Saxmundham to the Coast
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
Antiques & Fine Art Sale, 9/04/2019 10:00 AM
Antiques & Fine Art Sale, 9/04/2019 10:00 AM 1 Fine Chinese Ming period Longquan celadon 10 18th century Chelsea green monochrome charger with incised floral and leaf decoration, painted chocolate cup and saucer with river view thick green glaze, the underside lacking glaze to decoration, with ruins and dwellings and figures central area and with some kiln debris, 44cm in foreground, gilt borders and gold anchor diameter. marks, circa 1765 £300-500 11 18th century Chelsea silver shape dish with painted botanical decoration and brown line borders and brown anchor mark, circa 1758, Provenance: Purchased in the 1930s from John 25cm x 19.5cm £60-90 Sparks Ltd. 128 Mount Street, London. Bearing label to underside - from a local country house 12 18th century Bow powder-blue ground canted £1,000-1,500 rectangular dish of octagonal form, with fan- shaped and oval reserves with Chinese 2 Chinese Qing period Doucai charger, probably landscape and floral decoration, circa 1765, 19th century, with polychrome painted five-toed 27cm x 18.5cm £120-150 dragon and with pearl and phoenix within floral scroll borders - underglazed blue Yongzheng 13 18th century Bow powder-blue ground baking six-character mark within double rings to dish of octagonal form, with fan-shaped and underside, 48cm diameter - from a local country oval reserves with Chinese landscape and floral house £200-300 decoration - faux Chinese marks to base, circa 1765, 23cm x 16cm £150-200 3 Pair late 19th century Manuel Mafra Portuguese Palissy ware pottery dishes with applied lizard, 14 Pair mid-19th century Samuel Alcock two- frog and beetle decoration, on naturalistic grass handled vases and covers decorated with a ground - impressed - B. -
Part of the Tide Collection Aldeburgh Times Woodbridge Talk Southwold Organ Saxmundham News Leiston Observer Halesworth Hoot Aldeburgh Times
...YOUR FREE LOCAL NEWS JULY 2021 ALDEBURGH TIMES PART OF THE TIDE COLLECTION ALDEBURGH TIMES WOODBRIDGE TALK SOUTHWOLD ORGAN SAXMUNDHAM NEWS LEISTON OBSERVER HALESWORTH HOOT ALDEBURGH TIMES Registered Charity No. 1105001 VIEW OUR FULL COLLECTION AT TIDECOLLECTION.COM FROM OUR EDITOR INSIDE YOUR Welcome to my first Aldeburgh Times, which I will now be MAGAZINE... editing in-house along with our other titles. ALDEBURGH YACHT CLUB 4 SCHOOLS SAILING PROGRAMME Local school children experience I’d like to start by wishing Penny all the very best for her sailing and develop life skills retirement, we will all miss her visits to the office and her SUMMER FUN WITH 6 contribution to the Tide Collection. ALDEBURGH MUSEUM A Story-teller, Talks, Walks and Louise hands-on Activities – bring along Gissing Please keep me informed of any events and activities if you are your young ones a member of a club or association or are involved in fundraisers, I will be happy to include details within these pages. My email is lou@tidecollection. LEISTON AIR CADETS 9 Adventure training, sports, BTECs & com. I would love to hear from you DoE Awards and more - Recruiting now Our cover photo, by Fleur Hayles, is of school children enjoying Aldeburgh Yacht DESERT RAIDS WITH 15 THE SAS Club’s Sailing programme. What a great way to improve their life skills, confidence, The story of Tony Hough health and wellbeing. See page 4 for more information about the AYC Schools (a member of Aldeburgh Golf Club for many years) Sailing Trust’s work written by his son Gerald Hough -
Leiston Saxmundham Wickham Market &Aldeburgh
up to every 30 mins between TIMES FARES MAPS 64 Ipswich 65 Woodbridge & Melton including then around every hour to 63 Wickham Market Saxmundham Leiston & Aldeburgh 64 with some buses serving Rendlesham 65 Framlingham 63 from 1st September 2019 your simple route guide to section of route served by some journeys 64 65 buses travel one way along this section where to catch your bus in Ipswich town centre A12 Christchurch Park Farm Road Saxmundham k Road o o Christchurch Rd Westerfield Tuddenham r Mansion B N o Saxmundham Station rw Tower Ramparts ic Rendham Waitrose h Rd Bus Station Gt Colman Waterloo Street Road Avenue Long Shop Museum New Wolsey 63 to Framlingham Theatre BoltonLane Ipswich WoodbridgeRoad 64 Church t Regent Farnham Street S Leiston Sailmakers Road andford m Civic Road u Hacheston Road Drive Farnham e Corn St elens Haylings s High St High Warwick Rd u Exchange Street Leiston Leisure pper Knodishall M Centre Brook St Buttermarket Spring 63 Rd Stratford St Andrew Sir Alf Tacket St 65 Saxmundham Aldringham Ramsey Way Rope SuffolkWalk Little lemham Linden Willis Old Cattle Fore St Main Road Road ITFC New College Road Portman Rd Portman Building t Market Alexandra S s Bus Station University Park Church Rd Endeavour e Wickham c Cardinal of Suffolk Victoria Road n House i r Park Market Snape P A12 Ipswich Market Waterfront Bishop’s Suare Snape Maltings Crown rafton Way Tunstall Court Hill StreetHigh Vernon St Ipswich Redwald Aldeburgh Cinema 63 Park Burrell Rd Waterfront Road Ufford 64 65 Road Ipswich Acer Rd Aldeburgh Railway Station -
