To the Moment It All Fell Apart
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'They're My Two Favourites' Versus' the Bigger Scheme of Things': Pro-Am
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan & Keating, Chris (2012) ’They’re my two favourites’ versus ’the bigger scheme of things’: Pro-am historians remember Australian television. In Turnbull, S & Darian-Smith, K (Eds.) Remembering television: Histories, technologies, memories. Cambridge Scholars Publishing, United Kingdom, pp. 52-73. This file was downloaded from: https://eprints.qut.edu.au/54554/ c Copyright 2012 Alan McKee & Chris Keating This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.c-s-p.org/ flyers/ Remembering-Television--Histories--Technologies--Memories1-4438-3970-1. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Ned Kelly and the Myth of a Republic of North-Eastern Victoria
Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright Learning to Inhabit the Chair Knowledge transfer in contemporary Australian director training Christopher David Hay A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Performance Studies Faculty of Arts and Social Sciences The University of Sydney May 2014 Labour is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. -
Elizabethan Trust ·· News 300Eng8 Sepg8mber'74 No 12 Contentr Editor: Margaret Leask
elizabethan trust ·· news 300enG8 sepG8mber'74 no 12 contentr Editor: Margaret Leask The Stuttgart Ballet 3 Interview - Stella Adler and Ron Burrows 4 Fringe Engl ish in Brisbane - Albert Hunt and Richard Fotheringham 6 Puppetry News - The Marionette Theatre of Australia 8 London Scene - Gordon Beattie 9 Theatre in Canberra, Then and Now - Anne Godfrey-Smith 10 Dance Footnotes - Leonard Linden 12 Three Rooms, Harbour View - the ITI at the A.E.T.T: 13 Australian National Playwrights Conference 13 The Poets of Pleasure at N.I.D.A. - Maxlffland 14 Lucette Aldous 16 Melbourne Scene - BarryBalmer 18 Books 19 Australian Elizabethan Theatre Trust Conference 19 The Facts about the Elizabethen Trust Orchestras - Ken Mackenzie·Forbes20 Music - The War Requiem Twelve Years Later 21 Committees' Diary 21 Elizabeth Sweeting talks about Theatre Administration 22 New Opera South Austral ia - Stuart Thompson 24 Stageworld 25 R~o~s W Showguide 27 lHE N~TIONAL 1N5TITUrE IIIIID OF [)R,Al\MTIC ART at the University of New South Wales forme Sydney, Australia offers: Three year full-time training courses NEW for the Professional Theatre in ACTING BLOOD TECHNICAL PRODUCTION Blood is urgently required by the Red Cross Blood Transfusion Service. Help DESIGN save a life - giving blood is simple and harmless. A few minutes of your time Ther~ is a one year post-graduate could mean a lifetime to somebody student director's course for people else. ENROL NOW! already experienced in professional, university or amateur theatre. Sydney - 153 Clarence Street. (telephone 290 2555); Enquiries should be addressed to: Melbourne - 114 Flinders Street. -
Comin, Antonio, & Barwick, Linda. (2012). Re-Presenting Italy In
Comin, Antonio, & Barwick, Linda. (2012). Re-presenting Italy in Australia through Theatre and Music, 1972-2002. In L. Barwick & M. Sorce Keller (Eds.), Italy in Australia's musical landscape (pp. 41–64). Melbourne: Lyrebird Press. This is a post-print version, with page numbers adjusted to match those of the publication. 1 THREE Re-presenting Italy in Australia through Theatre and Music, 1972–2007 Antonio Comin with Linda Barwick This chapter is based on a conversation with Antonio Comin1 at his home in Norwood, South Australia, on 2 March 2009, edited and annotated by Linda Barwick.2 Antonio Comin (born Cornuda, Italy, in 1933) migrated with his family to Australia in 1936. A graduate of the University of Sydney and the Università degli Studi di Firenze, he taught at the universities of Sydney, Melbourne and British Columbia (Vancouver, Canada) before joining Flinders University in 1970 as foundation Professor of Italian. Until his retirement in 1996, his main teaching and research areas were Italian language, dialectology and traditional culture. [Insert Figure 3.1. Antonio Comin, 2004. Photograph by Deborah Baldassi, from Antonio Comin private collection.] Comin’s mission to establish and promote in South Australia the understanding of Italian language and culture was undertaken in large part through various theatrical productions he devised and mounted from 1976–2007, which increasingly incorporated his own writing as well as musical components including Italian traditional song (Appendix 1). The Italian Folk Ensemble, a musical group formed as a result of Comin’s activities, has been active in community music performances as well as theatre productions since 1978 (Appendix 2),3 and after a hiatus of some years various members including Comin reformed in 2003 under the name “Gruppo La Questua” (Appendix 3). -
International Casting Service & Associates Pty
