Literary Reader

Total Page:16

File Type:pdf, Size:1020Kb

Literary Reader 5 VOL. 2, ISSUE 1 WINTER 2014 ELLEN BASS CATAMARAN CHANTAL BIZZINI ROBERT BLY BEVERLY BURCH CATAMARAN PAMELA CARROLL ROD CLARK ELIZABETH C. CREELY Literary Reader FARNAZ FATEMI CHRISTOPHER FELVER LAWRENCE FERLINGHETTI FANNE FERNOW ZARIA FORMAN HANNAH FRIES TESS GALLAGHER MARGARET ELYSIA GARCIA JOSIE GRAY JANE GREGORIUS CHRISTINE HUFFARD SCOTT HUTCHINS HOWARD IKEMOTO PATRICIA SPEARS JONES STEPHEN KESSLER ANDREA LEWIS MICHAL MAHGEREFTEH RON MILHOAN NIKITA NELIN CATIE O’LEARY ANGELA AND RACHAEL WANT TO GET LISA ALLEN ORTIZ FRANK PAINO SEA TURTLES OFF THE HOOK, DO YOU? LINDA PASTAN DALE PENDELL Angela Kinsey and Rachael Harris are in love with… sea turtles. But, they’re MICAH PERKS in real trouble and need our help. Over 1.4 billion fishing hooks and other PENELOPE SCAMBLY SCHOTT gear catch hundreds of thousands of sea turtles every year. Go to Oceana. ANA MARIA SHUA org and sign up to help Angela and Rachael get sea turtles off the hook. JEN SIRAGANIAN ED SMILEY www.oceana.org/turtlesoffthehook TABITHA SOREN EMILY STRAUSS WINTER 2014 MATTHEW WESTON TAYLOR DAN WHITE Angela Kinsey and US$10 · C$11 Rachael Harris swim with Sea Turtles in Quintana Roo, Mexico. Protecting the Photo © Tim Calver World’s Oceans CAT5-full cover-9-crx.indd 1 2/14/14 12:21 PM ARTISAN WINES Available locally in the Santa Cruz area at New Leaf Markets, Deluxe Foods & Laili Restaurant Our Tasting Room is open daily | 19-A E. Carmel Valley Rd, Carmel Valley | (831) 620-0645 cimacollina.com CAT5-full cover-8-as to print.indd 2 2/11/14 3:55 PM George Abend, Untitled, c. 1950, Oil on Canvas, 65 1/2” x 50 1/2” Gwynn Murrill, Twisting Cheetah, 1999/2009, Bronze, ed. 9/9, 36” x 38” x 29” David Ligare, Still Life with Bread and Wine, 2011, Oil on Canvas, 20” x 24” photo: david kingsbury Dolores between Ocean & 7th • Carmel, CA 93921 (800) 289-1950 • (831) 624-3369 • www.winfieldgallery.com Tannery Prints Art Reproduction & Framing Services for the Artist n PRINTS n POSTERS n GILCÉE PRINTING n FRAMING n ART PHOTOGRAPHY n READYMADES Out-of-Print · New Releases UCSC Course Books Course Book Orders Letterpress broadside by Sam Amico, MiddleEarth Editions: Slither by Patricia Smith 204 Locust Street Santa Cruz, Painting by Joao De Brito:The Protectors CA 95060 Offering a wide selection of art prints by local artists, Santa Cruz historical prints Phone/fax: and public domain art prints. 831 457-1195 Monday through Saturday TANNERY PRINTS Studio #115, Tannery Art Center, 1050 River St., Santa Cruz, CA 95060 from 10 am until 6 pm Email: [email protected] Visit: tanneryprints.com Call: Kirk at 831.854.7162 literary guillotine ad.indd 1 1/3/14 1:11 PM editorial note blitzer IN SLOW WE TRUST SLOWCOAST.ORG editorial note PATRONS OF ART & LITERATURE LETTER FROM THE I feel close to every piece in this magazine. This is- FOUNDING EDITOR sue triggers memories of growing up in Burlingame and SKIPPERS $5000–$9999 SHIPMATES $25–99 San Mateo, close to the cultural hub of San Francisco—a Anonymous, Carolyn Hyatt, George Newell Lynda Ackley, Jody Alexander, Andrea Amadeo, Len Anderson, gem of a world-class city. We had our proms in the big Jo Aribas, Ellen Bass, Robert & Darlene Beck, Sarah Bianco, hotels, went to the theater and museums on field trips, and NAVIGATORS $2500–$4999 Phyllis Blackburn, Kelly