The Reluctant Famulus #116

Total Page:16

File Type:pdf, Size:1020Kb

The Reluctant Famulus #116 The Reluctant Famulus 116 March-April 2017 Thomas D. Sadler, Editor/Publisher, etc. 305 Gill Branch Road, Owenton, KY 40359 E-mail: [email protected] Contents Introduction, Editor 3 Where The Media Go, Frederick Moe 8 The Off Center Viewpoint, Joe Napolitno 11 The Horror Master, Eric Barraclough 14 Mystery at Moundville, Alfred Byrd 19 The Crotchety Critic, Michaele Jordan 25 NAE, Part One, Gayle Perry 29 NAE, Part Two, Gayle Perry 35 Letters 40 Artwork/Photos Steve Stiles, Front Cover Anna Byrd 19-24 Teddy Harvia 40 Locs header A. B. Kynock 41, 43, 45 Robert Limós (Internet) 6 Denny Marshall 7, 46, 47 Spore 40,42,44 Milt Stevens 44, bottom left Internet 7,14, 24 bottom right, 28, 49 Me (Ed.) back cover The Reluctant Famulus is a product of Strange Dwarf Publications. Some of the comments expressed herein are solely those of the Editor/Publisher and do not necessarily reflect the thoughts of any sane, rational persons who know what they are doing and have carefully thought out beforehand what they wanted to say. Material not written or pro- duced by the Editor/Publisher is is printed by permission of the various writers and artists and is copyright by them and re- mains their sole property and reverts to them after publication. TRF maybe obtained for The Usual but, in return for written material and artwork, postage costs, The Meaning of Life, and Editorial Whim. 2 The Reluctant Famulus Entering its 29th year! Introduction: A Trip Down Fannish Memory Lane I hope no one was offended by Kurt’s front If my memory is correct the first convention I cover and my pathetic back one. They were attended was a World Fantasy Convention which meant as satire and nothing more. was brought to my attention by another aspiring Here, is my introduction to TRF 116 for what pro writer, Joan Vander Putten who had a story of little it’s worth. hers appear in a collection called Devils & De- This—I hope—is intended to be a continuing mons, collected by Marvin Kaye. Again, if my feature of The Reluctant Famulus aside from my recollection is accurate the convention was in usual introduction. My Introduction will serve as Nashville, TN. Some of you may be aware of the a sort of guide to let readers what to expect and World Fantasy Cons which are more or less the what I would liked to see. The guidelines are few equivalent to SF’s Worldcon but also more in a and to the point. What I hope to achieve are items pro manner. I didn’t know that at the time but I voluntarily written by any and all readers of this paid the necessary fee and attended it because it fanzine as a way of infusing fannishness in TRF was a chance to meet some big name writers with which has sadly been lacking. The subjects could whom I was familiar from having read some of be, for example, what was your first convention their works. And what a bunch of Pros were and how you felt being a newbie to Fandom cons. there! There was a mass autographing event I at- What was your most memorable or best conven- tended and where I got some autographs— tion. Who was the first well-known fan you met naturally. Ones such as Fritz Leiber and his son, and how you got along with him or her. Who was Justin, Park Godwin (along with a drawing of the first big name pro SF (And Fantasy) writer himself smoking a cigarette) Marvin Kaye, you met and how you got along with her or him. Charles Fontenay, Hugh B. Cave, Andre Norton, Were there any funny or memorable events that Connie Willis, and so on. Oh, there was also stand out. How you felt being among all those Gregory Benford. (I think that was where I met other SF fans. Did you feel awed or right at him and got his autograph. Oh cursed memory.) home. Did you restrict yourself solely to being an There is one more because it was by the first attendant or eagerly join in on panels or in other Pro writer whose works I eagerly read and the ways; i.e. help run a convention or as a dealer (or first one I met and actually had a conversation huckster as they’re often called). There may be with beyond “may I have your autograph”. When other aspects regarding fandom that I’ve missed I saw him I took a deep breath and nervously got but if anyone has a sample of such please feel to his attention and spoke with him briefly without contribute. The articles could be mere brief anec- saying something stupid. He is one of the recipi- dotes or two or three pages or whatever it takes to ents of this fanzine: Gene Wolfe. I doubt very tell your experience. much he remembers such a brief meeting because There. That’s enough of the preliminaries. he must have had many conversations with im- 3 portant people. But I sure do! I’ve met and talked SF fandom are the SF magazines we fans read to him a few times after that. There is an occasion almost religiously (does religion fit in with SF? which might be one he would remember. My Well, Out of the Silent Planet might. I’ll have to wife and I were at a convention in Detroit, I think re-read that along with a bunch of others I