Newsletter August 2021 (Pdf)

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter August 2021 (Pdf) Ipswich Art Society Registered charity no. 219257 Issue 77 www.ipswich-art-society.org.uk July 2021 newsletter From the Chair First of all, we all owe each other fulsome thanks and congratulations for persevering, during a rather barren time, with life in general and for our continuing support of the Art Society. The Committee has been using the time to build our position for the future. We are planning to expand the number and range of activities for when the world emerges blinking into the light. These support a dual purpose. First is to make up in some way for our isolation and celebrate (dare we say?) at least a partial release, and reconnect us as a society. Second, with an eye to the future, we wish to provide every opportunity to attract new members. There are many artists and groups that may not have come across the Society, or that have not connected for some reason. As plans are developing towards our 150th Anniversary in 2024, our thoughts turn to the next 150 years. We are looking at ways to connect the valuable legacy Man Up by Honor Giles of the Society with the future, so that we can continue its growth and AAA Exhibition continue its mission. These events should connect us with a wider public. In addition, you will see in the Newsletter details of several more immediate events - some already in train and others in formation - which should attract different styles of participation. For those in the formative stages, we invite all our membership to add comments and suggestions. We are always open to further help as well. Small and energetic sub-groups of the Committee are generating ideas, developing plans and exploring new venues. Extra input is very welcome at all stages – from suggestions and comment early on, or to help with detailed planning, through to sleeves-up in mounting the events on the day. Please do contact the Committee members who have generously offered their email addresses to take your input. We held the AGM virtually this year, and a special thanks to those who responded to the request to make suggestions for new activities. Two in particular were popular. One was to have a social event of some kind when we are able, perhaps with a theme of interest – a talk or activity – that would attract people, but would include plenty of time to catch up with each other. We are investigating venues and ideas for this – again, comments welcome. The second was to have a larger number of smaller shows. This would enable individuals or small groups to show more of their works than the one or two there is room for in the Open or other exhibitions. This would also create more of a discourse between artists in the Society. Smaller in scale and over shorter runs, they would be much less onerous to put on. As for a venue, we are lucky that our member, Jon Field, is offering space in central Ipswich and a proposal which could help get this ball rolling. Please look at the details below in the piece on Sandbox Studios. We sadly have lost two valued and respected Members this year: Bridget Lapsley and Robert Dickerson. Please see the obituaries by Paul Bruce and Chris Edmondson. Stephen Cassidy Dates for Your Diary Comments and participation are invited for several of the events in planning. Please see the individual articles in the body of the Newsletter for details. 2021 23rd, 24th or 30th September. Ideas development session in a collaboration between Suffolk Records Office and the Art Society. If you are interested in developing ideas towards 2024, please get in contact with preferred dates. See the article below. September: The Anna Airy Award Exhibition will be on-line during September. Make sure to have a look on the Society website mid-month. October: An opportunity to show your work in Sandbox Studios. See the article below for an early exhibiting opportunity. October 28th – November 10th. Works on Paper exhibition, Artspace, Woodbridge. November 25th – December 1st. Small Works exhibition, The Aldeburgh Gallery. 2022 May/June: Ipswich Annual Open Exhibition. This is the date under discussion with the Town Hall as our temporary home for this during repairs at the Museum. May/June: BORDERS exhibition. We hope to run the “Ipswich leg” of the joint Ipswich and Colchester BORDERS exhibition consecutively with the Annual Open. In planning stages: Ipswich Print Fair and Paint Out Suffolk – please see the articles below, and get in touch. 