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Belle Postiere (FR)
equineline.com Product 40P 09/08/16 15:41:39 EDT Belle Postiere (FR) Dark Bay or Brown Filly; Mar 10, 2013 Arctic Tern, 73 ch Bering (GB), 83 ch Beaune (FR), 74 ch =American Post (GB), 01 Sadler's Wells, 81 b Belle Postiere (FR) br =Wells Fargo (GB), 96 b =Cruising Height (IRE), 87 b Foaled in France Rainbow Quest, 81 b =Spectrum (IRE), 92 b =River Dancer (IRE), 83 b =Melancolie (GB), 02 b Housebuster, 87 dk b/ Wenge, 95 dk b/ Hooriah, 86 ch By AMERICAN POST (GB) (2001). Classic winner of $854,487 USA in England and France, Gainsborough Poule d'Essai des Poulains-French Two Thousand Guineas [G1], etc. Sire of 9 crops of racing age, 371 foals, 299 starters, 21 stakes winners, 1 champion, 171 winners of 529 races and earning $13,588,134 USA, including Quarterback (Champion twice in Scandinavia, to 4, 2016, $216,560 USA, Chess Racing Scandinavian Open Championship [G3], etc.), Validor (to 10, 2016, $381,413 USA, Grand Prix de la Region Alsace, etc.), Robin of Navan ($345,239 USA, Criterium de Saint-Cloud [G1], etc.), American Devil ($303,371 USA, Prix du Palais-Royal [G3], etc.), Jetfire ($276,463 USA, Prix Max Sicard), Kourkam ($215,103 USA, Commercial Club Albury Gold Cup, etc.), Meneas (to 6, 2016, $206,805 USA, Criterium du Fonds Europeen de l'Elevage). 1st dam =MELANCOLIE (GB), by =Spectrum (IRE). Winner at 4 in FR , $13,811 (USA). Dam of 6 foals, 5 to race, 2 winners-- =Lasting Melancholy (FR) (f. by Orpen). 2 wins at 3 in FR , $50,696 (USA). -
Historical Bronzes Catalogue
Historical Bronzes by Fernando Andrea Table of Contents FERNANDO ANDREA ......................................................................................... 5 BRONZE-01 “General Custer (Son of the Morning Star)” ......................... 6 P.BRONZE-01 “General Custer Polychromed Bronze” ............................. 10 BRONZE-02 “Lawrence of Arabia” ................................................................... 12 BRONZE-03 “Chasseur de la Garde” .............................................................. 16 BRONZE-04 “Napoléon à Fontainebleau” ................................................... 20 BRONZE-04S “Napoléon à Fontainebleau (small)” .................................... 24 BRONZE-05 “Le Capitaine, 1805” ............................ ........................................ 26 BRONZE-06 “Banner” .................................................. ........................................ 30 P.BRONZE-06 “Banner Polychromed Bronze” .... ........................................ 33 BRONZE-07 “Le Roi Soleil, 1701” ............................. ........................................ 34 BRONZE-08 “Officier d’Artillerien de la Garde Impériale, 1809” .......... 38 NEWS ................................................................................ ........................................ 42 WORKSHOP ................................................................... ........................................ 44 Fernando Andrea He was born in Madrid, Spain, in 1961 and Fernando is also an accomplished musician received his early -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
Maria Marshall Au Affaire De Famille» Un Texte Sur Charles Des Médicis), La Nourriture, Il Nous Livre Dans Les Dynamisme Ambiant
Trimestriel d'actualité d'art contemporai n : avril.mail.juin 2013 • N°61 • 3 € L u c T u y m a n s , © F b B l u u e r x l e g N L a 9 ï e i e u / P è 2 - w B g . d 1 P s e e e 7 . l 0 X g d i é q p u ô e t Sommaire Edito « ... Et si je vieillis seule et sale je n’oublierai jamais dial. Dans ce cadre prestigieux où l’art et le luxe que l’Art est ma seule nourriture ». C’est la dernière sont rois, j’ai eu l’occasion de croiser un galeriste 2 Édito . Dogma, un projet de ville. Focus sur une strophe de l’autoportrait écrit à la main de Manon philosophe. Le galeriste NewYorkais m’a surpris agence d’architecture un peu particulière, 3 Michel Boulanger.Jalons, un texte de Bara qui fait la cover de FluxNews. Un élan sous par la teneur de son discours. Ironisant sur sa posi - par Carlo Menon. Yves Randaxhe. forme de rayon de soleil dans le petit monde de l’art tion de plus en plus marginalisée face à la montée en 21 Suite d’On Kawara par Véronique Per - d’aujourd’hui. La petite entreprise de Manon ne puissance d’une galerie comme Gagosian qui grâce 4 Concentration de galeries dans le haut riol. connaît pas la crise, elle carbure à l’essentiel... L’art à ses nombreuses succursales occupe plus de trois de Bruxelles, texte de Colette Dubois. -
