African American Pioneers on Route 66
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Earnest 1 the Current State of Economic Development in South
Earnest 1 The Current State of Economic Development in South Los Angeles: A Post-Redevelopment Snapshot of the City’s 9th District Gregory Earnest Senior Comprehensive Project, Urban Environmental Policy Professor Matsuoka and Shamasunder March 21, 2014 Earnest 2 Table of Contents Abstract:…………………………………………………………………………………..4 Introduction……………………………………………………………………………….5 Literature Review What is Economic Development …………………………………………………………5 Urban Renewal: Housing Act of 1949 Area Redevelopment Act of 1961 Community Economic Development…………………………………………...…………12 Dudley Street Initiative Gaps in Literature………………………………………………………………………….14 Methodology………………………………………………………………………………15 The 9th Council District of Los Angeles…………………………………………………..17 Demographics……………………………………………………………………..17 Geography……………………………………………………………………….…..19 9th District Politics and Redistricting…………………………………………………23 California’s Community Development Agency……………………………………………24 Tax Increment Financing……………………………………………………………. 27 ABX1 26: The End of Redevelopment Agencies……………………………………..29 The Community Redevelopment Agency in South Los Angeles……………………………32 Political Leadership……………………………………………………………34 Case Study: Goodyear Industrial Tract Redevelopment…………………………………36 Case Study: The Juanita Tate Marketplace in South LA………………………………39 Case Study: Dunbar Hotel………………………………………………………………46 Challenges to Development……………………………………………………………56 Loss of Community Redevelopment Agencies………………………………..56 Negative Perception of South Los Angeles……………………………………57 Earnest 3 Misdirected Investments -
The Dunbar Hotel and the Golden Age of L.A.’S ‘Little Harlem’
SOURCE C Meares, Hadley (2015). When Central Avenue Swung: The Dunbar Hotel and the Golden Age of L.A.’s ‘Little Harlem’. Dr. John Somerville was raised in Jamaica. DEFINITIONS When he arrived in California in 1902, he was internal: people, actions, and shocked by the lack of accommodations for institutions from or established by people of color on the West Coast. Black community members travelers usually stayed with friends or relatives. Regardless of income, unlucky travelers usually external: people, actions, and had to room in "colored boarding houses" that institutions not from or established by were often dirty and unsafe. "In those places, community members we didn't compare niceness. We compared badness," Somerville's colleague, Dr. H. Claude Hudson remembered. "The bedbugs ate you up." Undeterred by the segregation and racism that surrounded him, Somerville was the first black man to graduate from the USC dental school. In 1912, he married Vada Watson, the first black woman to graduate from USC's dental school. By 1928, the Somervilles were a power couple — successful dentists, developers, tireless advocates for black Angelenos, and the founders of the L.A. chapter of the NAACP. As the Great Migration brought more black people to L.A., the city cordoned them off into the neighborhood surrounding Central Avenue. Despite boasting a large population of middle and upper class black families, there were still no first class hotels in Los Angeles that would accept blacks. In 1928, the Somervilles and other civic leaders sought to change all that. Somerville "entered a quarter million dollar indebtedness" and bought a corner lot at 42nd and Central. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees jazzletter PO Box 240, Ojai CA 93024-0240 February 2000 Vol. 19 No. 2 outside the experience. He tells you how to drive across this King Cole America in Bobby Troup’s Route 66. That song became such Part Two a part ofthe culture that when I moved to Califomia in 1974, Nat sings about partying ir1 BringAnother Drink. Or he gives and had determined the main highway on the map, I hardly you, in inversion, the same message as Nature Boy in You ‘re ever had to look at it again afler Chicago: I just ran the Nat Nobody Till Somebody Loves You. He gives you advice, Cole record in my head and aimed for the cities it specified. again, on