Mad Max: Fury Road
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For Release: on Approval Motion Picture Sound Editors to Honor
For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story. -
Out of the Wasteland: Hope for a Greener World Transcript
Out of the Wasteland: Hope for a greener world Transcript Date: Tuesday, 23 June 2009 - 12:00AM Location: St. Paul's Cathedral Out of the Wasteland: Hope for a greener world Rt Revd and Rt Hon Dr Richard Chartres Bishops are often accused of talking rubbish. Tonight is probably the first occasion on which a bishop intends to talk rubbish. 'Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long.' You will recognise those encouraging lines from T.S.Eliot's poem The Wasteland, published soon after the First World War in 1922.It is one of the genuinely prophetic statements of the 20th century not in the sense that it foretells things to come but in that it is a 'forth-telling' from a level of awareness of what was buried beneath the surface of a civilisation, which in the 1920's appeared to have recovered its hectic pace and gaiety but which in reality was exhausted - a wasteland. 'What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water.' There had of course been a profound crisis of faith for more than a century before the dreadful self-mutilation of Europe in the Great War. Widespread loss of awareness of the presence of the divine had created a vacuum in which political religions had established themselves. -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
Giant Zombie Hand, Gratis Zombie Gelato and Mad Max Bootleg Art Await You at GRAPHIC This Weekend
MEDIA RELEASE TUESDAY 6 OCTOBER SYDNEY OPERA HOUSE PRESENTS Giant zombie hand, gratis zombie gelato and Mad Max bootleg art await you at GRAPHIC this weekend A giant zombie hand atop the Opera House steps. Gelato Messina’s brand new The Walking Dead ice cream flavour. Bootleg art inspired by the post-apocalyptic world of Mad Max. Get it all free at the Sydney Opera House when GRAPHIC takes over from Saturday 10 – Sunday 11 October. In the Mad Max Artist Alley the heroes, villains and wastelands of Mad Max: Fury Road will appear as reinterpreted by underground illustrators, including Sydney’s Chris Yee, James Jirat Patradoon and Georgia Hill, Melbourne’s Maddy Young and Paris’ own Ilk. The Mad Max Artist Alley, in the Concert Hall’s harbourside Northern Foyer, is co-curated by cult art collectives The Opening Hours and Goodspace, in collaboration with GRAPHIC. Looming over the Forecourt from the top of the Opera House steps, a four-metre-tall zombie hand straight out of The Walking Dead will count down to the Season 6 premiere on Sunday morning. Gelato Messina will be serving free cups of ‘Carl’s Chocolate Pudding’, the perfect blend of gruesome and delicious, from their ‘Alexandria Ice Scream’ pop-up store between midday and 4.00pm over the weekend. Since its inception in 2010, GRAPHIC has evolved into a festival like no other, commissioning and presenting new works from some of the world’s most respected artists including, but not limited to, Neil Gaiman (2010), Shaun Tan (2010), Gotye (2011), Pixar’s Lee Unkrich (2012) and Art Spiegelman (2013). -
Arxiv:1805.06576V5 [Stat.ML] 11 Nov 2018
Mad Max: Affine Spline Insights into Deep Learning RANDALL BALESTRIERO, RICHARD BARANIUK Rice University, Houston, Texas, USA [email protected], [email protected] We build a rigorous bridge between deep networks (DNs) and approximation theory via spline functions and operators. Our key result is that a large class of DNs can be written as a composition of max- affine spline operators (MASOs), which provide a powerful portal through which to view and analyze their inner workings. For instance, conditioned on the input signal, the output of a MASO DN can be written as a simple affine transformation of the input. This implies that a DN constructs a set of signal- dependent, class-specific templates against which the signal is compared via a simple inner product; we explore the links to the classical theory of optimal classification via matched filters and the effects of data memorization. Going further, we propose a simple penalty term that can be added to the cost function of any DN learning algorithm to force the templates to be orthogonal with each other; this leads to significantly improved classification performance and reduced overfitting with no change to the DN architecture. The spline partition of the input signal space that is implicitly induced by a MASO directly links DNs to the theory of vector quantization (VQ) and K-means clustering, which opens up new geometric avenue to study how DNs organize signals in a hierarchical fashion. To validate the utility of the VQ interpretation, we develop and validate a new distance metric for signals and images that quantifies the difference between their VQ encodings. -
Download Teachers' Notes
