The Story of Comfort Air Conditioning
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General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
Life in Stone Isaac Milner and the Physicist John Leslie
BOOKS & ARTS COMMENT in Wreay, ensured that beyond her immediate locality only specialists would come to know and admire her work. RAYMOND WHITTAKER RAYMOND Panning outwards from this small, largely agricultural com- munity, Uglow uses Losh’s story to create The Pinecone: a vibrant panorama The Story of Sarah Losh, Forgotten of early nineteenth- Romantic Heroine century society that — Antiquarian, extends throughout Architect and the British Isles, across Visionary Europe and even to JENNY UGLOW the deadly passes of Faber/Farrer, Strauss and Giroux: Afghanistan. Uglow 2012/2013. is at ease in the intel- 344 pp./352 pp. lectual environment £20/$28 of the era, which she researched fully for her book The Lunar Men (Faber, 2002). Losh’s family of country landowners pro- vided wealth, stability and an education infused with principles of the Enlighten- ment. Her father, John, and several uncles were experimenters, industrialists, religious nonconformists, political reformers and enthusiastic supporters of scientific, literary, historical and artistic endeavour, like mem- bers of the Lunar Society in Birmingham, UK. John Losh was a knowledgeable collector of Cumbrian fossils and minerals. His family, meanwhile, eagerly consumed the works of geologists James Hutton, Charles Lyell and William Buckland, which revealed ancient worlds teeming with strange life forms. Sarah’s uncle James Losh — a friend of Pinecones, flowers and ammonites adorn the windows of Saint Mary’s church in Wreay, UK. political philosopher William Godwin, husband of the pioneering feminist Mary ARCHITECTURE Wollstonecraft — took the education of his clever niece seriously. She read all the latest books, and met some of the foremost inno- vators of the day, such as the mathematician Life in stone Isaac Milner and the physicist John Leslie. -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department LANDMARK DESIGNATION REPORT LANDMARK NAME: Melrose Building AGENDA ITEM: C OWNERS: Wang Investments Networks, Inc. HPO FILE NO.: 15L305 APPLICANT: Anna Mod, SWCA DATE ACCEPTED: Mar-02-2015 LOCATION: 1121 Walker Street HAHC HEARING DATE: Mar-26-2015 SITE INFORMATION Tracts 1, 2, 3A & 16, Block 94, SSBB, City of Houston, Harris County, Texas. The site includes a 21- story skyscraper. TYPE OF APPROVAL REQUESTED: Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Melrose Building is a twenty-one story office tower located at 1121 Walker Street in downtown Houston. It was designed by prolific Houston architecture firm Lloyd & Morgan in 1952. The building is Houston’s first International Style skyscraper and the first to incorporate cast concrete cantilevered sunshades shielding rows of grouped windows. The asymmetrical building is clad with buff colored brick and has a projecting, concrete sunshade that frames the window walls. The Melrose Building retains a high degree of integrity on the exterior, ground floor lobby and upper floor elevator lobbies. The Melrose Building meets Criteria 1, 4, 5, and 6 for Landmark designation of Section 33-224 of the Houston Historic Preservation Ordinance. HISTORY AND SIGNIFICANCE Location and Site The Melrose Building is located at 1121 Walker Street in downtown Houston. The property includes only the office tower located on the southeastern corner of Block 94. The block is bounded by Walker Street to the south, San Jacinto Street to the east, Rusk Street to the north, and Fannin Street to the west. The surrounding area is an urban commercial neighborhood with surface parking lots, skyscrapers, and multi-story parking garages typical of downtown Houston. -
Central III III Synagogue
