Annual Report 2012 Chairman’S Statement

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2012 Chairman’S Statement Key Figures 2008 – 2012 shAre PriCe PerFormanCe 2008 – 2012 – 6.5 % (2012: – 1.9 %) INDEX = 100 rTl group dJ sToXX – 16.1 % (2012: + 17.5 %) r evenue (€ million) e quiTy (€ million) 12 5,998 12 4,858 11 5,765 11 5,093 10 5,532 10 5,597 09 5,156 09 5,530 08 5,774 08 5,871 e BiTA (€ million) M ArKeT Capitalisation (€ billion)* 12 1,078 12 11.7 11 1,134 11 11.9 10 1,132 10 11.9 09 796 09 7.3 08 916 08 6.6 *Asof31December n eT ProFiT AttriButaBle To rTl grouP shAreholders (€ million) To tal dividend Per shAre (€ ) 12 597 12 10.50 11 696 11 5.10 10 611 10 5.00 09 205 09 3.50 08 194 08 3.50 Dividend payout 2008− 2012: € 4.2 billion 2012 A nnuAl rePorT T he leAding euro PeAn en TerTAinMenT n eTworK RTL Television’s AlarmfürCobra11, Germany’s most popular action series, has become a hit format in some 140 countries around the globe. Since 2012, it has been one of the signature series of the newly launched action channel, Big RTL Thrill, in India ConTenTs Corporate information 6 Chairman’s statement 8 Chief executives’ report 14 Profit centres at a glance 16 The year in review 16 Broadcast 34 Content 60 Digital 72 Red Carpet 76 Corporate responsibility 92 Operations 94 How we work 96 The Board / executive Committee Financial information 104 directors’ report 110 Mediengruppe RTL Deutschland 114 Groupe M6 117 FremantleMedia 120 RTL Nederland 123 RTL Belgium 126 RTL Radio (France) 128 Other segments 143 Management responsibility statement 144 Consolidated financial statements 149 Notes 210 Auditors’ report 212 RTl group overview 214 Credits 215 Fully consolidated profit centres at a glance 217 Five-year summary irman’s ChA enT stateM Thomas rabe ChairmaN of The board of DiRectors In 2012, RTL Group delivered solid financial results. Revenue grew by 4.0 per cent to almost €6 billion and EBITA again exceeded €1 billion. RTL Group achieved these results despite increasingly challenging conditions in some of the core European TV advertising markets. 6 r TL GrouP AnnuAl rePorT 2012 ChAirman’s staTeMenT The Board focused on discussing the transformation “in particular we reviewed the of the TV industry, the opportunities and challenges arising from the growing non-linear TV consumption, opportunities and challenges multiscreen services for deeper audience engagement, arising from the growing and technology-driven services for advertising clients. This was in addition to its ongoing responsibilities, such non-linear Tv consumption, as reviewing financial and operating performance multiscreen services for deeper budgets, investment proposals, and the Group’s audience engagement, and strategy. RTL Group’s new Executive Committee – consisting of Co-CEOs Anke Schäferkordt and technology-driven services for Guillaume de Posch, and CFO Elmar Heggen – has advertising clients.” defined, together with the management teams in the various profit centres, a clear strategy for RTL Group. We see significant growth potential in three areas: broadcast, content, and di gital. First: we will optimise and develop our existing TV and radio broadcast businesses. Investing in our broadcast business is investing in growth. That’s why, in 2012, RTL Group launched five new TV channels. The Big RTL Thrill channel launch in India is RTL Group’s first broad- My sincere gratitude also goes to Siegfried Luther, my casting venture outside of Europe. predecessor as Chairman of the Board of Directors of Secondly: we will develop and acquire intellectual prop- RTL Group. Siegfried Luther is one of the founding erty, and expand capabilities in our existing content fathers of today’s RTL Group. And finally, I would like business. Creativity remains key in the TV business. to thank Günther Grüger, who stepped down from RTL Group’s production arm, FremantleMedia, is one RTL Group’s Board of Directors following his retire- of the largest global producers of content, and repre- ment from Bertelsmann. sents one of the most important growth platforms for On 31 January 2013, the Board of Directors of the entire Group. FremantleMedia has a global and RTL Group was informed that Bertelsmann is consid- scalable business model, and its new management ering a reduction of its shareholding in RTL Group team has placed a clear emphasis on fuelling its crea- through a capital market transaction, while maintain- tive pipeline, developing new formats and building ing a qualified majority of approximately 75 per cent. brands, across a range of genres. The Board of Directors understands that a final deci- Thirdly: we will build sustainable new digital business sion will depend on a number of conditions, including models with a strong cross-platform presence on all a favourable capital market environment. There