Blank, Dona Bourne, Bob Bradley, Hilary Bryant, Ralph Bannister, Chris, Kevin & Lauren Hashman, Jared Burton, Scott Cervine & Stephen Simon, Kathy Chetkovich, without really knowing it, absorbed the cultural trends Adrienne Momi, Peter Orr, Pat & Rowland Rebele, Julia Chiapella, Richard Chiappone, Ellen Christensen, Sandra Cohen, the city vibrated with, particularly the literary scene, as I Casey Coonerty-Protti, Linda Cover, Jeremy A. Cross, Payton Cuddy, Jane Sieberts, Rachel Wedeen was always writing, getting a $1 allowance per poem, and M. Allen Cunningham, Julie Dalrymple, Gail Dalton, Carolyn DeBoer, Allison DeLauer, Carolyn Dille, Serena Dipinto, Virginia Draper, staging my plays in the garage. MARINERS $500–$2499 Vivienne Drimmer, Carrie Euype, Peter & Donka Farkas, Cheryl Ferguson, City Lights bookstore has come to represent that ad- Steve Cannino, Vance Landis-Carey, Bob Carlson, Sara Norris Foster, Richard Friedman, Douglas Garcia, Poppy de Garmo, venturous literary spirit, not just for San Francisco, but the Angela Chestnut, Ceil Cirrillo, Allison DeLauer, Gail and James Gegnan, Cori Gerlach, Eileen P. Gilligan, Rachel Goodman, Navmar & Shirin Dinyari, Albert M. Everitt, Mary Govaars, Joslyn Gray, Rebecca Nowlin Green, Jane Gregorius, world at large. Like a catamaran sailing across the ocean, Rebecca Goldman, Angelo Grova, Maria Hagen, Hugh Groocock, Charlie Haas, Susan Hancey, Lesley Harris, Jackie Hasa, the culture of San Francisco touches lives everywhere. Hon. Fred Keeley, James Levitt, Carlos Magana, Suzanne M. Helfman, Will Henry, Brenda Hillman, Lisa Hochstein, Artists and creative writers are explorers, and with their Nion McEvoy, Dan McFadden, Julie Minnis, Noria Jablonski, Alex Kamprasert, Tina M. Kay, Raymond Keller, Steve Nightingale, Brad Sharek, Marjorie Simon, Greg Keaton, Gomer Kierkegaard, Mari Kloeppel, Rob Knight, brushes and their pens alone they are able to make grand Ralph Steinburg, Jory Post & Karen Wallace, Laura Laura, Sabrina Lawrence, Cindy Liebenthal, Mark Linder, Joe Liera, voyages forward into unknown territories, into hearts and Jim Weyerman Alberto Mancera, Tim Matthews, Michela Martini & John Andrew Todd, minds they will never see, and while they will never know David Mealy & Barbara Stevenson, Nancy Mietz, Greg Moore, RACINg CREw $100–499 Kym Morello, Amrik Nijor, John Osborn, Lisa Palm, Laura Partch, how far their creations travel, it all starts in solitude, in a Gloria Alford & Robert Sward, Michael Bardo, Jean Beebe, Cecily Person, Daniel Isaac Philips, Melina Powers, Molly Prentiss, atamaran left shore in November of 2012 from quiet moment of inspiration. Dane Cervine, David Alan Chase, Jean G. Cockayne, Christina Quakenbush, Emily Raabe, Carolyn Rathbun, Joseph Ravertz, our harbor in Santa Cruz with ambitions to sail So, enjoy navigating our pages however you like. You Sheila Coonerty, Sandy Curtz, Beverly S. DeLauer, Scarlett Fiona Reed, Bob Rocco, Taylor Rockwell, Margaret Rosas, Daniella Davis, Jan Dawe, Ronald Foster, Lucie Rossi, Glenn Saltz, Christopher Sanders, Neil Schaefer, C around the world and explore new ports and can take a green journey if you love nature or a blue jour- Delia Gilligan, Josh Guyot, Dan Haifley, Steve Horan, Sam Keck Scott, Karen Semingson, Lisa Lorainne Shwartz, Emily Silver, harbors. Like all voyagers we took our home along