Art in East Anglia

Total Page:16

File Type:pdf, Size:1020Kb

Art in East Anglia ART IN EAST ANGLIA 32. GALLERIES JULY 09 GMAPall 18er ENGLANDies in EEASTast ANGLIAAnglia july09 which displays our permanent A 2 1 5 CAMBRIDGECACAMBRIDGE3 GE A A SLEAFORD WELLS-NEXT-THE-SEA collection of gallery artists. 1 0 3 BURNHAM 3 7 0 HOLT 0 3 A A52 MARKET CROMER 7 1 52 l g k Tue–Sat 11–4 A 03 S NOTTINGHAM 6 NORTH A 48 FAKENHAM [email protected] A17 A1 WALSHAM m AYLSHAM e j A www.eefineart.com SPALDING 14 KINGS LYNN WROXHAM 9 01223 311118 SWAFFHAM A A WISBECH 47 NORWICH 1 OAKHAM LEICESTERd 3 c GREAT 3 2 0 YARMOUTH 0 4 A 7 UPPINGHAM i A6 M A5 b DOWNHAM 11 ESSEX PETERBOROUGH MARKET A LOWESTOFT A 1 M6 M 1 h NORTH HOUSE GALLERY a 4 ELY 1 THETFORD DISS BROCKDISH A14 A HARLESTON SOUTHWOLD fThe Walls, Manningtree 0 KETTERING 1 COVENTRY A HALESWORTH Essex CO11 1AS NEWMARKET 0 MOULTON ST IVES BURY ST. EDMUNDS 4 1 YOXFORD Tenth Anniversary Show. NORTHAMPTON A E CAMBRIDGE n ALDEBURGH Until Jul 25. Norman Ackroyd, SNAPE A TOWCESTER A M BEDFORD 1 Daphne Astor, Kate Boxer, 5 1 LONG IPSWICH WOODBRIDGE MELFORD o 43 MILTON KEYNES SAFFRON John Cobb, Jo Davis Trench, 9 A SUDBURY 2 WALDON p 4 FELIXSTOWE Jane Grisewood, Vanessa Jackson, A MANNINGTREE A STEVENAGE HALSTEAD f 1 Emma Johnson, Ffiona Lewis, M CHAPPEL I LUTON COLCHESTER AYLESBURY STANSTED M 2 Sue Skeen, Andrew Vass, Alison A WARE 1 A1 41 HERTFORD 1 OXFORD Wilding. CHELMSFORD Sat 10–5 or by appt INGATESTONE M 20 4 WATFORD A4 0 BRENTWOOD [email protected] A SOUTHEND-ON-SEA 3 4 www.northhousegallery.co.uk SWINDON LONDON LEIGH-ON-SEA t 01206 392717 M4 NORTHAMPTONSHIRE CAMBRIDGESHIRE NORFOLK COUGHTON GALLERIES Ltd CAMBRIDGE BOOK & PRINT BURNHAM GRAPEVINE R aThe Old Manor, Arthingworth, dGALLERY gOvery Road, Burnham Market Market Harborough, LE16 8JT 49 Newnham Rd, Cambridge CB3 9EY Norfolk PE31 8HH Large Stock of 20th Century English Modern British and International Sister gallery to Grapevine and Scottish oils and watercolours. Artists. Contemporary Arts, Norwich and 10.30–5 Wed, Thur, Sat, Sun & Bank Fine Drawings, original Prints and London, specialising in paintings Hols, or by appt t 01858 525436 Rare Books (signed/inscribed copies and ceramics. a speciality). Carolyn Genders: ‘Pattern, Colour & [email protected] Form’, ceramics; Geoffrey RUTLAND www.cambridgeprints.com Robinson: ‘Colour Constructs’, paintings. Jun 20–Jul 8. E GOLDMARK GALLERY Tue–Sat 10–5 b14 Orange Street, Uppingham t/f 01223 694264 Michael Aubrey: Paintings; LE15 9SQ Ruthanne Tudball: Ceramics. 20th Century & Contemporary Art. EE FINE ART Jul 11–30. Ivan Green: Images of Stowe. *ad e7 Cobble Yard, opp Post Office Mon–Sat and most Suns 10–5 Mon–Sat 9.30–5.30, Sun pm & BHols Napier Street, nr Grafton Centre closed Wed pm [email protected] Cambridge CB1 1HP www.burnhamgrapevine.co.uk www.ivangreen.com ‘Painted Ladies – A Lookat the t 01328 730125 www.goldmarkart.com Female Form’. L t 01572 821424 Mixed Exhibition featuring Cristian DAVID CASE FINE ART Lapusan, Dmytro Dobrovolsky and hThe Old Rectory, Church Road SAMUEL ROBSON FINE ART