2024 A series of events in development to celebrate the 150th Anniversary of the Ipswich Art Society. Exhibition opportunity for individuals or groups: Sandbox Studios I am sure we all want to leap at the first opportunity to show some work in a very safe way! Located in central Ipswich at 8a Queen Street (by the Giles “Grandma” sculpture), Sandbox Studios is a recently opened small exhibition complex. Managed by our member, Jon Field, Sandbox aims to work with local artists to develop the profile of contemporary art in Ipswich. To celebrate its opening, Members and Friends are invited to submit two-dimensional work in any medium for an initial group exhibition to be held on site in October. Working with documentary film maker El Mourmane, exhibitors will also be invited (should they wish) to make a short video interview about their work. These will be included with images on the Sandbox website and linked to the IAS website, to help promote visibility and sales. The number of works invited, dimensions, etc, will depend on the size of the response. Please get in contact with Jon to let him know your interest: jonfi[email protected] Anna Airy Award Exhibition As the University of Suffolk is dealing with a backlog of events and unable to confirm dates for this year’s AAA Exhibition, we’ve decided to follow last year’s format and have the exhibition online. Schools have been invited to choose their Star Student of 2021 for an Anna Airy Award. The continuing generous sponsorship from The Arts Society: South East Suffolk has been added to this year by the generosity of The Arts Society: Woodbridge. This means we will also be able to offer an award for the Runners Up. The Schools will now submit an image of their award winners’ work The Colours of Nature by Jessica Parker for the online exhibition. We’re delighted that despite all the upheavals over the past year, 11 schools are participating. All welcome this as a unique opportunity to give their students a chance to have their achievements recognised at a time when their usual end of year exhibitions have been restricted. The exhibition will be online during September, so do look at the Art Society website, and possibly comment on this excellent exhibition. Jan Watson Works on Paper Picking up our occasional series of focussed exhibitions, we are planning an exhibition with the theme “works on paper”. This therefore includes drawings, prints, pastels and watercolours etc and will have a size restriction in order to maximise the number we can hang. It will be held at Artspace, Woodbridge, 28th October to 10th November. Invitations and submission papers to be sent out nearer the time. Small Works This special show of small works will include paintings, sculptures, prints and drawings and will provide a great opportunity to buy original artwork. The size of works should fall within a 34cm square (including frame), or within that footprint for sculptures. It will be held at the Aldeburgh Gallery, 25th November to 1st December. Invitations and submission papers to be sent out nearer the time. Ipswich Print Fair The Committee has been discussing the possibility of setting up an annual Ipswich Print Fair (we already own the domain name in readiness!) You may know about Ipswich Print Week, organised by Tower Street Print Studio, that took place recently, in fact some of our members took part, exhibiting their work at the Whistler Gallery. Our event will be slightly different and later in the year so as not to compete, but we see the events as being able to support and promote each other, raising the awareness of printmaking in all its forms and providing more opportunities for local printmakers to exhibit their work. If you have any comments or suggestions please get in touch, equally if you are interested in being involved as part of the event organisation we’d love to hear from you! To find out more, express interest or comment, please contact Ruth Day on email: [email protected] or Tel: 07710189976. Paint Out Suffolk Paint Out events have been established in Norfolk for a number of years and even ventured to Sudbury in 2018! (See www.paintout.org for more information about them.) With a view to providing a greater variety of opportunities to our members, we are investigating the possibility of hosting a collaborative annual Paint Out event in Suffolk. Artists of various mediums welcome, all you need is a sense of adventure to potentially discover new sights around our wonderful local area and spend a few hours depicting them for the viewing Artist Kate Gabriel painting Winterton pleasure of exhibition visitors later the same day. Again, if you allotments, Paint Out Norfolk 2020 have any comments or questions please get in touch, equally if you are interested in being involved as part of the event organisation team we’d love to hear from you! To find out more, express interest or comment, please contact Tammany Hunt on email: [email protected] Ipswich Annual Open and BORDERS exhibitions A whole sequence of dates for these had been agreed with the Town Hall, and then cancelled for obvious and of course entirely understandable reasons.
Recommended publications
  • “Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
    “Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions.
