Sandra Fisher Papers, 1957-2007 (Bulk 1970-1994)
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Antiques & Fine Art Sale, 9/04/2019 10:00 AM
Antiques & Fine Art Sale, 9/04/2019 10:00 AM 1 Fine Chinese Ming period Longquan celadon 10 18th century Chelsea green monochrome charger with incised floral and leaf decoration, painted chocolate cup and saucer with river view thick green glaze, the underside lacking glaze to decoration, with ruins and dwellings and figures central area and with some kiln debris, 44cm in foreground, gilt borders and gold anchor diameter. marks, circa 1765 £300-500 11 18th century Chelsea silver shape dish with painted botanical decoration and brown line borders and brown anchor mark, circa 1758, Provenance: Purchased in the 1930s from John 25cm x 19.5cm £60-90 Sparks Ltd. 128 Mount Street, London. Bearing label to underside - from a local country house 12 18th century Bow powder-blue ground canted £1,000-1,500 rectangular dish of octagonal form, with fan- shaped and oval reserves with Chinese 2 Chinese Qing period Doucai charger, probably landscape and floral decoration, circa 1765, 19th century, with polychrome painted five-toed 27cm x 18.5cm £120-150 dragon and with pearl and phoenix within floral scroll borders - underglazed blue Yongzheng 13 18th century Bow powder-blue ground baking six-character mark within double rings to dish of octagonal form, with fan-shaped and underside, 48cm diameter - from a local country oval reserves with Chinese landscape and floral house £200-300 decoration - faux Chinese marks to base, circa 1765, 23cm x 16cm £150-200 3 Pair late 19th century Manuel Mafra Portuguese Palissy ware pottery dishes with applied lizard, 14 Pair mid-19th century Samuel Alcock two- frog and beetle decoration, on naturalistic grass handled vases and covers decorated with a ground - impressed - B. -
T Make Art Films, I Make People Films... Portraits Rather Than Profiles'
CV 'I tell people that I don't make art films, I make people films... portraits rather than profiles' Jake Auerbach is a British film maker specialising in documentary subjects. Though his films have ranged across the cultural spectrum he is best known for his portraits of artists both contemporary and historical. “Auerbach is regarded as a maverick in the world of documentary, backing his own judgment rather than constructing films to suit broadcasters; he works, where possible, with the artists themselves, without the intervention of interpreters.” Jake was born in Sheffield, Yorkshire and educated in North London; he then joined the Economist newspaper. After two years he left to join the Henson Organisation, working on The Muppet Show and Dark Crystal… also spending a brief time as a puppeteer, most notably on Return of the Jedi as Jabba the Hutt’s cheek puff. Auerbach then worked in the USA on the film Haunted before returning to the UK and the editing department of the BBC. After a year in the cutting rooms working on strands such as Arena, Omnibus and Horizon he began to direct. There followed films on rock music, photography, Voodoo, football and major documentaries about London, the art market and filmed portraits of artists. In 1992 he left the BBC to become an independent. He now runs Jake Auerbach Films Ltd. - http://www.jakeauerbachfilms.com/ The company’s films include portraits of Lucian Freud, Walter Sickert, Allen Jones, Rodin, R. B. Kitaj, Paula Rego and the feature length Last Art Film and have been broadcast and shown in museums around the world… Seasons of his work have been shown at Abbot Hall, Pallant House and The National Portrait Gallery in London. -
R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
Annual Review Are Intended Director on His fi Rst Visit to the Gallery
THE April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March – Contents Introduction 5 In June , Dr Nicholas Penny announced During Nicholas Penny’s directorship, overall Director’s Foreword 8 his intention to retire as Director of the National visitor numbers have grown steadily, year on year; Gallery. The handover to his successor, Dr Gabriele in , they stood at some . million while in Acquisitions 10 Finaldi, will take place in August . The Board they reached over . million. Furthermore, Loans 17 looks forward to welcoming Dr Finaldi back to this remarkable increase has taken place during a Conservation 24 the Gallery, where he worked as a curator from period when our resource Grant in Aid has been Framing 28 to . falling. One of the key objectives of the Gallery Exhibitions 32 This, however, is the moment at which to over the last few years has been to improve the Displays 44 refl ect on the directorship of Nicholas Penny, experience for this growing group of visitors, Education 48 the eminent scholar who has led the Gallery so and to engage them more closely with the Scientifi c Research 52 successfully since February . As Director, Gallery and its collection. This year saw both Research and Publications 55 his fi rst priority has been the security, preservation the introduction of Wi-Fi and the relaxation Public and Private Support of the Gallery 60 and enhanced display of the Gallery’s pre-eminent of restrictions on photography, changes which Trustees and Committees of the National Gallery Board 66 collection of Old Master paintings for the benefi t of have been widely welcomed by our visitors. -