with ney if you love freedom or a pink journey to visit artistic Jeanne Houston, Lillian Howan, Richard Huffman, Lee Slaff, Ed Smiley, Anne Marie Sorcinelli, Roz Spafford, Kimber Spooner, us in our hearts; that place we embark from informs our inspiration, but look out… we will offer you portals into Stephen Kessler, Jennifer Knoll, Sandy Kurtz, Anne Stafford-Wade, Melanie Stone, Caroline Stevenson, Alice Straughn, Mark Mesiti-Miller & Donna Murphy, Joanna Miller, Malin Sullivan, Cynthia Sulots, Nicole Taylor, Nikki Thompson, experience and we are never far from it. worlds you don’t usually explore. Whether it is poetry, fic- Frances Viray Mollerus, Jeffrey Pollock, Alice Powers, Victoria Thranow, Peggy Townsend, Annette Varady, Susan Vaughn, We explore these connections in the stories we pub- tion, nonfiction, or art… stay open to the adventure. Beth Regardz, Eileen Savin, Stephanie Schriver, Larry Viera, Pamela Vincent, Drew Wallacker, Kathleen Wartner, lish in Catamaran. In every issue we tap into our own Paul Skenazy, Judy Stabile, Kristi Starn, Silvia Ulrich, Laurea Watson, Joni Watts, Ken Weisner, Amity Westcott, Krista Whalen, Susanna Waddell, Steve Woodhams Jill Wolfson, Sholeh Wolpe, Jocelyn Wyatt, Kristina Young West Coast literary and artistic history. As the world grows Bon voyage! smaller, becoming a global community, it seems our local —Catherine Segurson culture appears less foreign, and readers and writers from all over relate to our themes. COMMUNITY SUPPORT In this issue of Catamaran, we sail from the Bay Area For Literature & the Arts to explore the ocean floor off the coast of Indonesia; study the churches and cathedrals of the British Isles and the Art Bar and Cafe Michelangelo Gallery Santa Cruz Writes continent, and then return to the west with a trek in the Arts Council of Santa Cruz County Middlearth Editions Seascape Sports Club Sierra. We cover the art of stained glass, the creative spirit Artists on Art National Steinbeck Center Soif Restaurant and Wine Bar of California’s iconoclastic architect, Frank Gehry, and Bookshop Santa Cruz NextSpace Tannery Arts Center the life of San Francisco poet, publisher, and painter, Book Club of California O’Neill Sea Odyssey Tannery World Dance Center Lawrence Ferlinghetti. You’ll find the work of visual art- Bonnie Doon Winery and Marine Labs University of California, Santa Cruz ists from Santa Cruz, Paris, and Ireland; learn about the Capitola Book Cafe Phren-Z Ventana Vineyards mating habits of the octopi, take a tour of the famed Win- Gilligan’s Gourmet Catering Poetry Santa Cruz Ventana Wilderness Alliance chester Mystery House with Harry Houdini, and dive into Cima Collina Winery R. Blitzer Gallery Vabmedia pastels of the roiling ocean threatening the Maldives, the Hallcrest Vineyards Santa Cruz Museum The Wedeen Karwick Group lowest place on earth, soon to be swallowed by the inevi- Hauk Fine Arts of Art and History Wild Thyme Catering table rise in sea levels due to global warming. LiVBLUE Santa Cruz County Bank Winfield Gallery CATAMARAN 9 editorial note Catamaran Literary Reader (ISSN art 2168-7226) is published quarterly by Catamaran Literary Reader, Zaria Forman . Maldives #4 12 a California 501(c)3 Nonprofit CATAMARAN Corporation. Maldives #2 17 ©2014 Catamaran Literary Reader, Inc. Ron Milhoan . Mother Memorial 19 Literary Reader .
