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Biography • Paul Mccarthy Paul Mccarthy • Biography
BIOGRAPHY • PAUL MCCARTHY PAUL MCCARTHY • BIOGRAPHY 1945 Born in Salt Lake City, UT 1973 University of Southern California, Los Angeles, CA 1969 San Francisco Art Institute, San Francisco, CA 1966-1968 University of Utah, Salt Lake City, UT Lives and works in Los Angeles, CA Solo exhibitions: 2017 Kukje Gallery, ‘Cut Up and Silicone, Female Idol, WS’, Seoul, South Korea Hauser & Wirth 'WS Spinoffs, Wood Statues, Brown Rothkos’ Los Angeles, CA Fundació Gaspar, 'WS & CSSC, Drawings and Paintings', Barcelona, Spain Fondazione Giorgio Cini, ‘Paul McCarthy and Christian Lemmerz: New Media (Vir- tual Reality Art)’, Venice, Italy Deitch Projects, ‘Paul McCarthy and Mike Kelley: Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992’, New York, NY 2016 Hauser & Wirth, 'Paul McCarthy. Raw Spinoffs Continuations', New York, NY Xavier Hufkens, 'Paul McCarthy. White Snow & Coach Stage Stage Coach Spin- offs', Brussels, Belgium Lokremise, 'Paul McCarthy', St. Gallen, Switzerland Henry Art Gallery, 'Paul McCarthy: White Snow, Wood Sculptures', Seattle, WA 2015 Nasher Museum of Art at Duke University, 'Full Exposure: Paul and Damon Mc- Carthy's Pirate Party', Durham, NC The Renaissance Society, 'Paul McCarthy. Drawings', Chicago, IL Volksbühne, 'Paul McCarthy and Damon McCarthy. Rebel Dabble Babble', Berlin, Germany Schinkel Pavillon, 'Paul McCarthy', Berlin, Germany Economou Collection, ‘Inbetween. Baselitz – McCarthy’, Athens, Greece Hauser & Wirth, ‘Paul McCarthy: Spin Offs: White Snow WS, Caribbean Pirates CP’, -
Guide to the Colin De Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection Processed by Ann Butler, Ryan Evans and Hannah Mandel
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection processed by Ann Butler, Ryan Evans and Hannah Mandel. This finding aid was produced using ArchivesSpace on February 06, 2019 . Describing Archives: A Content Standard Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Table of Contents Summary Information ................................................................................................................................................ 3 Biographical / Historical ............................................................................................................................................. 5 Scope and Contents ................................................................................................................................................. 6 Arrangement .............................................................................................................................................................. 6 Administrative Information ......................................................................................................................................... 7 Related Materials ...................................................................................................................................................... 7 Controlled Access Headings .................................................................................................................................... -
Conceptual Art & Minimalism