Central ttIII III Synagogue Vol. 44. NO.7 March 1990 • Adar/Nlsan 5750 In From The You are cordially Invited to our Rabbi's SOCIAL ACTION SABBATH Study Friday. March 2 Elie Wiesel was speaking. The occasion was a full 8:15 PM plenary session of the Global Forum on the Environment, meeting in Moscow. As Resa and I along with some 800 others list~med, Rabbi Stanley M. Davids Wiesel wove a message uniquely his own, a will speak on message of hope and of pain. He wanted all of us Human Survival: Religion and to know that before the environment can be saved, before we can truly begin to hear the Science Preserving the anguished cries of Mother Earth, we must Global Environment radically change the nature of education. We are forbidden to forget, we were told, that it was the best-educated nation on earth which had Rabbi DavIds recently retumed from a conceived and implemented the Holocaust. week-long conference In Moscow on Education must be freed from all imposed the environment and economic ideologies; education must be open to development sponsored by the Global ambiguities as well as to certainties; education Forum of Spiritual and Partlamentary must open our minds to truths which flow from Leaders. He was one of only seven multiple sources. By remembering, we can avoid rabbis In attendance from around the yesterday's errors. Without our memories, we can World. never expect to redeem our world from human evil. In the Sanctuary Wiesel's comments touched off a firestorm of response from the floor, some warmly supportive Please see the enclosed announcement. -
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March 26, 2015 By Anthony Paletta Rafael Viñoly’s 432 Park Ave., one of the tallest residential towers in the world and the third-tallest building in the U.S. PHOTO: STEVE REMICH FOR THE WALL STREET JOURNAL Manhattan’s skyline is making yet another historical surge upward, though this time with a new crop of super-tall, strikingly narrow apartment buildings that in some cases seem to defy gravity. To see for yourself, walk by SHoP Architects’ 111 W. 57 St., Christian de Portzamparc ’s One57, Jean Nouvel ’s 53 W. 53rd St. or Rafael Viñoly ’s 432 Park Ave. http://www.wsj.com/articles/manhattans-stalagmite-architecture-1427330737 What’s arresting about these structures is their eccentric dimensions. SHoP’s 111 W. 57th St., for example, will boast a width-to-height ratio of 1-to-23. (A standard No. 2 pencil has about a 1-to-30 ratio, and the original World Trade Center towers were a gouty 1-to-7.) Some of these new structures, especially on the upper reaches, are only one unit per floor. It’s partly technology that explains these stalagmite structures. Architects and engineers have tailored improvements in steel and reinforced concrete that facilitate developers’ perennial search for height on an island notoriously short of real estate. What we are witnessing, says SHoP Architects founding partner Gregg Pasquarelli, is a “wonderful golden age of the tall, slender building.” These innovations mark just the latest chapter in the evolving history of the skyscraper. Over the past century, technological breakthroughs have enabled builders to steadily reduce the proportion of structural elements—mainly steel and concrete—in the area where we live, work and play, savings usually given over to glass. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
THE CORPORATE PLAZA and the OFFICE TOWER : the Potential for a Mutualistic Space-Form Relationship
THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in Partial fulfillment of the requirements for the degree of Masters in Landscape Architecture _______________ Dean Bork, Chair _______________ Benjamin Johnson _______________ Brian Katen May 21, 2004, Blacksburg, VA Keywords: pittsburgh, landscape architecture, architecture, spatial relationship, downtown, urban design, corporate plaza, skyscraper THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN abstract Within the context of a site/place on which a skyscraper is developed, the role of the corporate plaza is usually limited to providing a base to glorify the unique form of the skyscraper (the office tower). In such cases, the potential for a symbiotic relationship between the skyscraper and the plaza is not realized. In exploring the possibilities of a symbiotic relationship the first step was to research the skyscraper and its evolution. This analysis based on existing literature revealed the ‘motive’ behind the design and construction of skyscrapers and the reason for its strong physical image - “the corporations desire for an attention drawing device”. This desire has resulted in the design of the skyscraper as an object in the urban landscape with a high degree of ‘recognizability’. Although the skyscraper’s character of recognizability plays an important role in the perception of the site it fails to provide for the development of ‘experiential meaning’. This experiential meaning which is a critical component for the environmental image of the site/place can be provided for in the plaza space. -