Kontrastphänomene in Den Porträts Von Frank Auerbach
Originaldokument gespeichert auf dem Dokumentenserver der Universität Basel edoc.unibas.ch Dieses Werk ist unter dem Vertrag „Creative Commons Namensnennung-Keine kommerzielle Nutzung-Keine Bearbeitung 3.0 Schweiz“ (CC BY-NC-ND 3.0 CH) lizenziert. Die vollständige Lizenz kann unter creativecommons.org/licenses/by-nc-nd/3.0/ch/ eingesehen werden. Namensnennung-Keine kommerzielle Nutzung-Keine Bearbeitung 3.0 Schweiz (CC BY-NC-ND 3.0 CH) Sie dürfen: Teilen — den Inhalt kopieren, verbreiten und zugänglich machen Unter den folgenden Bedingungen: Namensnennung — Sie müssen den Namen des Autors/Rechteinhabers in der von ihm festgelegten Weise nennen. Keine kommerzielle Nutzung — Sie dürfen diesen Inhalt nicht für kommerzielle Zwecke nutzen. Keine Bearbeitung erlaubt — Sie dürfen diesen Inhalt nicht bearbeiten, abwandeln oder in anderer Weise verändern. Wobei gilt: Verzichtserklärung — Jede der vorgenannten Bedingungen kann aufgehoben werden, sofern Sie die ausdrückliche Einwilligung des Rechteinhabers dazu erhalten. Public Domain (gemeinfreie oder nicht-schützbare Inhalte) — Soweit das Werk, der Inhalt oder irgendein Teil davon zur Public Domain der jeweiligen Rechtsordnung gehört, wird dieser Status von der Lizenz in keiner Weise berührt. Sonstige Rechte — Die Lizenz hat keinerlei Einfluss auf die folgenden Rechte: o Die Rechte, die jedermann wegen der Schranken des Urheberrechts oder aufgrund gesetzlicher Erlaubnisse zustehen (in einigen Ländern als grundsätzliche Doktrin des fair use bekannt); o Die Persönlichkeitsrechte des Urhebers; o Rechte anderer Personen, entweder am Lizenzgegenstand selber oder bezüglich seiner Verwendung, zum Beispiel für Werbung oder Privatsphärenschutz. Hinweis — Bei jeder Nutzung oder Verbreitung müssen Sie anderen alle Lizenzbedingungen mitteilen, die für diesen Inhalt gelten. Am einfachsten ist es, an entsprechender Stelle einen Link auf diese Seite einzubinden. -
A Guide to Saxmundham
A Guide to Saxmundham An Introduction to Saxmundham Saxmundham is a historic market town at the centre of the Heritage Coastal region in Suffolk, England. Saxmundham, or 'Sax' as it is known locally, has many local shops and businesses, sports and leisure facilities. As well as having good rail links, Saxmundham is situated on the A12 trunk road, putting the town within easy reach of Ipswich, Norwich, London, and the whole of mainland Europe. Please note ALL opening times below may differ due to Covid-19. Supermarkets We are fortunate to have two supermarkets situated within walking distance of the Guesthouse, making it easy for you to source food for your lunch and evening meals. Both are located just off the high street – taking a left at the traffic lights (if you are coming from the Guesthouse). Tesco Opening times: Monday – Saturday: 8am – 10pm, Sunday 11am - 5pm Waitrose Please note that Waitrose also has a café and facilities for you to collect online orders from John Lewis. Opening times: Monday – Friday: 8am - 9pm, Saturday 8am - 8pm, Sunday 10am - 4pm Food outlets Within Saxmundham there are many different places to have meals if you do not fancy cooking. This varies from café’s to takeaways and restaurants depending on your preferences. Cafes/Bakery • Costa – The nationwide coffee chain have a branch located here and also have outdoor seating, perfect for a drink or light lunch. Opening times: Monday - Sunday 7.30am - 5pm, • Trinity’s at No.14 – Located in the Market Place, Trinity’s offer a range of food to eat - in or takeaway. -
Maggi Hambling Talk at Alde Valley Spring Festival 2018