your life, in It Only Happens Once and still more I doubt that I’m the only person who ever did that. friendly third-person counsel in It Is Better to Be by Yourself In his annotation to the Mosaic boxed set, Will Friedwald Or, with Cole Porter, he asks What Is This Thing Called tries to explain Cole’s predilection for silly songs with this: Love? And, in just case any white man should frown at even “The answer is in Cole’s miraculous capacity for melody. the hint ofa relationship here says, “You took my heart, and His limitless tool kit of methods of playing, singing and threw it away.” Just as she should have, you damned . arranging songs for his unusually-instrumented triumverate Or he looks at the girl, but won’t move on her, in But (sic) took him at once into high art and lowbrow comedy. -
Brown V. Topeka Board of Education Oral History Collection at the Kansas State Historical Society
Brown v. Topeka Board of Education Oral History Collection at the Kansas State Historical Society Manuscript Collection No. 251 Audio/Visual Collection No. 13 Finding aid prepared by Letha E. Johnson This collection consists of three sets of interviews. Hallmark Cards Inc. and the Shawnee County Historical Society funded the first set of interviews. The second set of interviews was funded through grants obtained by the Kansas State Historical Society and the Brown Foundation for Educational Excellence, Equity, and Research. The final set of interviews was funded in part by the National Park Service and the Kansas Humanities Council. KANSAS STATE HISTORICAL SOCIETY Topeka, Kansas 2000 Contact Reference staff Information Library & archives division Center for Historical Research KANSAS STATE HISTORICAL SOCIETY 6425 SW 6th Av. Topeka, Kansas 66615-1099 (785) 272-8681, ext. 117 E-mail: [email protected] Web site: http://www.kshs.org ©2001 Kansas State Historical Society Brown Vs. Topeka Board of Education at the Kansas State Historical Society Last update: 19 January 2017 CONTENTS OF THIS FINDING AID 1 DESCRIPTIVE INFORMATION ...................................................................... Page 1 1.1 Repository ................................................................................................. Page 1 1.2 Title ............................................................................................................ Page 1 1.3 Dates ........................................................................................................ -
Race, Housing and the Fight for Civil Rights in Los Angeles
RACE, HOUSING AND THE FIGHT FOR CIVIL RIGHTS IN LOS ANGELES Lesson Plan CONTENTS: 1. Overview 2. Central Historical Question 3. Extended Warm-Up 4. Historical Background 5. Map Activity 6. Historical Background 7. Map Activity 8. Discriminatory Housing Practices And School Segregation 9. Did They Get What They Wanted, But Lose What They Had? 10. Images 11. Maps 12. Citations 1. California Curriculum Content Standard, History/Social Science, 11th Grade: 11.10.2 — Examine and analyze the key events, policies, and court cases in the evolution of civil rights, including Dred Scott v. Sandford, Plessy v. Ferguson, Brown v. Board of Education, Regents of the University of California v. Bakke, and California Proposition 209. 11.10.4 — Examine the roles of civil rights advocates (e.g., A. Philip Randolph, Martin Luther King, Jr., Malcolm X, Thurgood Marshall, James Farmer, Rosa Parks), including the significance of Martin Luther King, Jr. ‘s “Letter from Birmingham Jail” and “I Have a Dream” speech. 3 2. CENTRAL HISTORICAL QUESTION: Considering issues of race, housing, and the struggle for civil rights in post-World War II Los Angeles, how valid is the statement from some in the African American community looking back: “We got what we wanted, but we lost what we had”? Before WWII: • 1940s and 1950s - Segregation in housing. • Shelley v. Kraemer, 1948 and Barrows vs. Jackson, 1953 – U.S. Supreme Court decisions abolish. • Map activities - Internet-based research on the geographic and demographic movements of the African American community in Los Angeles. • Locating homes of prominent African Americans. • Shift of African Americans away from central city to middle-class communities outside of the ghetto, resulting in a poorer and more segregated central city. -
