Learning and Service Principal Michaele Robertson Is Stepping Down After Five Eventful Years at the Helm
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Devoted to the Interests of Barber Shop Quartet Harmony Volume Xiii
DEVOTED TO THE INTERESTS OF BARBER SHOP QUARTET HARMONY VOLUME XIII 1st PLACE VIKINGS, ROCK ISlAND ILL COIlO\"I'r. U\·e;;a.}". M:l.Ufllj: Uudlc)' ~ I, IG 5th PLACE STAlESMEN, SACRAMENTO, CALIr. ~hlJltl. M:l~h:1I1o. GiLsIr:lII. Dll\'all - \ I\\, I HELMSMEN, NEW BEDFORD, MASS BoloSI,o«" Bosll on, Ho'nburgos, Duarte I ~.J ~ THE VOLUNTEERS,"\BALTIMORE,1-:MD. Mayor. Madoo,y __""Cuthbort Mjl!~r.. _ 13 OF THE SEMI-FINALISTS AT DETROIT (See inside back cover for the other 12) Published by Tbe Harmonizer J TilE The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, ]nc. at OE'Y01f:O TO THE" UlTEllH,TS OF 640 CAXTON BUILDING TIME PENALTIES IlJ!ISHlm SIp' C1W:RTH HAq,,()l'/Y by Berney Simner Yol. XIII - SEPTEI\lUEU,I951 - No. CLEVELAND 15. OHIO Subs(Tiplion price $2.00 per )'oor, Chainnan. Int'l Contests and 50e per COP}'. Judging Committee Issued quarlerly. Editorial and Advertising* Onice Deal' Friends: l\huc:'h, June, September. IJcccmbcr 20619 FENI{ELL AVENUE Entered as Seeond ClaM Matter DETROIT 23, MICHIGAN "Time" has always been a prccious at. tho Post. Office at. Cleveland. Ohio. thing, and in our Society Contcst.s it assumes an importance that can be EDITORIAl. AND PRODUCTION CONTRIDUTING EDITORS very distressing! ROBERT G. HAFER llud Al'berg Charlc3 M. Morrin J. George O'Drien In the early days our Judges recog (20619 Fenllell Ave" Detroit 23, Mich. Rowland Davis nized that an inequality existed which Phone: KEnwood 2·8800) Robert Hockcnhrough Sigmund Spaeth JAMES F. -
In Appreciation
The Middlebury College Department of Theatre and Dance welcomes you to The Dance Company of Middlebury: Proyecto República Dominicana Photos: Alan Kimara Dixon January 22 and 23, 2010 8:00 p.m. Mahaney Center for the Arts Dance Theatre We dedicate our performances to the Haitian people with deep sadness for the present and recent past, and great hope for the future. The Program Part Two Part One Suite with Chorus/Juego con coro Improvisation: Music, Dance, Light, Time, Space Barely There/Casi no hay Improvisación: Música, Danza, Iluminación, Tiempo, Choreography: Christal Brown Dancers: Sophia Levine and Christian Morel Espacio Music: Bebo Velez, “Untitled” Costumes: Christal Brown The Dance Company, in its incarnation as an ensemble of improvising musicians and dancers, will shape 30 minutes (more or less) of On Foot/A pie improvised work this evening. We have only premeditated a few Choreography and performance: Christian Morel things in addition to time length: where the musicians are located, how Music: Dave Brubeck, “Unsquare Dance” the stage is dressed, and what the performers are wearing. You may Costume: Christian Morel see a series of short pieces or a longer, episodic work. Your neighbor may have an entirely different idea of which format emerges. Vestiges/Vestigios Musicians are free to play without dancers on stage and dancers may Choreography and performance: move while musicians are quiet. It is in the nature of this work not to Sophia Levine and Christian Morel know in advance how the time and space will structure itself or be Music: Philippe Bronchtein structured by the performers. -
The Artist's Way the Future of Journalism