Britten Spring Symphony Welcome Ode • Psalm 150
BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
The Mattin Family of Campsea Ashe
The Mattin Family of Campsea Ashe Research by Sheila Holmes July 2014 © Sheila Holmes Mattin Family The Mattin families lived in Campsea Ashe from at least 1803 until the early part of the 20th century. Thomas Mattin and his wife Elizabeth nee Curtis, lived in the neighbouring village of Hacheston. Their son Thomas, married a girl from Campsea Ashe, where they settled for the rest of their married lives. They brought up their children and some of whom continued to live in the village. The Mattin family, were connected to several other Campsea Ashe families through marriage, such as the Youngmans , Mays, Lings, Curtis’s, Townrows and Knights. It is possible that one branch of the family lived in Little Glemham but so far no definite connection has been found, In 1881, there were there were 6 Mattin families living in the village at same time. Connection with the Youngman family. John Youngman, born 15th December 1791 and died on 15th March 1874, Campsea Ashe, married Elizabeth Ling on 25th May 1813. Their daughter, Charlotte, born 1817, married Charles Mattin,. Charles and Charlotte had a son, Charles, born 1839. Young Charles Mattin lived with his grand parents, John and Elizabeth Youngman from the age of 2 in Campsea Ashe. Charged with Actual Bodily Harm. An entry in the records of the Quarter Sessions at Ipswich on 1st July 1870 states, Charles Mattin and James Mattin, the younger, were charged with causing actual bodily harm, were sentenced to 12 calendar months imprisonment with hard labour. It is not known who these two men were or indeed whether they were members of our Mattin family. -
Section 12 Area Specific Strategies
Area Specific Strategies | Suffolk Coastal Local Plan Final Draft | November 2018 (Scrutiny Committee Version) Section 12 Area Specific Strategies District wide criteria based policies 189 Area Specific Strategies | Suffolk Coastal Local Plan Final Draft | November 2018 (Scrutiny Committee Version) 12 Area Specific Strategies 12.1 This part of the Plan sets out the strategy for specific parts of the District including the Major Centres of Felixstowe and the communities neighbouring Ipswich, the towns and the rural areas. This reflects the strategy of the Plan which looks to create two new Garden Neighbourhoods to the north of Felixstowe and the south of Saxmundham, respond to opportunities presented by transport connections, and sustain and enhance the vitality of the rural parts of the District. 12.2 The areas are considered below in Settlement Hierarchy order, following the section on Neighbourhood Plans, as follows: Neighbourhood Plans Approach to Site Allocations Strategy for Felixstowe Strategy for Communities to the East of Ipswich Strategy for Aldeburgh Strategy for Leiston Strategy for Framlingham Strategy for Saxmundham Strategy for Woodbridge Strategy for the Rural Areas Neighbourhood Plans 12.3 Neighbourhood Plans were introduced through the Localism Act 2011 and enable communities to produce their own policies and to allocate sites for development. It is for Town and Parish Councils to decide whether they wish to produce a Neighbourhood Plan and where they do the District Council has a supporting role in the production of the Plan. Across the District, a number of communities have sought to develop their own plan, with a total of 18 Neighbourhood Plan areas designated (see Table 12.1 and map below). -
Minutes of the Cabinet Meeting Held at the Council Chamber, Woodbridge
confirmed Minutes of the Cabinet Meeting held in the Deben Conference Room, East Suffolk House, Riduna Park, Melton on Tuesday 10 July 2018 at 6.30 pm Members of Cabinet present: R Herring (Leader), A Fryatt, S Gallant, T-J Haworth-Culf, R Kerry, S Lawson, A Smith. Other Members present: C Blundell, A Cooper, P Dunnett, J Fisher, S Harvey. Officers present: S Baker (Chief Executive), K Blair (Head of Operations), K Cook (Democratic Services & Cabinet Business Manager), M Edgerley (Principal Planner), P Gore (Head of Environmental Services & Port Health), T Howarth (Principal Environmental Health Officer), R Jacobs (Port Health Manager), A Jarvis (Strategic Director), Andrea McMillan (Principal Planner), D Reed (Planning Policy & Delivery Manager), P Ridley (Head of Planning & Coastal Management), L Rogers (Finance Manager). 1. Apologies for Absence Apologies for absence were received from Councillor Holdcroft and Councillor Poulter. 2. Declarations of Interest Councillor Herring declared a Disclosable Pecuniary Interest in respect of agenda item 8, Suffolk Coastal District Council Local Plan – First Draft Local Plan. Councillor Herring left the meeting for this item. 3. Minutes It was proposed, seconded and unanimously RESOLVED That the Minutes of the Cabinet Meeting held on 5 June 2018 be approved as a correct record and signed by the Chairman. 4. Announcements Councillor Herring stated that, having declared a Disclosable Pecuniary Interest, he had appointed Councillor Kerry to chair the meeting in his absence, for agenda item 8, Suffolk Coastal District Council, First Draft Local Plan. 6 Councillor Smith announced that, on 17 July 2018, he would be attending the House of Lords Select Coittee o ‘egeeratig “easide Tos. -