A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963
A Collection of Stories and Memories by Members of the United States Naval Academy Class of 1963 Compiled and Edited by Stephen Coester '63 Dedicated to the Twenty-Eight Classmates Who Died in the Line of Duty ............ 3 Vietnam Stories ...................................................................................................... 4 SHOT DOWN OVER NORTH VIETNAM by Jon Harris ......................................... 4 THE VOLUNTEER by Ray Heins ......................................................................... 5 Air Raid in the Tonkin Gulf by Ray Heins ......................................................... 16 Lost over Vietnam by Dick Jones ......................................................................... 23 Through the Looking Glass by Dave Moore ........................................................ 27 Service In The Field Artillery by Steve Jacoby ..................................................... 32 A Vietnam story from Peter Quinton .................................................................... 64 Mike Cronin, Exemplary Graduate by Dick Nelson '64 ........................................ 66 SUNK by Ray Heins ............................................................................................. 72 TRIDENTS in the Vietnam War by A. Scott Wilson ............................................. 76 Tale of Cubi Point and Olongapo City by Dick Jones ........................................ 102 Ken Sanger's Rescue by Ken Sanger ................................................................ 106 -
Plants for a Busy Gardener
FOR IMMEDIATE RELEASE Updated Oct. 21, 2009 CONTACT: Thea Page, 626-405-2260 or @huntington.org Lisa Blackburn, 626-405-2140 or @huntington.org EXHIBITION EXPLORES AFRICAN AMERICAN RENAISSANCE IN LOS ANGELES “Central Avenue and Beyond: The Harlem Renaissance in Los Angeles” displays materials from the Mayme A. Clayton collection for the first time On view in the Library West Hall Oct. 24, 2009–Feb. 8, 2010 Press Preview: Friday, Oct. 23, 2009, 10 a.m.–noon Promotional print for the film Harlem on the Prairie (1937), directed by Sam Newfield and Jed Buell, and starring Herb Jeffries. Mayme A. Clayton Library. SAN MARINO, Calif.—African American arts and culture exploded in early 20th century America, and the Harlem neighborhood of New York City was Ground Zero. Not as well known is what played out in Los Angeles at the same time—a flowering of African American arts, literature, and culture along Central Avenue. A new exhibition at The Huntington Library, Art Collections, and Botanical Gardens explores the Harlem Renaissance in Los Angeles, drawing on materials from The Huntington as well as items from the Mayme A. Clayton Library, which never before have been on public display. The exhibition, “Central Avenue and Beyond: The Central Avenue Page 2 Harlem Renaissance in Los Angeles,” is on view Oct. 29, 2009–Jan. 4, 2010, in the Library West Hall at The Huntington Library, Art Collections, and Botanical Gardens. “People tend to think the Harlem Renaissance took place in one spot,” says Sara “Sue” Hodson, curator of literary manuscripts at The Huntington and co-curator of the exhibition. -
Benjamin Francis Webster “Ben” “Frog” “Brute”
1 The TENORSAX of BENJAMIN FRANCIS WEBSTER “BEN” “FROG” “BRUTE” PART 1 (1931 – 1943) Solographer: Jan Evensmo Last update: April 13, 2018 2 Born: Kansas City, Missouri, March 27, 1909 Died: Amsterdam, Holland, Sept. 20, 1973 Introduction: Ben Webster was one of the all-time tenor saxophone greats with a long career of more than forty years. He was a favourite from the very first record with Duke Ellington from the early forties, and his music was always fascinating. I wrote his first solography in 1978 in Jazz Solography Series. Later his music appeared in the various ‘History of Jazz Tenor Saxophone’ volumes, including 1959. Later works will appear in