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“My Voice Speaks for Itself”: the Experiences of Three Transgender Students in Secondary School Choral Programs
“MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “MY VOICE SPEAKS FOR ITSELF”: THE EXPERIENCES OF THREE TRANSGENDER STUDENTS IN SECONDARY SCHOOL CHORAL PROGRAMS By Joshua Palkki Is choral music education in America at a “trans(gender) tipping point”? With the purpose of furthering and enhancing the sociocultural dialogue surrounding LGBTQA issues in music education and to improve vocal/choral instruction for trans students, this multiple narrative case study explored the musical lives and lived experiences of trans students in high school choral music programs. The two grand tour problems of this study were: • To describe how transgender students enrolled in secondary school choral music programs navigate their gender identity in the choral context. • To describe if/how transgender students in secondary school choral programs were supported by groups including their choral teachers, choral peers, and school administrators. The emergent research design employed narrative inquiry and ethnographic techniques in order to honor and highlight voices of the three participants: Sara, Jon, and Skyler (pseudonyms). The stories of these three students revealed the importance of context and geography in shaping the experiences of trans youth at school. Additionally, the connection or lack thereof between voice and gender identity was different for each of the participants. The policies of the students’ school districts, high schools (administrators), choral programs, and outside music organizations (e.g., state music education organizations) shaped and influenced how Sara, Jon, and Skyler navigated their trans identity within the high school choral context. -
Civil Rights Staff Ze-Emanuel Hailu, Counsel Sheila Johnson, Finance Analyst
Civil Rights Staff Ze-Emanuel Hailu, Counsel Sheila Johnson, Finance Analyst THE COUNCIL OF THE CITY OF NEW YORK COMMITTEE REPORT OF THE GOVERNMENTAL AFFAIRS DIVISION Matt Gewolb, Legislative Director Rachel Cordero, Deputy Director, Governmental Affairs Division COMMITTEE ON CIVIL RIGHTS Hon. Darlene Mealy, Chair June 19, 2017 PRECONSIDERED INTRO NO. __: By The Speaker (Council Member Mark-Viverito) and Council Member Dromm TITLE: A Local Law to amend the administrative code of the city of New York, in relation to prohibiting conversion therapy INTRO NO. 1186-2016: By Council Members Dromm, Chin, Mendez, Johnson, Vacca, Menchaca, and Torres TITLE: A Local Law to amend the administrative code of the city of New York, in relation to amending the definitions of sexual orientation and gender in the New York city human rights law 1 RES. NO. 614-2015: By Council Members Dromm, Johnson, Menchaca, Mendez, Torres, Van Bramer, Chin, Constantinides, Gentile, Gibson, Lander, Levine, Palma, Richards, Rose, Rosenthal, Koslowitz, Rodriguez, Vacca, Cumbo, Lancman, Ferreras-Copeland, Levin, Reynoso, Salamanca, Espinal, Barron, Grodenchik, Perkins, Crowley, Maisel, Garodnick, Kallos, Treyger and Miller TITLE: Resolution calling on the New York State Legislature to pass and the Governor to sign into law A.4558/S.61, which would prohibit discrimination on the basis of gender expression or identity and expand the State’s hate crimes statute to include offenses committed against someone on the basis of his or her gender expression or identity RES. NO. 1287-2016: By Council Members Dromm, Crowley, Menchaca, Chin, Constantinides and Rosenthal TITLE: Resolution calling on the United States Congress to pass and the President to sign H.R.3185/S.1858, the Equality Act, which would amend the Civil Rights Act of 1964 and 1968 to include sexual orientation and gender identity as prohibited categories of discrimination or segregation with respect to employment, public accommodation and housing I. -
LGBTQ Singers in the Choral Classroom
Joshua Palkki Ph.D student, music education and choral conducting Michigan State University Co-researcher: Paul Caldwell Artistic Director, Youth Choral Theater of Chicago Artistic Director, Windy City Gay Chorus Creating Safe Space:! LGBTQ Singers in the Choral Classroom #ChoirIsSafe MSVMA Summer Conference Lansing, MI Wednesday, July29, 2015 Tyler Clementi Leelah Alcorn "Please don't be sad, it's for the better. The life I would've lived isn't worth living in...because I'm transgender. I feel like a girl trapped in a boy's body, and I've felt that way ever since I was four. I never knew there was a word for that feeling…I just continued to do traditionally 'boyish' things to try to fit in." Because we are educators and mentors, we care about teaching and teaching is about loving and caring for singers/ students. “I think a lot of the times, people in choral environments don't talk about LGBTQ+ issues because they think, ‘It’s performing arts. So many people are gay in this industry that if you're in any kind of performing art, naturally you're accepting.’ But the truth is that not everyone is. And if you assume that people are accepting just because they're into performing arts, that makes it difficult to move forward and create a safe space because everyone is assuming acceptance and therefore no one is talking… Not only that, by not making clear it's a safe space, people also continue to believe a lot of stereotypes in the industry (especially with males) (…) If teachers in middle school and high school were more open about their acceptance of LGBTQ+ individuals, not only would it create a safe space but it would create a gateway to help disband stereotypes.” Assumptions:! Singers need openness. -