can devices and screens. Further expansion of RTL Group’s consequently be no assurance as to if, when, or on digital businesses, from catch-up TV services, mobile what conditions Bertelsmann will offer part of its applications, online video advertising and thematic shareholding in RTL Group. websites, to the first Youtube-funded niche channels, RTL Group’s solid operational performance and its all play a major role here. Professionally produced video clear-cut strategy provide us with the necessary tail- content is, and remains, the major driver for new digital wind to further develop RTL Group as Europe’s lead- services, devices and screens – and this is RTL Group’s ing entertainment network. But ultimately, it’s our core competence. people who inspire and inform our viewers, and who 2012 also saw several changes to the composition of create meaningful and professional content – day the Board of Directors. Gerhard Zeiler decided to leave after day. My thanks go to everyone who contributed the company, effective 18 April 2012. On behalf of the to a successful 2012 – I’m looking forward to contin- Board, I would like to thank him for his great achieve- uing RTL Group’s unique success story in this spirit ments over the years, and for the smooth handover of and invite you to accompany us on this journey. responsibilities to the new Executive Committee. In April 2012, the Annual General Meeting of RTL Group elected Bernd Kundrun and Rolf Schmidt-Holtz as new members of the Board of Directors. Both have exten- sive experience in the media industry. Thomas RaBe ChairmaN of The BOard of DiRectors r TL grouP AnnuAl rePorT 2012 7 ChieF s’ eCuTive eX T rePor AnKe sChäFerKordT co-CeO of RTL grOup 8 r Tl grouP AnnuAl rePorT 2012 ChieF ExeCuTives’ rePorT guillAuMe de PosCh co-CeO of RTL grOup On 19 April 2012, Anke Schäferkordt and Guillaume de Posch took over as Co-CEOs of RTL Group. In a message to all RTL Group employees, they wrote on that day: “Our Group is in great shape, and we can rely on highly creative, skilled and motivated employees. We all share the same passion: we love television, production and radio. And we know that this passion will help to lead our strong, creative and diverse entertainment network into the next phase of its development.” We met the Co-CEOs to review RTL Group’s performance in 2012, and to discuss the Group’s strategy. r Tl grouP AnnuAl rePorT 2012 9 ChieF ExeCuTives’ rePorT ChieF s’ eCuTive eX T rePor How did RTL Group perform in 2012? Anke schäferkordt: That’s why it’s so important to have diversi- Anke schäferkordt: RTL Group has once again demonstrated fied revenue streams and geographic footprint. 43 per cent of that it can operate successfully even in a very challenging eco- RTL Group’s revenue originates from a broad range of non- nomic environment. For the third consecutive year, our EBITA advertising activities such as content production, rights trading, exceeded € 1 billion. Our EBITA margin was very healthy at 18.0 teleshopping, e-commerce, and merchandising. This adds a lot per cent, with all of our main broadcast operations reporting of stability to our Group. strong double-digit margins, of between 16.1 and 29.3 per cent. In our most important markets, Germany and France, our fami- Let’s have a closer look at RTL Group’s main operations. lies of TV channels continued to gain advertising market share. How did the German TV business, the Group’s largest This ongoing success is based on RTL Group’s unique set-up: profit centre, perform in 2012? we are the only pan-European free-TV group with a worldwide Anke schäferkordt: In 2012, Mediengruppe RTL Deutschland content production powerhouse. We have leading market posi- continued to outperform the German TV advertising market and tions in the countries we operate in, strong brands, and a increased its combined net share – including RTL II – to 44.4 healthy financial position. RTL Group has generated close to € 1 per cent. Overall revenue of the profit centre grew by 3.7 per billion of cash flow almost every year since 2007. cent, mainly driven by higher TV advertising revenue from our guillaume de Posch: Based on our strong financials, we stepped two main channels, RTL Television and Vox. Due to ongoing up our investments and initiatives in our three strategic fields of cost control measures, EBITA increased strongly by 9.8 per broadcast, content and digital. During 2012, RTL Group suc- cent to € 581 million – this was the unit’s best ever full-year cessfully launched five new TV channels in five countries. We are operating profit. also building a strong and rapidly growing presence in non- linear TV and exploring the field of online video networks, with our first Did it also continue to gain audience share? Youtube-funded channels, produced by FremantleMedia.
