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Guia De Usabilidade
GUIA DE USABILIDADE Recomendações e boas práticas de usabilidade e user experience para entidades da Administração Pública ÍNDICE USABILIDADE E USER Grelhas 01 EXPERIENCE Botões O que é usabilidade? Tabelas O que é User Experience (UX) Mensagens complementares Usabilidade e Acessibilidade Formulários Boas Práticas de Usabilidade e design Pesquisa de interfaces - Princípios Gerais Casos Práticos 42 DISPOSITIVOS MÓVEIS 08 CONTEÚDO E NAVEGAÇÃO Conteúdos DESEMPENHO Tipografia 46 Esquema de cores Cabeçalhos e rodapés DISPONIBILIZAÇÃO Parágrafos 47 DE SERVIÇOS Cabeçalhos e rodapés Parágrafos REFERÊNCIAS E BIBLIOGRAFIA Navegação em página 48 RECOMENDADA 01 USABILIDADE E USER EXPERIENCE USABILIDADE E USER EXPERIENCE O QUE É USABILIDADE? A Usabilidade consiste no conjunto de métodos criados para maximizar a facilidade de utilização, neste caso de um portal ou de páginas de internet. Esta disciplina, que coloca o utilizador no centro, tem como objetivo facilitar as suas capacidades de aprendizagem e de execução de tarefas. Ao eliminar barreiras na utilização de uma página de internet, estamos a tornar a página mais agradável para o utilizador e a promover futuras visitas. O QUE É USER EXPERIENCE (UX) “Experiência do utilizador engloba todos os aspetos da interação do utilizador final com a empresa, seus serviços e seus produtos" Jakob Nielsen e Don Norman A User Experience foca-se em aspetos que vão para lá da facilidade de interação do utilizador. Esta disciplina, em permanente evolução, procura otimizar a experiência dos utilizadores com as páginas, desde o primeiro contacto. No caso especifico de páginas da Administração Pública, a User Experience deve ser trabalhada ao máximo para facilitar a experiência de um utilizador numa determinada página e desta forma ajudá-lo a atingir o objetivo com que acedeu à mesma. -
Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
CSS Font Stacks by Classification
CSS font stacks by classification Written by Frode Helland When Johann Gutenberg printed his famous Bible more than 600 years ago, the only typeface available was his own. Since the invention of moveable lead type, throughout most of the 20th century graphic designers and printers have been limited to one – or perhaps only a handful of typefaces – due to costs and availability. Since the birth of desktop publishing and the introduction of the worlds firstWYSIWYG layout program, MacPublisher (1985), the number of typefaces available – literary at our fingertips – has grown exponen- tially. Still, well into the 21st century, web designers find them selves limited to only a handful. Web browsers depend on the users own font files to display text, and since most people don’t have any reason to purchase a typeface, we’re stuck with a selected few. This issue force web designers to rethink their approach: letting go of control, letting the end user resize, restyle, and as the dynamic web evolves, rewrite and perhaps also one day rearrange text and data. As a graphic designer usually working with static printed items, CSS font stacks is very unfamiliar: A list of typefaces were one take over were the previous failed, in- stead of that single specified Stempel Garamond 9/12 pt. that reads so well on matte stock. Am I fighting the evolution? I don’t think so. Some design principles are universal, independent of me- dium. I believe good typography is one of them. The technology that will let us use typefaces online the same way we use them in print is on it’s way, although moving at slow speed. -
Dynamic and Interactive R Graphics for the Web: the Gridsvg Package
JSS Journal of Statistical Software MMMMMM YYYY, Volume VV, Issue II. http://www.jstatsoft.org/ Dynamic and Interactive R Graphics for the Web: The gridSVG Package Paul Murrell Simon Potter The Unversity of Auckland The Unversity of Auckland Abstract This article describes the gridSVG package, which provides functions to convert grid- based R graphics to an SVG format. The package also provides a function to associate hyperlinks with components of a plot, a function to animate components of a plot, a function to associate any SVG attribute with a component of a plot, and a function to add JavaScript code to a plot. The last two of these provides a basis for adding interactivity to the SVG version of the plot. Together these tools provide a way to generate dynamic and interactive R graphics for use in web pages. Keywords: world-wide web, graphics, R, SVG. 1. Introduction Interactive and dynamic plots within web pages are becomingly increasingly popular, as part of a general trend towards making data sets more open and accessible on the web, for example, GapMinder (Rosling 2008) and ManyEyes (Viegas, Wattenberg, van Ham, Kriss, and McKeon 2007). The R language and environment for statistical computing and graphics (R Development Core Team 2011) has many facilities for producing plots, and it can produce graphics formats that are suitable for including in web pages, but the core graphics facilities in R are largely focused on static plots. This article describes an R extension package, gridSVG, that is designed to embellish and transform a standard, static R plot and turn it into a dynamic and interactive plot that can be embedded in a web page. -
