Maybe You Shouldn't Play That Funky Music, White

Total Page:16

File Type:pdf, Size:1020Kb

Maybe You Shouldn't Play That Funky Music, White THE RETRIEVER WEEKLY FOCUS February 9, 1999 PAGE 19 Band Natnes: The Good, The Bad, and The What the Hell Were they Thinking MARTIN SHUSTER hundred drunk people would be quite dis­ net. Man) of you may be somewhat famil­ ADAM CRAIGMILES satisfied with them far from civilization. iar with the band since they ha\e recently Retrle\c'r \ltd!\ /;'duorilll Staff Kyuss hao.; monstrous riffs, which seem to catapulted into the mainstream "ith their What exactly i~ stoner rock? You've prob­ dc\elop and envelop into more and more. album. "Powcrtrip" (which yielded the Band names toda) ha' e become somewhat abl) heard it before and some say it could The band often improvises both l)rics and singles "Space Lord" and "PO\\ertrip"). f ridiculou::.. In the goud old days. musical he the next grunge. All of this is possible, music, and they rely heavily on the groove/ would haH: to say that their best album is groups had names which were simple and ca-;y but fir.,t let's attempt to sa) where it origi­ rhythm of their songs. The lyrics arc often still Spine of God. to understand. There arcn ·tthat many ways to nated. I guess iL'i true origin exists hard to understand, since they arc nc\ er While Monster Magnet is still around, imerpret names like The Supremes and The in Black Sabbath. However, perhaps the de­ printed in the CD. Kyuss' songs. heavy on Kyuss broke up in 1995. The reason'? They Temptations. However now we are bombarded fining hamb of the genre as we now know the irony, generally deal with the desert. so­ felt their record company wasn't promm­ b)' ~trange. anJ seemingly nonsensical titles. it arc Kyuss, and to a lesser extent. Monster ciety and individualism. Words cannot do ing them properly and that they would rather One or the old methods of band naming. ~lagnct. their sound justice. If you are moderatel) end their career on a high note. Ho\\ C\ cr. which has lately become extinct. is Ul>ing the Stoner rock: the name almost seems to interested in Kyuss. pick up a cop) of"Sk) in the past )'l!ar or so Kyuss reunion rumors lru.t name::. of the band members. Although this tell itself, implying an over-abundance of Valley" and be initiated! ha\'e been quite common. Who knows'? method may lack creati\ it). it allows for the pot, LSD. 7(h riff:-.. and cosmic l)rics. Of­ Meanwhile on the other side of the na­ California's Fu Manchu is a decent band. more ob~cure members (like drummers) to _ten \Cf) bass hea\ ). the riffs groove (think tion. in suburban Nc\\ Jcr)>cy. there was A good album to start with is their latest. obtain recognition. The problem arises. how­ "Born to be Wild" by Steppenwolf Monster Magnet frontman/guitaristlcom­ The Action is Go. with bassy nffs. lot~ of ever. in that not everyone's name is fitting for or "Paranoid" by Black Sabbath). The lyr­ poser, Dave Wyndorf. who grew up on way 70's influence, songs about drugs and cars. a title. Crosby, Silh. Nash, and Young may be ics deal with sex. society. individualism. and too many drugs. comic books, and sci~fi Queens of the Stone Age (Kyuss guitarist, easy enough to say. but this isn't always the oflcn stranger things like aliens. drugs and movies. I have an interview disc where Josh Homme's new band) is much lighter case. If a couple members from the Retriever hot-rods. Spontaneity and improvisation Wyndorf says, "At one point! was doing so than Kyuss and may even be considered decided to form a band, its name might be seem the norm (think Grateful Dead). much dope that it was a mind-altering ex­ poppy along the lines of Blur or Radiohead. Bushnell. Rothfus. Elgamil. Aurich, Soltez and Kyuss originated in the mid-80s, in the perience for me to be sober!" If you· re get­ Then there are bands from Europe like Or­ Tipitino. It doesn't exactly role off the tongue, scorching desert of Palm Desert. Califor­ ting some idea of what Monster Magent ange Goblin, and Electric Wizard. although it makes a great acronym. nia. The desert. as the) will attest, was a sounds like, you're probably still way off. If you are somewhat interested in the Using last names for a band can create a di­ big influence on their sound. Often Kyuss Imagine lyrics dealing