Recommended publications
  • MARS 2012 10 E ÉDITION AVANT - PROPOS
    GUIDE DES CHAÎNES NUMÉRIQUES MARS 2012 10 e ÉDITION AVANT - PROPOS L’Association des Chaînes Conventionnées éditrices de Services (A.C.C.e.S.), le Centre National du Cinéma et de l’image animée (CNC), le Conseil Supérieur de l’Audiovisuel (CSA), la Direction générale des médias et des industries culturelles (DGMIC) et le Syndicat National de la Publicité Télévisée (SNPTV) se sont à nouveau associés pour publier la dixième édition du Guide des chaî- nes numériques réalisé par l’agence Clair de Lune. Ce guide présente une description complète de l’univers des chaînes numériques françaises, tant juridique qu’économique. Il permet d’appréhender la grande richesse de l’offre de chaînes numériques en France ainsi que la diversité des réseaux de distribution. Il donne enfin une vision actualisée des performances des chaînes (audiences, résultats financiers) ainsi que de leurs pro- grammations et de leurs investissements dans la production d’œuvres européennes ou d’expres- sion originale française. Ce panorama est complété par des fiches de présentation de près de 120 chaînes diffusées en France. Ces fiches descriptives procurent des informations sur l’ensemble des chaînes diffusées par voie hertzienne numérique (TNT) et sur l’essentiel des chaînes diffusées sur le câble, le satellite et l’ADSL. Enfin, pour mettre en perspective le paysage audovisuel français, le guide présente une synthèse du paysage audiovisuel numérique dans quatre marchés européens majeurs : l’Allemagne, le Royaume-Uni, l’Italie et l’Espagne. La rédaction de ce guide s’est très largement appuyée sur les statistiques, rapports et études réalisés par le CSA et le CNC, ainsi que des sociétés et organismes présentés dans l’index des ressources documentaires (liste en page 6).
    [Show full text]
  • Seguimiento De Accesibilidad a La
    SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los
    [Show full text]
  • World Class Cuisine at the Riviera Restaurant
    A MASTERCHEF'S MENU DESERVES A WINEMASTER'S WINE NEDERBURG. OFFICIAL WINE SPONSOR OF MASTERCHEF SA. THE WINEMASTER'S RESERVE CABERNET I SAUVIGNON WINE OF SOUTH AFR WATCH ON M-NET & M-NET HD SOUTH AFRICA TUESDAYSAT 19:30 FROM 20 MARCH Not for Sale to Persons Under the Age of 18. Welcome to this OUt very first edition of Food and Dreams magazine, we invite you to share with us the insights of the wonderful world of food and beverage featuring articles by some of South Africa's leading authorities within both the culinary and wine industry. We take you behind the scenes to some of South Africa's finest hotels gaining access to the restaurants and kitchens, gleaming recipes, hints and tips as we go from leading chefs and restaurant managers. Master chefs, and wine masters, all contribute to share their knowledge and opinions in Food and Dreams in a light-hearted and easy to read style that we hope will be informative and entertaining. From the Cape wine lands where the renowned expert Dave Hughes gives his opinion on whisky and Bennie I Toward gives us the lowdown on wine blends - a new and very popular trend. Off the wall blogger chef Brian McCune shares a couple of unusual tips and his views about recipes development with his usual indomitable aplomb. President of the South African Chefs Association Stephen Billingham talks about that vital kitchen ingredient salt, but not just any salt; lots of different interesting types, while Arnold Tanzer share his irritation on dining with companions who are addicted to their Smarrphone.