Recommended publications
  • National Gallery of Art Spring10 Film Washington, DC Landover, MD 20785
    4th Street and Mailing address: Pennsylvania Avenue NW 2000B South Club Drive NATIONAL GALLERY OF ART SPRING10 FILM Washington, DC Landover, MD 20785 A JOURNEY STILL VOICES, THROUGH INNER LIVES: MOVING SPANISH CATALUNYA: THE JOURNALS COMPOSITIONS: EXPERIMENTAL POETRY OF OF ALAIN ASPECTS OF FILM PLACE CAVALIER CHOPIN BEAT MEMORIES de Barcelona), cover calendar page calendar International), page four page three page two The Savage Eye Arrebato The Savage Eye L’arbre deL’arbre les cireres Battle of Wills Tríptico elemental de España SPRING10 details from (Centre de Cultura Contemporania de Barcelona) (Photofest) (Photofest) (InformAction and Philippe Lavalette) Philippe (InformAction and The Savage Eye (Photofest) (Centre de Cultura Contemporania , Thérèse (Photofest), Irène (Pyramid Monuments: Matta-Clark, Graham, Smithson Redmond Entwistle in person Saturday June 19 at 2:00 Film Events A clever and amusing critique of three minimalists, Monuments portrays a problem that emerges in the work of Robert Smithson, Gordon Matta- Clark, and Dan Graham, as each artist retraces his relationship to New Figaros Hochzeit (The Marriage of Figaro) Jersey. “An alle gory for the effects that globalization has had on society Introduction by Harry Silverstein and landscape” — Rotterdam Film Festival. (Redmond Entwistle, 2009, Saturday April 17 at 1:00 16 mm, 30 minutes) The postwar German DEFA studio (Deutsche Film-Aktiengesellschaft) Manhattan in 16 mm produced a series of popular black-and-white opera films in the late 1940s Saturday June 19 at 3:30 at their Potsdam-Babelsberg facility. Mozart’s Figaros Hochzeit, the first of these, featured wonderfully showy sets and costumes. (Georg Wildhagen, A sequence of documentary and experimental shorts, filmed over the past 1949, 35 mm, German with subtitles, 109 minutes) Presented in association twenty years in the now rare 16 mm gauge, observes, lionizes, and languishes with Washington National Opera.
    [Show full text]
  • Film Programs at National Gallery of Art This Spring Celebrate Spanish Film, the Beat Generation, Chopin, and More
    Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: March 12, 2010 Film Programs at National Gallery of Art this Spring Celebrate Spanish Film, the Beat Generation, Chopin, and More Film still f rom L’arbre de les cireres (The Cherry Tree) (Marc Recha, 1998, 35 mm, Catalan and Spanish with Subtitles, 94 minutes), to be shown at the National Gallery of Art on Saturday , May 1, at 2:00 p.m. Image courtesy of Photof est. The National Gallery of Art presents two landmark film series in April devoted to Spain's remarkable cinematic history—Catalunya: Poetry of Place and From Ecstasy to Rapture: A Journey through Spanish Experimental Film—in celebration of the exhibition The Sacred Made Real: Spanish Painting and Sculpture, 1600–1700, on view through May 31. During April and May, the Gallery presents Still Voices, Inner Lives: The Journals of Alain Cavalier, a retrospective devoted to French filmmaker Alain Cavalier. Also in May, a series titled Moving Compositions: Aspects of Chopin celebrates the bicentennial of composer Fryderyk Chopin's birth. June brings the series Beat Memories in honor of the exhibition Beat Memories: The Photographs of Allen Ginsberg (May 2–September 19, 2010). These films focus on musicians, filmmakers, playwrights, poets, painters, and protesters of the Beat and counterculture movements also explored in Ginsberg's photographs. All films are shown in the East Building Auditorium. Programs are free of charge with seating available on a first-come, first-seated basis.