Life Unleashed “Art is about getting your ‘self’ out of the way so the truth of life can be channelled through you.“ Maggi Hambling talk at Alde Valley Spring Festival 2018 Movement in the art of Maggi Hambling Parallel Project for OCA Printmaking 2 September 2018 Linda Mayoux SNo 511740 Movement in the art of Maggi Hambling Page 2 of 17 Contents Life Unleashed: vision in the art of Maggi Hambling 3 Directing the eye: line, tone and composition 4 Restless marks 6 Textures of passion 8 Waves and water 8 War 9 Movement in Hambling’s printmaking 10 Etching 10 Monoprint: life studies 12 Wave Monotypes 2014 14 Implications for my own practice 15 Annex: Maggi Hambling’s Work: Summary chronology 16 Sources consulted 17 Linda Mayoux OCA Printmaking 2 Parallel Project Student Number 511740 Movement in the art of Maggi Hambling Page 3 of 17 This parallel project reviews selected drawings, Life Unleashed: paintings and prints to focus on: the art of Maggi a) the different ways in which Hambling uses different techniques to create movement and Hambling energy in her drawings and paintings b) how these techniques are reflected or different Maggi Hambling’s recent self-portrait shown at the in her printmaking. Alde Valley Spring Festival April 2018 dominates the hall. The viewer’s gaze is immediately The final section of the project reflects then on: transfixed by the defiance of the right eye. But then restlessly circles around the swirling marks, c) the implications for increasing intensity and drips and textures of the rest of the face, head and movement in my own printmaking – particularly shoulders. -
Newsletter Jan 2019
Ipswich Art Society Registered charity no. 219257 Issue 73 www.ipswich-art-society.org.uk January 2019 newsletter It is sad to relate that we have lost two much loved and respected long standing members of the Society during this last year: Edwin Barritt and Anne Paterson Wallace. You will see this reflected in the affectionate Obituaries. The Winter Talk Series is moving to the Spring and we are experimenting with moving them to the afternoon rather than the evening. Some of the talks last year were more scantily attended than in the past and the committee conjectured that this may be to do with having to venture out on dark winter evenings. So, as a trial this year we are moving later in the year - to what we hope will be more clement weather - and to the afternoon, to see if that might widen the appeal to our membership and the public. We are just holding two this year to see how the experiment works and we have two excellent speakers. See Spring Talks for details. The 2018 Annual Open Exhibition at the Ipswich Art Gallery was a great success as ever. As reported in the last Newsletter we had a larger than ever volume of submissions, which is excellent news. Anticipating a similar response this year we will be making a couple of adjustments. The first is the selection process, which will be amended to help include more works and reduce the number of disappointments. The second concerns the the framing and fixings. We will not be able to handle the volume of works if such a large proportion of works continue to have the wrong fixings. -
Britain in the World 1860–Now
yale center for british art Britain in the World 1860–now Second-floor galleries Rebecca Salter, born 1955, British K37 1996, mixed media on canvas The work of Rebecca Salter draws on a variety of artistic styles, media, and cultural traditions. Her distinctive approach was shaped primarily by the six years she spent in Kyoto, Japan, in the early 1980s, where she studied ceramics. She returned to her native London with a commitment to two-dimensional art and a particular interest in Japanese printmaking techniques and the subtle textures and surfaces of Japanese papers. In the late 1980s, however, she also began to make regular visits to the Lake District in northern England, taking inspiration from the austere landscape and ever-shifting weather conditions. Working within a tight tonal range and rarely letting one part of the canvas speak louder than any other, Salter’s paintings are nonetheless quietly compelling: a suitable match for the architecture of Louis Kahn (designer of the Yale Center for British Art), in whose memory this painting was purchased. Friends of British Art Fund and Gift of Jules David Prown, MAH 1971, in memory of Louis I. Kahn, B2011.8 Sandra Blow, 1925–2006, British Red Circle 1960, mixed media on board Sandra Blow emerged in the 1950s as one of the most innovative figures in British abstract art. Blow built her reputation as an independent and pioneering force despite making and keeping a loose connection to the modernists at St. Ives, especially Barbara Hepworth, Ben Nicholson, and Patrick Heron. Red Circle’s vivid band of color encircling concentric black rings on a monochrome field exemplifies her bold abstraction, which nevertheless references the natural world and organic forms. -
Interjections: Lucian Freud Still Life, Getty Center, Los Angeles, US