due time on Jazz Archeology. He visited Norway several times, and I never forget when my friend Tor Haug served him fish for dinner! Early history: First studied violin, then piano. Attended Wilberforce College. Played piano in a silent-movie house in Amarillo, Texas. First professional work with Bretho Nelson's Band (out of Enid, Oklahoma), then, still on piano with Dutch Campbell's Band. Received early tuition on saxophone from Budd Johnson. Joined "family" band led by W.H. Young (Lester's father) in Campbell Kirkie, New Mexico, toured with the band for three months and began specialising on sax. With Gene Coy's Band on alto and tenor (early 1930), then on tenor with Jap Allen's Band (summer 1930). With Blanche Calloway from April 1931. Then joined Bennie Moten from Winter 1931-32 until early 1933 (including visit to New York). Then joined Willie Bryant's orchestra. -
NOVEMBER 2018 APSS Newsletter
Newsletter VOLUME 40, NUMBER 2 Formerly New York Sheet Music Society www.APSSinc.org NOVEMBER 2018 Benedetto, Crocetti, Farinola, Guaragna, Leonardo, Sinatra & Vitaliano Alex Leonard Salutes Harry Warren & Italian-American Singers By Jerry Osterberg s g long career, he worked for n i Salvatore Antonio was l l i every one of the major B born in the City of Brooklyn e studios, starting with Warner s to Antonio and Rachel o R Brothers and ending with DeLuca Guaragna y b Paramount. At Warner he o on December 24, 1893. t o wrote the music for the h It had been a difficult year P Busby Berkeley blockbuster for the residents of Brooklyn 42 nd Street, one of 18 films due to one of the worst he made with the prolific hurricanes in history. Just choreographer. months before, the City had Warren was nominated been devastated, and families eleven times for an Academy were finding it hard to get Award; he won three for the into the Christmas spirit. songs “Lullaby of Fortunately, as APSS Broadway,” “You’ll Never members gathered for the Know,” and “On the opening of the 2018-2019 Atchison, Topeka and the season on October 13, there Santa Fe.” Although he wasn’t a hurricane in sight, collaborated with a-number and everyone was in a festive of lyricists, his most frequent mood. In presenting his A Suitcase, was with us in accompanied himself partners were Al Dubin and program dedicated to the life advance of her show later in beginning with “This Heart Mack Gordon with whom he and music of Harry Warren the month at the Triad of Mine,” first introduced by produced “Chattanooga (aka Salvatore Antonio Theater. -
BOARD of DIRECTORS for IMMEDIATE RELEASE June 18, 2007
Dunbar Economic Development Corporation 4225 South Central Avenue ▪ Los Angeles, CA 90011 323-234-7882 ▪ Fax: 323-234-1457 www.dunbaredc.net Dunbar Hotel (Hotel Somerville) National Registry Monument c.1928 BOARD OF DIRECTORS FOR IMMEDIATE RELEASE June 18, 2007 Maria Rosario Jackson, Ph.D. Contact: Marie Y. Lemelle Chair Platinum Star Public Relations Senior Research Associate Urban Institute 213-276-7827 - cell Michael Dolphin Vice-Chair Division Chief 12th Annual Central Avenue Jazz Festival Employment Development Dept. State of California Saturday, July 28 and Sunday, July 29 Genethia Hudley-Hayes, Ph.D. Treasurer LAUSD, Board Member (ret.) Consultant Los Angeles – The Dunbar Economic Development Corporation, the Carl Sewell, Ph.D. Secretary artistic director of the Annual Central Avenue Jazz Festival, announced the stellar Educator/Technology Entrepreneur New Century Education th line-up for the 12 Annual Central Avenue Jazz Festival on Saturday, July 28 and Antoine “Tony” Abbott Sales Manager Felix Chevrolet Cadillac Sunday, July 29 from 11 a.m. until 7 p.m. Admission and parking is free. Cecil McLinn nd Principal The streets of Central Avenue between 42 Place and 43rd Street will come Duke Ellington High School LAUSD alive with the sounds of straight-ahead jazz and blues from high-caliber musicians: José Rizo Music Producer / Radio Personality KKJZ, 88.1 FM Saturday, July 28: Elementary School Teacher, LAUSD Clora Bryant and guests, panel discussion Daniel Rosenfeld Principal Paul Bryant Trio Urban Partners Ernie Andrews, vocalist