have- it was. We stopped at a restaurant adjacent to the n’t read in decades. Good grief! I’m talking about con for dinner. After giving the waitress our order decades. Am I really that old to think in such I looked around and there was Gene Wolfe in a terms? booth kitty-corner from our table. He had just fin- Back to the subject I started to expound on. ished dinner and paid for it. The he stood up and The history of SF magazines goes way back, at started walk away. It as then I saw something fall least as far as the pulps in the 20s, 30s, into the on the floor. It was his wallet. I swiftly picked it 40s and forward. There have been dozens of up, got his attention, and gave it to him. Just pulps at least and one major factor of them aside think. I could have had a souvenir of Gene Wolfe. from the fiction in them are the covers on them But I’m an honest man—mostly—and I wouldn’t designed to draw attention to the magazines. stoop to such a vile act. Ever since that first meet- Those born later than the era of the pulps likely ing with Mr. Wolfe, as I noted, I’ve seen him a know little or nothing about them or haven’t seen few other times and I’ve felt comfortable enough them. Now, thanks to the wonders of the digital to go up and chat with him. In my book he’s one age and the Internet or www, there are online of those good people who graciously puts up with sites what have collected and conserved digital a nut bird like me. May he live long and write images of those magazine covers. I know, be- many more novels for me to buy and read. Some- cause I recently found a couple of those sites. how, somewhere, I hope to meet him in person They are goldmine for any SF fans who might again. I promise I’ll do everything I can not to want reminders of those glorious days or would say something stupid to him. like to see such covers for the first time. That There. That’s one example to explain what providentially fits in with my plans for TRF. I’m looking for. There are some others but I’ll Some of you who have been around long enough save them for other issues. I want to show that will be able to relive those times with their old I’m striving not to write a one-time trip down friends, the SF—and other—pulp covers. And fannish memory lane. I hope that at least some of those who know little or nothing about them will you will be kind enough to help with my goal of have a chance to see some of them for the first injecting more fannishness in TRF. That’s some- time. thing I’ve grievously neglected in this fanzine. I The photo on the back of this issue should hope I can somehow atone for that. be self-explanatory. It’s the cover of a magazine If any of you have had the misfortune of en- I’ve owned for what seems like ages. I’ve had it countering me at a con you are absolved of hav- for so long I can’t remember when I got it or ing to recall the traumatic experience and reliving where from. I do recall an uncle on my mother’s it again to save your sanity. side had loaned me some SF magazines and I Here is another aspect of the changes I’d like think but can’t be certain, it might have been one to make in TRF and which you readers should of those. I don’t recall how old I was at the time quickly notice. One of the major factors involving but it was almost certainly when I was a young 4 teenager maybe around the legendary age of 12 diverges from his/her usual conceptions.
Recommended publications
  • Den Necessity Issue 1.Pub
    1 Wednesday, August 6, 2008 Morning Edition Summerfaire on Barrayar The Blue Bear Necessities A Convention with Altitude The Imperial Summerfaire Re‐ ception promises to be the social Even as you read these words, Visitors also may want to take it event of the season. There will be you are 5,280 feet above mean‐sea‐ easy for their first day, not push music, dancing, and other fun level or as we like to say, “a mile themselves physically and moderate things to see and do. closer to the stars.” their alcohol and caffeine intake until Mingle with the galactic elite in While this is not high enough to their body adjusts. your best Betan sarong, Komarran cause altitude sickness in most Being a mile closer to the stars trousers, or your own version of people, some may experience includes our sun, so wear sunscreen interplanetary chic. Donʹt forget temporary shortness of breath; if so, with a sun protective factor (SPF) of how much Barrayarans appreciate just rest for a minute. Dehydration at least 15, good quality sunglasses, uniforms! Well‐behaved off‐world is a more serious problem—experts and a hat. Use a lip balm. mercenary and military members recommend visitors drink at least Those who are not in good are welcome; please have your legal two glasses more water (eight total) cardiovascular health, older representative research the laws than they do normally. Beverages Americans, or experiencing other against dueling. Imp Sec will be with caffeine, sugar, and alcohol do health problems including diabetes, watching as there have been ru‐ not prevent dehydration and may experience altitude sickness mors of spies.