INTRODUCTION About these Teacher’s Notes These notes suggest practical activities to enhance student learning in the HSC Contemporary Australian theatre topic area. They also provide students with reflections on professional practice surrounding the creation of contemporary Australian theatre. The notes were originally written to support and accompany the playreading and discussion of Stolen, staged at Riverside Theatres, Parramatta, in June 2013, and were written by director Anni Finsterer. The activites at the end of these pack were part of these original notes collated by Amy Matthews. In 2016 National Theatre of Parramatta has re‐staged the work under the director Vicki Van Hout. The notes from designers and sketches have been added to incorporate information from this new production. National Theatre of Parramatta STOLEN CAST and Creatives CREATIVES Directed By Vicki Van Hout Designed By Imogen Ross Lighting and Video Designer Toby K Composer and Sound Designer Phil Downing Production Manager Annette Rowlison Stage Manager Carl Sciberras Assistant to the Director Bianca ‘Bee’ Cruse CAST Shirley Henrietta Baird Ann Matilda Brown Jimmy Mathew Cooper Ruby Berthalia Selina Reuben Sandy Kerri Simpson National Theatre of Parramatta STOLEN Directors note: Vicki Van Hout Stolen at it’s core is a provocation to the importance of acting with humanity. Stolen follows the lives of 5 characters who have been affected by careless governance, from it’s leaders down to the smallest common denominator, the individuals who enforced this predicament upon them. Why is Stolen relevant? It serves as a reminder how not to act. As a reminder that young lives are the adults of our future. -
A Level Film Studies Candidate Style Answers
Qualification Accredited A LEVEL Candidate Style Answers FILM STUDIES H410 For first teaching in 2017 H410/02 Critical approaches to film Version 1 www.ocr.org.uk/filmstudies A Level Film Studies Candidate Style Answers Contents Introduction 3 Section A Question 2: Level 5 answer 4 Commentary 6 Section A Question 2: Level 3 answer 7 Commentary 7 Section B Question 4: Level 5 answer 8 Commentary 10 Section B Question 4: Level 3 answer 11 Commentary 11 Section C Question 5: Level 5 answer 12 Commentary 14 Section C Question 5: Level 3 answer 15 Commentary 16 Section C Question 7: Level 5 answer 17 Commentary 19 Section C Question 7: Level 3 answer 20 Commentary 21 Section C Question 10: Level 5 answer 22 Commentary 24 Section C Question 10: Level 3 answer 25 Commentary 25 2 © OCR 2018 A Level Film Studies Candidate Style Answers Introduction Please note that this resource is provided for advice and guidance only and does not in any way constitute an indication of grade boundaries or endorsed answers. Whilst a senior examiner has provided a possible level for each Assessment Objective when marking these answers, in a live series the mark a response would get depends on the whole process of standardisation, which considers the big picture of the year’s scripts. Therefore the level awarded here should be considered to be only an estimation of what would be awarded. How levels and marks correspond to grade boundaries depends on the Awarding process that happens after all/most of the scripts are marked and depends on a number of factors, including candidate performance across the board. -
Mad Max Tail Credits
Max Mel Gibson (Rockatansky, a cop with a Bronze badge, hence 'The Bronze') Jessie Joanne Samuel (Rockatansky) Toecutter Hugh Keays-Byrne Jim Goose Steve Bisley (Jimmy the Goose) Johnny the Boy Tim Burns Fifi Roger Ward (Captain Fifi MacAffee, aka "Fif") Cast in alphabetical order: Nurse Lisa Aldenhoven Mudguts David Bracks Clunk Bertrand Cadart Underground Mechanic David Cameron (Barry) Singer Robina Chaffey Sarse Stephen Clark Toddler Mathew Constantine Ziggy Jerry Day Station Master Reg Evans Diabando Howard Eynon Benno Max Fairchild Grinner John Farndale Senior Doctor Peter Felmingham May Swaisey Sheila Florence (sic, aka Florance) Starbuck Nic Gazzana Lair Hunter Gibb Nightrider Vince Gil (sic, aka Vincent Gill, aka Crawford Montegamo, per subtitles, also Montizano) Silvertongue Andrew Gilmore Labatouche Jonathon Hardy (sic, aka Jonathan) Sprog Brendan Heath Cundalini Paul Johnstone Grease Rat Nick Lathouris Charlie John Ley Roop Steve Millichamp Junior Doctor Phil Motherwell Scuttle George Novak Bubba Zanetti Geoff Parry Nightrider's Girl Lulu Pinkus TV Newsreader Neil Thompson Midge Billy Tisdall People's Observer Gil Tucker Girl in Chevvy Kim Sullivan with John Arnold Tom Broadbridge Peter Culpan Peter Ford Clive Hearne Telford Jackson Kristine Kaman Joan Letch Kerry Miller Janine Ogden Di Trelour Vernon Weaver Paul Young Brendan Young Associate Producer Bill Miller Editors Tony Paterson Cliff Hayes Director of Photography David Eggby Art Director Jon Dowding Asst. Art Director Steve Amezdroz Stunt Co-ordinator Grant Page Costume Designer Clare Griffin Sound Recordist Gary Wilkins Production Co-ordinator Jenny Day Special Effects Chris Murray Casting Mitch Consultancy First Assistant Director Ian Goddard Second Asst. Director Steve Connard Third Assistant Director Des Sheridan Production Asst. -