with aliens, money, stoner rock genre, I suggest you pick up lemma. Who goes ft.rst: the one with the most would play for hours at a time at remote sex, power. mushrooms. more sex, acid­ Kyuss and Monster Magnet, and then visit talent. alphabetical order, or whoever wins the "beer-busts." held in the desert, in the trips, holidays, more sex and mix that with www.meteorciry.com and start learning paper-rock-scissors match? Such problems middle of the night, with a slew of drunken a healthy dose of Black Sabbath/Hawkwind more. I' ll leave you with the immortal words probably lead to the decline of such names. people. Kyuss had portable generators inspired music, and add to that of Dave Wyndorf when I first heard him A more popular method today deals with ab­ which they would bring and use them for Wyndorf's flare for eccentricity and you live: "We are Monster Magnet. and we stract or haphazard terms. Some bands are sim­ power. They had to be good, or else several start to get a decent picture of Monster Mag- raawwwwwkkkk.k!! !'' ply inspired by everyday things. For instance, a grocery list or a recent meal might serve as proper inspiration. as I'm sure The Cranber­ Maybe You Shouldn't Play That Funky ries. Kom. and Meat Loaf did. Still other bands are inspired by product labels like Creedance Clearwater Revival. a name borrowed from a Music, White Boy bottle label. Such borrowing practices have their Limits, though. Green Jelly was formally CHRIS KERNER white boys don't understand is that they need known as "Green Jell-0" until they were sued Rt·trte•·•·r \~eekly Editorlfll Staj} to firSt earn their props before they can re­ by the Jell-0 company. ceive them. You can'tjust stan rappin' about Other bands shoot for literary allusions in Dtd you hear about the ne\\ support group how you· renumber one without paying your their names. Stcppenwolf is also the name of that has just formed? Irs called WROAJ dues. a Herman He~~c nmel. Jim Morrison picked (White Rapper~ Out ot A Job). It onl) has No one believes Vanilla Icc when he boasL'i The Door.. from Aldus Huxle~ 's novel. The four members so far: Sno\\. 3"' Bass, House about getting all the ladies and earning 'mad Doors of Perception. Vcruca Salt is also the of Pain, and good or Vanilla ke. paper.· Real rappers tell stories about their name of a character from Willie Wonka and At last \\eck's meeting there \\as discus­ struggles and hov. they overcame them the Chocolate Factory hhe was the snotty girl ston of creating a greatest hits album. but then \\ hereas Vanilla Icc and company have no who wanted the Golden Goose eggs). they rcalitcd a CD with only four songs prob­ tales to tell. They all grew up in suburban. Another ~omcwhat popular method used by ably wouldn't sell. middle-class neighborhoods where the worst modern bands is to name themselves after Follov. ing the inaugural !>Oirec. all four thing that ever happens is the cable going out someone they admire. Icc T named himself one-hit \\Onder.. \\ere asked what they had during a thunderstorm. Their rhymes have a after an infamous Los Angeles pimp. whereas been up to since the release of their albums transparency that people can see right Lynard Skinnard used the name of their high in the early '90\. through. House or Pain. for example. over­ school g)' m coach. Perhaps one day there will ":\fy nev. informer is the unemployment plays the whole Irish bit on their album Fine be a UMBC band named Adam Craigmiles. office." replied Snov... "they let me know Malt Lyrics. They have one song entitled but I won "t hold my breath. "hen to come pick up my v..elfare check." ·'Shamrocks and Shenanigans" and another Still some other band names seem so bizarre 3"' Bass' response. "We've been writing a one named "Top of the Morning to Ya. ·• How that they appear to defy any logic. The Sneaker series of pop-up children's books about wea­ can anyone take them seriously when they Pimps are a good example. What in the world sels.'' come off so cliche? is a sneaker pimp? As it turns out, the name "That question's a tittle 'hard to swallow' If it weren' t for the Beastie Boys, there isn't a result of some archaic gibberish. Ap­ for me right no\\," commented Vanilla Icc. would be no hope for caucasian MC's ·any­ parently. The Beac;ue Boys hire people to find All kidding aside. though. \\by arc white more. Their debut album. "License to Ill." rare sneaker<; for them. who in tum are called rappers so quick to disappear from the music was, arguably, the best rap album ever made. sneaker pimps. The name Hootie and the scene? They're kind of like black hockey Ad Roc, MCA, and Mike D are to rap what Blowfish share a similar ~tory for their seem­ players in that there are so few or them and Jackie Robinson was to baseball.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • PRESSEMITTEILUNG 20.12.2017 Monster Magnet Im Mai In