CONCEPTUAL ART AND MINIMALISM IN BRITAIN 1 QUESTIONS FROM LAST WEEK • Sarah Lucas lives with her partner, the artist, musician and poet Julian Simmons Artists Sarah Lucas (C) and Tracey Emin (R) attend The ICA Fundraising Gala held at the Institute of Contemporary Arts on March 29, 2011 in London, England. • Sarah Lucas now lives principally near Aldeburgh in Suffolk with her partner, the artist, musician and poet Julian Simmons, in the former bolthole of the composer Benjamin Britten and the tenor Peter Pears. She bought it as a weekend place with Sadie Coles in 2002. ‘I moved out there six years ago – it’s nice, impressive,’ she says curtly, before clamming up. ‘I don’t want people coming and snooping on me.’ (The Telegraph, 10 September 2013) • Benjamin Britain’s first house in Aldeburgh was Crag House on Crabbe Street overlooking the sea. He later moved to the Red House, Golf Lane, Aldeburgh which is now a Britten museum. 2 BRITISH ART SINCE 1950 1. British Art Since 1950 2. Pop Art 3. Figurative Art since 1950 4. David Hockney 5. Feminist Art 6. Conceptual Art & Minimalism 7. The Young British Artists 8. Video and Performance Art 9. Outsider Art & Grayson Perry 10.Summary 3 CONCEPTUAL ART • Conceptual Art. In the 1960s artists began to abandon traditional approaches and made ideas the essence of their work. These artists became known as Conceptual artists. Many of the YBA can be considered, and consider themselves, conceptual artists. That is, they regard the idea behind the work as important or more important than the work itself. -
Biography • Paul Mccarthy Paul Mccarthy • Biography
BIOGRAPHY • PAUL MCCARTHY PAUL MCCARTHY • BIOGRAPHY 1945 Born in Salt Lake City, UT 1973 University of Southern California, Los Angeles, CA 1969 San Francisco Art Institute, San Francisco, CA 1966-1968 University of Utah, Salt Lake City, UT Lives and works in Los Angeles, CA Solo exhibitions: 2020 Peder Lund, Oslo, Norway (forthcoming) 2019 Paul McCarthy. Mixed Bag, Xavier Hufkens, Brussels, Belgium 2018 Paul McCarthy – C.S.S.C. Coach Stage Stage Coach VR experiment Mary and Eve, Zabludovicz Collection, 360 VR Room, London, England Paul McCarthy: Innocence, M Woods, Beijing, China 2017 Cut Up and Silicone, Female Idol, WS, Kukje Gallery, Seoul, South Korea WS Spinoffs, Wood Statues, Brown Rothkos, Hauser & Wirth Los Angeles, CA WS & CSSC, Drawings and Paintings, Fundació Gaspar, Barcelona, Spain Paul McCarthy and Christian Lemmerz: New Media (Virtual Reality Art), Fondazi- one Giorgio Cini, Venice, Italy Paul McCarthy and Mike Kelley: Heidi, Midlife Crisis Trauma Center and Negative Media-Engram Abreaction Release Zone 1992, Deitch Projects, New York, NY 2016 Paul McCarthy. Raw Spinoffs Continuations, Hauser & Wirth, New York, NY Paul McCarthy. White Snow & Coach Stage Stage Coach Spinoffs, Xavier Hufkens, Brussels, Belgium Paul McCarthy, Lokremise, St. Gallen, Switzerland Paul McCarthy: White Snow, Wood Sculptures, Henry Art Gallery, Seattle, WA 2015 Full Exposure: Paul and Damon McCarthy's Pirate Party, Nasher Museum of Art at Duke University, Durham, NC Paul McCarthy. Drawings, The Renaissance Society, Chicago, IL Paul McCarthy and Damon McCarthy. Rebel Dabble Babble, Volksbühne, Berlin, Germany Paul McCarthy, Schinkel Pavillon, Berlin, Germany Inbetween. Baselitz – McCarthy, Economou Collection, Athens, Greece Paul McCarthy: Spin Offs: White Snow WS, Caribbean Pirates CP, Hauser & Wirth, Zurich, Switzerland Paul McCarthy. -
PAUL Mccarthy Født 1945 I Salt Lake City, Utah, USA
PAUL McCARTHY Født 1945 i Salt Lake City, Utah, USA. Bor og arbeider i Los Angeles, CA. UTDANNELSE: 1973 University of Southern California, Los Angeles, USA. 1969 San Francisco Art Institute, 1966–68 University of Utah, UTSTILLINGER: Seperatutstillinger (i utvalg): 2006 Moderna Museet, Paul McCarthy, Stockholm [SE] 2005 Whitechapel, Paul McCarthy: Lala land parody paradise, London [UK] Haus der Kunst, Paul McCarthy. Lala land parodie paradies, München [DE] 2004 CAC, Paul McCarthy: Brain Box – Dream Box, Malaga [ES] Van Abbemuseum, Paul McCarthy. Brain Box – Dream Box, Eindhoven [NL] 2003 Hauser & Wirth London, Paul McCarthy, London [GB] Tate Modern, Paul McCarthy at Tate Modern, London [GB] The National Museum of