    [Show full text]
  • Outline of AMERICAN LITERATURE ❦ REVISED EDITION
    Outline of AMERICAN LITERATURE ❦ REVISED EDITION AMERICAN LITERATURE REVISED EDITION Early PUBLISHED BY THE UNITED STATES DEPARTMENT OF STATE amErican and colonial PEriod to 1776 3 STAFF dEmocratic origins and rEvolutionary WritErs, WRITTEN BY: KATHRYN VANSPANCKEREN EXECUTIVE EDITOR: GEORGE CLACK 1776-1820 14 MANAGING EDITOR: PAUL MALAMUD CONTRIBUTING EDITOR: KATHLEEN HUG ART DIRECTOR / DESIGNER: hE omantic Eriod t r P , 1820-1860: THADDEUS A. MIKSINSKI, JR. Essayists and PoEts 26 PICTURE EDITOR: JOANN STERN thE romantic PEriod, Front Cover: © 1994 Christopher Little 1820-1860: Fiction 36 ABOUT THE AUTHOR Kathryn VanSpanckeren is thE risE oF rEalism: Professor of English at the 1860-1914 47 University of Tampa, has lectured in American literature widely abroad, and is former modErnism and director of the Fulbright- ExPErimEntation: 1914-1945 60 sponsored Summer Institute in American Literature for international scholars. Her amErican PoEtry, publications include poetry and scholarship. She received 1945 –1990: thE anti-tradition 79 her Bachelors degree from the University of California, Berkeley, and her Ph.D. from amErican ProsE, 1945–1990: Harvard University. rEalism and ExPErimEntation 97 ISBN (paper) 978-1-625-92035-5 contEmPorary amErican PoEtry 121 ISBN (ePub) 978-1-625-92036-2 ISBN (mobi) 978-1-625-92037-9 contEmPorary amErican litEraturE 136 glossary 157 indEx 163 The following text materials may not be reproduced without permission of the copyright holder. “In a Station of the Metro” (page 63) by Ezra Pound. From Ezra Pound Personae. Copyright © 1926 by Ezra Pound. Translated and reprinted by permission of New Directions Publishing Corporation. “Stopping by Woods on a Snowy Evening” (page 65) by Robert Frost.
    [Show full text]
  • Beats and Friends: a Check-List of Audio-Visual Material in the British Library
    BEATS AND FRIENDS: A CHECK-LIST OF AUDIO-VISUAL MATERIAL IN THE BRITISH LIBRARY http://www.bl.uk/reshelp/findhelprestype/sound/literature/literaturesound.html CONTENTS INTRODUCTION ................................................................................................... 3 WILLIAM S. BURROUGHS ..................................................................................... 5 ALLEN GINSBERG ................................................................................................ 16 JACK KEROUAC................................................................................................... 26 THE EAST COAST SCENE..................................................................................... 29 John Ashbery................................................................................................ 29 Amiri Baraka................................................................................................. 30 Ted Berrigan................................................................................................. 32 Kenward Elmslie ........................................................................................... 33 The Fugs....................................................................................................... 33 John Giorno.................................................................................................. 35 Ted Joans ..................................................................................................... 35 Leroi Jones...................................................................................................