Anna Demovidova. Brockdish, Norfolk IP21 4JJ c35 Market Place, Oakham LE15 6DT Jun 17–Jul 22. *ad 20th Century and Contemporary Specialising in Modern British Art. Summer Exhibition – Mixed Exhibition, Original Prints by British and Mon–Sat 9.30–5 a glorious selection of Paintings, International artists. [email protected] Glassware, Ceramics and Prints. Including work by Carlo, Freud, www.srfagallery.com Jul 23–Sep 8. Hockney, Moore, Picasso, Piper, L t 01572 770095 f 01572 720259 Please view our extensive website Rego, Riley, Scully. Viewing in SALT OF THE EARTH contemporary exhibitions in the theme that has not only Biblical dramatic setting of the Grade 1 references, but local historical and The North Norfolk Exhibition listed Salthouse Church, geographical threads also – Project’s annual site-specific overlooking the marshes and Salthouse was ‘a house for coastline, have achieved an making salt’ in the Domesday A 8 0 enviable reputation, and huge Book. He has got some starry 0 2 , ’ l following, over the nine years of East Anglian-connected names e s s their existence and this year’s, involved too – Anna Maria Pacheco, e V t h themed around the ‘Salt of the Maggi Hambling and Colin Self g i L ‘ Earth’ (2 July to 2 August), among them – but it is the perhaps , a v promises to be no less revelatory. less familiar that may sometimes o s r T Curator Simon Martin, of Pallant make just as striking an a l e c House Gallery (but Norfolk born), impression, Marcela Trsova’s salt- r a M has built an intriguing show on a encrusted boat for example. NU G From Galleries magazine – art listings & new shows in print & on line every month pick up a copy at a listed gallery or go online at www.galleries.co.uk Barrington Publications 54 Uxbridge Road London W12 8LP Tel: 020 8740 7020 www.galleries.co.uk ART IN EAST ANGLIA 33. GALLERIES JULY 09 GMAPall 18er ENGLANDies in EEASTast ANGLIAAnglia july09 London as well as Norfolk. WOODBINE CONTEMPORARY ARTS By appointment mBack Bank, Whaplode Drove, nr Spalding, PE12 0TT [email protected] The Summer Collection. Jun 27–Jul 12. New works by S www.davidcasefineart.com Gallery artists. t 01379 668875 / 020 7608 1214 Falcon Hotel Courtyard, Market Square, Uppingham f 01379 668802 m 078100 32025 LE15 9PY Mixed Sell off the Wall show by Woodbine’s leading artists. From Jul 18. GRAPEVINE Fri, Sat, Sun 11.30–4.30 i109 Unthank Road, Norwich NR2 2PE [email protected] Norwich’s premier contemporary art gallery, showing www.woodbinecontemporaryarts.co.uk paintings, prints, ceramics, jewellery and glass. Work t 01406 330693 mob 07980 167404 viewable in London and Burnham Market on request. E Solstice – Grapevine Midsummer Show. Jun 10–Jul 18. Including Francis Bowyer, Anne-Catherine Phillips and SUFFOLK Louis Turpin. BURY ST EDMUNDS ART GALLERY & CRAFT SHOP Vintage – Grapevine Late Summer Show. Jul 22–Sep 12. nThe Market Cross, Cornhill, Bury St Edmunds, Suffolk Changing exhibition of art and ceramics. IP33 1BT I Tue–Sat 10–5.30 Suffolk Showcase. Jul 4–Aug 29. www.grapevinegallery.co.uk BSAG open exhibition, a