List Subscriber's Manual for LISTSERV, Version 15.0
L-Soft international, Inc. List Subscriber’s Manual LISTSERV®, version 15.0 Last Updated: June 13, 2007 Information in this document is subject to change without notice. Companies, names, and data used in examples herein are fictitious unless otherwise noted. L-Soft does not endorse or approve the use of any of the product names or trademarks appearing in this document. Permission is granted to copy this document, at no charge and in its entirety, if the copies are not used for commercial advantage, the source is cited, and the present copyright notice is included in all copies. Recipients of such copies are equally bound to abide by the present conditions. Prior written permission is required for any commercial use of this document, in whole or in part, and for any partial reproduction of the contents of this document exceeding 50 lines of up to 80 characters, or equivalent. The title page, table of contents, and index, if any, are not considered to be part of the document for the purposes of this copyright notice, and can be freely removed if present. Copyright © 2007 L-Soft international, Inc. All Rights Reserved Worldwide. LISTSERV is a registered trademark licensed to L-Soft international, Inc. ListPlex, CataList, and EASE are service marks of L-Soft international, Inc. UNIX is a registered trademark of X/Open Company Limited. AIX and IBM are registered trademarks of International Business Machines Corporation. Alpha AXP, Ultrix, OpenVMS and VMS are trademarks of Digital Equipment Corporation. OSF/1 is a registered trademark of Open Software Foundation, Inc. Microsoft is a registered trademark and Windows, Windows NT and Windows 95 are trademarks of Microsoft Corporation. -
Fira Code: Monospaced Font with Programming Ligatures
Personal Open source Business Explore Pricing Blog Support This repository Sign in Sign up tonsky / FiraCode Watch 282 Star 9,014 Fork 255 Code Issues 74 Pull requests 1 Projects 0 Wiki Pulse Graphs Monospaced font with programming ligatures 145 commits 1 branch 15 releases 32 contributors OFL-1.1 master New pull request Find file Clone or download lf- committed with tonsky Add mintty to the ligatures-unsupported list (#284) Latest commit d7dbc2d 16 days ago distr Version 1.203 (added `__`, closes #120) a month ago showcases Version 1.203 (added `__`, closes #120) a month ago .gitignore - Removed `!!!` `???` `;;;` `&&&` `|||` `=~` (closes #167) `~~~` `%%%` 3 months ago FiraCode.glyphs Version 1.203 (added `__`, closes #120) a month ago LICENSE version 0.6 a year ago README.md Add mintty to the ligatures-unsupported list (#284) 16 days ago gen_calt.clj Removed `/**` `**/` and disabled ligatures for `/*/` `*/*` sequences … 2 months ago release.sh removed Retina weight from webfonts 3 months ago README.md Fira Code: monospaced font with programming ligatures Problem Programmers use a lot of symbols, often encoded with several characters. For the human brain, sequences like -> , <= or := are single logical tokens, even if they take two or three characters on the screen. Your eye spends a non-zero amount of energy to scan, parse and join multiple characters into a single logical one. Ideally, all programming languages should be designed with full-fledged Unicode symbols for operators, but that’s not the case yet. Solution Download v1.203 · How to install · News & updates Fira Code is an extension of the Fira Mono font containing a set of ligatures for common programming multi-character combinations. -
Michael Sharpe