THE RootTHE UTS ALUMNI MAGAZINE • SPRing 2014 The Artist’s Way John Bennett ’38 spoke with Kim Lee Kho ’81 about being an artist in war and peace. The future of Journalism Alumni journalists discuss their changing profession in this mobile-media age. Alumni news • CrAwford And HAll of Fame AwArds • AnnuAl Alumni dinner UTSAA Mark Your Calendars Board of Directors TUESDAY, MAY 20, 2014 President Seattle Branch Event Mark Opashinov ’88 Details TBA [email protected] RSVP: www.utschools.ca/rsvp Vice President Nina Coutinho ’04 WEDNESDAY, MAY 21, 2014 [email protected] Vancouver Branch Event Treasurer Details TBA Bob Cumming ’65 RSVP: www.utschools.ca/rsvp [email protected] Secretary WEDNESDAY, MAY 28, 2014 Aaron Dantowitz ’91 UTSAA Annual General Meeting [email protected] 6:00 p.m. in the UTS Library Honorary President Contact: [email protected] Rosemary Evans [email protected] TUESDAY, JUNE 17, 2014 Honorary UTSAA Golf Tournament Vice-President Join us at St. Andrew’s Valley for our 19th Annual Tournament. Tee-offs from Heather Henricks 11:00 a.m. to 1:30 p.m. [email protected] RSVP: www.utschools.ca/rsvp Directors Don Ainslie ’84 SATURDAY, OCTOBER 25, 2014 [email protected] Annual Alumni Dinner and Awards Sharon Au ’08 [email protected] Anniversary Year Celebrations: 1934, 1939, 1944, 1949, 1954, 1959, 1964, 1969, 1974, 1979, 1984, 1989, Tina Bates ’88 1994, 1999, 2004, 2009 [email protected] All years are welcome! The sixth H.J. Crawford Award will be presented, Jonathan Bitidis ’99 and UTS Hall of Fame inductees will be honoured. -
The London School of Economics and Political Science the Ideological Origins of Piracy in International Legal Thought Tor Krever
The London School of Economics and Political Science The ideological origins of piracy in international legal thought Tor Krever A thesis submitted to the Department of Law of the London School of Economics for the degree of Doctor of Philosophy, London, May 2018 1 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 88,133 words. 2 Abstract This thesis explores the origins of the pirate in international legal thought. It takes as its starting point the recent wave of piracy off the coast of Somalia, mapping the image of the pirate constructed by contemporary legal commentators. The figure of the pirate that takes shape is the archetype of illegitimacy and epitome of enmity in international law: hostis humani generis. Where and when did this figure first emerge in international legal thought? My argument is twofold. First, against dominant transhistorical accounts which project the pirate backwards in an unbroken arc from the present to antiquity, I show that its juridical identity has been marked by fundamental discontinuities and transformations. -
Poole to Challenge Kent ^Ar Ward 1 Council Seat
Serving Sununit Siik ' VOIiM, . U.S.P.S. 525-700 THURSDAY, nTORUABY 28, 1980 > -:EAR Primary Contest Assured Poole to Challenge Kent ^ar Ward 1 Council Seat A Republican Primary conteit for a 1 f&jfaa Primary contort for a __,—^lfSummit'«s taxetanss should not gBoO uUpD iin Born in New York Citycitv , PoolI*»I«e Ii..«>s a' u»L»u .__„. • . Ward 1 Common CouneU seat wai Witt Citicorp Services "lockstep with Inflation." Poole said his lifelong resident of Summit and a considered an expert tennis player Matthews of Montclair, are the parents assured Ms week when Richard W. Poole is currently an assistant vice- "many years of political activity" would graduated Summit High School, having won several championships of three children, Celia, Thomas, jr. and Poole of 8 Edgar street, annouoced he provide him with "contacts that can aim Mr. and Mrs. Kent, the former Ann would challenge incunbent Councilman assist Summit in the intergovernmental TfconMD. Kant of 81 Woodland avenie, relations so critical in a time of federal, to toe June Selections. , he has served since 1977, Poole is a test . he was manager of systems i state and county involvement in local member of the Rent Commission andtt* Kent wai appointed to CouneU last issues." He added the community "must jmng for Bhie Cross-Blue feniem Advisory Commission on Rental • greater New York and, before that, v™, January 32 to fill the Mat left vacant by be involvedia the decisions that concern Housing. He was the 1976-77 United Way <*en»WUon of James E. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Working Paper No