popular & well-stablished event t 01603 760660 for artists & makers throughout Suffolk. Selected by independent judges Grenville Davey & Lotte Juul Petersen. Tue–Sat 10–5.30, admn free KING OF HEARTS [email protected] i7–15 Fye Bridge Street, NorwichNR3 1LJ www.burystedmundsartgallery.org Gallery t 01284 762081 Andrew Campbell and Louise Richardson. May 16–Aug 29. R Café LIME TREE GALLERY Ruth McCabe: Vibrant, colourful oils. Until Jul 7. oLime Tree House, Hall St, Long Melford, Suffolk CO10 9JF Paul Cozens. Jul 8–Aug 18. Summer Exhibition. Jun 19–Jul 20. Anne Anderson, Craft Shop Joe Broadley, Catriona Campbell, Alan KingPAI, East Anglian Artists’ jewellery, ceramics, textiles, wood, Irene McCann, Sylvia Paul, Katherine Swinfen Eady. cards. Mon–Sat 10–5 Mon–Sat Gallery & Shop 10–4, Café 9–5.15 [email protected] [email protected] www.limetreegallery.com www.kingofhearts.org.uk t 01787 319046 t 01603 766129 See also Bristol map E KING’S LYNN ARTS CENTRE THE TOWN HALL GALLERIES - IPSWICH j29 King Street, King’s Lynn, Norfolk PE30 1HA pCornhill, Ipswich, Suffolk IP1 1DH Robert Whitmore: Collection of the local (unsung) hero’s G1 paintings; Michael Johnson: Snapshot paintings of the ‘Step by Step’: Lorna Macmillan – Ip-art Award for Visual people and buildings of King’s Lynn; TradingAs . Art Winner 2008. Jun 20–Aug 1. Hanse Art Project: 12 artists’ new work celebrating James Fletcher, Michael Laskey – Lost & Found. L King’s Lynn’s links with the Hanseatic League. Jun 27–Aug 1. Jul 12–Aug 8. G2 Tue–Sat 10–5, admn free Suffolk Craft Society: James Dodds – printmaking. www.kingslynnarts.co.uk Jun 20–Aug 1. t 01553 779095 G3 Art in the Round. Until Sep 5. Tue–Sat 10–5, admn free SCHOOL HOUSE ART GALLERY [email protected] kThe School House, Wighton, nr Wells-next-the-Sea www.townhallgalleries.org.uk L Norfolk NR23 1AL t 01473 432863 Mixed Exhibition. Screenprints by Alfred Cohen and Derrick Greaves. Works in oil, watercolour, pastel and mixed media by Gwyneth Johnstone, Liz Humphries, Margaret Matthews, Sula Rubens, Jo Taylor and Brüer Tidman. Tue–Sun 11.30–5.30, closed Mon, open BHols t 01328 820457 PAINTED LADIES LINCOLNSHIRE The Female Form by A HUB: NATIONAL CENTRE FOR CRAFT & DESIGN ’ Anna Demovidova d e s lNavigation Wharf, Sleaford, NG34 7TW Dmytro Dobrovolsky s o r Safe to Touch: eight artists involved in ‘the tactile’. C Cristian Lapusan s May 23–Aug 2. m r The Space Inbetween: New Work by Jan Garside and 17 June - 28 July 2009 A h t i Mick Paine. Jul 11–Sep 6. w 7 Cobble Yard, e i Letteringartist Paineand textileartistGarsideutilisesome v E Napier Street, Cambridge ‘ , of the in-between spaces at the Hub. a Tel: 01223 311118 v o Bendingthe Line: TextileArtby the62 Group. d i [email protected] v Jul 11–Sep 6. o www.eefineart.com m e www.thehubcentre.info Tue-Sat 11-4pm D t 01529 308710 G From Galleries magazine – art listings & new shows in print & on line every month pick up a copy at a listed gallery or go online at www.galleries.co.uk Barrington Publications 54 Uxbridge Road London W12 8LP Tel: 020 8740 7020 www.galleries.co.uk.