1922 - 2011, Born in Berlin, DE Lived and worked in London, UK EDUCATION 1943 Goldsmiths University of London, London, UK 1939 Cedric Morris’ East Anglian School of Painting and Drawing, Dedham, UK AWARDS 1993 Ordre du Mérite 1983 Order of the Companions of Honour SELECTED SOLO EXHIBITIONS 2012 Lucian Freud: Drawings, Blain|Southern, London, UK; Acquavella Galleries, New York, US Lucian Freud Portraits, National Portrait Gallery, London, UK; Fort Worth, Texas, US 2010 Lucian Freud: L’Atelier, Centre Georges Pompidou, Paris, FR 2009 Interjections: Lucian Freud Still Life, Getty Center, Los Angeles, US Lucian Freud: Works on Paper, James Hyman Gallery, London, UK Lucian Freud: Etchings, Marlborough Fine Art Ltd, London, UK Lucian Freud: Drawings 1940, Niagara Galleries, Melbourne, AU 2008 Lucian Freud: Early Works 1940-58, Hazlitt Holland-Hibbert, London, UK 2007 Lucian Freud, Irish Museum of Modern Art (IMMA), Dublin, IR; Louisiana Museum of Modern Art, Humlebæk, DK; Gemeentemuseum Den Haag, The Hague, NL Lucian Freud: The Painter’s Etchings, Museum of Modern Art, New York, US About Men: Lucian Freud, Newcastle Region Art Gallery, Newcastle, AU 2006 Lucian Freud: Nudes, Rex Irwin Gallery, Sydney, AU Lucian Freud: Recent Works, Acquavella Galleries, New York, US 2005 Lucian Freud, Museo Correr, Venice, IT Lucian Freud: Etchings 1946-2005, Marlborough Fine Art Ltd, London, UK Lucian Freud: Etchings, Faggionato Fine Art, New York, US 2004 Lucian Freud In the Studio, (photographs by David Dawson), National Portrait Gallery, London, UK Lucian -
A Guide to Saxmundham
A Guide to Saxmundham An Introduction to Saxmundham Saxmundham is a historic market town at the centre of the Heritage Coastal region in Suffolk, England. Saxmundham, or 'Sax' as it is known locally, has many local shops and businesses, sports and leisure facilities, as well as good rail links and the A12 trunk road that put the town within easy reach of Ipswich, Norwich, London, and the whole of mainland Europe. Every Wednesday there is a market which runs through part of the street and also in the market hall. This usually starts in the morning and ends around mid-afternoon. Here you can expect to find locally sourced produce, cakes, sweets and more. Supermarkets We are fortunate to have two supermarkets situated within walking distance of the Guesthouse, making it easy for you to source food for your lunch and evening meals. Both are located just off the high street – taking a left at the traffic lights (if you are coming from the Guesthouse). Tesco Opening times: Monday – Saturday: 8am – 10pm, Sunday 11am- 5pm Waitrose Please note that Waitrose also has a café and facilities for you to collect online orders from John Lewis. Opening times: Monday – Friday: 8am-9pm, Saturday 8am-8pm, Sunday 10am-4pm Food outlets Within Saxmundham there are many different places to have meals if you do not fancy cooking. This varies from café’s to takeaways and restaurants depending on your preferences. Cafe’s/Bakery’s • Costa – The nationwide coffee chain have a branch located here and also have outdoor seating, perfect for a drink or light lunch. -
Eye Sheep Art Trail 2019 | 03 Neb-Ewe-La Alchemy Sponsor - Hoarders Sponsor - Coes Artist - Daisy Carrick-Smith Artist - Nicola Warner
Sheep Eye Art Trail 2019 Sheep Art Trail Souvenir Brochure 2019 Minimum Donation £3 proudly supporting... www.eyesheeparttrail.co.uk Katrina’s Story Thank Ewe! Having recently completed the Blossom Development programme, Message from Bridget McIntyre, Katrina, tells her journey here... Founder & CEO of The Blossom Charity It was dark, a pitch black that not everyone has seen. After 3 whirlwind years of exciting challenges, colour, culture and fun I had plunged deep into the pit again. Thank you for joining us for this exciting auction of It was damp, cold, it smelled of algae and the walls were opressive. Penniless. decorated sheep art. Each one has been lovingly Unemployed. Depressed. Emotionally abused. I was desperate and knew that I designed by volunteer artists. We are overwhelmed needed help. I put myself into the care of others, I couldn’t care for myself. I had a tick by the success of the Sheep Art Trail – it was a joy to see the list to help me get up, get dressed and brush my teeth. If I managed, it was a good day. number of visitors the sheep attracted to the town and to hear some of the wonderful things people said about their experience on “Dream On”. It was as if the cover of the well I was stuck at the bottom of had been pushed aside, the trail and on social media. Our aim was to organise an event that a thousand feet above my head. A tiny pinprick of light floated down, and the jet black gave way to had a positive impact on our local community as well as raise funds for a dank dark moss green.