    [Show full text]
  • 1.800.762.1622 Website
    2018 Catalog 3345 South Rural Road Tempe, Arizona 85282-5404 Tel: 1.877.248.6724 Fax: 1.800.762.1622 Website: www.hmu.edu Web Address: www.hmu.edu Office Address: 3345 South Rural Road Tempe, Arizona, 85282-5404 Telephone: 1.877.248.6724 Fax: 1.800.762.1622 Harrison Middleton University 2018 Catalog Copyright © 2018 Harrison Middleton University. Version II – 07-02-18. All rights reserved. No part of this catalog and or materials may be reproduced in any form or by any means without written permission. Reservation of Rights: Harrison Middleton University reserves the right to make changes to provisions of this catalog and its rules and procedures at any time, with or without notice, subject to licensing requirements. This catalog is neither a contract nor an offer to contract, but merely a general outline of the programs currently offered by the university. Rev. 06.29.18 2 Table of Contents Welcome 7 The Mission of the University 7 The History of Harrison Middleton University 8 History of the Humanities 10 Accreditation 11 Curriculum 12 Great Authors 16 Additional Great Authors 17 Great Ideas 18 Academic Calendar 19 General Information 20 Off-Campus, Independent Study 20 Time Commitment for Degree 20 Tax Deductible Educational Expense 20 Student Change of Address 20 Requesting Official Transcripts 20 Student Privacy Rights 20 Educational Records 21 Statement of Non-Discrimination 21 Accommodations for Students with Disabilities 21 English Language Requirement 22 State Authorization 22 California Students 22 Admission Requirements 24 Master of Arts Program 24 Doctoral Programs 24 Official Transcripts 25 Technology Requirement 25 International Students 25 English Language Proficiency Assessment 25 Admission Acceptance 26 Enrollment 26 Denial of Admission 26 Auditing Classes 26 Financial Information – Master of Arts Program 27 Master of Arts Program 27 Fees – Master of Arts Program 27 Master of Arts Program Tuition Schedule 27 Master of Arts Interest-Free Tuition Payment Plan 27 Rev.
    [Show full text]
  • Connie Willis, June 2019
    Science Fiction Book Club Interview with Connie Willis, June 2019 Connie Willis has won eleven Hugo Awards and seven Nebula Awards more major awards than any other writer—most recently the "Best Novel" Hugo and Nebula Awards for Blackout/All Clear (2010). She was inducted by the Science Fiction Hall of Fame in 2009 and the Science Fiction Writers of America named her its 28th SFWA Grand Master in 2011. Wow! So many questions! I’m not sure I can answer all of them, but here goes. 1. Why writing? I don’t think any writer has a good answer for this. You don’t pick it--it picks you. I’ve loved books since I first discovered them--the first one I remember began, "There’s a cat in a hat in a ball in the hall," and I instantly knew, like Rudyard Kipling, that books held in them everything that would make me happy. When I learned to read, I saw that this was true, and I gobbled up LITTLE WOMEN and Gene Stratton Porter’s A GIRL OF THE LIMBERLOST and L. Frank Baum’s WIZARD OF OZ books and everything else I could get my hands on, which mostly meant the books at the public library, though the girl across the street loaned me Frances Hodgson Burnett’s A LITTLE PRINCESS and my great aunt left me Grace Livingston Hill’s THE WHITE FLOWER and one of my mother’s friends loaned me Valentine Davies’ A MIRACLE ON THIRTY-FOURTH STREET. Many of the books I read were had writers as characters--Jo March and Anne of Green Gables and Betsy of the BETSY, TACY, AND TIB books--and I wanted to be exactly like them, which to me meant not only writing books, but wearing long dresses, sitting in a garret reading and eating russet apples, and tying my hand-written manuscripts up with red ribbons.