    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 20.12.2017 Monster Magnet im Mai in Deutschland Im März erscheint „Mindfucker“, das elfte Studioalbum von Monster Magnet. Mastermind Dave Wyndorf hatte schon vor einiger Zeit eine Bombe voller „Detroit-Style“ angekündigt, „frühe Siebziger mit Rock in Erinnerung an MC5 und die Stooges“ angekündigt. Und was soll man sagen? Er hat keineswegs gelogen. Die neue Platte ist ein Schritt nach vorne und gleichzeitig einer zurück. Zurück in die wilden Hardrock- Zeiten des Proto-Punk, als die Aufsplitterung in Genres noch in weiter Ferne lag und alles gut war, was hart und laut war. Gleichzeitig wird hier jeder süchtige Stoner-Fan und Sludge-Adept glücklich gemacht. Oder um Wyndorf selbst sprechen zu lassen: „,Mindfucker‘ is a fuzzed out, headbangin’ celebration of hard rock and 21st century paranoia. Ten fuel injected, nitro burning tracks of fiery Rock’n’Roll and Garage psych madness, all done Monster Magnet style. The world is out of it’s fucking mind and I’m livin’ it. It’s simple, really. In these crazy times I’ve been wanting to just drive my car at 100 miles per hour and howl, you know what I mean? So I wrote songs I can do that with. And with lyrics that don’t deny the times we’re living in. Feels good, feels right. Rock is alive, baby!“ Seit bald 30 Jahren gehören Monster Magnet zu den wichtigsten und einflussreichsten Bands in den Bereichen schnell, hart und laut. Ihre Konzerte sind wie ein Trip, eine Mischung aus Heavy Metal, psychedelischen Anfällen, purem Punk, Krautrock, schwerem Space Rock, bluesigen Harmonien, unglaublichen Gitarren und seltsamen Texten.
    [Show full text]
  • (Anesthesia) Pulling Teeth Metallica
    (Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey
    [Show full text]
  • Metal Musician Nick Oliveri Mutes the Manic for Solo Album : News : G
    Metal musician Nick Oliveri mutes the manic for solo album : News : G... http://www.gomemphis.com/news/2010/jan/28/bassist-takes-acoustic-bre... Login Home commercialappeal.com Contact Us Site Map SEARCH MEMPHIS music movies dining arts nightlife tv books games travel Web Search powered by YAHOO! SEARCH Reviews | Listen Up | Venues | Bands Metal musician Nick Oliveri mutes the manic for solo album By Mark Jordan Thursday, January 28, 2010 As bass player for such celebrated metal outfits as Kyuss, Queens of the Stone Age, and Mondo Generator, Nick Oliveri has made his name and reputation by rocking fast, loud, and furious. His latest project, however, finds the California native strapping on an acoustic guitar for his first solo album, Death Acoustic , and a tour that stops at the Hi-Tone Saturday night. But Oliveri, who has always brought a jolt of punk energy -- as well as, frequently, a splash of on-stage nudity -- to whatever endeavor he undertakes, is not turning into a folkie. MOST EMAILED MOST DISCUSSED Show horse and workhorse Borgnine star in movie that shoots in Memphis Stage Review: 'Jersey Boys' gets standing ovation for "I do songs that I think are fun and made me want to play music,'' says Nick Oliveri, who plays acoustic guitar for his first feel-good evening solo album. ''And if they're covers and songs that I thought would be challenging to transpose into acoustic, that's fine.''Rob Meet the chef: Duncan Aiken Hunt Theater Review: Circuit Playhouse exits with incisive 'Trouble in Mind' STORY TOOLS Now Hear This! Ben Nichols E-mail story 'Plug In' expo helps Memphis performers navigate music iPod friendly business Printer friendly More Music News Beyonce takes 6 Grammys; Booker T.
    [Show full text]
  • The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
    ® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album.