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Erasmus University Digital Repository Working Paper No. 543 ‘War on Piracy’ : the Conflation of Somali Piracy with Terrorism in Discourse, Tactic and Law Currun Singh and Arjun Singh Bedi May 2012 ISSN 0921-0210 The Institute of Social Studies is Europe’s longest-established centre of higher education and research in development studies. On 1 July 2009, it became a University Institute of the Erasmus University Rotterdam (EUR). Post-graduate teaching programmes range from six-week diploma courses to the PhD programme. Research at ISS is fundamental in the sense of laying a scientific basis for the formulation of appropriate development policies. The academic work of ISS is disseminated in the form of books, journal articles, teaching texts, monographs and working papers. The Working Paper series provides a forum for work in progress which seeks to elicit comments and generate discussion. The series includes academic research by staff, PhD participants and visiting fellows, and award-winning research papers by graduate students. Working Papers are available in electronic format at www.iss.nl Please address comments and/or queries for information to: Institute of Social Studies P.O. Box 29776 2502 LT The Hague The Netherlands or E-mail: [email protected] Table of Contents ABSTRACT 4 1 INTRODUCTION 5 2 THE POST -9/11 CONFLATION OF PIRACY AND TERRORISM , 2001-2005: A REVIEW 12 3 THE DISCURSIVE CONFLATION OF PIRACY AND TERRORISM IN SOMALIA , 2005-2012 16 The case of Somalia 16 Defusing the ‘floating bombs’ fallacy 20 4 ‘W AR ON PIRACY ’: THE TACTICAL AND LEGAL CONFLATION OF PIRACY AND TERRORISM IN SOMALIA 23 The militarization of the seas amid rising violence 23 The turbid legal regime of counter-piracy 27 5 CONCLUSION 35 APPENDIX : LIST OF INFORMANTS AND INTERVIEW DATES 38 REFERENCES 39 3 ABSTRACT This paper argues that since 2005, the global security discourse has confused maritime piracy off the Horn of Africa with terrorism. -
C a T a L O G U E
C A T A L O G U E 1981 Lettre à Michel Petrucciani 1981 - 43 - Documentaire Avec Michel Petrucciani, Aldo Romano, Charles Lloyd, Lee Konitz.. Réalisé par Frank Cassenti 2006 Harpe(s) 2006 - 55’ - Documentaire Isabelle Olivier - harpes Johan Renard - violon Sébastien Texier - saxophone Marc Buronfosse - contrebasse Antoine Banville – batterie Réalisé par Frank Cassenti L'île du Jazz Jazz à Porquerolles 2006 – Documentaire Mino Cinelu, Archie Shepp, Enrico Rava, Stefano Bollani, Siegfried Kessler, Isabelle Olivier Quintet Océan (Johan Renard, Sébastien Texier, Marc Buronfosse, Antoine Banville), Flower Power Trio ( Aldo Romano, Baptiste Trotignon, Rémi Vignolo , Bireli Lagrene Porquerolles’ Trio (Bireli Lagrene, Emmanuel Bex, Aldo Romano) Monica Passos André Minvielle,, Tonino Rahmos, Lionel Suarez Organ Song (Emmanuel Bex, Monica Passos , Jérôme Barde, François Laizeau,Frédéric Monino) David Murray and the Gwo-Ka Masters (David Murray, Jamaaladeen Tacuna, Hervé Samb,Klob Kiave, François Ladrezeau, Rasul Siddik, JT Lewis) Aïcha Redouane et l’ensemble Al-Adwâr (Aïcha Redouan, Salâh el-Din Mohamed qanun, Safwan Kenani, Habib Yamine) Mina Agossi, Siegfried Kessler, Stéphane Guery Michel Perez, Sophie Alour, Nelson Veras, Tim Miller Fanfares : Samenakoa, Fardhar Orchestra, Little Zetlab Batukada/Mulêketù Réalisé par Frank Cassenti. www.oleofilms.fr www.my-jazzlive.tv C A T A L O G U E 2007 Archie Shepp, je suis jazz c’est ma vie. 2007 - 83’ - Documentaire Avec Archie Shepp - saxophones Siegfried Kessler - piano Wilbur LIttle - basse Don Mumford, -