    [Show full text]
  • See East Anglia... the Coast
    46 TRAVEL PROFILE www.greateranglia.co.uk Eastern Daily Press, Friday, July 27, 2012 Eastern Daily Press, Friday, July 27, 2012 www.greateranglia.co.uk TRAVEL PROFILE 47 Pictures: ANTONY KELLY / RSPB / VISIT EAST ANGLIA / EAST ANGLIAN DAILY TIMES 2 FOR 1 OFFERS See East Anglia... The coast Visit www.greateranglia.co.uk/vea and in association with find more than seventy 2 for 1 vouchers to attractions, historic houses, gardens, EVENTS Visit East Anglia and museums, hotels, restaurants, theatres and ■ Sheringham Carnival ■ Aldeburgh Carnival tours throughout the region when you travel July 28-August 5 August 18-20 www.sheringhamcarnival.co.uk www.aldeburghcarnival.com by train with Greater Anglia. In addition to ■ Wells-next-the-Sea Carnival ■ Clacton Airshow July 27-August 5 August 23-24 the website, brochures containing all the www.wellscarnival.co.uk/ www.clactonairshow.com ■ Cromer Carnival ■ Burnham Week offers can also be found at your nearest August 11-17 August 25-September 1 train station or Tourist Information Centre. www.cromercarnival.co.uk/ burnhamweek.org.uk/ ■ Southwold Lifeboat Day ■ Wells-next-the-Sea Pirate Festival August 11 September 7-9 www.visiteastofengland.com www.wellsmaltings.org.uk ■ Clacton Carnival ■ International Talk Like a Pirate Day ■ The Crown Hotel, Wells-next-the-Sea, and ■ Hollywood Indoor Adventure Golf, August 13-19 September 19 The Ship Hotel, Brancaster, Norfolk Great Yarmouth How to make www.clactoncarnival.org/ www.talklikeapirate.com 2 for 1 OFFER Stay one night at any of our 2 for 1 OFFER Two
    [Show full text]
  • Vol53no3 with Accts
    Vol 53 No 3 ISSN 1479-0882 May / June 2019 The Wareham (Dorset) which is celebrating ten years of being run by a Trust – see Newsreel p28; photo taken May 2006 The Hucknall (Notts). A new owner is planning to convert it into a four-screen cinema – see Newsreel p24; photo taken May 2008 I owe all members and also Michael Armstrong and his colleagues at the Wymondham a big apology. For the first two issues this year Company limited by guarantee. Reg. No. 04428776. I erroneously printed last year’s programme in the ‘Other Registered address: 59 Harrowdene Gardens, Teddington, TW11 0DJ. Events’ section of the Bulletin. I must have misfiled the current Registered Charity No. 1100702. Directors are marked in list below. programme card and used the old one instead. I have done a suitable penance. The listing on p3 is correct! Thank you all for continuing to send in items for publication. I have been able to use much of the backlog this time. On p32 I have printed Full Membership (UK)..................................................................................£29 some holiday snaps from Ned Williams. I have had these in stock Full Membership (UK under 25s)...............................................................£15 since July 2017, just waiting for a suitable space. I say this simply to Overseas (Europe Standard & World Economy)........................................£37 prove I throw nothing away deliberately – although, as noted above, I Overseas (World Standard).........................................................................£49 Associate Membership (UK & Worldwide).................................................£10 can sometimes do so by accident. Life Membership (UK only).................................£450; aged 65 & over £350 I still have held over a major article from Gavin McGrath on Cinemas Life Membership for Overseas members will be more than this; please contact the membership secretary for details.
    [Show full text]
  • Opportunities in the Finance
    Business 16 East Monthly East Anglian Daily Times Tuesday, October 17, 2017 www.eadt.co.uk Sector skills report: Finance and business Opportunities in the finance In partnership with Suffolk County Council, Business East Monthly is running a series of reports aimed at informing young people about the career opportunities that exist in the region and the skills required to make the most of these openings. This month we provide an overview of the finance and business sector featuring interviews with employers, employees and education experts. Q&A – SUE BARNES, DIRECTOR, UK RETAIL, WILLIS TOWERS WATSON ‘We are a people-centred business and excellent interpersonal skills are essential’ Willis Towers Watson is a global willingness to learn… so quite a lot! multinational risk management, insurance brokerage and advisory How do you recruit this talent? company that operates in 140 countries We have a mixed approach to and has a major office in Ipswich. recruitment, taking on school leavers and graduates alongside targeted What is the current state of the recruitment of more experienced finance sector in East Anglia? individuals. This is a growing sector locally with We have invested heavily in growing recognised locational centres and our own talent over a number of years knowledge sectors, combined with and work closely with our internal improving communication recruiters who support us with this. infrastructure. We see individuals We also utilise specialist recruitment relocating into this area and, as there agencies to ensure we attract the right is a market here, it encourages further mix of talent so that our skill sets growth.