Resurrecting the Women of the Waste Land
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2020 Resurrecting the Women of The Waste Land Angela Rose Granados West Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Celtic Studies Commons, European History Commons, Literature in English, British Isles Commons, Other Classics Commons, and the Women's Studies Commons Recommended Citation West, Angela Rose Granados, "Resurrecting the Women of The Waste Land" (2020). Undergraduate Honors Theses. Paper 1527. https://scholarworks.wm.edu/honorstheses/1527 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Resurrecting the Women of The Waste Land A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the Department of English from The College of William and Mary by Angela Rose Granados West Accepted for Honors Henry Hart ________________________________________ Henry Hart, Thesis Director Christopher MacGowan ________________________________________ Christopher MacGowan, Committee Chair ________________________________________ Suzanne Raitt ________________________________________ Leisa Meyer Williamsburg, VA May 8, 2020 West 2 INTRODUCTION When The Waste Land was published in 1922, it marked the end of seven and a half years of T.S. Eliot’s attempts to match the potency of his most significant work to date: “The Love Song of J. Alfred Prufrock.” In the interlude between his two greatest works, Eliot had married, settled quite permanently in England, and begun to fear that his potential as a poet, once so promising, was all for naught. -
Mad Max Fury Road Introduction
2019-2020 Local to Global Film Series 2019 Mad Max Fury Road Introduction Lynne Stahl Follow this and additional works at: https://researchrepository.wvu.edu/l2g_film-2019_20 Part of the Film and Media Studies Commons Transcript--Introduction to Mad Max: Fury Road Lynne Stahl, WVU Libraries 9/4/2019 Thank you all for coming! I’m Lynne Stahl, the Humanities Librarian, and I’m excited to see so many people here because film studies seems to happen in sort of isolated pockets at WVU. I’m not an event planner, so I’ve been a bit stressed out until I realized that even if no one showed up I’d still get to watch Mad Max on a big screen. It’s hard to speak insightfully about a film without spoiling the plot, but it seems selfish to spoil the plot solely to make my intro comprehensible, so as a compromise I’ll just give a very brief outline and then tell you way more than you ever wanted to know about the film’s production history. We tend to view films as a discrete units of consumption and self-contained narratives that stop at the edge of the screen after 90 minutes--but often the many tipping points and variables and iterations that make up the negative spaces around the movies we watch are just as illuminating, if not more so. Mad Max: Fury Road takes place in a post-apocalyptic desert world in which oil and water are scarce and tightly controlled by tyrannical private groups and individuals. -
Travellers of the Wasteland
Travellers Of The Wasteland Scott Wylie Roberts Travellers of the Wasteland First Published 2009 First Printing August 2009 Copyright © Scott Wylie Roberts, 1986, 2009 Illustrations copyright © J D Neal, Martin Siesto, Zhu Baije (www.nightsoil.co.uk/zhu/), 2009 Cover art and illustrations copyright © Daniel Heald, 2002 All art used with permission Regul is copyright © Rick Burlow and used with permission All Rights Reserved Proofreading by Jacqui Mofield and Tiffany McLeod Advice and feedback by Rick Burlow, Matthew Hunt, and the Dragonsfoot Workshop (dragonsfoot.org) Special thanks to Tiffany McLeod Typeset in Soutane and Soutane Black Printed by Lulu.com Ysgthru Mundi http://stores.lulu.com/ysgthrumundi [email protected] This work is protected by copyright law. Any reproduction or unauthorised use of the material or artwork presented herein is prohibited without express permission. 2 Travellers of the Wasteland "It is not down on any map; true places never are." - Moby Dick (Herman Melville) 3 Travellers of the Wasteland Foreword When I was in high school, Fighting Fantasy was my gateway drug to Dungeons & Dragons . Instead of doing my homework, I drew coloured maps of the world of Sceptre. I also wrote an adventure, strongly influenced by The Voyage of the Dawn Treader, The Shamutanti Hills , The Goonies and a scattering of science fiction novels. What if I had run campaigns in Travellers of the Wasteland , instead of the next game world I created, for the next ten years? I’d like to think it would have turned out a fair bit like this game. In writing this, I feel like I have come home after a long sojourn in distant lands; that I have reconnected with what got me into fantasy and gaming in the first place. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.