Recommended publications
  • Antiques & Fine Art Sale, 9/04/2019 10:00 AM
    Antiques & Fine Art Sale, 9/04/2019 10:00 AM 1 Fine Chinese Ming period Longquan celadon 10 18th century Chelsea green monochrome charger with incised floral and leaf decoration, painted chocolate cup and saucer with river view thick green glaze, the underside lacking glaze to decoration, with ruins and dwellings and figures central area and with some kiln debris, 44cm in foreground, gilt borders and gold anchor diameter. marks, circa 1765 £300-500 11 18th century Chelsea silver shape dish with painted botanical decoration and brown line borders and brown anchor mark, circa 1758, Provenance: Purchased in the 1930s from John 25cm x 19.5cm £60-90 Sparks Ltd. 128 Mount Street, London. Bearing label to underside - from a local country house 12 18th century Bow powder-blue ground canted £1,000-1,500 rectangular dish of octagonal form, with fan- shaped and oval reserves with Chinese 2 Chinese Qing period Doucai charger, probably landscape and floral decoration, circa 1765, 19th century, with polychrome painted five-toed 27cm x 18.5cm £120-150 dragon and with pearl and phoenix within floral scroll borders - underglazed blue Yongzheng 13 18th century Bow powder-blue ground baking six-character mark within double rings to dish of octagonal form, with fan-shaped and underside, 48cm diameter - from a local country oval reserves with Chinese landscape and floral house £200-300 decoration - faux Chinese marks to base, circa 1765, 23cm x 16cm £150-200 3 Pair late 19th century Manuel Mafra Portuguese Palissy ware pottery dishes with applied lizard, 14 Pair mid-19th century Samuel Alcock two- frog and beetle decoration, on naturalistic grass handled vases and covers decorated with a ground - impressed - B.
    [Show full text]
  • Annual Review Are Intended Director on His fi Rst Visit to the Gallery
    THE April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March – Contents Introduction 5 In June , Dr Nicholas Penny announced During Nicholas Penny’s directorship, overall Director’s Foreword 8 his intention to retire as Director of the National visitor numbers have grown steadily, year on year; Gallery. The handover to his successor, Dr Gabriele in , they stood at some . million while in Acquisitions 10 Finaldi, will take place in August . The Board they reached over . million. Furthermore, Loans 17 looks forward to welcoming Dr Finaldi back to this remarkable increase has taken place during a Conservation 24 the Gallery, where he worked as a curator from period when our resource Grant in Aid has been Framing 28 to . falling. One of the key objectives of the Gallery Exhibitions 32 This, however, is the moment at which to over the last few years has been to improve the Displays 44 refl ect on the directorship of Nicholas Penny, experience for this growing group of visitors, Education 48 the eminent scholar who has led the Gallery so and to engage them more closely with the Scientifi c Research 52 successfully since February . As Director, Gallery and its collection. This year saw both Research and Publications 55 his fi rst priority has been the security, preservation the introduction of Wi-Fi and the relaxation Public and Private Support of the Gallery 60 and enhanced display of the Gallery’s pre-eminent of restrictions on photography, changes which Trustees and Committees of the National Gallery Board 66 collection of Old Master paintings for the benefi t of have been widely welcomed by our visitors.