    [Show full text]
  • Additional Karaoke Listings Updated February 2021! 1
    Artist Song Title 1975 Chocolate 1975, The Sincerity is Scary 5 Seconds of Summer Want you back 5 Seconds of Summer Easier ACDC Big Balls Adele All I Ask Adele Cold Shoulder Adele Melt My Heart to Stone Adele Million Years Ago Adele Sweetest Devotion Adele Hello Adele I Can't Make You Love Me Adele Love in The Dark Adele One and Only Adele Send My Love to Your New Lover Adele Take It All Adele When We Were Young Adele Remedy Adele Love Song Afroman Colt 45 AJR Burn the House Down Alabama Angels Among us Alabama Forty Hour Week Alabama Roll on Eighteen Wheeler Alabama Lady down on love Alaina, Lauren Road Less Traveled Alaina, Lauren Wings of an Angel Alaina, Lauren Ladies in the 90s Alaina, Lauren Getting Good Alaina, Lauren Other Side, The Aldean, Jason Tattoos on this town ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 1 Aldean, Jason Just Getting Started Aldean, Jason Lights Come On Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Tonight Looks Good On You Aldean, Jason Gettin Warmed up Aldean, Jason Truth, The Aldean, Jason You make it easy Aldean, Jason Girl Like you Aldean, Jason Camouflage Hat Aldean, Jason We Back Aldean, Jason Rearview Town Aldean, Jason & Miranda Lambert Drowns The Whiskey Alice in Chains Man In The Box Alice in Chains No Excuses Alice in Chains Your Decision Alice in Chains Nutshell Alice in Chains Rooster Allan, Gary Every Storm (Runs Out of Rain) Allan, Gary Runaway Allen, Jimmie Best shot Anderson, John Swingin' Andress, Ingrid Lady Like Andress, Ingrid More Hearts Than Mine Angels and Airwaves Kiss & Tell Angston, Jon When it comes to loving you Animals, The Bring It On Home To Me Arctic Monkeys Do I Wanna Know Ariana Grande Breathin Arthur, James Say You Won't Let Go Arthur, James Naked Arthur, James Empty Space ADDITIONAL KARAOKE LISTINGS UPDATED FEBRUARY 2021! 2 Arthur, James Falling like the stars Arthur, James & Anne Marie Rewrite the Stars Arthur, James & Anne Marie Rewrite The Stars Ashanti Happy Ashanti Helpless (ft.
    [Show full text]
  • Avslutningen Av Paul Okkenhaug-Året 2018 Markeres Med Kor, Orkester
    12 FREDAG 12. OKTOBER 2018 TIPS OSS! Har du tips til gode saker og reportasjer innen kulturfeltet? Da er det bare å ta kontakt med oss på mail, og send gjerne med bilder. [email protected] Kulturredaksjonen: Kultur Gunn Magni Galaaen, [email protected] TLF. 74 12 12 00 | [email protected] Ellen Marie Stølan, [email protected] Per-Magne Midjo, [email protected] • Avslutningen av Paul Okkenhaug-året 2018 markeres med kor, orkester og solister i Stiklestad Nasjonale Kultursenter Hildegunn skal lede den his toriske kvelden Hun vokste opp med Spelet på Stiklestad, og har levd med det hele sitt liv. 28. oktober skal Hilde- gunn Eggen hun lede konserten «Arv i nytt landskap» på Stiklestad Nasjonale Kultursenter. STIKLESTAD: – Jeg har vært med i 35 utgaver av «Spelet om Heilag Olav», og har spilt både H elga, Gudrid og Grima. Forhol- det mitt til spelet generelt og Paul Okkenhaugs musikk er ekstremt sterkt. Derfor er jeg veldig beæret over å få være konferansier på konserten som markerer avslutningen av Paul Okkenhaug-året 2018, beskriver Hildegunn Eggen. Diktet «storebror» Hun har vært ansatt ved Trønde- lag Teater siden 1985, men alltid vært en viktig del av spel-miljøet på Stiklestad. Sin siste opptre- den på spelplassen hadde hun som Grima i 2014. Siste søndag i oktober skal hun være bindeled- det mellom de forskjellige inn- slagene, med sitater fra utvalgte brev skrevet av Paul Okkenhaug og en opplesning av diktet «Sto- rebror», som Gunnhild Stormo skrev til sin bror Paul. – I diktet beskriver hun hvor- dan det var å vokse opp som lita veitj med storebroren ved pia- noet.