The History of Campsea Ashe Rev
The History of Campsea Ashe Rev. F G L Lucas, 1909 THE HISTORY OF CAMPSEA ASHE by Reverend F G L Lucas, Rector begun in 1909 In long past days orthography was an art even less universally acquired than it is at the present day. Every man spelt as seemed right in his own eyes, apparently with no sense of consistency, especially with regard to proper names, for the same name often appears with different spelling, perhaps twice in one line. Thus it is that the name of our Parish has been spelt in many ways:- Campesse, Capesea, Capsea, Camsey, Camesy, Campes, Campsey, Campsea etc. Ash, Ashe, Ahys, Ayssch, Asshe etc. Ayssch next Campsey, Ashe juxta Campessy, Ash by Campsey, Ash next Campsey, Campsey Ashe, Campsea Ashe. The derivation of the two names (originally they were two separate parishes or villages) is very uncertain. Canon Raven, in his ‘History of Suffolk’, speaks of the reverence in which the Ash tree was held in olden times. The yggdrasil, or maybe mystic Ash, was considered by the ancient Teuton races to be both the Tree of Life and the Tree of Knowledge, with roots reaching down to the abode of the Old Dragon, to the Fountain of Wisdom and to the Seat of Judgment. The god Odin was walking one day, with Haener and Loden, two other gods, near the sea: they found an ash and an elm, whereof they constructed the first man and the first woman. The Scandinavian and Teuton invaders of our Island were probably delighted to find these two trees indigenous to the British soil and the words ash and elm were attached by them to various localities: e.g. -
Aldeburgh to Hopton-On-Sea Nature Conservation Assessment
www.gov.uk/englandcoastpath Assessment of Coastal Access Proposals relating to Report AHS 1 Aldeburgh to Sizewell and Report AHS 2 Sizewell to Dunwich on sites and features of nature conservation concern 29th January 2020 Nature Conservation Assessment for Coastal Access Proposals between Aldeburgh and Dunwich About this document This document should be read in conjunction with the published Reports for the Aldeburgh to Hopton-on-Sea Stretch and the Habitats Regulations Assessment (HRA). The Coastal Access Reports contain a full description of the access proposals, including any additional mitigation measures that have been included. These Reports can be viewed here: https://www.gov.uk/government/collections/england-coast-path-aldeburgh-to-hopton-on-sea An HRA is required for European sites (SPA, SAC and Ramsar sites). The HRA is published alongside the Coastal Access Reports. This document, the Nature Conservation Assessment (NCA), covers all other aspects (including SSSIs, MCZs and undesignated but locally important sites and features) in so far as any HRA does not already address the issue for the sites and feature(s) in question. The NCA is arranged site by site. The map shown in Figure 1 shows the designated site along this stretch of coast. The table of designated sites and features include features which have been considered in the HRA. Page 2 Nature Conservation Assessment for Coastal Access Proposals between Aldeburgh and Dunwich Contents About this document ................................................................................................................. -
Annual Review Are Intended Director on His fi Rst Visit to the Gallery
THE April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March – Contents Introduction 5 In June , Dr Nicholas Penny announced During Nicholas Penny’s directorship, overall Director’s Foreword 8 his intention to retire as Director of the National visitor numbers have grown steadily, year on year; Gallery. The handover to his successor, Dr Gabriele in , they stood at some . million while in Acquisitions 10 Finaldi, will take place in August . The Board they reached over . million. Furthermore, Loans 17 looks forward to welcoming Dr Finaldi back to this remarkable increase has taken place during a Conservation 24 the Gallery, where he worked as a curator from period when our resource Grant in Aid has been Framing 28 to . falling. One of the key objectives of the Gallery Exhibitions 32 This, however, is the moment at which to over the last few years has been to improve the Displays 44 refl ect on the directorship of Nicholas Penny, experience for this growing group of visitors, Education 48 the eminent scholar who has led the Gallery so and to engage them more closely with the Scientifi c Research 52 successfully since February . As Director, Gallery and its collection. This year saw both Research and Publications 55 his fi rst priority has been the security, preservation the introduction of Wi-Fi and the relaxation Public and Private Support of the Gallery 60 and enhanced display of the Gallery’s pre-eminent of restrictions on photography, changes which Trustees and Committees of the National Gallery Board 66 collection of Old Master paintings for the benefi t of have been widely welcomed by our visitors.