    [Show full text]
  • A Guide to Saxmundham
    A Guide to Saxmundham An Introduction to Saxmundham Saxmundham is a historic market town at the centre of the Heritage Coastal region in Suffolk, England. Saxmundham, or 'Sax' as it is known locally, has many local shops and businesses, sports and leisure facilities. As well as having good rail links, Saxmundham is situated on the A12 trunk road, putting the town within easy reach of Ipswich, Norwich, London, and the whole of mainland Europe. Please note ALL opening times below may differ due to Covid-19. Supermarkets We are fortunate to have two supermarkets situated within walking distance of the Guesthouse, making it easy for you to source food for your lunch and evening meals. Both are located just off the high street – taking a left at the traffic lights (if you are coming from the Guesthouse). Tesco Opening times: Monday – Saturday: 8am – 10pm, Sunday 11am - 5pm Waitrose Please note that Waitrose also has a café and facilities for you to collect online orders from John Lewis. Opening times: Monday – Friday: 8am - 9pm, Saturday 8am - 8pm, Sunday 10am - 4pm Food outlets Within Saxmundham there are many different places to have meals if you do not fancy cooking. This varies from café’s to takeaways and restaurants depending on your preferences. Cafes/Bakery • Costa – The nationwide coffee chain have a branch located here and also have outdoor seating, perfect for a drink or light lunch. Opening times: Monday - Sunday 7.30am - 5pm, • Trinity’s at No.14 – Located in the Market Place, Trinity’s offer a range of food to eat - in or takeaway.
    [Show full text]
  • Maggi Hambling Talk at Alde Valley Spring Festival 2018
    Life Unleashed “Art is about getting your ‘self’ out of the way so the truth of life can be channelled through you.“ Maggi Hambling talk at Alde Valley Spring Festival 2018 Movement in the art of Maggi Hambling Parallel Project for OCA Printmaking 2 September 2018 Linda Mayoux SNo 511740 Movement in the art of Maggi Hambling Page 2 of 17 Contents Life Unleashed: vision in the art of Maggi Hambling 3 Directing the eye: line, tone and composition 4 Restless marks 6 Textures of passion 8 Waves and water 8 War 9 Movement in Hambling’s printmaking 10 Etching 10 Monoprint: life studies 12 Wave Monotypes 2014 14 Implications for my own practice 15 Annex: Maggi Hambling’s Work: Summary chronology 16 Sources consulted 17 Linda Mayoux OCA Printmaking 2 Parallel Project Student Number 511740 Movement in the art of Maggi Hambling Page 3 of 17 This parallel project reviews selected drawings, Life Unleashed: paintings and prints to focus on: the art of Maggi a) the different ways in which Hambling uses different techniques to create movement and Hambling energy in her drawings and paintings b) how these techniques are reflected or different Maggi Hambling’s recent self-portrait shown at the in her printmaking. Alde Valley Spring Festival April 2018 dominates the hall. The viewer’s gaze is immediately The final section of the project reflects then on: transfixed by the defiance of the right eye. But then restlessly circles around the swirling marks, c) the implications for increasing intensity and drips and textures of the rest of the face, head and movement in my own printmaking – particularly shoulders.
    [Show full text]
  • Newsletter Jan 2019
    Ipswich Art Society Registered charity no. 219257 Issue 73 www.ipswich-art-society.org.uk January 2019 newsletter It is sad to relate that we have lost two much loved and respected long standing members of the Society during this last year: Edwin Barritt and Anne Paterson Wallace. You will see this reflected in the affectionate Obituaries. The Winter Talk Series is moving to the Spring and we are experimenting with moving them to the afternoon rather than the evening. Some of the talks last year were more scantily attended than in the past and the committee conjectured that this may be to do with having to venture out on dark winter evenings. So, as a trial this year we are moving later in the year - to what we hope will be more clement weather - and to the afternoon, to see if that might widen the appeal to our membership and the public. We are just holding two this year to see how the experiment works and we have two excellent speakers. See Spring Talks for details. The 2018 Annual Open Exhibition at the Ipswich Art Gallery was a great success as ever. As reported in the last Newsletter we had a larger than ever volume of submissions, which is excellent news. Anticipating a similar response this year we will be making a couple of adjustments. The first is the selection process, which will be amended to help include more works and reduce the number of disappointments. The second concerns the the framing and fixings. We will not be able to handle the volume of works if such a large proportion of works continue to have the wrong fixings.
