2004 Honour Roll Booklet
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'They're My Two Favourites' Versus' the Bigger Scheme of Things': Pro-Am
This may be the author’s version of a work that was submitted/accepted for publication in the following source: McKee, Alan & Keating, Chris (2012) ’They’re my two favourites’ versus ’the bigger scheme of things’: Pro-am historians remember Australian television. In Turnbull, S & Darian-Smith, K (Eds.) Remembering television: Histories, technologies, memories. Cambridge Scholars Publishing, United Kingdom, pp. 52-73. This file was downloaded from: https://eprints.qut.edu.au/54554/ c Copyright 2012 Alan McKee & Chris Keating This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.c-s-p.org/ flyers/ Remembering-Television--Histories--Technologies--Memories1-4438-3970-1. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
Ned Kelly and the Myth of a Republic of North-Eastern Victoria
Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post. -
International Casting Service & Associates Pty
TOM OLIVER [email protected] Mobile: 0411-756-195 Fax: (03) 9723-4114 Freelance Actor Tom Oliver has been known throughout Australia for over 50 years for his many performances in all areas of the entertainment industry. He has had roles in eight films, and apart from literally dozens of guest roles, has appeared as a regular character in no less than ten different television series, ranging from the early “You Cant See Round Corners” and through “Bellbird”, “Number 96”, “Ben Hall” and “The Dismissal” in which he played Senator Reg Withers. For 25 years, he has been known internationally for his portrayal of Lou Carpenter in “Neighbours”. He is equally at home on stage as he is in front of the cameras and has appeared in leading roles in numerous theatre productions with the major companies around Australia and England, in both dramatic and comedic roles. The following is a breakdown of his career, which over the years has made him one of the busiest and most versatile of Australian actors. ________________________________________________________________________________________ September 2013 FILM – Feature and Telemovie “Adams Woman” with Beau Bridges. ............................ As Stacey. .............................. Warner Bros./7 Arts “Colour Me Dead” with Tom Tyron. ................................ As Dr. Anderson ..................... Goldsworthy Prod. “Lady From Peking” with Nancy Kwan. .............................. As Tom. .................................. Goldsworthy Prod. “The Nickel Queen” with Googie Withers. ......................... As Roy Olding. ....................... Fauna Productions “Because He Is My Friend” with Karen Black ............................... as Ian. .................................... ABC/United Artists “Is Anyone Doing Anything About It” with Carmen Duncan.. ....................................................................... Comm. Film Unit “High Country” with John Waters. .............................. As Frank Stacey. .................... P.B.L. Productions “Thunderbolt” Bushranger .............. -
Lost in Summation an Overview of Australian Law on Screen
the law | JASON BAINBRIDGE LOST IN SUMMATION AN OVERVIEW OF AUSTRALIAN LAW ON SCREEN IN 1961, the first Australian drama series made by Consider Your Verdict also demonstrated that an independent company debuted on Australian there was a market for local television drama, leading television. The company was Crawford Productions Crawfords to launch the (for the time) highly innova- and the series was called Consider Your Verdict. An tive police drama Homicide in 1964. Homicide is an adaptation of Crawford’s successful radio series, important program in mapping the evolution of the Consider Your Verdict was a legal drama that featured law show on Australian television for two reasons. a different trial each week, a combination of re-enact- First, its enormous success – running for eleven ments and original scripts.1 The name derived from years and rating number one in its first year in both the appeal the host (Roland Strong and later John Melbourne and Sydney – encouraged Crawfords to Morgan) would make to the audience just before the clone ‘the police series’ for each commercial channel last commercial break, to review the evidence and – Matlock Police (for Ten), Division Four (for Nine) ‘consider your verdict’. Despite its patchy success, and later Cop Shop (for Seven). This means that it is Consider Your Verdict would inspire a slate of real the police series, rather than the legal drama, that law and simulated docudrama series over the years, has became what Albert Moran calls one of the amongst them Divorce Court (1967–1968), The “formative genres” on Australian television.3 It begat Unloved (1968), Beyond Reasonable Doubt (1977), similar series, like Blue Heelers and Water Rats, and Verdict (1983) and, perhaps best of all, ABC’s ac- similarly structured series, like A Country Practice claimed Scales of Justice (1984). -
