servant of God was born on January 6, 1786 and was baptized in the parochial church of San Martino ai Monti on the following day. On that occasion, he was given the names of the Holy Magi since the solemnity of the Epiphany was being celebrated. I received this information from the Servant of God himself during our familiar conversations. The Servant of God’s parents were Antonio Del Bufalo and Annunziata Quartieroni. I likewise learned from conversation with the father of the Servant of God as well as from him that at first Antonio was engaged in work in the fields but later, when his income was running short, he applied as a cook in service to the most excellent Altieri house. The Del Bufalos were upright people and were endowed sufficiently for their own maintenance as well as that of the family. They had two sons: one was named Luigi who married the upright young lady Paolina Castellini and were the parents of a daughter whose name was Luigia. The other son, our Servant of God. Luigi and Gaspar’s sister-in-law, as well as his father and mother, are now deceased. As far as I know, the aforementioned parents were full of faith, piety and other virtues made know to me not only by the Servant of God, honoring his father and mother, but also by Monsignor [Antonio] Santelli who was the confessor of his mother and a close friend of the Del Bufalo family.
  • Falda's Map As a Work Of

    Falda's Map As a Work Of

    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
  • The Burial of the Urban Poor in Italy in the Late Republic and Early Empire

    The Burial of the Urban Poor in Italy in the Late Republic and Early Empire

    Death, disposal and the destitute: The burial of the urban poor in Italy in the late Republic and early Empire Emma-Jayne Graham Thesis submitted for the degree of Doctor of Philosophy Department of Archaeology University of Sheffield December 2004 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk The following have been excluded from this digital copy at the request of the university: Fig 12 on page 24 Fig 16 on page 61 Fig 24 on page 162 Fig 25 on page 163 Fig 26 on page 164 Fig 28 on page 168 Fig 30on page 170 Fig 31 on page 173 Abstract Recent studies of Roman funerary practices have demonstrated that these activities were a vital component of urban social and religious processes. These investigations have, however, largely privileged the importance of these activities to the upper levels of society. Attempts to examine the responses of the lower classes to death, and its consequent demands for disposal and commemoration, have focused on the activities of freedmen and slaves anxious to establish or maintain their social position. The free poor, living on the edge of subsistence, are often disregarded and believed to have been unceremoniously discarded within anonymous mass graves (puticuli) such as those discovered at Rome by Lanciani in the late nineteenth century. This thesis re-examines the archaeological and historical evidence for the funerary practices of the urban poor in Italy within their appropriate social, legal and religious context. The thesis attempts to demonstrate that the desire for commemoration and the need to provide legitimate burial were strong at all social levels and linked to several factors common to all social strata.
  • VISTA ROMA ROMA La Cupola Di San Pietro, in Lontananza, Troneggia Sul Tevere Illuminato

    VISTA ROMA ROMA La Cupola Di San Pietro, in Lontananza, Troneggia Sul Tevere Illuminato

    VISTA ROMA ROMA La cupola di San Pietro, in lontananza, troneggia sul Tevere illuminato. Sulle sponde fermento e bancarelle: da giugno ad agosto la manifestazione “Lungo il Tevere...Roma” anima l’estate capitolina. Fascino immortale Cambiamenti e trasformazioni hanno accompagnato alcuni quartieri di Roma. Monti, Trastevere, Pigneto e Centocelle, in tempi e modi diversi, portano avanti la loro rinascita: sociale, gastronomica e culturale DI VIOLA PARENTELLI 40 _ LUGLIO 2019 ITALOTRENO.IT ITALOTRENO.IT LUGLIO 2019 _ 41 VISTA ROMA A destra, un pittoresco scorcio di Monti e sullo sfondo la Basilica di Santa Maria Maggiore. Fafiuché, vineria nascosta tra i vicoli del rione, è una tappa obbligata per sorseggiare un calice di vino. isomogenea, caotica, imperfetta. Impo- “zona abitata sotto la città” ne richiama nente nella sua maestosità storica, fami- la struttura: che si scenda dalla Salita liare nei dettagli visibili solo agli sguardi dei Borgia o da Via dei Serpenti, tutte le più attenti. Con Roma ci vuole pazienza, scale portano qui. Tolti gli abiti di luogo e ci vuole empatia. Roma accoglie, ma malfamato che era in origine, da qualche solo chi sa leggerne le infinite anime po- decennio è una delle mete più apprezzate trà sentirsi davvero a casa. Per ammirar- per il suo fascino un po’ rétro. Dopo una ne la bellezza, le terrazze sono luoghi pri- visita al mercatino vintage a pochi passi vilegiati. Il Roof 7 Terrace di Le Méridien dall’uscita della metro B, camminare su Visconti, a Prati, gode di questa fortuna. quegli infiniti sanpietrini diventa quasi D Un salotto con vista dove appagare il pa- piacevole.
  • The Macella of Rome Introduction After All These Things Which Pertain