    [Show full text]
  • Lois Mcmaster Bujold June 2018
    Science Fiction Book Club Interview with Lois McMaster Bujold June 2018 It's been over 30 years since the epic, bestselling Vorkosigan Saga launched with “Shards of Honor,” and author Lois McMaster Bujold continues to mine new depths for the characters and settings in her rich science fiction universe. Set approximately 1,000 years in the future in a system of fictional planets (and occasionally on Earth), the series follows Miles Vorkosigan, a man as gifted in military tactics and interplanetary politics as he is at stumbling into trouble. Beyond the Vorkosigan Saga, Bujold has written books in the Chalion series and The Sharing Knife series. Known for her wit, warmth, and operatic, action-packed plots, Bujold has won the Hugo Award for Best Novel four times, the Hugo Award for Best Novella, and three Nebula Awards. Jo Zebedee: How integral are the short works to the Vorkosigan universe? LMB: As integral as any of the novels, in my opinion. (Well, maybe excepting “Weatherman”, which is an out-take from the novel The Vor Game, and thus double-dipping.) The reader may pick up three of the (currently) six in one package in the collection Borders of Infinity; the other two are still ala carte. Michael Rowe: Did you have an expectation on how we would view the Cetaganda Nobles and the Vor? (One more agreeable one less so?) LMB: The Vor are an ordinary sort of aristocracy, so that will depend on how one feels about aristocracies. The Cetagandans have a two-tier system, of which the upper level, the haut, turn out to be an ongoing genetics project aiming at creating post-humans.
    [Show full text]
  • Fifty Works of Fiction Libertarians Should Read
    Liberty, Art, & Culture Vol. 30, No. 3 Spring 2012 Fifty works of fiction libertarians should read By Anders Monsen Everybody compiles lists. These usually are of the “top 10” Poul Anderson — The Star Fox (1965) kind. I started compiling a personal list of individualist titles in An oft-forgot book by the prolific and libertarian-minded the early 1990s. When author China Miéville published one Poul Anderson, a recipient of multiple awards from the Lib- entitled “Fifty Fantasy & Science Fiction Works That Social- ertarian Futurist Society. This space adventure deals with war ists Should Read” in 2001, I started the following list along and appeasement. the same lines, but a different focus. Miéville and I have in common some titles and authors, but our reasons for picking Margaret Atwood—The Handmaid’s Tale (1986) these books probably differ greatly. A dystopian tale of women being oppressed by men, while Some rules guiding me while compiling this list included: being aided by other women. This book is similar to Sinclair 1) no multiple books by the same writer; 2) the winners of the Lewis’s It Can’t Happen Here or Robert Heinlein’s story “If This Prometheus Award do not automatically qualify; and, 3) there Goes On—,” about the rise of a religious-type theocracy in is no limit in terms of publication date. Not all of the listed America. works are true sf. The first qualification was the hardest, and I worked around this by mentioning other notable books in the Alfred Bester—The Stars My Destination (1956) brief notes.
    [Show full text]
  • Programming Participants' Guide and Biographies
    Programming Participants’ Guide and Biographies Compliments of the Conference Cassette Company The official audio recorders of Chicon 2000 Audio cassettes available for sale on site and post convention. Conference Cassette Company George Williams Phone: (410) 643-4190 310 Love Point Road, Suite 101 Stevensville MD 21666 Chicon. 2000 Programming Participant's Guide Table of Contents A Letter from the Chairman Programming Director's Welcome................................................... 1 By Tom Veal A Letter from the Chairman.............................................................1 Before the Internet, there was television. Before The Importance of Programming to a Convention........................... 2 television, there were movies. Before movies, there Workicon Programming - Then and Now........................................3 were printed books. Before printed books, there were The Minicon Moderator Tip Sheet................................................... 5 manuscripts. Before manuscripts, there were tablets. A Neo-Pro's Guide to Fandom and Con-dom.................................. 9 Before tablets, there was talking. Each technique Chicon Programming Managers..................................................... 15 improved on its successor. Yet now, six thousand years Program Participants' Biographies................................................... 16 after this progression began, we humans do most of our teaching and learning through the earliest method: unadorned, unmediated speech. Programming Director’s Welcome
    [Show full text]
  • Fantasy & Science Fiction V025n04
    p I4tk Anniversary ALL STAR ISSUE Fantasi/ and Science Fiction OCTOBER ASIMOV BESTER DAVIDSON DE CAMP HENDERSON MACLEI.SH MATHESON : Girl Of My Dreams RICHARD MATHESON 5 Epistle To Be Left In The Earth {verse) Archibald macleish 17 Books AVRAM DAVIDSON 19 Deluge {novelet) ZENNA HENDERSON 24 The Light And The Sadness {verse) JEANNETTE NICHOLS 54 Faed-out AVRAM DAVIDSON 55 How To Plan A Fauna L. SPRAGUE DE CAMP 72 Special Consent P. M. HUBBARD 84 Science; Twinkle, Twinkle, Little Star ISAAC ASIMOV 90 They Don’t Make Life Like They Used To {novelet) ALFRED BESTER 100 Guest Editorial: Toward A Definition Of Science Fiction FREDRIC BROWNS' 128 In this issue . Coming next month 4 F&SF Marketplace 129 Cover by Chesley Bonestell {see page 23 for explanation) Joseph IV. Fcnnan, publisher Avram Davidson, executive editoi: Isaac Asimov, science editor Edzvard L. Forman, managing editoi; The Magasine of Fa^itasy and Science Fiction, Volume 25, No. 4, IVhole No. 149, Oct. 1963. Published monthly by Mercury Press, Inc., at 40c o copy. Annual subscription $4.50; $5.00 in Canada and the Pan American Union; $5.50 in all ether countries. Ptibli- cation office, 10 Ferry Street, Concord, N. FI. Editorial and general mail should be soit ie 347 East 53rd St., Nezv York 22, N. Y. Second Class postage paid at Concord, N. H. Printed in U. S. A. © 1963 by Mercury Press, Inc. All rights, including translations into otJut languages, reserved. Submissions must be accompanied by stamped, self-addressed envelopes the Publisher assumes no responsibility fur return of unsolicited manuscripts.