Round Midnight
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA MUZIKOLOGIE Vývoj a prom ěny jazzového standardu ’Round Midnight Development And Tranformations Of Jazz Standard ’Round Midnight Bakalá řská práce Autorka práce: Tereza Štaudová Vedoucí práce: Mgr. Jan P řibil OLOMOUC 2015 Pod ěkování Up římn ě d ěkuji Mgr. Janu P řibilovi za odbornou pomoc p ři vedení mé bakalá řské práce. Velice si cením jeho p řipomínek a rad. Dále d ěkuji všem, kte ří m ě p ři psaní této práce podporovali. Prohlášení Prohlašuji, že p ředložená bakalá řská práce je mým p ůvodním autorským dílem, které jsem vypracovala samostatn ě. Veškerou literaturu a další zdroje, z nichž jsem p ři zpracování čerpala, v práci řádn ě cituji a uvádím je v seznamu použité literatury. V Olomouci dne …………… ……………………... podpis OBSAH ÚVOD .......................................................................................................................................................... 4 1. STAV BÁDÁNÍ ....................................................................................................................................... 6 2. VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ RANÝ VÝVOJ ................................................ 17 2.1 ZÁKLADNÍ ZNAKY OSOBNOSTI A TVORBY THELONIA MONKA .......................................................... 17 2.2 VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ ANALÝZA ....................................................................... 20 2.3 PRVNÍ NAHRÁVKY ’ROUND MIDNIGHT ............................................................................................. -
Duke Performances 2015/2016 Season | Music, Theater, Dance & More
DUKE PERFORMANCES 2015/2016 SEASON | MUSIC, THEATER, DANCE & MORE. IN DURHAM, AT DUKE, ART MADE BOLDLY. DUKE PERFORMANCES HELLO & WELCOME At Duke Performances, we offer an expansive array of expertly chosen shows. We’ve traveled the globe to vet and select the artists that appear here. Starting in mid-September and running through April, we’ll present over seventy performances at a collection of venues both on campus and in town. Durham is rapidly becoming the cultural hub of the region; it’s Duke Performances’ duty to spur that development further by programming art made boldly all over the city. At Duke Performances, Durham and Duke come together — with audiences sitting elbow to elbow — to make community. A great community deserves art of the highest quality, featuring work that reflects the interests and backgrounds of its members. Thanks to stalwart financial support from private donors and the University, we’re able to bring in diverse work and price tickets as competitively as possible so that a broad portion of our community can afford to see our shows. At Duke Performances, we’re cultivating a curious and discerning audience. We encourage patrons to check out shows with which they’re not familiar, or genres that they’d not normally frequent. Beyond performances, we offer more than fifty artist-in-residence activities per season — master classes, public conversations, screenings, and lectures — and these engagements provide patrons a chance to further their knowledge and deepen their experience. I look forward to seeing you this season at Duke Performances. AARON GREENWALD EXECUTIVE DIRECTOR OF DUKE PERFORMANCES COVER IMAGE: BRIAN NEWBY OF RENNIE HARRIS PUREMOVEMENT, PHOTO BY BRIAN MENGINI. -