PIAFFE in ENGLISH Totilas Or
PIAFFE IN ENGLISH magazine translation for the international reader 2010/1 magazine page 4 Totilas Or: Mr. Gal’s Big Appearance By Karin Schweiger took risks during his performance. Even though he could not prevent mistakes within Gold, silver, bronze – in 2009, the Dutch riders the flying changes at every stride, the entire decided the European championship dressage audience was enchanted by jet-black Totilas freestyle titles among themselves. Edward Gal and his prodigious movements. made history by achieving an all-time high of 90.70 points and opening the door to new His victory was a given and at no point in spheres of grading. The audience – and not danger. Totilas had earned it. 90.70 points! No just the Dutch spectators – was beyond itself one had believed this sound barrier could ever watching the battle between the three top be breached – it has been done, however. Gal contestants from the Netherlands. This was won gold which represents his first ever major the first time the stadium had ever been sold title. Dressage fans may decide for themselves out; tension could not have been built up in a if Erik Lette, president of the judges present, is more dramatic way: First, current winners of right by saying the following: “This was the the Classic Tour Adelinde Cornelissen and best competition we have ever seen. So many Parzival had to set the pace. Their great horses – and from various nations at performance included highstepping passages, that. It will prove beneficial for the future of a wonderfully impulsive extended trot and our sport.” All of the above is based on the rhythmic double pirouettes. -
THRESHING FLOORS AS SACRED SPACES in the HEBREW BIBLE by Jaime L. Waters a Dissertation Submitted to the Johns Hopkins Universit
THRESHING FLOORS AS SACRED SPACES IN THE HEBREW BIBLE by Jaime L. Waters A dissertation submitted to The Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland August 2013 © 2013 Jaime L. Waters All Rights Reserved ABSTRACT Vital to an agrarian community’s survival, threshing floors are agricultural spaces where crops are threshed and winnowed. As an agrarian society, ancient Israel used threshing floors to perform these necessary activities of food processing, but the Hebrew Bible includes very few references to these actions happening on threshing floors. Instead, several cultic activities including mourning rites, divination rituals, cultic processions, and sacrifices occur on these agricultural spaces. Moreover, the Solomonic temple was built on a threshing floor. Though seemingly ordinary agricultural spaces, the Hebrew Bible situates a variety of extraordinary cultic activities on these locations. In examining references to threshing floors in the Hebrew Bible, this dissertation will show that these agricultural spaces are also sacred spaces connected to Yahweh. Three chapters will explore different aspects of this connection. Divine control of threshing floors will be demonstrated as Yahweh exhibits power to curse, bless, and save threshing floors from foreign attacks. Accessibility and divine manifestation of Yahweh will be demonstrated in passages that narrate cultic activities on threshing floors. Cultic laws will reveal the links between threshing floors, divine offerings and blessings. One chapter will also address the sociological features of threshing floors with particular attention given to the social actors involved in cultic activities and temple construction. By studying references to threshing floors as a collection, a research project that has not been done previously, the close relationship between threshing floors and the divine will be visible, and a more nuanced understanding of these spaces will be achieved. -
Monique Jannette Artist, Paralympian, and Former Civil Rights Lawyer