    [Show full text]
  • Science Fiction Book Club Interview with Christopher Cokinos (March 2020) Christopher Cokinos Is a Nonfiction Writer, Poet and C
    Science Fiction Book Club Interview with Christopher Cokinos (March 2020) Christopher Cokinos is a nonfiction writer, poet and critic who teaches, among other things, the history of science fiction for the University of Arizona, where he is an associate professor of English. He's published critical work on Ray Bradbury, Clifford Simak and science-fiction film. Jim McClanahan: Both Clifford Simak and John Scalzi had newspaper careers (Scalzi in my own local rag, The Fresno Bee). Do you see any literary style similarities between the two as a result of their career arcs even though there is a pretty significant time difference? Chris: I don’t know Scalzi’s work, I am chagrined to say. I know the name. I am often overwhelmed (in a good way) by how much there is to read. I tend to read older authors. I returned to reading science fiction in my 40s after reading, oh, the usual suspects in childhood. I tutored myself with Brian Aldiss’s history, Trillion-Year Spree, and the SFWA Hall of Fame anthologies. So I got pretty interested in how science fiction became more lyrical in the 1950s and more experimental in the 1960s. That span remains my favorite era. So there are a lot of contemporary writers I’ve just not had time to read, though I’ll give a shout-out to Kim Stanley Robinson, who is my favorite living author. Richard Whyte: Do you think Simak’s writing changed after he retired from his ‘day job’ at the Minneapolis Star and Tribune? Chris: You know, that is an interesting question.
    [Show full text]
  • DOUBLE:BILL Symposium
    BRIAN W. ALDISS ALLEN KIM LANG POUL ANDERSON KEITH LAUMER PIERS ANTHONY FRITZ LEIBER ISAAC ASIMOV ROBERT A. W. LOWNDES CHARLES BEAUMONT RICHARD LUPOFF GREG BENFORD KATHERINE MacLEAN ALFRED BESTER anne McCaffrey JAMES BLISH J. FRANCIS McCOMAS ROBERT BLOCH DEAN MCLAUGHLIN ANTHONY BOUCHER P. SCHUYLER MILLER LEIGH BRACKETT MICHAEL MOORCOCK RAY BRADBURY LARRY NIVEN MARION ZIMMER BRADLEY ANDRE NORTON REGINALD BRETNOR ALAN E. NOURSE JOHN BRUNNER ANDREW J. OFFUTT KENNETH BULMER ALEXEI PANSHIN ---------------------------------------------- JOHN W. CAMPBELL EMIL PETAJA s JOHN CARNELL H. BEAM PIPER ’ TERRY CARR FREDERIK POHL SYMPOSIUM JOHN CHRISTOPHER ARTHUR PORGES 3r ARTHUR C. CLARKE DANNIE PLACHTA tr HAL CLEMENT MACK REYNOLDS I MARK CLIFTON JOANNA RUSS GROFF CONKLIN ERIC FRANK RUSSELL BASIL DAVENPORT FRED SABERHAGEN AVRAM DAVIDSON JAMES H. SCHMITZ B io HANK DAVIS T. L. SHERRED CHARLES DE VET ROBERT SILVERBERG LESTER DEL REY CLIFFORD D. SIMAK AUGUST DERLETH E. E. 'DOC SMITH PHILIP K. DICK GEORGE 0. SMITH GORDON R. DICKSON JERRY SOHL jllopii HARLAN ELLISON NORMAN SPINRAD PHILIP JOSE FARMER THEODORE STURGEON DANIEL F. GALOUYE JEFF SUTTON DAVID GERROLD WILLIAM F. TEMPLE H. L. GOLD THEODORE L. THOMAS MARTIN GREENBERG WILSON TUCKER JAMES E. GUNN PIERRE VERSINS EDMOND HAMILTON KURT VONNEGUT, JR. double-.bill HARRY HARRISON TED WHITE ZENNA HENDERSON KATE WILHELM JOE HENSLEY ROBERT MOORE WILLIAMS JOHN JAKES JACK WILLIAMSON LEO P. KELLEY RICHARD WILSON DAMON KNIGHT ROBERT F. YOUNG DEAN R. KOONTZ ROGER ZELAZNY $3. the DOUBLE BILL Symposium ...being 94 replies to 'A Questionnaire for Professional Science Fiction Writers and Editors' as Created by: LLOYD BIGGLE, JR. Edited, and Published by: BILL MALLARDI & BILL BOWERS Bill BowersaBill Mallardi press 1969 Portions of this volume appeared in the amateur magazine Double:Bill.
    [Show full text]
  • SFRA Newsletter
