Britain in the World 1860–Now
yale center for british art Britain in the World 1860–now Second-floor galleries Rebecca Salter, born 1955, British K37 1996, mixed media on canvas The work of Rebecca Salter draws on a variety of artistic styles, media, and cultural traditions. Her distinctive approach was shaped primarily by the six years she spent in Kyoto, Japan, in the early 1980s, where she studied ceramics. She returned to her native London with a commitment to two-dimensional art and a particular interest in Japanese printmaking techniques and the subtle textures and surfaces of Japanese papers. In the late 1980s, however, she also began to make regular visits to the Lake District in northern England, taking inspiration from the austere landscape and ever-shifting weather conditions. Working within a tight tonal range and rarely letting one part of the canvas speak louder than any other, Salter’s paintings are nonetheless quietly compelling: a suitable match for the architecture of Louis Kahn (designer of the Yale Center for British Art), in whose memory this painting was purchased. Friends of British Art Fund and Gift of Jules David Prown, MAH 1971, in memory of Louis I. Kahn, B2011.8 Sandra Blow, 1925–2006, British Red Circle 1960, mixed media on board Sandra Blow emerged in the 1950s as one of the most innovative figures in British abstract art. Blow built her reputation as an independent and pioneering force despite making and keeping a loose connection to the modernists at St. Ives, especially Barbara Hepworth, Ben Nicholson, and Patrick Heron. Red Circle’s vivid band of color encircling concentric black rings on a monochrome field exemplifies her bold abstraction, which nevertheless references the natural world and organic forms.
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