Jazzpress 1012
PAŹDZIERNIK 2012 Gazeta internetowa poświęcona muzyce improwizowanej ISSN 2084-3143 Piotr Schmidt Wierzę w moc tego zespołu, tej muzyki i tego, co się wokół niej dzieje KONKURSY Piotr Schmidt, fot. Piotr Gruchała SPIS TREŚCI 3 Od Redakcji 50 Wywiady 4 KONKURSY 50 Piotr Schmidt Wierzę w moc tego zespołu, tej muzyki 7 Co w RadioJAZZ.FM i tego, co się wokół niej dzieje 55 John McLaughlin 8 Wydarzenia Kiedy przestanę grać, to mnie zwyczajnie 10 Płyty nie będzie 10 RadioJAZZ.FM poleca Sabio – czarodziej dźwięków 12 Nowości płytowe 66 Henryk Miśkiewicz 18 Recenzje Mnie nikt nie zastępował... na razie! Brad Mehldau Trio,Where Do You Start 74 Matt Ulery Fourplay, Esprit de Four Bycie kompozytorem i basistą to dwa muzyczne światy 22 Przewodnik koncertowy 81 Agnieszka Hekiert 22 RadioJAZZ.FM i JazzPRESS polecają Muzyka mnie nie zdradziła 26 Koncerty w Polsce 27 Nasi za granicą 90 BLUESOWY ZAUŁEK 28 Jazzowe soboty w Ruinach 90 – Rawa Blues Festival – 32 lata z bluesem 32 Kwartet Jana Ptaszyna Wróblewskiego 94 – Oryginal Blues Brothers Band w Warszawie Uwodzicielski saksofon i gawędziarski wdzięk 96 Kanon Jazzu 34 Interplay Jazz Duo & Przemek Kleczkowski Berlin Abbozzi – Bill Dixon 36 Voices of For Tune The Bridge – Sonny Rollins 39 Lars Danielsson i jego dream team... Polish Jazz Quartet – Jan Ptaszyn Wróblewski 100 Kanon Jazzu na falach RadioJAZZ.FM 40 Publicystyka 103 Sesje jazzowe 40 Kanon Jazzu – podsumowanie pierwszego sezonu 112 Redakcja 48 Trzeci nurt – integracja jazzu z europejską muzyką artystyczną JazzPRESS, październik 2012 Od Redakcji W połowie września uruchomiliśmy portal internetowy www.jazzpress.pl . Portal powstał półtora roku po podjęciu decyzji o wydaniu pierwszego numeru elektronicznego magazynu JazzPRESS. -
University of Missouri-Columbia, Missouri Folk Arts Program
C University of Missouri-Columbia, Missouri Folk Arts Program, Records, 1982-2012 4035 32 cubic feet, (1000 folders), 2132 audio cassettes, 69 audio tapes, 83 video cassettes, 3 oversize volumes This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. INTRODUCTION The records of the Missouri Folk Arts Program comprise documentation of the annual work and various programming administered by the organization. The records contain fiscal information, contracts with artists, press clippings and releases, publications, exhibit documentation, correspondence, working files, and files on folk and traditional artists. The records also include photographs, audio, and video that document folk and traditional arts, artists, and events. DONOR INFORMATION The records were donated to the University of Missouri by Lisa Higgins on 18 June 2004 (Accession no. 6045). Additions were made by Lisa Higgins on 24 September 2013 and 13 March 2014. ORGANIZATION SKETCH The Missouri Folk Arts Program (MFAP) was initially under the auspices of the Missouri Cultural Heritage Center, which was founded in 1982 under the Graduate School and Office of Research of the University of Missouri-Columbia. When the Missouri Cultural Heritage Center closed on June 30, 1993, the Museum of Art and Archeology assumed administration and housing of the Missouri Folk Arts Program. MFAP’s mission statement is to “[build] cross-cultural understanding by documenting, conserving and presenting our state’s living folk arts and folk life in collaboration with Missouri's citizens.” To this end, MFAP conducts fieldwork and trains others to conduct fieldwork to identify and document folk and traditional artists, facilitates artistic performances and demonstrations, and fosters educational outreach in the folk arts in Missouri schools.