    [Show full text]
  • Bilan De L'économie Des Chaînes Payantes Année 2009
    Bilan de l’économie des chaînes payantes Année 2009 les bilans du CSA Décembre 2010 CONSEIL SUPÉRIEUR DE L ’AUDIOVISUEL Direction des programmes Direction des études et de la prospective Service de l’information et de la documentation Bilan de l’économie des chaînes payantes Année 2009 Bilan 2009 de l’économie des chaînes payantes Comme chaque année, le CSA a dressé le bilan de l’économie des chaînes payantes. Cette analyse, qui ne prend pas en compte la chaîne Canal+, porte sur 99 des 117 chaînes payantes existant fin 2009. Elle fait notamment apparaître que près de 42 % des foyers équipés d’un téléviseur étaient à cette date abonnés à une offre multichaîne payante. Synthèse Un bilan qui porte sur 99 chaînes payantes Le bilan réalisé par le CSA entend par télévision payante tout service qui n’est accessible que par le biais d’un abonnement, que ce soit pour une offre globale, couplée ou non avec d’autres services (internet, téléphone), ou pour des services vendus à l’unité. Cette définition ne tient donc pas compte du financement des services. Au 31 décembre 2009, le nombre des services payants conventionnés ou autorisés en langue française (hors Canal+) diffusés sur le câble, le satellite et l’ADSL en France métropolitaine était de 117, contre 116 en 2008. Parmi ceux-ci, 6 étaient autorisés et 111 conventionnés. Toutefois, les données statistiques qui font l’objet de l’étude portent sur 99 services édités par 58 sociétés. 13 sociétés éditent plusieurs services chacune - Canal J (3 chaînes) : Canal J, June et Tiji ; - Disney Channel
    [Show full text]
  • Nov12 Presentation to Investors
    GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source:
    [Show full text]
  • Hyundai South Africa, Official Vehicle Sponsor for Masterchef South Africa SA’S First Masterchef SA Winner to Be Awarded a Hyundai Elantra 1.6 GL
    Hyundai South Africa, official vehicle sponsor for MasterChef South Africa SA’s first MasterChef SA winner to be awarded a Hyundai Elantra 1.6 GL Johannesburg, 05 April 2012 Hyundai South Africa is proud to be the official vehicle sponsor for the contestants participating in the inaugural edition of MasterChef South Africa 2012. “With the first three episodes receiving such a fantastic response from the South African public, Hyundai South Africa is certainly pleased to have aligned our brand with such a vibrant and well run show,” says Albrecht Grundel, Operations Director at Hyundai South Africa. “There is no doubt that cooking is an art, one that requires dedication and often times the courage to try something new - much like Hyundai’s marriage of advanced technology and daring, to create a modern premium brand that is underpinned by “fluidic sculpture” design language – our ‘art’ is vehicle design, the contestants ‘art’ is food creation.” “As the official vehicle sponsor for MasterChef SA, contestants throughout the filming of the series will get to experience the various vehicles that Hyundai has within its range. The models to look out for during the course of the series are the Accent, Elantra, H-1 Wagon, H-1 Panel Van, Santa Fe and the Sonata – so certainly contestants will be spoilt for choice.” As part of Hyundai’s sponsorship agreement with MasterChef SA, the winner of South Africa’s first ever MasterChef will be awarded a brand new Hyundai Elantra 1.6 GL, as part of their overall package. “The elegant Elantra – which is our medium luxury sedan - is the perfect car for SA’s first ever MasterChef.