Contemporary Art, Paul McCarthy. Films and Video Works, Oslo [NO] 2002 Galerie Hauser & Wirth, Paul McCarthy & Jason Rhoades. Shit Plugs, Zürich [CH] Luhring Augustine Gallery, Paul McCarthy. Clean Thougths, New York NY [US] De Hallen, Paul McCarthy. Videowerken 1971–1999, Haarlem [NL] Butler Gallery, Paul McCarthy. Videos, Kilkenny [IE] 2001 Kunstverein Hamburg, Paul McCarthy. Videos und Fotografien, Hamburg [DE] Tate Liverpool, Paul McCarthy, Liverpool [GB] Galerie Hauser & Wirth, Paul McCarthy, Pirate Drawings, Zürich [CH] Villa Arson, Nice, Paul McCarthy, Nice [FR] New Museum of Contemporary Art, Paul McCarthy, New York NY [US] Deitch Projects, Paul McCarthy – The Garden, New York NY [US] Public Art Fund (IBM Building, 590 Madison Av at 56th Street), Paul McCarthy – The Box, New York NY [US] Luhring Augustine Gallery, Paul McCarthy, New York NY [US] 2000 MOCA, Paul McCarthy, Los Angeles CA [US] Patrick Painter, Inc., Heidi File, Santa Monica CA [US] Eleni Koroneou Gallery, Paul McCarthy, Athen [GR] 1999 Sammlung Hauser und Wirth in der Lokremise St. -
H E T M E R K : D a M I E N H I R S T
juni 2012 H E T M E R K : D A M I E N H I R S T m e r k i d e n t i t e i t b i n n e n d e h e d e n d a a g s e k u n s t OWG II - Het Atelier Docent: dr. A.C. Kisters Jasper de Blocq van Scheltinga Student nr: 3125203 And to those who objected that anyone could have done it, Hirst had an unanswerable answer: ‘But you didn’t, did you?1 1 Interview met Lynn Barber, ‘Bleeding art’, The Observer, 20 april 2003. 2 Inhoudsopgave 1. Inleiding p. 4. 2. Assemblagekunst p. 5. 3. Marcel Duchamp p. 6. 4. Andy Warhol p. 7. 5. Damien Hirst p. 8 6. Werk & Populariteit p. 9. 7. Merkwaarde p. 14. 8. Plagiaat p. 16 9. Andere Problemen p. 18. 10. Conclusies p. 19. Literatuurlijst p. 21. Lijst met afbeeldingen p. 24. 3 Tot welke hoogte is de positieve dan wel negatieve kritiek op de werkwijze van Damien Hirst als kunstenaar terecht? 1. Inleiding Van 4 april tot 9 september 2012 wordt er in de Tate Modern in Londen een overzichtstentoonstelling gegeven van één van ’s werelds bekendste en rijkste levende kunstenaars: Damien Hirst. Deze eerste retrospectieve expositie van zijn oeuvre van het afgelopen tweeënhalf decennium is één van de belangrijkste tentoonstellingen die dit jaar gehouden zal worden. Bij dit soort grote evenementen is er altijd extra veel aandacht van de media en critici. Zo heeft ook de Britse kunstenaar David Hockney hier het een en ander over te zeggen. -
MASARYKOVA UNIVERZITA V BRNĚ Stuckismus
MASARYKOVA UNIVERZITA V BRNĚ FILOZOFICKÁ FAKULTA Seminář estetiky Stuckismus: nová moderna Bakalářská diplomová práce Autor práce: Zuzana Mrštinová Vedoucí práce: Mgr. Rostislav Niederle, Ph.D. Brno 2012 Prohlášení Prohlašuji, ţe jsem předkládanou práci zpracovala samostatně a pouţila jen uvedené prameny a literaturu. Současně dávám svolení k tomu, aby tato seminární práce byla umístěna v Ústřední knihovně FF MU a pouţívána ke studijním účelům. V Brně dne 27. dubna 2012 Zuzana Mrštinová 2 Bibliografický záznam MRŠTINOVÁ, Zuzana. Stuckismus: nová moderna. Brno: Masarykova univerzita, Filozofická fakulta, Seminář estetiky, 2012. 52 s. Vedoucí diplomové práce Mgr. Rostislav Niederle, Ph.D. Anotace Bakalářská diplomová práce „Stuckismus: nová moderna“ se zabývá změnami v umění, které se dostavily s příchodem konceptuální tvorby. V reakci na rozvoj konceptuálního umění vzniklo mezinárodní výtvarné hnutí Stuckismus, prosazující malbu jako základní prostředek k vyjádření umělce. Práce se tedy primárně zaměřuje na tuto uměleckou skupinu, popisuje a vysvětluje její postoje vůči současnému stavu umění. Stuckistické hnutí spojuje umělce, kteří se cítí být pod vlivem postmoderních tendencí, jakými jsou v první řadě moc uměleckých