    [Show full text]
  • SS-159 $13.98 “Sonic Debris”
    AUDIO CD MISS LAVA “Sonic Debris” Portugal’s foremost heavy rock and rollers Miss Lava return in 2016 with Sonic Debris, their third album, to be launched on May 20th, 2016 worldwide through Small Stone Records. Sonic Debris witnesses the band exploring new sonic landscapes and an open and inclusive creative process. Throughout, they design explosive sound textures, get high on psychedelic asteroids and unleash obscure beasts. The album is a sonic voyage with a diversity beyond anything yet evidenced by the band. The new album follows Red Supergiant (2013) and Blues for the Dangerous Miles (2009) – named by Loud Magazine as one of the top five Portuguese albums of the year – and a limited edition self-titled blood red vinyl EP (2008). Miss Lava has brought their explosive presence to stages in the UK, Spain and Germany and played slots at festivals like Stoned from the Underground (Germany), Stonefest (Spain), as well as Super Bock Super Rock, Rock in Rio Lisboa (Vodafone Stage), Reverence Valada, Vagos Open Air, Barroselas Metal Fest and Faro Bike Meeting in their home country. In addition to having traveled to play an exclusive one-off at the legendary Whisky a Go-Go in Los Angeles, the band has shared stages with Queens of the Stone Age, Metallica, Mastodon, Slash & Friends, Graveyard, Ufomammut, Greenleaf, W.A.S.P., Kyuss Lives!, Fu Manchu, Valient Thorr, Entombed, Meshuggah, Truckfighters, Barn Burners and Year Long Disaster. Previous videos featured on MTV Portugal, and with Sonic Debris, Miss Lava expect to launch a series of sin - gles and videos to promote the album and announce many European dates throughout 2016 and 2017.
    [Show full text]
  • Dave Grohl's Growth Mindset
    ! Handout 2 - Dave Grohl’s Growth Mindset To some, Dave Grohl is the drummer from the groundbreaking Seattle “Grunge” band Nirvana. Other music fans likely know him as the guitarist, vocalist, frontman, and songwriter of the arena- filling band, Foo Fighters. Still others that have seen Grohl on the HBO series Sonic Highways or the documentary Sound City may recognize him as a music historian and film director. The truth is that Dave Grohl is all of the above. Thinking back to his childhood during an episode of the Sonic Highways series, Grohl remembers his artistic “light bulb” turning on during a family vacation to Chicago. Grohl, only twelve at the time, accompanied a cousin to a local Punk concert. It was awesome. He left the show inspired, asking himself, “why can’t I do this?” Then, he realized he could. Once home in Springfield, VA, a Beltway suburb about thirteen miles from the White House, the young Grohl tapped into D.C.’s thriving Punk scene. He befriended members of the local music community such as Ian MacKaye, a go-getter who played bass in Teen Idles, sang in Minor Threat, and later handled guitar and vocals in Fugazi, all while co-founding the Dischord Records label. In the mid and late 1980s, the major record labels, radio, and MTV--basically all the national tastemakers--were mostly focused on Glam Rock, Synth Pop, and Michael Jackson. D.C. Punk wasn’t even on their radar. But, rather than get discouraged or bitter about the lack of outside investment, many in the D.C.
    [Show full text]
  • Smells Like Teen Spirit Appears in Rock & Pop 2018
    ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members.
    [Show full text]
  • Power of Rock ‘N Roll
    LEARNING THROUGH THE POWER OF ROCK ‘N ROLL AT SCHOOL OF ROCK, CLASSIC ROCK WORK HARD, ROCK OUT IS THE FOUNDATION OF INSTRUCTION Learning music in a lesson room is just the beginning, School of Rock offers a variety of dynamic music instruction and artist development programs to engage students of all skill because we get kids playing on stage as quickly as levels, from beginner to intermediate/advanced and also adults. possible. This real-life experience pushes them to do Little Wing Rookies Rock 101 Performance their best, helping them master skills more quickly Seasonal Camps AllStars Guest Professor Series and thoroughly than stuffy old music lessons. As both rockers and educators, School of Rock’s experienced The ALLSTARS PROGRAM is the highest level of achievement for a instructors are passionate about creating a legacy of School of Rock student. Achieved through an annual audition music for the future by helping your kids succeed in process, the top 2.5% of students nationwide get the opportunity music and beyond. to take their skills on the road for a summer tour, headlining iconic venues and festivals across the U.S. Teaching More Than Music The GUEST PROFESSOR SERIES lets students interact and learn from School of Rock teaches guitar, bass, vocals, professional artists through intimate and interactive concerts, workshops, and master classes. keyboards, drums, and combines weekly private NOTABLE GUEST PROFESSORS music lessons with group band rehearsals to prepare Josh Homme (Queens of the Stone Age) Joey Santiago (Pixies) students
    [Show full text]
  • Brand New Cd & Dvd Releases 2006 6,400 Titles
    BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00
    [Show full text]