    [Show full text]
  • 20000-___-EA-17 Gateway Exhibit RMP___(RTL-5)
    Rocky Mountain Power Exhibit RMP___(RTL-5) Docket No. 20000-___-EA-17 Witness: Rick T. Link BEFORE THE WYOMING PUBLIC SERVICE COMMISSION ROCKY MOUNTAIN POWER ____________________________________________ Exhibit Accompanying Direct Testimony of Rick T. Link Estimated Annual Revenue Requirement Results ($ million) June 2017 Rocky Mountain Power Exhibit RMP___(RTL-5) Page 1 of 2 Docket No. 20000-___-EA-17 Witness: Rick T. Link Estimated Annual Revenue Requirement Results ($ million) Low Natural Gas, Zero CO2 Price-Policy Scenario (Benefit)/Cost PVRR(d) 2017 2018 2019 2020 2021 2022 2023 2024 2025 2026 2027 2028 2029 2030 2031 2032 2033 2034 2035 2036 2037 2038 2039 2040 2041 2042 2043 2044 2045 2046 2047 2048 2049 2050 Project Net Costs Transmission Project Capital Recovery $681 $0 $0 $0 $12 $90 $87 $84 $81 $78 $76 $73 $71 $69 $66 $64 $61 $59 $57 $54 $53 $52 $51 $50 $49 $48 $47 $46 $45 $44 $44 $43 $42 $41 $40 Incremental Transmission Revenue ($82) $0 $0 $0 ($1) ($11) ($10) ($10) ($10) ($9) ($9) ($9) ($9) ($8) ($8) ($8) ($7) ($7) ($7) ($7) ($6) ($6) ($6) ($6) ($6) ($6) ($6) ($6) ($5) ($5) ($5) ($5) ($5) ($5) ($5) New Wind PPA $318 $0 $0 $0 $0 $0 $24 $25 $26 $28 $29 $30 $44 $45 $44 $49 $50 $49 $47 $47 $52 $57 $58 $60 $61 $62 $0 $0 $0 $0 $0 $0 $0 $0 $0 New Wind Capital Recovery $1,360 $0 $0 $0 $29 $179 $164 $152 $143 $135 $132 $130 $128 $127 $126 $125 $123 $122 $121 $120 $119 $118 $117 $116 $115 $115 $115 $115 $115 $116 $118 $121 $127 $142 $91 New Wind O&M $263 $0 $0 $0 $3 $19 $20 $20 $22 $22 $23 $23 $24 $24 $25 $26 $26 $27 $28 $28 $29 $30
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • ¿Quién Ve La Televisión? Revisión Del Modelo Generalista En El Espacio Mediático Convergente1
    Trípodos, número 40 | Barcelona 2017 | 31-54 Rebut / Received: 09/05/2017 ISSN: 1138-3305 Acceptat / Accepted: 12/06/2017 31 ¿Quién ve la televisión? Revisión del modelo generalista en el espacio mediático convergente1 Who Is Watching TV? A Revision of the Generalist Model in the Converging Media Landscape Scenario TRÍPODOS 2017 | 40 Jéssica Izquierdo Castillo Universitat Jaume I (España) La televisión actual busca un espacio Television seeks a space for relocation de reubicación dentro del panorama within the convergent media lands­ mediático convergente. En los últimos cape. In recent years, the multiplication años, la multiplicación de canales, la of channels, the consolidation of online consolidación de plataformas online, platforms, changes in audience habits, los cambios de hábitos del público, el the aging of the classical audience and envejecimiento de la audiencia y la the weak connection with young au­ débil conexión con el público joven dience have provoked transformations han provocado transformaciones que that have affected television content. han afectado a los contenidos televi­ This paper studies the evolution of ge­ sivos. neralist television during the period Este trabajo estudia la evolución de la from 2007 to 2016, when contex­ televisión generalista durante el perio­ tual and structural factors converged. do comprendido entre 2007 y 2016, These factors have determined the cu­ en que confluyen factores contextua­ rrent development of television, forming les y estructurales que han determina­ an oligopoly around the Atresmedia do su desarrollo actual, formando un and Mediaset groups. Together, they oligopolio en torno a los grupos Atres­ account for 86.4% of the advertising media y Mediaset.
    [Show full text]
  • Gta V Notice Subscribe to Pewdiepie
    Gta V Notice Subscribe To Pewdiepie Martin superfuses thick? Hindermost Torrence buffeting some pursuers after funked Elwood thiggingunderscores romantically. someplace. Reggis basing baggily while bibliopegic Wally transfers idealistically or Live stream has ended up for gta online video game minecraft and pewdiepie either case. The devil wears prada and pewdiepie raids a notice is my opinion team behind his older children. Pewdiepie has come along and pewdiepie has no longer. Common sense or preferences for the age groups, though this comment at you need is also subscribe to support jews generally true places where does meme on an underwater by while pranking each. Keep that subscribe to gta v or ask the subscriber data has a notice from the hidden brain helps! You on gta is pewdiepie either remove any given artist on minecraft commonly appear in. There is pewdiepie has won five years so they use your knowledge, and being produced, giving your legal liability to a notice that. Then during my teen ages its dominance looks set in the people search giant is empty string or the profession in recent videos of wearing masks. When you are outlined below second place were missing starters nick kyrgios promised fireworks and can return to know when user is easy going to get a username field. Pewdiedie for better believe id put em in the most from commenting on this page requires you! Choice awards for gta. They included in the gaming channel hosts shared videos? Good enough to gta and faster, he does not found at least the reason. You can is pewdiepie gets a notice subscribe.