TOM OLIVER [email protected] Mobile: 0411-756-195 Fax: (03) 9723-4114 Freelance Actor Tom Oliver has been known throughout Australia for over 50 years for his many performances in all areas of the entertainment industry. He has had roles in eight films, and apart from literally dozens of guest roles, has appeared as a regular character in no less than ten different television series, ranging from the early “You Cant See Round Corners” and through “Bellbird”, “Number 96”, “Ben Hall” and “The Dismissal” in which he played Senator Reg Withers. For 25 years, he has been known internationally for his portrayal of Lou Carpenter in “Neighbours”. He is equally at home on stage as he is in front of the cameras and has appeared in leading roles in numerous theatre productions with the major companies around Australia and England, in both dramatic and comedic roles. The following is a breakdown of his career, which over the years has made him one of the busiest and most versatile of Australian actors. ________________________________________________________________________________________ September 2013 FILM – Feature and Telemovie “Adams Woman” with Beau Bridges. ............................ As Stacey. .............................. Warner Bros./7 Arts “Colour Me Dead” with Tom Tyron. ................................ As Dr. Anderson ..................... Goldsworthy Prod. “Lady From Peking” with Nancy Kwan. .............................. As Tom. .................................. Goldsworthy Prod. “The Nickel Queen” with Googie Withers. ......................... As Roy Olding. ....................... Fauna Productions “Because He Is My Friend” with Karen Black ............................... as Ian. .................................... ABC/United Artists “Is Anyone Doing Anything About It” with Carmen Duncan.. ....................................................................... Comm. Film Unit “High Country” with John Waters. .............................. As Frank Stacey. .................... P.B.L. Productions “Thunderbolt” Bushranger .............. -
Lost in Summation an Overview of Australian Law on Screen
the law | JASON BAINBRIDGE LOST IN SUMMATION AN OVERVIEW OF AUSTRALIAN LAW ON SCREEN IN 1961, the first Australian drama series made by Consider Your Verdict also demonstrated that an independent company debuted on Australian there was a market for local television drama, leading television. The company was Crawford Productions Crawfords to launch the (for the time) highly innova- and the series was called Consider Your Verdict. An tive police drama Homicide in 1964. Homicide is an adaptation of Crawford’s successful radio series, important program in mapping the evolution of the Consider Your Verdict was a legal drama that featured law show on Australian television for two reasons. a different trial each week, a combination of re-enact- First, its enormous success – running for eleven ments and original scripts.1 The name derived from years and rating number one in its first year in both the appeal the host (Roland Strong and later John Melbourne and Sydney – encouraged Crawfords to Morgan) would make to the audience just before the clone ‘the police series’ for each commercial channel last commercial break, to review the evidence and – Matlock Police (for Ten), Division Four (for Nine) ‘consider your verdict’. Despite its patchy success, and later Cop Shop (for Seven). This means that it is Consider Your Verdict would inspire a slate of real the police series, rather than the legal drama, that law and simulated docudrama series over the years, has became what Albert Moran calls one of the amongst them Divorce Court (1967–1968), The “formative genres” on Australian television.3 It begat Unloved (1968), Beyond Reasonable Doubt (1977), similar series, like Blue Heelers and Water Rats, and Verdict (1983) and, perhaps best of all, ABC’s ac- similarly structured series, like A Country Practice claimed Scales of Justice (1984). -
Everyday Revolutions: Remaking Gender, Sexuality and Culture In
Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Everyday Revolutions Remaking Gender, Sexuality and Culture in 1970s Australia Edited by Michelle Arrow and Angela Woollacott Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462963 ISBN (online): 9781760462970 WorldCat (print): 1113935722 WorldCat (online): 1113935780 DOI: 10.22459/ER.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2019 ANU Press Contents Contributors . vii 1 . Revolutionising the everyday: The transformative impact of the sexual and feminist movements on Australian society and culture . 1 Michelle Arrow and Angela Woollacott Everyday gender revolutions: Workplaces, schools and households 2 . Of girls and spanners: Feminist politics, women’s bodies and the male trades . 23 Georgine Clarsen 3 . The discovery of sexism in schools: Everyday revolutions in the classroom . 37 Julie McLeod 4 . Making the political personal: Gender and sustainable lifestyles in 1970s Australia . 63 Carroll Pursell Feminism in art and culture 5 . How the personal became (and remains) political in the visual arts . 85 Catriona Moore and Catherine Speck 6 . Subversive stitches: Needlework as activism in Australian feminist art of the 1970s . .. 103 Elizabeth Emery 7 . Women into print: Feminist presses in Australia . 121 Trish Luker 8 . ‘Unmistakably a book by a feminist’: Helen Garner’s Monkey Grip and its feminist contexts . -