Bridging Big Data and Qualitative Methods in the Social Sciences: a Case Study of Twitter Responses to High Profile Deaths by Suicide
King’s Research Portal DOI: 10.1016/j.osnem.2017.01.002 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Karamshuk, D., Shaw, F., Brownlie, J., & Sastry, N. (2017). Bridging big data and qualitative methods in the social sciences: A case study of Twitter responses to high profile deaths by suicide. Online Social Networks and Media, 1, 33-43. https://doi.org/10.1016/j.osnem.2017.01.002 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Remembering Leelah Alcorn
FRESH FROM THE FRESH FROM THE BODY SHOP VOLUME 3 ISSUE 1 FEBRUARY 2015 Inside This Issue: Remembering Leelah Alcorn 1 Reproductive Health & Wellness Program Guide to appropriate vocab 2 THIS ISSUE A Path Appears documentary 2 Appropriate terms to use when referring to someone who is transgender Team Member Spotlight 3 A new brand of emergency contraceptive pill Remembering Leelah Alcorn In recent weeks, you have probably that her best friend was not allowed to trans people are now more frequently in heard about the death of a transgender attend, and it was made clear in her sui- the public eye than ever before, we still teen just north of Cincinnati. You have cide note that her parents had removed have a long way to go. Trans actress also probably heard her called two differ- her access to her friends and other social Laverne Cox of the popular show Orange ent names (and gender pronouns) de- media outlets. The type of reparative is the New Black and the television show pending on the news source you are lis- therapy they forced her to endure has Transparent have garnered praise and tening to. Leelah Alcorn was a been condemned by many. For example, awards this year. However, in a state- transgendered teen girl who was born Human Rights Campaign states the follow- ment to the Boston Globe, journalist Par- Joshua Alcorn. She was a talented artist ing: “Beyond studies focused solely on ker Marie Molloy says, “’Time [magazine] and musician. She identified as female, but reparative therapy, broader research proclaimed that we’ve reached a to her peers at school she had come out clearly demonstrates the significant harm ‘transgender tipping point’… Declaring a as a gay boy. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Creating Trans-Inclusive Schools: Introductory Activities That Enhance the Critical Consciousness of Future Educators
International Journal of Teaching and Learning in Higher Education 2016, Volume 28, Number 2, 293-301 http://www.isetl.org/ijtlhe/ ISSN 1812-9129 Creating Trans-Inclusive Schools: Introductory Activities that Enhance the Critical Consciousness of Future Educators Kris Tunac De Pedro, Christopher Jackson, Erin Campbell, Jade Gilley, Brock Ciarelli Chapman University The Lawrence King murder and other tragedies surrounding transgender youth have prompted a national discussion about the need for schools to be more supportive and inclusive of transgender students. In this multi-authored reflection, the authors describe a series of three introductory activities in an undergraduate educational studies course aimed at cultivating critical consciousness about transgender students. The instructor and students discussed their viewing of televised interviews featuring transgender individuals and participated in a gallery walk and a role-playing activity. These activities cultivated students’ critical awareness of the experiences of transgender students and strategies for creating trans- inclusive classrooms and schools. On February 12, 2008, fourteen-year-old Brandon 2012). A hostile school environment and consistent McInerney brought a handgun to school and shot his school victimization are associated with depression, classmate, Lawrence King, a transgender1 student, twice suicide, dropout, academic failure, substance abuse, in the back of the head during a computer class at E.O. risky sexual behaviors, and long term outcomes such Green Junior High School in Oxnard, CA. Major news as poverty and unemployment (Goldblum et al., agencies such as CNN and the New York Times covered 2012; Greene, Britton, & Fitts, 2014). the events leading and following this shooting for In response to recent tragedies and concerning several years until Brandon McInerney’s second degree school climate data, national education murder conviction. -
Amicus Brief
Case 9:18-cv-80771-RLR Document 90 Entered on FLSD Docket 09/18/2018 Page 1 of 19 IN THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF FLORIDA Case No. 9:18-CV-80771-RLR ROBERT W. OTTO, PH.D., LMFT, individually and on behalf of his patients, JULIE H. HAMILTON, PH.D., LMFT, individually and on behalf of her patients, Plaintiffs, vs. CITY OF BOCA RATON, FLORIDA, and COUNTY OF PALM BEACH, FLORIDA, Defendants. BRIEF OF AMICUS CURIAE THE TREVOR PROJECT IN SUPPORT OF DEFENDANTS’ OPPOSITION TO PLAINTIFFS’ MOTION FOR PRELIMINARY INJUNCTION Case 9:18-cv-80771-RLR Document 90 Entered on FLSD Docket 09/18/2018 Page 2 of 19 TABLE OF CONTENTS Page STATEMENT OF INTEREST ........................................................................................................1 INTRODUCTION ...........................................................................................................................1 ARGUMENT ...................................................................................................................................3 I. Through Its Suicide Prevention and Crisis Intervention Services, The Trevor Project Regularly Witnesses the Harm of Conversion Therapy on LGBTQ Youth. ...........3 II. Social Science Evidence Overwhelmingly Demonstrates the Harm of Conversion Therapy on LGBTQ Youth. .................................................................................................4 III. Every Major Medical and Mental Health Organization Has Rejected Conversion Therapy as Scientifically Unsound, Harmful to the -