    [Show full text]
  • Britain in the World 1860–Now
    yale center for british art Britain in the World 1860–now Second-floor galleries Rebecca Salter, born 1955, British K37 1996, mixed media on canvas The work of Rebecca Salter draws on a variety of artistic styles, media, and cultural traditions. Her distinctive approach was shaped primarily by the six years she spent in Kyoto, Japan, in the early 1980s, where she studied ceramics. She returned to her native London with a commitment to two-dimensional art and a particular interest in Japanese printmaking techniques and the subtle textures and surfaces of Japanese papers. In the late 1980s, however, she also began to make regular visits to the Lake District in northern England, taking inspiration from the austere landscape and ever-shifting weather conditions. Working within a tight tonal range and rarely letting one part of the canvas speak louder than any other, Salter’s paintings are nonetheless quietly compelling: a suitable match for the architecture of Louis Kahn (designer of the Yale Center for British Art), in whose memory this painting was purchased. Friends of British Art Fund and Gift of Jules David Prown, MAH 1971, in memory of Louis I. Kahn, B2011.8 Sandra Blow, 1925–2006, British Red Circle 1960, mixed media on board Sandra Blow emerged in the 1950s as one of the most innovative figures in British abstract art. Blow built her reputation as an independent and pioneering force despite making and keeping a loose connection to the modernists at St. Ives, especially Barbara Hepworth, Ben Nicholson, and Patrick Heron. Red Circle’s vivid band of color encircling concentric black rings on a monochrome field exemplifies her bold abstraction, which nevertheless references the natural world and organic forms.
    [Show full text]
  • A Guide to Saxmundham
    A Guide to Saxmundham An Introduction to Saxmundham Saxmundham is a historic market town at the centre of the Heritage Coastal region in Suffolk, England. Saxmundham, or 'Sax' as it is known locally, has many local shops and businesses, sports and leisure facilities, as well as good rail links and the A12 trunk road that put the town within easy reach of Ipswich, Norwich, London, and the whole of mainland Europe. Every Wednesday there is a market which runs through part of the street and also in the market hall. This usually starts in the morning and ends around mid-afternoon. Here you can expect to find locally sourced produce, cakes, sweets and more. Supermarkets We are fortunate to have two supermarkets situated within walking distance of the Guesthouse, making it easy for you to source food for your lunch and evening meals. Both are located just off the high street – taking a left at the traffic lights (if you are coming from the Guesthouse). Tesco Opening times: Monday – Saturday: 8am – 10pm, Sunday 11am- 5pm Waitrose Please note that Waitrose also has a café and facilities for you to collect online orders from John Lewis. Opening times: Monday – Friday: 8am-9pm, Saturday 8am-8pm, Sunday 10am-4pm Food outlets Within Saxmundham there are many different places to have meals if you do not fancy cooking. This varies from café’s to takeaways and restaurants depending on your preferences. Cafe’s/Bakery’s • Costa – The nationwide coffee chain have a branch located here and also have outdoor seating, perfect for a drink or light lunch.
    [Show full text]
  • Eye Sheep Art Trail 2019 | 03 Neb-Ewe-La Alchemy Sponsor - Hoarders Sponsor - Coes Artist - Daisy Carrick-Smith Artist - Nicola Warner
    Sheep Eye Art Trail 2019 Sheep Art Trail Souvenir Brochure 2019 Minimum Donation £3 proudly supporting... www.eyesheeparttrail.co.uk Katrina’s Story Thank Ewe! Having recently completed the Blossom Development programme, Message from Bridget McIntyre, Katrina, tells her journey here... Founder & CEO of The Blossom Charity It was dark, a pitch black that not everyone has seen. After 3 whirlwind years of exciting challenges, colour, culture and fun I had plunged deep into the pit again. Thank you for joining us for this exciting auction of It was damp, cold, it smelled of algae and the walls were opressive. Penniless. decorated sheep art. Each one has been lovingly Unemployed. Depressed. Emotionally abused. I was desperate and knew that I designed by volunteer artists. We are overwhelmed needed help. I put myself into the care of others, I couldn’t care for myself. I had a tick by the success of the Sheep Art Trail – it was a joy to see the list to help me get up, get dressed and brush my teeth. If I managed, it was a good day. number of visitors the sheep attracted to the town and to hear some of the wonderful things people said about their experience on “Dream On”. It was as if the cover of the well I was stuck at the bottom of had been pushed aside, the trail and on social media. Our aim was to organise an event that a thousand feet above my head. A tiny pinprick of light floated down, and the jet black gave way to had a positive impact on our local community as well as raise funds for a dank dark moss green.