    [Show full text]
  • Newspapers 3.Xlsx
    Halesworth and District Museum – Newpaper index Printed 12/02/2018 Date Day Month Year Publication Comment Headline Location Catalogue Box Number Number 1 5 2001 ? Cutting Donation by Peter Miller, Landlord of the Triple Plea, to Patrick Stead Hospital SC/File 12 12 2003 ? Cutting Halesworth Library to open on Sundays SC/File ? Cutting Village remembers it's workhouse poor - Campaign to protect paupers' graves SC/File ? Cutting Workhouse graves row - Fury as church agrees to deconsecrate land SC/File 25 10 1957 Anglian Times 20 3 1959 Anglian Times Backtrack Cutting Southwold Railway enthusiasts visit site in 1936 SC/File 29 6 1951 Beccles & Bungay Journal Festival Queen of Halesworth, teacher from British Columbia 18 11 1977 Beccles & Bungay Journal New headquarters for Beccles Scouts & Guides U2/C/4 A412 Box Mis 1 16 12 1977 Beccles & Bungay Journal 11 5 1979 Beccles & Bungay Journal 31 8 1984 Beccles & Bungay Journal 28 9 1984 Beccles & Bungay Journal Cutting Halesworth Weekend - A triumph - including the beginnings of Halesworth Museum - Steeple End SC/File A412 Box Mis 1 23 11 1984 Beccles & Bungay Journal 7 12 1984 Beccles & Bungay Journal 21 12 1984 Beccles & Bungay Journal 12 5 1989 Beccles & Bungay Journal Cutting Halesworth Livestock Market Closes SC/File 7 2 1997 Beccles & Bungay Journal Cutting Brush-up for Halesworth Golf Club SC/File 12 12 2003 Beccles & Bungay Journal Cutting Halesworth Arts Festival - future SC/File 11 6 2004 Beccles & Bungay Journal Cutting Bus idea to curb vandalism and antisocial behaviour in Halesworth
    [Show full text]
  • The Last Epidemic of Plague in England? Suffolk 1906-1918
    THE LAST EPIDEMIC OF PLAGUE IN ENGLAND? SUFFOLK 1906-1918 by DAVID VAN ZWANENBERG APART from a single case of plague contracted in a laboratory at Porton in 1962 the last English outbreak of plague occurred in Suffolk. There were several official reports published soon after and there have been a number of short accounts based on these reports. This account of the epidemic was compiled with the aid of contemporary sources such as newspapers, letters, minutes of committees and coroner's depositions, together with information from one of the survivors, from several near relatives of the victims, as well as from official reports. In particular the author was fortunate in discovering a collection of letters, telegrams and other documents belonging to the late Dr. H. P. Sleigh, who was Medical Officer of Health of the Rural District of Samford at the time. THE DIAGNOSIS OF PLAGUE Five miles south of Ipswich, about halfway between the villages of Freston and Holbrook lies a small group of cottages called Latimer Cottages (see Map and Photograph). At the time that plague was first diagnosed this building was divided into three homes. In the middle cottage lived a farmworker, Mr. Chapman, his wife and four of his wife's children of a former marriage. On Tuesday, 13 September 1910, the third of these children, Annie Goodall, aged nine, was taken ill. She had not been away from home since 4 September. Following a bout of vomiting she ran a high temperature. She was seen by Dr. Carey on the following day when her temperature was 105°F, but apart from her general toxaemia he could detect no physical signs.
    [Show full text]
  • Suffolk's Year of Walking Update
    Suffolk’s Year of Walking Update April 2016 With just over a month until Suffolk’s Year of Walking kicks off, the final plans and preparations are now being put into place. Suffolk’s Year of Walking is a campaign celebrating walking in Suffolk. It provides a platform that will promote walking events and activities, as well as provide inspiration and opportunities for people to walk more often. The Year of Walking will highlight everything from recreational Nordic and long distance walking to the more everyday walking to work and school. Suffolk’s Year of Walking calendar currently has over 300 events scheduled between May 2016 and May 2017. Walking events include everything from wildlife walks and dog walks, to ghost walks and 26 mile ‘Challenge Walks’. There is something for all ages and all abilities! Also, this summer will see wild pigs spring up in and around Ipswich town centre and waterfront as part of the Pigs Gone Wild trail (www.pigsgonewild.co.uk). The interactive sculpture trail will feature more than 40 pigs that have been individually decorated by artists…make sure you don’t miss our Year of Walking pig! Suffolk’s Year of Walking are pleased to present Archant, publishers of the East Anglian Daily Times, Ipswich Star and others, as a media partner. We would like to take this opportunity to thank them for their support. A dedicated Year of Walking website (www.suffolkyearofwalking.co.uk) is currently being developed and will be live in the coming weeks. The website will contain up-to-date information about walking events taking place in Suffolk as well as national health campaigns associated with walking and physical activity.