institucí, snobismus a touha po penězích. V dalších kapitolách této studie srovnáme jejich kritický přístup ke konceptuálnímu umění jako hlavnímu směru postmoderny s názory vybraných estetiků a filozofů umění. Důleţitou roli pak zaujímá především objasnění pojmů modernismus a postmodernismus, malba a koncept, které se staví proti sobě. Tato práce má za cíl poskytnout pohled na aktuální stav umělecké tvorby, objasnění a zhodnocení smyslu Stuckistického hnutí a zamyšlení se nad otázkou budoucnosti umění. Annotation Bachelor thesis „Stuckism: New Kind of Modernism“ explores changes in art, which came with the enter of conceptual art. -
Frequently Asked Questions PART 1
Frequently asked questions PART 1 Excerpts from questions that were sent by the London press (and others) and answered by email in 2007 Q. When did you first meet Damien Hirst? JL. I first met him in 1992. Q. What types of paintings was he working on at that time? JL. He was working on what he called, “patch paintings”. He also had some gigantic spot paintings. Q. What did the patch paintings look like? JL. They looked like blotches of paint on Francis Bacon’s art studio wall. Q. What kind of paintings were you working on at the time? JL. I was doing psychedelic looking pour paintings on canvas and on stainless steel. They were made out of house paint and metallic car paint. Q. Did you show these to him? JL. Yes, I showed some of the earlier ones to him in my studio. I know he also saw them at the Cohen gallery and I was told he really liked them. I remember he said they were “sexy”. The native navigated his canoe by the stars and peacefully disappeared into the Bermuda triangle. # 2 Acrylic lacquer on canvas. 5ft x7ft. 1993 Q. At what point did you give him the Carolina Science Catalogue? JL. It was early 1993. He came over one day with the English painter Danny Moynihan and told me that he was looking for a butterfly source in the US. So I gave him my spare copy of the Carolina Science Catalogue on the condition that he not do the human anatomical pieces, since I was working on them. -
Autor Je Mŕtvy. Nech Žije Umenie! Podoby Duplicity a Opakovania Motívov V Umení a Fotografii
SLEZSKÁ UNIVERZITA v Opavě Filozoficko-přírodovědecká fakulta Institut tvůrčí fotografie Pavel Smejkal Autor je mŕtvy. Nech žije umenie! Podoby duplicity a opakovania motívov v umení a fotografii Opava, 2009 1 Motto: You can’t steal a gift. Nemôžeš ukradnúť, čo ti darovali. Dizzy Gillespie All creation post the Big bang is theft. Akákoľvek tvorba po Veľkom tresku je krádež. Peter Hollinghurst 2 SLEZSKÁ UNIVERZITA v Opavě Filozoficko-přírodovědecká fakulta Institut tvůrčí fotografie Magisterská teoretická diplomová práca Autor je mŕtvy. Nech žije umenie! Podoby duplicity a opakovania motívov v umení a fotografii Dr. BcA. Pavel Smejkal Obor: Tvůrčí fotografie Vedoucí: Prof. PhDr. Vladimír Birgus Oponent: Odb. as. Mgr. Václav Podestát 3 Poděkování: Mockrát děkuji vedoucímu práce Prof. PhDr. Vladimírovi Birgusovi za veškerou pomoc, konzultace a trpělivost při vedení této práce i v průběhu celého mého studia. Moje díky patří i Doc. Mgr. Alešovi Kunešovi a odb. asistentovi Mgr. Václavovi Podestátovi za jejich pomoc v závěru mého studia, i všem dalším pedagogům Institutu tvořivé fotografie v průběhu celého studia. Prohlašuji, že jsem tuto práci vypracoval samostatně s použitím citované literatury. Souhlasím, aby tato práce byla zveřejněna zařazením do knihovny FPF SU v Opavě a Uměleckoprůmyslového muzea v Praze a na internetové stránky ITF. V Opavě, 13. září 2009 © Pavel M. Smejkal, Institut tvůrčí fotografie FPF, Slezská Univerzita Opava 4 Obsah 1. Úvod 6 1.1 Problém ako osobná skúsenosť 6 1.2 Vymedzenie problému a terminológia 6 1.3 Okruhy problémov 7 2. Osobná skúsenosť 12 3. Niekoľko príkladov z histórie fotografie 24 4. Plagiátorstvo, krádež, “unfair use” 26 4.1. Plagiátorstvo 26 4.2. -