Bert Button Comments on Radio – 1985
BERT BUTTON COMMENTS ON RADIO – 1985 Willie Fennell: actor of radio, films, theatre. In the post war years over 60% of radio features were imported from America and the United Kingdom. A Parliamentary Standing Committee on Broadcasting was concerned about Australian artists only participating in about 30% of locally recorded programs. It was about that time that the “Colgate Palmolive Show” was formed, which included Jack Davey, Bob Dyer, Roy Rene, Joy Nicholls, Kitty Bluett, Hal Lashwood, Dick Bentley, George Foster and Willie Fennell. Willie’s main claim to popularity was the expression “Ow are yer mate” and it could be claimed that his being typed this way did not do justice to the real ability he possessed. Perhaps the first public indication of this was when he starred in “Life with Dexter” and since then he has successfully participated in a number of TV and theatrical productions. Willie was always a fairly quiet unassuming person; not easily cultivated as a friend, but an individual who would always leave his mark in the field of entertainment. Whilst he recollects with pleasure his participation in several top rating radio shows such as “Calling The Stars” (his first appearance in radio), “Ada and Elsie”, and “The Cashmere Bouquet Show”, I’ve always felt that Willie Fennell obtained more satisfaction from his association with theatrical and film productions, although he also obviously enjoyed facing up to large audiences in club shows. Now in his sixties, Willie Fennell has been associated with several commercial and ABC TV programs such as “No. 96” and “Young Doctors”, and also stars in theatrical productions and the occasional film. -
M .. T-4. T N Bl{ Ttn'
M .. t-4.t N Bl{ttN' - -!i�Jt<�i.L-'- ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1978-79 '/ Annual Report Australian Broadcasting Tribunal 1978-79 Australian Government Publishing Service Canberra 1979 © Commonwealth of Australia 1979 Printed by The Courier-Mail Printing Service, Campbell Street, Bowen Hills, Q. 4006. The Honourable the Minister for Post and Telecommunications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal forthe period 1 July 1978 to 30 June 1979. Bruce Gyngell Chairman 17 September 1979 Ill CONTENTS PART/ INTRODUCTION Page Legislation 1 Membership of the Tribunal 1 Functions of the Tribunal 2 Meetings of the Tribunal 2 Staff of the Tribunal 2 Overseas Visits 3 Addresses given by Tribunal Members and Staff 3 Location of Tribunal's Offices 4 Financial Accounts of the Tribunal 5 PART II. GENERAL Broadcasting and Television Services in operation since 1949 6 Financial Results - Commercial Broadcasting and Television Stations 7 Fees for Licences for Commercial Broadcasting and Television 9 Stations Broadcasting and Televising of Political Matter 12 Complaints from Viewers and Listeners about Programs 15 Children's Program Committee 18 Implementation of the Recommendations of the Self-Regulation 19 Report Senate Standing Committee on Constitutional and Legal Affairs - 20 Freedom of Information PART III PUBLIC INQUIRIES Introduction 21 Legislation 21 Procedures forInquiries 21 Outline of -
History Week Grants Flyer Hhististoorry Inside