History Refuge Assurance Building Manchester
History Refuge Assurance Building Manchester Sometimes heterotypic Ian deputizing her archness deep, but lang Lazlo cross-fertilized religiously or replants incontinently. Conceptional Sterne subserved very abloom while Meryl remains serotinal and Paphian. Chevy recalesced unclearly. By the accessible, it all of tours taking notice of purchase The Refuge Assurance Building designed by Alfred Waterhouse was completed in 195. Kimpton Clocktower Hotel is diamond a 10-minute walk from Manchester. Scottish valley and has four wheelchair accessible bedrooms. The technology landscape is changing, see how you can take advantage of the latest technologies and engage with us. Review the Principal Manchester MiS Magazine Daily. Please try again later shortened it was another masterpiece from manchester history museum, building formerly refuge assurance company registered in. The carpet could do with renewing, but no complaints. These cookies are strictly necessary or provide oversight with services available on our website and discriminate use fee of its features. Your email address will buck be published. York has had many purposes and was built originally as Bootham Grange, a Regency townhouse. Once your ip address will stop for shopping and buildings past with history. Promotion code is invalid. The bar features eclectic furniture, including reclaimed vintage, whilst the restaurant has that more uniform design. Palace Hotel formerly Refuge Assurance Building. It is also very reasonably priced considering! Last but not least, The Refuge plays home to the Den. How would I feel if I received this? Thank you use third party and buildings. Refuge by Volta certainly stands out. The colours used in research the upholstery and the paintwork subtly pick out colours from all heritage tiling, and nasty effort has gold made me create varied heights and types of seating arrangement to bathe different groups and dining options. -
240 Central Park South Apartments
Landmarks Preservation Commission June 25, 2002, Designation List 337 LP-2116 240 CENTRAL PARK SOUTH APARTMENTS, 240 Central Park South (aka 232-246 Central Park South (West 59th Street), 233-241West58th Street, and 1792-1810Broadway), Manhattan. Built 1939-40; [Albert] Mayer & [Julian H.] Whittlesey, architects; J.H. Taylor Construction Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1030, Lot 58. On April 30, 2002, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of 240 Central Park South Apartments and the proposed designation of the related Landmark Site (Item No. 1). The hearing had been duly advertised in accordance with the provisions of law. Nineteen people spoke in favor of designation, including representatives of Central Park South Associates (the property's owners), Manhattan Borough President C. Virginia Fields, CityCouncilmember Eva Moskowitz, New York Assemblyman Richard N. Gottfried, Municipal Art Society, New York Landmarks Conservancy, Historic Districts Council, Landmark West!, DOCOMOMO New York Tri-State, Modern Architecture Working Group, and architect-historian Robert A.M. Stern. One speaker opposed designation. In addition, the Commission received numerous letters and postcards in support of designation, including a resolution from Community Board 5 and letters from City Councilmember Christine C. Quinn, former Councilmember Ronnie M. Eldridge, Friends of Terra Cotta, National Society of Mural Painters, and Art Deco Society of New York. Summary 240 Central Park South Apartments, built in 1939-40 to the design of Mayer & Whittlesey, is a significant and innovative complex that represents the transition between 1930s Art Deco style apartment towers with courtyards (characteristic of Central Park West) and post-World War II "modernist" apartment houses. -
Liverpool University Urban Design Framework Part 3.Pdf