    [Show full text]
  • MAGGI HAMBLING Curriculum Vitae
    THOMAS BRAMBILLA MAGGI HAMBLING Curriculum Vitae Thomas Brambilla S.r.l. | Via Casalino 25, 24121, Bergamo, Italy Capitale Sociale Euro 10.000,00 I.V. | C.F. 04333390161 | VAT. IT04333390161 Ph (+39) 035 24 74 18 | e-mail: [email protected] | www.thomasbrambilla.com THOMAS BRAMBILLA Maggi Hambling (1945) is born in Sudbury, Suffolk, United Kingdom The artist lives and works in London and Suffolk, United Kingdom EDUCATION 1962 -1964— Studied at Ipswich School of Art, Suffolk, United Kingdom 1964 -1967— Studied at Camberwell School of Art, London, United Kingdom 1967 -1969— Studied at Slade School of Fine Art, London, United Kingdom SOLO EXHIBITIONS 2019 Maggi Hambling: For Beauty is Nothing but the Beginning of Terror, CAFA Art Museum, Beijing, China 2018 New Portraits, Marlborough Fine Art, London, United Kingdom 2017 Edge, Marlborough Fine Art, London, United Kingdom 2016 Maggi Hambling, Touch: Works on Paper, The British Museum, London, United Kingdom 2015 Maggi Hambling: War Requiem and Aftermath, King’s College, London, United Kingdom 2014 Maggi Hambling: Walls of Water, The National Gallery, London, United Kingdom 2013 Wall of Water, The Hermitage, St. Petersburg, Russia 2010 Maggi Hambling: The Wave, Fitzwilliam Museum, Cambridge, United Kingdom Maggi Hambling: Sea Sculpture – paintings and etchings, Marlborough Fine Art, United Kingdom 2009 George Always - Portraits of George Melly by Maggi Hambling, Walker Art Gallery, Liverpool, United Kingdom Maggi Hambling: North Sea Paintings, New works on paper, The Gallery, Snape Maltings, United Kingdom 2007 Maggi Hambling: No Straight Lines, Octagon Gallery, The Fitzwilliam Museum, Cambridge, United Kingdom; travelled to Victoria Art Gallery, Bath, United Kingdom; Abbot Hall Art Gallery, Kendal, United Kingdom Maggi Hambling: Waves, Marlborough Fine Art, London, Thomas Brambilla S.r.l.
    [Show full text]
  • Portrait and Figurative Art (Artwork About People)
    Portrait and Figurative Art (Artwork about people) AO3. If you choose this question you should be prepared to - AO1 Artists to research Draw and photograph faces and or figures. Suggestions: Think how you would compose your picture, Painters • What are they wearing? Lucien Freud (1922-2011), Francis Bacon, Jenny Saville, Stanley Spencer, • Where are they? David Hockney, Cindy Sherman, Lisa Millroy, Maggi Hambling, Sara Lucas, • Are you showing the whole face/figure or focusing on a Tracey Emin, Edward Burra, Edward Hopper, Mark Wallinger, Paula Rego, section? Julien Opie, Andy Warhol, Edvard Munch, Van Gough, Andrew Wyeth, Da • What other objects are in the picture? Vinci, Botticelli, Andrew Wyeth, Sam Taylor-Wood, Peter Howson. Photography Be prepared to VISIT Art Galleries: Don McCullin, Cindy Sherman, Steve McCurry, Bill Viola, Sam Taylor Wood, The Graves (Sheffield)- www.museums-sheffield.org.uk, Bill Brandt, Robert Capa, Gregory Crewsden. Millennium Galleries (Sheffield)- www.museums- Sculpture sheffield.org.uk, Weston Park (Sheffield)- www.museums- Ron Mueck, Antony Gormley, Damien Hirst, Elizabeth Frink, Nikki De Saint sheffield.org.uk, Yorkshire Sculpture Park (Wakefield)- Phalle, Jacob Epstien, Henry Moore, Giacometti, Magdalena Abakanowicz, www.ysp.co.uk, National Portrait Gallery (London)- Thomas J Price, Sophie Ryder, Jaume Plensa, Michelangelo, Rodin, Yinka www.npg.org.uk, National Gallery (London)- Shonibare, Mavis McClure, Eduardo Paolozzi, Ah Xian, Jess Riva Cooper. www.nationalgallery.org.uk Portrait and Figure Settling in Paris in 1952, Freud painted many portraits, including Hotel Bedroom (1954), which features a woman My work is purely lying in a bed with white sheets pulled up to her shoulders.