Texas Disability History Collection, University of Texas at Arlington Monique Jannette Artist, Paralympian, and former Civil Rights Lawyer Interview conducted by Mark Harris In 2016 in Dallas, Texas Disability Studies Minor Special Collections and Archives University of Texas at Arlington Copyright © 2016 by University of Texas at Arlington Libraries Biography Monique Jannette was born September 23, 1962 and graduated from Warren Travis White High School in Dallas, Texas, earned a Bachelor’s of Arts degree in Geology from the University of Texas at Arlington in 1987, and her Law Degree from Southern Methodist University in 1992. While in middle school and high school, she became interested in science and competitive diving. Jannette exceled at diving and traveled throughout the United States and other countries with diving teams. She earned a full scholarship to Southern Methodist University (SMU), but due to an accident shortly after graduation from high school in 1980, she became paraplegic. Starting in 1981, Jannette attended the University of Texas at Arlington (UTA), where she studied geology and participated in adaptive track and field under the direction of Jim Hayes. While attending UTA, she was selected to the 1988 U.S. Paralympic Track and Field team, and Table Tennis team in Seoul, South Korea. In 1992 she was selected again to compete with the U.S. Paralympic Team in Barcelona, Spain. Upon graduating from UTA, Jannette went back to SMU to study law. During her time there she collaborated with architects to make SMU more accessible to people with disabilities. After graduating law school, she and a partner began to practice civil rights law, helping the communities and business in and around the Dallas area. -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust. -
Wednesday 11Th July 2001 Horse in Training
WEDNESDAY 11TH JULY 2001 HORSE IN TRAINING, from Gainsborough Stables Limited the Property of Shadwell Estate Co. Ltd. Will Stand at Park Paddocks, Somerville Paddock U, Box 431 Young Generation Balidar 265 (WITH VAT) Cadeaux Genereux Brig O'Doon Smarten Up Sharpen Up WA-NAAM (GB) L'Anguissola (1998) Shirley Heights Mill Reef (USA) A Chesnut Colt Na-Ayim (IRE) Hardiemma (1990) Christabelle Northern Dancer (USA) Where You Lead (USA) WA-NAAM (GB), placed once at 3 years, 2001 viz fourth in Chippenham Maiden Stakes, Newmarket. 1st Dam NA-AYIM (IRE), won 1 race, £3,288 at 2 years; dam of two winners from 4 runners and 5 foals of racing age- TAJAWUZ (GB) (1995 f. by Kris), won 1 race at 3 years and £4,383 and placed twice, from only 5 starts. HISHMAH (GB) (1996 f. by Nashwan (USA)), won 1 race at 3 years and £8,375 and placed 4 times. Wa-Naam (GB) (1998 c. by Cadeaux Genereux), see above. Mubkera (IRE) (1999 f. by Nashwan (USA)), in training. She also has a 2000 filly by Bahhare (USA). 2nd Dam CHRISTABELLE (USA), placed once at 2 years; dam of six winners from 7 runners and 7 foals of racing age including- Alisidora (IRE) (f. by Nashwan (USA)), won 1 race at 3 years and £7,916, placed third in Hotel Conrad Silver Race, Curragh, L. Shinko Nobby (USA) (f. by Nashwan (USA)), won 1 race in Japan, placed second in KBS Kyoto Sho Fantasy, Kyoto, L. 3rd Dam WHERE YOU LEAD (USA), won 2 races at 2 and 3 years including Musidora Stakes, York, Gr.3, placed twice including second in Oaks Stakes, Epsom, Gr.1; dam of four winners from 7 runners and 10 foals of racing age including- I WILL FOLLOW (USA), won 2 races in France including Prix de Minerve, Evry, Gr.3; dam of winners. -
Newmarket and Exning Premises Overview Plan
Red House Stud N073 Plantation Stud N125 Middle Stud & Northmore Stud N119 Godolphin Stables N145 Equine Hospital & Diagnostic Centre N131 Pond House Stables Exeter Stables N012 N039 Harraton Court Stables N013 Queen Alexandra Stables N126 Clarehaven Stable Brookside & Brickfield Stud N021 N066 Harraton Stud Pegasus Stables N020 N019 Carlburg Stables N005 Middleton Stud N071 Beech Hurst N089 Lemberg Stables Heywood Place N080 N027 La Grange Stables Hamilton Stables Induna Stables Charnwood Stables N112 N062 N059 N016 Kremlin Stud Hamilton Hill Stables Frankland Lodge N070 N015 N042 Kremlin House Stables Shalfleet Stables N024 N040 Shadowfax Stables Carriageway Stables N134 N037 Abington Place Seven Springs Stables Charlcombe Lodge Stables N064 N146 N100 Phantom House Freemason Lodge N025 N052 Abington Place Cleveland House Stables N147 