    [Show full text]
  • A Bibliography of Works by and About Gary Snyder
    GARY SNYDER A Bibliography of Works By and About Gary Snyder Based in part on the Gary Snyder Papers and Other Holdings of the University of California, Davis. Second Edition, Revised and Expanded. 2010. John Sherlock Special Collections Department University of California, Davis 1 TABLE OF CONTENTS THE WORKS OF GARY SNYDER Part A. Books and Pamphlets pp. 3-16 47 citations Part B. Broadsides. pp. 17-40 118 citations Part C. Contributions in Books. pp. 41-87 370 citations Part D. Contributions in Periodicals. pp. 88-166 879 citations Part E. Translations of His Works. pp. 167-183 153 citations Part F. Interviews. pp. 184-195 130 citations Part M. Recordings. pp. 196-205 107 citations WORKS ABOUT GARY SNYDER Works About - Chronological. Part G. List of Works About. pp. 206-278 745 citations Works About - Arranged by Author. Part H. Criticism & Literary Works. pp. 279-318 509 citations Part J. Dissertations and Theses. pp. 319-333 153 citations INDEXES Title Index pp. 334-371 2 Part A. BOOKS AND PAMPLETS. A1. RIPRAP. 1959 A1a. First Edition. 1959. [Ashland, Mass.] : Origins Press, 1959. (printed in Kyoto, Japan). Note: Patterned blue and white paper wrappers. Unpaged. [34] p. Limitation: 500 copies. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 4. 2. Special Collections: PAM 59:15. A1b. “Second Edition” [i.e. First edition, Second printing].. [Ashland, Mass.]: Origin Press, c1959. Note: 1000 copies. Brown patterned paper wrappers. Contents identical to above. UCD location: Gary Snyder Papers: Series I, Box 26, Folder 5. A1c. First German Edition.
    [Show full text]
  • Finding Aid Template
    Finding Aid to the Harold Norse papers, [1921]-2009, undated [bulk 1960s-2006] Collection number: BANC MSS 2010/172 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Dean Smith Date Completed: November 2019 © 2019 The Regents of the University of California. All rights reserved. [Collection Title & number (without BANC MSS prefix)] The Bancroft Library TABLE OF CONTENTS Collection Summary p. iv Information for Researchers p. v-vi Administrative Information p. vii Biographical Information p. viii-ix Scope and Content of Collection p. x-xi Series Description p. xii-xix Container List p. 1-49 Series 1: Correspondence, 1938-2008; undated p. 1-12 1.1: Outgoing, 1941-2006; undated p. 1 1.2: Family, 1941-2006; undated p. 1 1.3: General, 1938-2008; undated p. 1-12 1.4 Others, 1966-1985; undated p. 12 Series 2: Writings, 1934-2006; undated p. 13-38 2.1: Journals/Notebooks, 1944-2006; undated p. 13-17 2.2: Prose, 1934-2004; undated p. 17-29 2.2.1: Articles/Essays, ca. 1948-2002; undated p. 17-18 2.2.2: Introductions/Author Blurbs/Prefaces/ p. 19 Afterwords, 1965-2000; undated 2.2.3: Lectures/Speeches, 1990-1992; undated p. 19 2.2.4: Letters to Editors, 1959-2000; undated p. 19 2.2.5: Letter of Recommendation, undated p. 19 2.2.6: Obituaries, 1983; 1994 p. 19 2.2.7: Reviews, [1974]-1999; undated p. 19-20 2.2.8: Artist Statement, 1980 p. 20 2.2.9: Cut-up Texts, 1961-1969; undated p.
    [Show full text]
  • City Lights Pocket Poets Series 1955-2005: from the Collection of Donald A
    CITY LIGHTS POCKET POETS SERIES 1955-2005: FROM THE COLLECTION OF DONALD A. HENNEGHAN October 2005 – January 2006 CITY LIGHTS POCKET POET SERIES 1955-2005 From the collection of Donald A. Heneghan In 1995, Lawrence Ferlinghetti wrote the following Introduction to the City Lights Pocket Poets Anthology. Ten years later and with the addition of five new volumes of poetry, including this year's The Language of Saxophones, Selected Poems by Kamau Daáood, Ferlinghetti's words still ring true. The impact of this series remains as strong today as when the first volume was published fifty years ago. INTRODUCTION Even though some say that an avant-garde in literature no longer exists, the smaller independent publisher is itself still a true avant-garde, its place still out there, scouting the unknown. And as long as there is poetry, there will be an unknown, as long as there is an unknown there will be poetry. The function of the independent press (besides being essentially dissident) is still to discover, to find the new voices and give voice to them—and then let the big publishers have at them—which is what has happened in our case—many authors we first printed now being published by the biggest houses in the world. Still, what one scout on some imagined frontier may discover and choose as a way forward may turn out to be merely a cowpath leading back to the barn or a false lead trailing off into the woods. Choosing a retrospective of forty years of City Lights Pocket Poets—fifty-two volumes—is a critical exercise at every step testing how right or how important (or how trivial) the editor’s choices were.