    The Macella of Rome Introduction After All These Things Which Pertain

    Author Susan Walker Author Status Full time PhD, University of Newcastle upon Tyne Nature of Paper Journal Article Journal Edition The School of Historical Studies Postgraduate Forum e-Journal , Edition Three , 2004 The Macella of Rome Introduction After all these things which pertain to human sustenance had been brought into one place, and the place had been built upon, it was called a Macellum. 1 So wrote Varro. It seems that almost every city and town with any pretensions to importance within the Roman Empire had, as part of its suite of civic amenities, a macellum. This building normally sat alongside the forum and basilica, providing a place in which a market could be held. Why then did Rome, the foremost and most populous city of the Empire, have only one, or very possibly two, at any one time? Why did it not form one of the sides to the Forum in Rome as it did in other cities? Was the macellum intended to provide the only market place for the entire population of Rome? These questions highlight the problems about the role of the macellum within the market and retail structure of the City of Rome. Macella Before discussing the problems raised by the macella in Rome it may be beneficial to give an overview of their development and to describe the buildings themselves. In her book, called Macellum, Claire De Ruyt 2outlines the problems and arguments related to the origins of the word and the form the buildings took. One part of the debate is to the origin of the word macellum itself, Greek, Latin or even Semitic beginnings have been advanced.
  • Waters of Rome Journal

    Waters of Rome Journal

    TIBER RIVER BRIDGES AND THE DEVELOPMENT OF THE ANCIENT CITY OF ROME Rabun Taylor [email protected] Introduction arly Rome is usually interpreted as a little ring of hilltop urban area, but also the everyday and long-term movements of E strongholds surrounding the valley that is today the Forum. populations. Much of the subsequent commentary is founded But Rome has also been, from the very beginnings, a riverside upon published research, both by myself and by others.2 community. No one doubts that the Tiber River introduced a Functionally, the bridges in Rome over the Tiber were commercial and strategic dimension to life in Rome: towns on of four types. A very few — perhaps only one permanent bridge navigable rivers, especially if they are near the river’s mouth, — were private or quasi-private, and served the purposes of enjoy obvious advantages. But access to and control of river their owners as well as the public. ThePons Agrippae, discussed traffic is only one aspect of riparian power and responsibility. below, may fall into this category; we are even told of a case in This was not just a river town; it presided over the junction of the late Republic in which a special bridge was built across the a river and a highway. Adding to its importance is the fact that Tiber in order to provide access to the Transtiberine tomb of the river was a political and military boundary between Etruria the deceased during the funeral.3 The second type (Pons Fabri- and Latium, two cultural domains, which in early times were cius, Pons Cestius, Pons Neronianus, Pons Aelius, Pons Aure- often at war.
  • A Literary Journey to Rome

    A Literary Journey to Rome

    A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ...................................................................................................
  • Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C

    Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C

    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Seth G. Bernard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bernard, Seth G., "Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C." (2012). Publicly Accessible Penn Dissertations. 492. https://repository.upenn.edu/edissertations/492 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/492 For more information, please contact [email protected]. Men at Work: Public Construction, Labor, and Society at Middle Republican Rome, 390-168 B.C. Abstract MEN AT WORK: PUBLIC CONSTRUCTION, LABOR, AND SOCIETY AT MID-REPUBLICAN ROME, 390-168 B.C. Seth G. Bernard C. Brian Rose, Supervisor of Dissertation This dissertation investigates how Rome organized and paid for the considerable amount of labor that went into the physical transformation of the Middle Republican city. In particular, it considers the role played by the cost of public construction in the socioeconomic history of the period, here defined as 390 to 168 B.C. During the Middle Republic period, Rome expanded its dominion first over Italy and then over the Mediterranean. As it developed into the political and economic capital of its world, the city itself went through transformative change, recognizable in a great deal of new public infrastructure.