229393156.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Periódicos Científicos Unilasalle (Canoas, Rio Grande do Sul) 7KH <%$V ZHUH QRW \RXQJ DUWLVWV IURP just anywhere, they were young British artists, cultural ambassadors, albeit of an unconventional sort, like the Beatles and the Rolling Stones before them, perhaps. Ruth Adams Conhecimento & Diversidade, Niterói, v. 9, n. 17, p. 33–47, jan./jun. 2017 33 ‘The saatchi generation’: Art & advertising in the UK in the late 20th century ‘A geração saatchi’: Arte & SXEOLFLGDGHQD*Um%UHWDQKDQRÀQDO do século XX RUTH ADAMS* Abstract This essay examines the work and careers of the ‘Young British Artists’ – most notably Damien Hirst – and their infamous benefactor. The ‘YBAs’ came to public attention in the late 20th century with the staging of a landmark exhibition called ‘Sensation’ at the Royal Academy in London. This exhibition showcased the collection of the most important art patron of his generation, the advertising mogul Charles Saatchi. Fans and critics alike have remarked on the similarity between Saatchi’s own commercial work and the art that he collected – both were eye-catching, witty, irreverent and designed to VKRFN$OWKRXJKWKHH[WHQWDQGWKHYDOXHRI6DDWFKL·VLQÁXHQFHRQKLVVWDEOH of artists remains open to debate, both can be said to exemplify the culture of late capitalism and the importance and ubiquity of the ‘brand’. Keywords: Art. Brand. Late Capitalism. Resumo O artigo examina o trabalho e a carreira de um grupo denominado “Young British Artists”, cujo expoente é Damien Hirst e seus infames benfeitores. Esse JUXSRJDQKRXQRWRULHGDGHS~EOLFDQRÀQDOGRVpFXOR;;FRPDKLVWyULFD exposição “Sensation”, ocorrida na Real Academia de Londres. -
The Problem of Originality in the Work of Sarah Lucas
Old Dominion University ODU Digital Commons Undergraduate Research Symposium 2018 Undergraduate Research Symposium Feb 3rd, 10:15 AM - 11:15 AM The rP oblem of Originality in the Work of Sarah Lucas Chelsey Burch Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/undergradsymposium Part of the Contemporary Art Commons Burch, Chelsey, "The rP oblem of Originality in the Work of Sarah Lucas" (2018). Undergraduate Research Symposium. 4. https://digitalcommons.odu.edu/undergradsymposium/2018/arthistory/4 This Oral Presentation is brought to you for free and open access by the Student Works at ODU Digital Commons. It has been accepted for inclusion in Undergraduate Research Symposium by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Pablo Picasso, Large Nude in a Lucas, Bunny Red Armchair, Gets Snookered, 1929 1997 THE PROBLEM OF ORIGINALITY Chelsey Burch IN THE WORK OF SARAH LUCAS Julian Simmons, Excusado Revisitado Self-Portrait with Skull, 1997 (‘Toilet Revisited’), portrait of Sarah Lucas, 2014 Young British Artists: Lucas, Damien Hirst, and Angus Fairhurst, London, 2003 Lucas with Damien Hirst, London, 1999 Titti Doris, 2015 Two Fried Eggs and a Kebab, 1992 Human Toilet II, 1996 Eating a Banana, 1990 Marcel Duchamp, Fountain, 1917 Louise Bourgeois, Fillette, 1968 Pablo Picasso, Large Nude in a Red Armchair, 1929 Marcel Duchamp, Fountain, 1917 Lucas, The Old In Out, 1998 Louise Bourgeois, Fillette, 1968 Lucas, Priapus, 2013 Louise -
REVISTA CONHECIMENTO E DIVERSIDADE 17 EDICAO Jan A
King’s Research Portal DOI: 10.18316/rcd.v9i17.3742 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Adams, R. (2017). 'The Saatchi Generation': Art and Advertising in the UK in the Late 20th Century. Conhecimento & Diversidade, 9(17), 33-47. https://doi.org/10.18316/rcd.v9i17.3742 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.