    [Show full text]
  • Robert Creeley Papers, 1950-2011 M0662
    http://oac.cdlib.org/findaid/ark:/13030/tf7b69n911 Online items available Guide to the Robert Creeley Papers, 1950-2011 M0662 Machine-readable finding aid created by Stephan Potchatek and Steven Mandeville-Gamble; Diana Kohnke. Department of Special Collections and University Archives 1998 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Robert Creeley M0662 1 Papers, 1950-2011 M0662 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Robert Creeley papers creator: Creeley, Robert, 1926-2005 Identifier/Call Number: M0662 Physical Description: 443.5 Linear Feet(612 boxes, 3 cartons, 32 flat boxes, 1 oversize box, 2 cassette boxes; 55 audiocassettes, 16 reel to reel cassettes, 16 sound discs, 2 videocassettes, 4 film reels.) Date (inclusive): 1950-1997 For current information on the location of these materials, please consult the Library's online catalog. 1926 Robert White Creeley born in Arlington, Massachusetts, May 21 to Oscar Slate and Genevieve Jules Creeley 1928 Left eye injured in accident 1930 Father died. Family moves to West Acton 1940 Entered Holderness School 1943 Entered Harvard College 1944-1945 Served in the American Field Service in India and Burma 1945 Returned to Harvard 1946 First published poem. Married Ann MacKinnon. 1947 Left Harvard without a degree 1948 Son David born 1948-1951 Lived in Littleton, NH where he bred pigeons 1950 Son Thomas born. Began correspondence with Charles Olson. Became American editor for Ranier Gerhardt's Fragmente 1951 Lived outside Aix-en-Province, France 1952 Daughter Charlotte born.
    [Show full text]
  • Christopher Felver Photographs, 1980-2011
    http://oac.cdlib.org/findaid/ark:/13030/kt5z09r7dr No online items Finding Aid for the Christopher Felver Photographs, 1980-2011 Processed by Shannon O'Neill, 28 January 2008, in the Center For Primary Research and Training (CFPRT); additions by Octavio Olvera, January 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2009 The Regents of the University of California. All rights reserved. Finding Aid for the Christopher 1759 1 Felver Photographs, 1980-2011 Descriptive Summary Title: Christopher Felver Photographs Date (inclusive): 1980-2011 Collection number: 1759 Creator: Felver, Christopher, 1946- Extent: 1 box [25 silver gelatin photographic prints](.5 linear ft.) Abstract: This collection is comprised of eighteen portraits of Beat Generation luminaries and seven poets, writers, and artists photographed by Christopher Felver between the years 1980 and 2001. The portraits are presented as silver gelatin prints and include such subjects as: Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso, William S. Burroughs, Susan Sontag, Amiri Baraka, and Edward Kienholz . Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection.