Lives Matter: Preventing Suicide in Trans* Youth
WomenNC North Carolina Committee for CEDAW/CSW A 501(c)(3) Organization - http://www.womennc.org All Lives Matter: Preventing Suicide in Trans* Youth Beijing +20: Women and Health CEDAW: Articles 1, 2 - Discrimination, Policies Josh King University of North Carolina, Chapel Hill WomenNC 2015 CSW Research Paper April 2015 P.O. Box 3021, Cary, NC 27519-3021 ● Tel: 919-744-4778 ● [email protected] WomenNC North Carolina Committee for CEDAW/CSW A 501(c)(3) Organization - http://www.womennc.org “I’ve been dropped into all this from another world and I can’t speak your language any longer. See the signs I try to make with my hands and fingers. See the vague movements of my lips among the sheets. I’m a blank spot in a hectic civilization. I’m a dark smudge in the air that dissipates without notice. I feel like a window, maybe a broken window. I am a glass human. I am a glass human disappearing in rain. I am standing among all of you waving my invisible arms and hands. I am shouting my invisible words. I am getting so weary. I am growing tired. I am waving to you from here. I am crawling around looking for the aperture of complete and final emptiness. I am vibrating in isolation among you. I am screaming but it comes out like pieces of clear ice. I am signaling that the volume of all this is too high. I am waving. I am waving my hands. I am disappearing. I am disappearing but not fast enough.” David Wojnarowicz, from Memories That Smell Like Gasoline P.O. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
New Orleans' Own Hot 8 Brass Band Has Epitomized the New Orleans’ Street Music for Over a Decade
New Orleans’ Own Hot 8 Brass Band Curriculum Guide Friday, February 6, 2009 at 10AM Bowker Auditorium Take a Tour of America’s First City of Jazz: New Orleans Guide Overview This curriculum guide can be used in several different ways, according to how you want to incorporate it. It can be used for several days, or for just 30 minutes. Our hope is that you will try a few of the following activities so that your students will have a more complete arts experience. Not only will they see a live music performance, but they may also be able to create something of their own, as well. New Orleans' own Hot 8 Brass Band has epitomized the New Orleans’ street music for over a decade. The band plays the traditional second line parade, hosted each Sunday afternoon by Social Aid and Pleasure Clubs, infusing their performances with the funk and energy that makes New Orleans music loved around the world. The members of Hot 8 Brass Band were born and raised in New Orleans and many began playing in high school. What makes the Hot 8 so special are the sounds they coax from their well loved, well worn horns. The Band performs annually at the New Orleans Jazz and Heritage Festival, world and jazz festivals across the US and Europe, and were featured in the Spike Lee documentary, When the Levees Broke. The Hot 8 has released critically acclaimed recordings, and is featured on the latest Blind Boys of Alabama re- cording on Time Life records. They have also been part of an important relief project following Hurricane Katrina. -
NEWS RELEASE Umass Amherst Fine Arts Center
file:///J:/Marketing%20and%20Development/Marketing%20FY09/Audience%20Development/p... NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Jorge Luis González at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: August 27, 2008 WHAT: UMass FINE ARTS CENTER Center Series WHERE: Fine Arts Center Concert Hall University of Massachusetts Amherst Call 1-800-999-UMAS or 545-2511 for tickets or go online to www.fineartscenter.com/tickets IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases /photo.html UMass Fine Arts Center Announces Its 2008-2009 Season Art for a Change is the watchword for the UMass Fine Arts Center's (FAC) 2008-2009 season. Art for a Change in how we all connect with our communities, different cultures and our planet. Artists who will raise their voices, their bodies, and their instruments for a better understanding of our world and who will engage with our community on a deeper level when they're here. Art for a Change for a healthier environment -- you'll be seeing the Fine Arts Center go a lot greener this coming year, from the printing of our materials to the use of recycled products whenever possible. The Center will have a microsite with tips and links on how we can all be greener. The Fine Arts Center believes that going green involves more than just recycling. With a program called The Arts Give Back, the FAC will provide opportunities for its audience to donate and to learn more about local charities at selected events.