History Week Grants Flyer HHististoorry Inside Issue No. 328 February–March 2017 Royal Historical Society NNEWSEWS of Victoria The Many Faces of Hector Crawford p3. President’s Report ........................2 Helen Coulson OAM Honoured ....4 Vale Peter Holloway ......................8 Remembering Melbourne Echuca Historical Society Excels 5 Moorabbin Historical Society’s Launch ...........................................4 Around the Societies ....................6 WW1 Memorials Project ...............9 The Many Faces of Hector Crawford ........................................3 Inroducing Alleyne Dawn Hockley ..7 Books Received ..........................10 INSIDE RHSV NEWS The opinions expressed here are personal and not those of the RHSV. Remembering Melbourne a Smash Hit PRESIDENT’S REPORT The Royal Historical Society of Victoria, in collaboration The RHSV is set for a very good year in 2017, building on an with QBD books, has produced Remembering Melbourne excellent 2016. On a number of occasions late last year I described 1850-1960, a 368 paged book of images with captions and 2016 as ‘the most successful year ever for the Society’, and so far no-one has challenged that view. On numerous occasions the Drill introductions. This follows the successful Lost Brisbane Hall was buzzing with crowds of people for exhibitions, launches, produced by RHSQ in 2014. book sales and special events. The Melbourne book was produced by an RHSV committee led by Two major projects that came to fruition during the year were the Richard Broome, and comprised of Richard Barnden, Don Garden, publication of Judging for the People in April and of Remembering Don Gibb, Elisabeth Jackson and Judith Smart. It showcases over Melbourne in November. Together they demonstrated the high level 400 images from the RHSV collection and 300 from 22 historical of historical skill and expertise among our members, volunteers and societies, contained in forty chapters, each written by an expert. -
To the Moment It All Fell Apart
To the moment it all fell apart 25/07/11 2:07 PM 2ndpp_Women of Letters_Pages.indd 195 ALICE PUNG Dear Dad, I don’t know how to tell you this, but when I was in America last year I began an online relationship with a man in Texas. His name is Sam. He has been a farmer, a diplomat and a Buddhist monk. He is also a poet, and he sent me a CD of him reading his poetry. His voice was high, like a plastic kite caked in the blood of birds. In 1992 he was smuggled as a political refugee into the States, where he stayed, translating Walt Whitman into Khmer. He emailed me his favourite passage, which was this: I think I could turn and live with animals they are so placid and self-contained I stand and look at them long and long they do not sweat and whine about their condition During the three years, eight months and twenty days he was a slave under the Khmer Rouge, Sam would remember lines of 197 2ndpp_Women of Letters_Pages.indd 197 25/07/11 2:07 PM to the moment it all fell apart Whitman as he worked in the fields. I remember I once took you and Mum to see Shakespeare’s As You Like It. As it turned out, you both hated it. ‘Oh my God,’ Mum said loudly during the interval in Chinese. ‘Quick, stick toothpicks in my eyelids to keep them open!’ I took you both to the Winter Masterpieces exhibition at the art gallery once too. -
The-Magic-Spark-1973
THE MAOe gPARK 50 YEARS OF RADIO IN AUSTRALIA R.R.WALKER One of the amenities which our modern world takes so much for granted is radio. Yet it is a highly complex and sophisticatedbusi- ness which requires technical pro- ficiency,outstanding personalities and polished showmanship. Radio in Australia began fifty years ago with crystal sets and pri- vate licences. In a comparatively short time it has developed into a vast wave of sound which rolls in from widely separated cities and towns throughout the country. To celebrate radio's Golden Jubi- lee, R. R. Walker, who has had much to do with the world of radio, has set down here a full and col- ourful description of this popular medium. He recalls the challenges of War and television;the financial and production triumphs and failures; the characters - Jack Davey, Bob Dyer, Norman Banks - and count- less other guests, invited and un- invited, to Australian living rooms. More than a history, this book is alsoa personal record of times past and present - and a forecast of things to come. Jacket Design: 0. J. Dale PRINTED IN AUSTRALIA $5.95 Pricerecommended butnotobligatory THE MAGIC SPARK The story of the first fifty years of Radio in Australia R. R. Walker MELBOURNE THE HAWTHORN PRESS First Published 1973 © R. R. Walker SBN 7256 0116 7 Registeredatthe GPO Melbourne for transmission by post asa book Wholly set up and printed inAustralia by The Hawthorn Press Pty Ltd 601 Little Bourke StreetMelbourne 3000 THE MAGIC SPARK By the same author COMMUNICATORS - People, Practices, Philosophies in