University of Liverpool: UDF 2:5 - The Townscape Context In order to assess the quality of the townscape around the University we have undertaken an audit of the quality of buildings in the area. Inherent townscape quality: Blighting impact 1/5 Inherent townscape quality: Negative impact 2/5 Inherent townscape quality: Neutral contribution 3/5 Inherent townscape quality: Positive contribution 4/5 Inherent townscape quality: Maximum contribution 5/5 We have conducted a detailed, block by block The survey is not so much designed as a This core barely connects to the positive Other fragments of quality townscape are located much of the area around Lime Street Station; visual assessment of townscape quality across judgement on each property, as a means of townscape of the Bold Street and Ropewalks at St. Andrew’s Gardens, and on the very edge and the study area. Each block, and in many cases building up a well-grounded picture of patterns of area to the west, which includes Renshaw Street, of Kensington where the Bridewell and Sacred the majority of the University of Liverpool individual buildings within them, has been townscape quality around the University Campus. Ranelagh Place and Lime Street. Heart Church are outposts of the intact Victorian campus. rated on a scale between 1 and 5, to provide neighbourhood around Kensington Fields. a consistent measure of their architecture’s Differentiating the buildings and blocks that A spur of good townscape reaches along London The townscape plan on the opposite page underlying effect on the overall -
Bfm:978-1-56898-652-4/1.Pdf
Manhattan Skyscrapers Manhattan Skyscrapers REVISED AND EXPANDED EDITION Eric P. Nash PHOTOGRAPHS BY Norman McGrath INTRODUCTION BY Carol Willis PRINCETON ARCHITECTURAL PRESS NEW YORK PUBLISHED BY Princeton Architectural Press 37 East 7th Street New York, NY 10003 For a free catalog of books, call 1.800.722.6657 Visit our website at www.papress.com © 2005 Princeton Architectural Press All rights reserved Printed and bound in China 08 07 06 05 4 3 2 1 No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. The publisher gratefully acknowledges all of the individuals and organizations that provided photographs for this publi- cation. Every effort has been made to contact the owners of copyright for the photographs herein. Any omissions will be corrected in subsequent printings. FIRST EDITION DESIGNER: Sara E. Stemen PROJECT EDITOR: Beth Harrison PHOTO RESEARCHERS: Eugenia Bell and Beth Harrison REVISED AND UPDATED EDITION PROJECT EDITOR: Clare Jacobson ASSISTANTS: John McGill, Lauren Nelson, and Dorothy Ball SPECIAL THANKS TO: Nettie Aljian, Nicola Bednarek, Janet Behning, Penny (Yuen Pik) Chu, Russell Fernandez, Jan Haux, Clare Jacobson, John King, Mark Lamster, Nancy Eklund Later, Linda Lee, Katharine Myers, Jane Sheinman, Scott Tennent, Jennifer Thompson, Paul G. Wagner, Joe Weston, and Deb Wood of Princeton Architectural Press —Kevin Lippert, Publisher LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Nash, Eric Peter. Manhattan skyscrapers / Eric P. Nash ; photographs by Norman McGrath ; introduction by Carol Willis.—Rev. and expanded ed. p. cm. Includes bibliographical references. ISBN 1-56898-545-2 (alk. -
“The 1961 New York City Zoning Resolution, Privately Owned Public
“The 1961 New York City Zoning Resolution, Privately Owned Public Space and the Question of Spatial Quality - The Pedestrian Through-Block Connections Forming the Sixth-and-a-Half Avenue as Examples of the Concept” University of Helsinki Faculty of Arts Department of Philosophy, History, Culture and Art Studies Art History Master’s thesis Essi Rautiola April 2016 Tiedekunta/Osasto Fakultet/Sektion – Faculty Laitos/Institution– Department Humanistinen tiedekunta Filosofian, historian, kulttuurin ja taiteiden tutkimuksen laitos Tekijä/Författare – Author Essi Rautiola Työn nimi / Arbetets titel – Title The 1961 New York City Zoning Resolution, Privately Owned Public Space and the Question of Spatial Quality - The Pedestrian Through-Block Connections Forming the Sixth-and-a-Half Avenue as Examples of the Concept Oppiaine /Läroämne – Subject Taidehistoria Työn laji/Arbetets art – Level Aika/Datum – Month and year Sivumäärä/ Sidoantal – Number of pages Pro gradu Huhtikuu 2016 104 + 9 Tiivistelmä/Referat – Abstract Tutkielma käsittelee New Yorkin kaupungin kaavoituslainsäädännön kerrosneliöbonusjärjestelmää sekä sen synnyttämiä yksityisomisteisia julkisia tiloja ja niiden tilallista laatua nykyisten ihanteiden valossa. Esimerkkitiloina käytetään Manhattanin keskikaupungille kuuden korttelin alueelle sijoittuvaa kymmenen sisä- ja ulkotilan sarjaa. Kerrosneliöbonusjärjestelmä on ollut osa kaupungin kaavoituslainsäädäntöä vuodesta 1961 alkaen ja liittyy olennaisesti New Yorkin kaupungin korkean rakentamisen perinteisiin. Se on mahdollistanut ylimääräisten