Communications from the International Brecht Society. Vol. XII, No. 1 September 1982
Communications from the International Brecht Society. Vol. XII, No. 1 September 1982 [s.l.]: International Brecht Society, September 1982 https://digital.library.wisc.edu/1711.dl/M3HLL3GNJRCAF8S http://rightsstatements.org/vocab/InC/1.0/ Copyright International Brecht Society. Used with Permission. The libraries provide public access to a wide range of material, including online exhibits, digitized collections, archival finding aids, our catalog, online articles, and a growing range of materials in many media. When possible, we provide rights information in catalog records, finding aids, and other metadata that accompanies collections or items. However, it is always the user's obligation to evaluate copyright and rights issues in light of their own use. 728 State Street | Madison, Wisconsin 53706 | library.wisc.edu PR communication inte ti | brecht societ September 1982 from the editor a letters 16 elections 3 business meeting (cont. ) 17 upcoming events 3 announcements 18 business meeting 3 recent publications 18 symposium 4 forthcoming publications 18 reports 5 recent productions 19 jahrbuch/yearbook 8 dues notice 20 forum 9 ibs mailing list 21 - Zz - from the editor "This issue is the present editor's swan song. Just like in great opera there is no end to it. Quite some effort has gone into putting out Communications and into updating the mailing list. Both tasks could be made easier for my successor if members need- ed less prodding 1) to send in their news and 2) to notify the editor or secretary of their change of address (see slips on pp. 20 and 27). And if the address labels were stored in a word processor or computer, the editor's labors could be consider- ably reduced. -
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M .. t-4.t N Bl{ttN' - -!i�Jt<�i.L-'- ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1978-79 '/ Annual Report Australian Broadcasting Tribunal 1978-79 Australian Government Publishing Service Canberra 1979 © Commonwealth of Australia 1979 Printed by The Courier-Mail Printing Service, Campbell Street, Bowen Hills, Q. 4006. The Honourable the Minister for Post and Telecommunications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal forthe period 1 July 1978 to 30 June 1979. Bruce Gyngell Chairman 17 September 1979 Ill CONTENTS PART/ INTRODUCTION Page Legislation 1 Membership of the Tribunal 1 Functions of the Tribunal 2 Meetings of the Tribunal 2 Staff of the Tribunal 2 Overseas Visits 3 Addresses given by Tribunal Members and Staff 3 Location of Tribunal's Offices 4 Financial Accounts of the Tribunal 5 PART II. GENERAL Broadcasting and Television Services in operation since 1949 6 Financial Results - Commercial Broadcasting and Television Stations 7 Fees for Licences for Commercial Broadcasting and Television 9 Stations Broadcasting and Televising of Political Matter 12 Complaints from Viewers and Listeners about Programs 15 Children's Program Committee 18 Implementation of the Recommendations of the Self-Regulation 19 Report Senate Standing Committee on Constitutional and Legal Affairs - 20 Freedom of Information PART III PUBLIC INQUIRIES Introduction 21 Legislation 21 Procedures forInquiries 21 Outline of -
2004 Honour Roll Booklet
Victorian Honour Roll of women2004 ISBN 1 920921 01 X The Victorian Honour Roll of Women 2003 is a Victorian Government publication prepared by the Office of Women’s Policy, Department for Victorian Communities also published on www.women.vic.gov.au Designed by artwaysdesign and printed by Chillipress © Copyright State of Victoria March 2004 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968 introduction Women are the glue that binds our families, our communities, our lives. Without women’s energy and zest for life our community would be poorer in so many ways. The Victorian Honour Roll of Victorian Women tells the stories of women whose lasting contributions to the Honour lives of women have been selected for special acknowledgement. But Roll of their stories represent those of women from all backgrounds, cultures and regions and the contributions they make in so many ways, every day of their lives. women The Victorian Government is It is with great pleasure I present to committed to improving women’s you the stories of the outstanding 2004 lives and each year honours women who have been named on women’s achievements through the 2004 Victorian Honour Roll of this ongoing initiative, which began Women. in 2001 as part of Victoria’s Centenary of Federation Women Their stories reveal more than each Shaping the Nation event. woman’s remarkable achievements. They tell a brief story about her life: I hope you enjoy reading these her friends, family, influences and short biographies, which will move inspirations - the people, places and you with their compassion and things that shape us and truly make inspire you with their courage.