    [Show full text]
  • Press Photographer for Fivethirtyeight, a Political Blog Currently Nominated for Best Political Blog, Best New Blog, and Blog of the Year for the 2008 Weblog Awards
    Chris Felver, 79 minutes, English, Digital (BluRay, Pro-Res), 2009, Documentary FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.com/ferlinghetti Short Synopsis In this definitive documentary, director Christopher Felver crafts an incisive, sharply wrought portrait that reveals Ferlinghetti's true role as catalyst for numerous literary careers and for the Beat movement itself. One-on-one interviews with Ferlinghetti, made over the course of a decade, touch upon a rich mélange of characters and events that began to unfold in postwar America. These events include the publication of Allen Ginsberg's Howl, William S. Burroughs' Naked Lunch, and Jack Kerouac's On the Road, as well as the divisive events of the Vietnam war, the sexual revolution, and this country's perilous march towards intellectual and political bankruptcy. Since its inception in 1953, Ferlinghetti's City Lights Bookstore quickly became an iconic literary institution that embodied social change and literary freedom. Continuing to thrive for over five decades, it is a cornerstone of America's modern literary and cultural history. Long Synopsis The poet and writer Lawrence Ferlinghetti is an iconic presence in the world of arts and letters. For well over half a century he has helped shape the currents of poetry and literature through his forceful engagement with society. Armed with an ideological position that often found him at odds with the political dogma of his day, Ferlinghetti became the bestselling poet of the modern era, a literary mercenary and a rebel at the forefront of a cultural revolution.
    [Show full text]
  • A Selectively Annotated Bibliography of William S. Burroughs V. 4.0
    i ANYTHING BUT ROUTINE: A Selectively Annotated Bibliography of William S. Burroughs v. 4.0 by Brian E. C. Schottlaender The Audrey Geisel University Librarian The Library, UC San Diego 2016 ii PREFACE to v. 4.0 This fourth edition of Anything but Routine is extensively revised from its predecessor, 2012’s v. 3.0. Section B (ART BOOKS, EXHIBITION CATALOGUES, AND RELATED ITEMS) has been rearranged by date, to bring it into line with Sections A and C. I am grateful to Rob Melton for the suggestion. Promotional materials (press kits, press releases, promotional postcards, promotional posters, prospectuses) have been brought together with the items they promote, when they do indeed promote a single item. Otherwise, they remain in Section G (MISCELLANEOUS). Section I (BIBLIOGRAPHY AND CRITICISM) has been sub-divided into, well, “Bibliography” and “Criticism” due to the proliferation of titles in the latter category. Again, I am grateful to Rob Melton for the suggestion. Quantitatively, v. 4.0 includes 1,271 numbered entries, as compared to the 1,152 numbered entries in v 3.0., an increase of more than 10%. iii INTRODUCTION The bibliography of William S. Burroughs is as challenging as the man was himself. He wrote voluminously and kaleidoscopically. He rearranged, recycled, and reiterated obsessively. He produced across five decades and four continents. He was a novelist, a poet, an essayist, and a correspondent at home in all media. He never met a “little magazine” or an interviewer he wouldn’t share with. There have been a few attempts at documenting the range of Burroughs’ prodigious output over the years—some better than others.
    [Show full text]
  • William S. Burroughs a Collector's Guide Eric C
    Clemson University TigerPrints Publications University Libraries 2013 William S. Burroughs A Collector's Guide Eric C. Shoaf Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pubs Part of the Library and Information Science Commons Recommended Citation Shoaf, Eric C., "William S. Burroughs A Collector's Guide" (2013). Publications. 45. https://tigerprints.clemson.edu/lib_pubs/45 This Book is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Publications by an authorized administrator of TigerPrints. For more information, please contact [email protected]. William S. Burroughs A Collector’s Guide By Eric C. Shoaf Copyright © 2013 by Eric C. Shoaf. All rights reserved. No part of this work may be used or reproduced in any manner whatsoever without written permission from the author. Page 2 INTRODUCTION For decades collectors have marveled and admired the works of William S. Burroughs. The sheer number and variety of publications, whether books, pamphlets, limited editions, signed editions, magazine or journal contributions, contributions to the works of other authors, or simply books and other printed biographical material about Burroughs is well over a thousand different items. The purpose of this Collector’s Guide is to provide a gathering of Burroughs material which was available in the published world through 2008. Note that this outline of works pertains only to printed material. Burroughs was nothing if not multi-media, and many are the recordings on vinyl, audio tape, or compact disc, as well as movies and videos about Burroughs or his works.
    [Show full text]