294 TUGboat, Volume 38 (2017), No. 3 Interview: Michael Sharpe complex machinery, though I did spend a couple of years working as an assistant to a projectionist in David Walden the local movie theater during my high school years. DW : When you say \misspent on sport", what are you thinking of? MS: Because we moved regularly, I was motivated to focus on making new friends as quickly as possible, and sport was a good way to do it in that environ- ment. I played cricket, Australian Rules football and tennis. It was fortunate for my later career that I was not really good at any of them. DW : Were you already doing electronics things as a hobby and enjoying high school math and science before university? MS: I was not into electronics as a hobby, finding Michael Sharpe has been using TEX since the mid- the analog radio of those days not very interesting. 1980s. In more recent years he has been active in I did do well in sciences and math in high school. If the TEX fonts world. there had been computers available in those days, it may have been a different story. Dave Walden, interviewer: Please tell me a bit DW : What took you away from Australia and to about yourself. Yale for your Ph.D. work? Michael Sharpe, interviewee: I was born in Syd- MS: Just previous to my generation of college grad- ney, Australia in 1941. After 1945, my father joined uates in Australia, most students wanting to pursue the Commonwealth Public Service, which corresponds an advanced degree in sciences and engineering went in the US to the federal civil service, and moved fre- to Great Britain if they could manage it. -
4C24fb34-Ubuntu-Server-Guide.Pdf
Introduction Welcome to the Ubuntu Server Guide! Download the Ubuntu server guide as a PDF. This is the preliminary and in development for the next Ubuntu LTS, Focal Fossa. Contents may have errors and omissions. Changes, Errors, and Bugs If you find any errors or have suggestions for improvements to pages, please use the link at thebottomof each topic titled: “Help improve this document in the forum.” This link will take you to the Server Discourse forum for the specific page you are viewing. There you can share your comments or let us know aboutbugs with each page. Support There are a couple of different ways that Ubuntu Server Edition is supported: commercial support and community support. The main commercial support (and development funding) is available from Canonical, Ltd. They supply reasonably- priced support contracts on a per desktop or per server basis. For more information see the Ubuntu Advantage page. Community support is also provided by dedicated individuals and companies that wish to make Ubuntu the best distribution possible. Support is provided through multiple mailing lists, IRC channels, forums, blogs, wikis, etc. The large amount of information available can be overwhelming, but a good search engine query can usually provide an answer to your questions. See the Ubuntu Support page for more information. Installation This chapter provides a quick overview of installing Ubuntu 20.04 Server Edition. For more detailed instruc- tions, please refer to the Ubuntu Installation Guide. Preparing to Install This section explains various aspects to consider before starting the installation. System Requirements Ubuntu 20.04 Server Edition provides a common, minimalist base for a variety of server applications, such as file/print services, web hosting, email hosting, etc. -
Vision Performance Institute
Vision Performance Institute Technical Report Individual character legibility James E. Sheedy, OD, PhD Yu-Chi Tai, PhD John Hayes, PhD The purpose of this study was to investigate the factors that influence the legibility of individual characters. Previous work in our lab [2], including the first study in this sequence, has studied the relative legibility of fonts with different anti- aliasing techniques or other presentation medias, such as paper. These studies have tested the relative legibility of a set of characters configured with the tested conditions. However the relative legibility of individual characters within the character set has not been studied. While many factors seem to affect the legibility of a character (e.g., character typeface, character size, image contrast, character rendering, the type of presentation media, the amount of text presented, viewing distance, etc.), it is not clear what makes a character more legible when presenting in one way than in another. In addition, the importance of those different factors to the legibility of one character may not be held when the same set of factors was presented in another character. Some characters may be more legible in one typeface and others more legible in another typeface. What are the character features that affect legibility? For example, some characters have wider openings (e.g., the opening of “c” in Calibri is wider than the character “c” in Helvetica); some letter g’s have double bowls while some have single (e.g., “g” in Batang vs. “g” in Verdana); some have longer ascenders or descenders (e.g., “b” in Constantia vs. -
Typographers'