    [Show full text]
  • Newsletter Jan 2019
    Ipswich Art Society Registered charity no. 219257 Issue 73 www.ipswich-art-society.org.uk January 2019 newsletter It is sad to relate that we have lost two much loved and respected long standing members of the Society during this last year: Edwin Barritt and Anne Paterson Wallace. You will see this reflected in the affectionate Obituaries. The Winter Talk Series is moving to the Spring and we are experimenting with moving them to the afternoon rather than the evening. Some of the talks last year were more scantily attended than in the past and the committee conjectured that this may be to do with having to venture out on dark winter evenings. So, as a trial this year we are moving later in the year - to what we hope will be more clement weather - and to the afternoon, to see if that might widen the appeal to our membership and the public. We are just holding two this year to see how the experiment works and we have two excellent speakers. See Spring Talks for details. The 2018 Annual Open Exhibition at the Ipswich Art Gallery was a great success as ever. As reported in the last Newsletter we had a larger than ever volume of submissions, which is excellent news. Anticipating a similar response this year we will be making a couple of adjustments. The first is the selection process, which will be amended to help include more works and reduce the number of disappointments. The second concerns the the framing and fixings. We will not be able to handle the volume of works if such a large proportion of works continue to have the wrong fixings.
    [Show full text]
  • Open PDF 108KB
    Written evidence submitted by News Media Association News Media Association response to the DCMS Select Committee Call for Evidence Inquiry on the impact of Covid-19 on DCMS Sectors [28 April 2020] The News Media Association represents national, regional and local news publishers. It members publish some 1000 titles throughout the United Kingdom. These include national titles, such as The Times, The Guardian, The Daily Telegraph, The Mirror and The Sun and regional and local titles such as the Yorkshire Post, the Monmouthshire Beacon, The Stratford Herald , the East Anglian Daily Times and the Kent Messenger. They reach an audience of some 48 million adult readers each month, in print and online, but this is being driven ever upwards with the public demand for verified accurate information and trusted journalism as a result of the Covid-19 crisis, The NMA and its members have welcomed the Government's acknowledgment of the newspaper industry as the 'fourth emergency service' and appreciate the strong messages of support for regional and local newspapers in particular which have been expressed by many Members of Parliament. The NMA has briefed the Government on the drastic impact of Covid-19 pandemic and consequent measures upon the sector. It has outlined further action necessary to provide the crucial short term support necessary to sustain titles through the initial crisis. Currently, two measures would provide both immediate relief and ongoing help -the extension of 100% business rates relief available to retail, leisure and hospitality to newspaper publishers, especially local publishers, since news suppliers cannot simply 'mothball' their businesses; and the bringing forward and backdating VAT zero rating for e- newspapers, including news websites, to 1 January 2020 instead of 1 December 2020.