    [Show full text]
  • January 28, 2019
    MONDAY JANUARY 28, 2019 50 BULLS | 45 FEMALES Welcome! Welcome to our 9th Annual Sale! 2018 was a good year for us in the Hereford business but provided some very challenging weather to deal with from calving time through harvest. We certainly hope that 2019 gets back to more normal conditions! We started the year strong in 2018 exhibiting the Grand Champion Pen of Three Heifers at the National Western Stock Show in Denver and then followed up by having the lead bull in our carload named Champion Junior Bull Calf on the Hill. We ended 2018 on a high note exhibiting the Supreme Champion Pen of Three Bulls over all breeds at the The Delaney & Atkins Families North Dakota Winter Show and the Lot 50 bull selling in this sale (Nearly our entire crew together in Denver 2016) was named the individual Supreme Champion over all breeds at the same show. We are proud to be offering you this kind of quality with our latest and best genetics to go to work in your herd. This year we are again excited to be offering a great group of bred females including registered and commercial bred heifers. Like the bulls, these females represent our freshest genetics and we feel strongly that they will work for you. Our focus continues to be to provide our customers with the genetic material that will add net dollars to your bottom line. Bulls with perfor- mance, desirable carcass traits and acceptable birth weights. Females with high quality udders, mothering ability, hardiness and docility. And, all of this needs to be in a package that is phenotypically desirable and structurally sound.
    [Show full text]
  • Roadshow Presentation Brussels 21 June
    RTL GROUP PRESENTATION Brussels, 21 June 2013 The leading European entertainment network Agenda ● Q1 HIGHLIGHTS o Business Review o Strategy Review 2 Quarter 1 highlights 2013 REVENUE €1.3 billion REPORTED EBITA continuing operations €207 million EBITA MARGIN CASH CONVERSION NET DEBT POSITION NET RESULT 15.6% 164% €278 million €133 million QUARTER 1 BUSINESSES STRATEGY STRONG OPERATIONAL RESULTS AND EXCEPTIONAL CASH GENERATION 3 Agenda o Q1 highlights ● BUSINESS REVIEW o Strategy Review 4 Leading integrated pan-European entertainment network with a truly global presence BROADCAST + CONTENT + DIGITAL P #1 in Europe P #1 global TV P Follow viewers entertainment across all platforms P #1 in Germany producer P Online network of P #1 in Benelux P Productions in 62 200+ websites countries >6.9bn video views #2 in France P P P Distribution into 150+ markets RTL Group 2012 QUARTER 1 Revenue EBITA BUSINESSES €6.0bn €1.1bn STRATEGY 5 RTL Group: at the heart of the European media ecosystem LARGEST EUROPEAN FTA BROADCASTER LARGEST EUROPEAN CONTENT PRODUCER / DISTR. 2012 CONSOLIDATED REVENUES (€BN) 2012 REVENUES (€MN) €6.0bn 1,711 €3.7bn 2x €2.7bn (a) 870 €2.6bn 12x 138 €2.4bn QUARTER 1 BUSINESSES Scale matters: first choice partner for advertisers, content creators and rights owners STRATEGY (a) Converted from £712 at Global Insight 2012 rate of 0.819 £/€ 6 Source: Screen Digest, company filings Leading positions in key European markets GERMANY FRANCE #1 #2 6 FTA channels 3 FTA channels 3 Pay channels 8 Pay channels #1 Audience/ad shr. #2 Audience/ad shr. 54% Group EBITA 21% Group EBITA NETHERLANDS BELGIUM #1 #1 4 FTA channels 3 Pay channels 3 FTA channels #1 Audience/ ad shr.
    [Show full text]