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-1995 SFRA ewN sletter 220 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 220 " (1995). Digital Collection - Science Fiction & Fantasy Publications. Paper 159. http://scholarcommons.usf.edu/scifistud_pub/159 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. .11;'4 Review== Issue #220, November/December1995 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: President's Message (Sanders) ............................................... 5 Works in Progress .................................................................... 6 SFRA Members & Friends ....................................................... 6 Membership Directory Updates ............................................. 6 NEWS AND INFORMATION ................................. 9 FEATURES Special Feature: A Certain Inherent Kindness: An Interview with Lois McMaster Bujold (Levy) ................. 15 REVIEWS: Nonfiction: Ashley, Mike and William G. Contento. The Super­ natural Index:
    [Show full text]
  • NESFA Press Sampler BOSKONE 58
    BOSKONE 58 NESFA Press Sampler This sampler contains a story from four of our most popular books. All these books are available as ebooks and the first three are available as hardcovers. Visit www.nesfapress.org The Effectives All the Lies That Are His Life Call Me Joe Bluebeard’s Wife Believing The Other Stories of Zenna Henderson by ZENNA HENDERSON EPUB: nesfa.org/book/believing-2/ MOBI: nesfa.org/book/believing-3/ Hardcover: nesfa.org/book/believing/ Story Selected: The Effectives Zenna Henderson is best known for her stories of The People, published in The Maga- zine of Fantasy and Science Fiction from the early 1950s to the mid-1970s. The People, a group of human-appearing aliens, escaped the destruction of their home world only to be shipwrecked on Earth, where they struggled to hide their extra abilities. During the same period, Henderson published an equal number of non-People stories. Like the stories of The People, they range from comforting to unnerving. Fans of The People will recognize the same underlying belief in the goodness of people and other beings as they struggle for a chance at a better future. Zenna Henderson Zenna Chlarson Henderson (1917–1983) was born in Tucson, Arizona. Although she became a teacher because the nearest state school was a teacher’s college, Hender- son later stated she’d rather earn her living teaching first grade than any other way. She would make time to write before school and at the end of the day. All her writing exhibits a warmth, gentleness and a sense of the worth of human and non-human beings.
    [Show full text]
  • SFRA Newsletter
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1995 SFRA ewN sletter 219 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 219 " (1995). Digital Collection - Science Fiction & Fantasy Publications. Paper 158. http://scholarcommons.usf.edu/scifistud_pub/158 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. '-11;(4 Review== Issue #219, September/October 1995 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: In Memoriam: Roger Zelazny ............................................... 4 President's Message (Sanders) .............................................. 4 Membership Directory Additions ......................................... 6 Membership Directory Corrections ...................................... 8 Editorial (Sisson) ..................................................................... 8 NEWS AND INFORMATION ................................. 11 SELECTED CURRENT & FORTHCOMING BOOKS .... 13 FEATURES Special Feature: The 1995 SFRA Conference Conference Report (Blackwood) ........................................
    [Show full text]