TUGboat, Volume 39 (2018), No. 3 171 Typographers’ Inn Table 1: Widths of set for some related serif, sans-serif, and monospace fonts Peter Flynn CMR abcdefghijlkmnopqrstuvwxyz O0|I1l Font tables CMSS abcdefghijlkmnopqrstuvwxyz O0|I1l CMTT abcdefghijlkmnopqrstuvwxyz O0|I1l Peter Wilson has rightly called me to account for PT Serif abcdefghijlkmnopqrstuvwxyz O0|I1l missing out the fonttable (two t’s) package in the de- PT Sans abcdefghijlkmnopqrstuvwxyz O0|I1l scription of my experimental fontable (one t) package PT Mono abcdefghijlkmnopqrstuvwxyz O0|I1l [4, p 17]. Libertine abcdefghijlkmnopqrstuvwxyz O0|I1l The fonttable package is much more powerful Biolinum abcdefghijlkmnopqrstuvwxyz O0|I1l than the one I am [still] working on, and I was so Lib. Mono abcdefghijlkmnopqrstuvwxyz O0|I1l intent on reimplementing the specific requirements Plex Serif abcdefghijlkmnopqrstuvwxyz O0|I1l abcdefghijlkmnopqrstuvwxyz O0|I1l A Plex Sans of the allfnt8.tex file in X LE TEX to the exclusion Plex Mono abcdefghijlkmnopqrstuvwxyz O0|I1l of pretty much everything else that I didn’t do any Nimbus Serif abcdefghijlkmnopqrstuvwxyz O0|I1l justice to fonttable (and a number of other test and do. Sans abcdefghijlkmnopqrstuvwxyz O0|I1l display tools). do. Mono abcdefghijlkmnopqrstuvwxyz O0|I1l I am expecting shortly to have more time at my do. Mono N abcdefghijlkmnopqrstuvwxyz O0|I1l disposal to remedy this and other neglected projects. Times abcdefghijlkmnopqrstuvwxyz O0|I1l Helvetica abcdefghijlkmnopqrstuvwxyz O0|I1l Monospace that fits Courier abcdefghijlkmnopqrstuvwxyz O0|I1l Luxi Mono * abcdefghijlkmnopqrstuvwxyz O0|I1l One of the recurrent problems in documentation is finding a suitable monospace font for program listings Times, Helvetica, and Courier (unrelated) are included for or other examples of code. -
The Fontspec Package Font Selection for XƎLATEX and Lualatex
The fontspec package Font selection for XƎLATEX and LuaLATEX Will Robertson and Khaled Hosny [email protected] 2013/05/12 v2.3b Contents 7.5 Different features for dif- ferent font sizes . 14 1 History 3 8 Font independent options 15 2 Introduction 3 8.1 Colour . 15 2.1 About this manual . 3 8.2 Scale . 16 2.2 Acknowledgements . 3 8.3 Interword space . 17 8.4 Post-punctuation space . 17 3 Package loading and options 4 8.5 The hyphenation character 18 3.1 Maths fonts adjustments . 4 8.6 Optical font sizes . 18 3.2 Configuration . 5 3.3 Warnings .......... 5 II OpenType 19 I General font selection 5 9 Introduction 19 9.1 How to select font features 19 4 Font selection 5 4.1 By font name . 5 10 Complete listing of OpenType 4.2 By file name . 6 font features 20 10.1 Ligatures . 20 5 Default font families 7 10.2 Letters . 20 6 New commands to select font 10.3 Numbers . 21 families 7 10.4 Contextuals . 22 6.1 More control over font 10.5 Vertical Position . 22 shape selection . 8 10.6 Fractions . 24 6.2 Math(s) fonts . 10 10.7 Stylistic Set variations . 25 6.3 Miscellaneous font select- 10.8 Character Variants . 25 ing details . 11 10.9 Alternates . 25 10.10 Style . 27 7 Selecting font features 11 10.11 Diacritics . 29 7.1 Default settings . 11 10.12 Kerning . 29 7.2 Changing the currently se- 10.13 Font transformations . 30 lected features . -
CVAA Support Within the Kaltura Player Toolkit Last Modified on 06/21/2020 4:25 Pm IDT
CVAA Support within the Kaltura Player Toolkit Last Modified on 06/21/2020 4:25 pm IDT The Twenty-First Century Communications and Video Accessibility Act of 2010 (CVAA) focuses on ensuring that communications and media services, content, equipment, emerging technologies, and new modes of transmission are accessible to users with disabilities. All Kaltura players that use the Kaltura Player Toolkit are now CVAA compliant by default and are based on on Twenty-First Century Communications and Video Accessibility Act of 2010 (CVAA). The player includes capabilities for editing the style and display of captions and can be modified by the end user. The closed captions styling editor includes easy to use markup and testing controls. The Kaltura Player v2 delivers a great keyboard input experience for users and a seamless browser-managed experience for better integration with web accessibility tools. This is in addition to including the capability of turning closed captions on or off. Features The Kaltura Player v2 CVAA features include: Studio support - Enable options menu Captions types: XML, SRT/DFXP, VTT(outband) Displaying and changing fonts in 64 color combinations using eight standard caption colors currently required for television sets. Adjusting character opacity Ability to adjust caption background in eight specified colors. Copyright ©️ 2019 Kaltura Inc. All Rights Reserved. Designated trademarks and brands are the property of their respective owners. Use of this document constitutes acceptance of the Kaltura Terms of Use and Privacy Policy. 1 Ability to adjust character edge (i.e., non, raised, depressed, uniform or drop shadow). Ability to adjust caption window color and opacity.