    [Show full text]
  • Dyeing Sutton Hoo Nordic Blonde: an Interpretation of Swedish Influences on the East Anglian Gravesite
    DYEING SUTTON HOO NORDIC BLONDE: AN INTERPRETATION OF SWEDISH INFLUENCES ON THE EAST ANGLIAN GRAVESITE Casandra Vasu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2008 Committee: Andrew Hershberger, Advisor Charles E. Kanwischer © 2008 Casandra Vasu All Rights Reserved iii ABSTRACT Andrew Hershberger, Advisor Nearly seventy years have passed since the series of tumuli surrounding Edith Pretty’s estate at Sutton Hoo in Eastern Suffolk, England were first excavated, and the site, particularly the magnificent ship-burial and its associated pieces located in Mound 1, remains enigmatic to archaeologists and historians. Dated to approximately the early seventh century, the Sutton Hoo entombment retains its importance by illuminating a period of English history that straddles both myth and historical documentation. The burial also exists in a multicultural context, an era when Scandinavian influences factored heavily upon society in the British Isles, predominantly in the areas of art, religion and literature. Literary works such as the Old English epic of Beowulf, a tale of a Geatish hero and his Danish and Swedish counterparts, offer insight into the cultural background of the custom of ship-burial and the various accoutrements of Norse warrior society. Beowulf may hold an even more specific affinity with Sutton Hoo, in that a character from the tale, Weohstan, is considered to be an ancestor of the man commemorated in the ship- burial in Mound 1. Weohstan, whose allegiance lay with the Geats, was nonetheless a member of the Wægmunding clan, distant relations to the Swedish Scylfing dynasty.
    [Show full text]
  • Object of the Year 2018 Was Friendly Activities and Events in Museums Throughout the Hidden Histories
    1 Delivered Generated Suffolk Museums 174,500 £10.1m volunteer hours Making a Difference to the economy valued at Included Welcomed £1.25m to museums 56 430,279 Supported Museums visitors FTE in Suffolk 1,550 153 people Accredited Welcomed participating 36 Museums volunteers Open to the 5 public for 35,21 Engaged people to special 31,363 hours Cared for over events 45,621 children and young people 1,000,000 objects in learning activity 2 3 Contents Chairman’s welcome page 07 Resilient Museums page 18 Felixstowe Museum page 18 Efficient and effective public services page 08 Haverhill Local History Centre page 18 Association for Suffolk Museums page 08 Orford Museum and Laxfield Museum page 19 Suffolk Museums Partnership page 09 Growing the economy, jobs and skills page 20 Investing in Suffolk Museums page 10 Transforming People to Transform Museums page 22 Young Leadership Scheme page 24 Return on investment page 11 Junior Engineering Days page 25 Strong, safe and healthy communities page 12 Summer in Suffolk Museums page 26 Object of the Year page 27 Recovery College page 13 Search for the Stars page 14 Raising aspirations page 28 Men’s Sheds page 15 Local Cultural Education Partnerships page 28 Making Waves Together page 16 Lowestoft Folk page 29 Seaside Heritage page 16 The Grit page 30 Dance Map page 17 Youth Guide Project page 32 4 5 We are extremely grateful for the Suffolk Museums play a key role in the contribution made by all staff, understanding of the places where we live. By bringing people together they enhance quality of volunteers, funders, stakeholders life, improve the health and well-being of individuals, and partners that work together support resilient communities and drive the economy.
    [Show full text]
  • Shine a Light
    S H I N E A LIGHT MORE STORIES OF A BETTER S U F F O L K CONTENTS Foreword Introduction Chapter 1 Bury St Edmunds Women’s Aid Centre Chapter 2 Ipswich Housing Action Group Chapter 3 Just42 Chapter 4 Porch Project Chapter 5 REACH Chapter 6 Rural Coffee Caravan Chapter 7 Signpost Gunton Chapter 8 Suffolk Artlink Chapter 9 Upbeat Chapter 10 Warden’s Charitable Trust Meet the Team With thanks to FOREWORD One of the joys we experience at the of relief and hope. It is a life Foundation is accompanying changing experience for them, but donors and fund holders on visits to also for all the people that make it organisations that they have happen. supported through their generosity. This book is our opportunity to Even though these organisations are Shine A Light on some of the often dealing with the most difficult magnificent organisations who are social issues, the experience is working in our communities and always positive. How can that be? improving the lives of our Universally, it is because our neighbours, friends and loved ones. charities and community groups These are their stories that will both attract extraordinary people who inspire and move you. This give of their time, knowledge, skills publication would not have been and compassion to improve the lives possible without the support of the of those less fortunate. It is a truly editor of the East Anglian Daily humbling experience. Talking with Times, Terry Hunt, the sponsorship the people receiving this treasured from CCLA and the compassion lifeline, whether it is to help them and commitment of our local cope with depression, escape from charity and voluntary sector.
    [Show full text]