Red House Stables Bedford House Stables N053 N049 Somerville Lodge Race Stables N014 N023 Gainsborough Stables Cavendish Stables St Agnes Cottage N017 N001 Hurworth House N088 Athnid Stables N110 Woodlands Stables Sefton Lodge Stables Green Ridge Stables N046 N075 N086 N004 Flint Cottage Stables N056 Heath House Southfield Stables Beverley House Stables (Second Yard) N044 N077 N035 Osborne House Stables Grange House Stables Severals Stables N120 N057 Revida Place Stables Beverley House Stables N076 Diomed Stables N030 N003 Wroughton House Stables N063 Hackness Villa Stables Exeter House Stables N043 Rathmoy Stables N007 N026 N006 Warren Hill Training Grounds Eve Lodge Stables Saville House Sackville House Stables N143 Calder Park Stables N081 N038 N133 N011 Holland House Stables N109 Beaufort Cottage Stables Cadland Stables N097 N008 Linden Lodge Stables Part of Saffron House Stables Machell Place N010 N032 N090 Chestnut Tree Stables St. -
2020 Stallions Brochure
THE AGA KHAN STUDS Success Breeds Success 2020 60 Years of Breeding and Success Horses in pre-training at Gilltown Stud CONTENTS Breeders’ Letter 5 Dariyan 8 Harzand 20 Sea The Stars 32 Siyouni 44 Zarak 56 Success Breeds Success 68 60 Years of Breeding and Racing 72 Group One Winners 79 Contacts 80 Dourdana on the left and Darinja with her colt foal by Pivotal Soriya and her filly foal by Golden Horn 4 Dear Breeders, 2020 marks the 60th anniversary of His Highness the Aga Khan taking responsibility for the family thoroughbred enterprise. This breeding and racing activity have evolved and progressed over the decades and the Aga Khan Studs now boast high-class commercial stallions, prestigious maternal lines, and successful racehorses that have gathered more than 150 Group 1 victories. The Aga Khan Studs flagship sires, Sea The Stars and Siyouni, are members of the elite ranks of European stallions and both enjoyed further Classic glory in 2019. Gilltown Stud’s Sea The Stars won a second consecutive Irish Oaks thanks to the exceptional Star Catcher, also winner of the Prix Vermeille and British Champions Fillies & Mares Stakes, while Crystal Ocean shared Longines World’s Best Racehorse honours with Enable and Waldgeist, and champion stayer Stradivarius recorded a streak of ten consecutive races. Haras de Bonneval resident Siyouni was again crowned leading French-based sire. His principal representative was Pat Downes Prix du Jockey Club hero and Prix de l’Arc de Triomphe third Sottsass, and 2018 Prix de Diane winner Laurens brought her Manager, Irish Studs Group 1 score up to six with victory in the Prix Rothschild during August. -
Troy Myth and Reality
Part 1 Large print exhibition text Troy myth and reality Please do not remove from the exhibition This two-part guide provides all the exhibition text in large print. There are further resources available for blind and partially sighted people: Audio described tours for blind and partially sighted visitors, led by the exhibition curator and a trained audio describer will explore highlight objects from the exhibition. Tours are accompanied by a handling session. Booking is essential (£7.50 members and access companions go free) please contact: Email: [email protected] Telephone: 020 7323 8971 Thursday 12 December 2019 14.00–17.00 and Saturday 11 January 2020 14.00–17.00 1 There is also an object handling desk at the exhibition entrance that is open daily from 11.00 to 16.00. For any queries about access at the British Museum please email [email protected] 2 Sponsor’sThe Trojan statement War For more than a century BP has been providing energy to advance human progress. Today we are delighted to help you learn more about the city of Troy through extraordinary artefacts and works of art, inspired by the stories of the Trojan War. Explore the myth, archaeology and legacy of this legendary city. BP believes that access to arts and culture helps to build a more inspired and creative society. That’s why, through 23 years of partnership with the British Museum, we’ve helped nearly five million people gain a deeper understanding of world cultures with BP exhibitions, displays and performances. Our support for the arts forms part of our wider contribution to UK society and we hope you enjoy this exhibition.