    [Show full text]
  • National Portrait Gallery Unveils New Portrait of Andy Murray by Maggi Hambling
    News Release Strictly Embargoed Until 10.00am on Thursday 12 March 2020 National Portrait Gallery Unveils New Portrait of Andy Murray by Maggi Hambling L-R Andy Murray, b.1987 by Maggi Hambling, 2019. Oil on canvas, 1524 x 1219mm © Maggi Hambling; Andy Murray and Maggi Hambling with the new portrait. Photograph © David Parry and National Portrait Gallery The National Portrait Gallery, London has unveiled a new portrait of Olympian and Wimbledon Champion, Andy Murray by Maggi Hambling. The multi-figured portrait will join the Gallery’s Collection, accompanied by four preparatory charcoal drawings from life completed in the artist’s studio in September last year. The painting and two of the drawings are now on public display in the Gallery until 3 May 2020. Andy Murray has for many years been a hero for Maggi Hambling and in early 2019 she discovered that he was interested in her work. Following Murray’s first visit to the artist's studio in London, the two became friends and Hambling invited him to sit for a portrait. On the morning of 9 September 2019, Murray posed for a series of drawings wearing his Wimbledon whites and the painting then evolved. Following its display at the National Portrait Gallery in London the work will travel to Scotland, where it will go on display at the Scottish National Portrait Gallery. L-R: Andy Murray with his portrait by Maggi Hambling; Maggi Hambling with her portrait of Andy Murray. Photographs © David Parry and National Portrait Gallery Andy Murray said: “Over the last few years I’ve become more interested in art and Maggi is one of my favourite artists, so I was more than happy to sit for a portrait – the first time I’ve done it.
    [Show full text]
  • Connecting Through Culture 2014–15 a Look Back
    Connecting through culture 2014–15 A look back Welcome to this review of 2014–15, which highlights some of the ways in which, during the last year, arts and culture have supported King’s College London in its ambitions to deliver world-class education, an exceptional student experience and research that drives innovation, creates impact and engages beyond the university’s walls. Over the last three years, the university and skills. Over recent years, King’s ‘My experience at King’s would has developed symbiotic partnerships has supported the development of be far different, and probably far with artists and cultural organisations specialist teams at the interface between less enjoyable, without the cultural that enhance the King’s experience the university and the cultural sector. engagement I’ve been lucky enough to for academics and students while Much – although certainly not all – of have. It’s added richness to my studies adding value across the cultural sector. the achievement in the pages that follow by providing context and dimension From uniquely tailored teaching, owes a great deal to the hard work and to the books and articles and widening training and internship programmes, dedication of those teams and their my horizons beyond the lecture hall. to collaborative research projects and directors: Katherine Bond (Cultural The cultural events and institutions enquiries, to exhibitions and public Institute), Alison Duthie (Exhibitions I’ve engaged with have surprised me, events, arts and culture are helping to and Public Programming) and Daniel confused me, excited me and ignited generate new approaches, new insights Glaser (Science Gallery London).
    [Show full text]