Heritage Impact Assessment Annexure 1: the History Report
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Rhodes Memorial the Immense and Brooding Spirit Still Shall Quicken and Control
FREE Please support our advertisers who make this free guide possible PLEASE TIP Cape Town EMPOWERMENT VENDORS GATEWAYGUIDES Rhodes Memorial The immense and brooding spirit still shall quicken and control. Living he was the land, and dead, his soul shall be her soul! Muizenberg Rhodes Memorial Rudyard Kipling 1 False Bay To advertise here contact Hayley Burger: 021 487 1200 • [email protected] Earl Grey, the Colonial Secretary, Rhodes did not ‘miss the bus’ as Neville Chamberlain said; he started 100 YEAR proposed a massive statue of a company, ‘The Gold Fields of South Africa Ltd’. His next move was to Cape Point ANNIVERSARY a human figure on the summit turn over all properties and interests to shareholders to run the business, 2012 of Signal Hill, overlooking Cape and in return, Rhodes and his partner, Charles Rudd, would receive Town, that would rival the statue a ‘founders share’ which was two-fifteenths of the profits. This of Christ in Rio de Janeiro and the worked out to up to 400,000 pounds a year. The shareholders, Statue of Liberty in New York. The after a number of years, resented this arrangement - as a idea was met with horror and was result, Rhodes became a ordinary shareholder with a total squashed immediately. The figure of 1,300,000 pounds worth of shares. He also invested in was to be of Cecil John Rhodes, other profitable mining companies on the Rand. In 1890, a man of no royalty, neither hero the first disaster hit the gold industry. As the mines 2 nor saviour; so, who was this became deeper, they hit a layer of rock containing To advertise here contact Hayley Burger: man and what did he do that a pyrites which retarded the then recovery process. -
The Political Thought of Harry Oppenheimer, Under the Editorship of Kalim Rajab
THE JOURNAL OF THE HELEN SUZMAN FOUNDATION | ISSUE 81 | DECEMBER 2017 BOOK REVIEW Gary Ralfe retired from active business life in 2006 after forty A Man Of Africa : The Political years of service firstly with Anglo American Corporation, and then Thought of Harry Oppenheimer with De Beers where he was Managing Director for eight Edited by Kalim Rajab years. In addition to My forty-year career with Anglo American and De Beers developed the HSF he chairs the Board of Governors under the benign shadow of Harry Oppenheimer (HFO). To generations of Michaelhouse, the of managers and staff in what used to be called the greater group HFO fund-raising arm of the Alexandra Education was more than a chairman and leader. He was a living icon. I was Committee, the fund- not the first or the last young man or woman to join Anglo American raising arm of Business Against Crime and the because it was a force for good in Southern Africa, the most important Beyond Foundation engine of economic growth, industrialisation, urbanization and a which does community work in rural areas. better life for all. I associated with the credo attributed to HFO’s father Sir Ernest Oppenheimer that “the purpose of large corporations such as Anglo American is to make profits for its shareholders, but to do so in such a way as to make a real and lasting contribution to the welfare of the communities where it operates”. It is surprising that seventeen years after HFO’s death there is still no biography. I know that the family wisely wanted time to elapse before commissioning one. -
The Diamond Cartel
THE DIAMOND CARTEL Although the United States is the principal consumer of the world's dia- mond supply,' the diamond industry is so cartelized as to be virtually imper- vious to pressure by American users of diamonds. Within the past ten years industrial diamonds have become indispensable to various high-speed, pre- cision manufacturing operations.2 Since distribution of ninety-five percent of the world's diamond production is channelized through a single marketing combine, competitive forces within the industry have been short circuited.a Therefore consumer resistance has been impracticable and American efforts to obtain a better bargaining position have so far been ineffective. The cartel is completely foreign-controlled and operates entirely outside the United States,4 thus obviating effective action under the antitrust laws and making 1. Leslie, Diamonds as Tools Speed up Victory, DoMEsTIc CoxriRcE, Aug. 1945, p, 28. Today, the United States uses approximately 90% of the world's production of Indus- trial diamonds. § 29 Complaint, DeBeers Consolidated Mines Ltd. v. United States, 325 U.S. 212 (1945) [hereinafter referred to as Complaint]. This figure includes all cate- gories of industrial diamonds--ballas, boart and carbonado. For a description of the types of industrial diamonds, see Diamonds for Victory, FOREIGN COMMERCE, Jan. 17, 1942, p. 4; Industrial Diamonds,.FORTUNE, June 1935, p. 22. Carbonado is rare and almost entirely confined to Brazil and will not enter into the discussion hereafter. Post-war production should produce the following ratios of diamond types: out of every 10,000 carats 250 will be carbonado, 1,900 ballas, 1,975 gemstones, and 5,875 boart. -
Dante Gabriel Rossetti and the Italian Renaissance: Envisioning Aesthetic Beauty and the Past Through Images of Women
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN Carolyn Porter Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/113 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Carolyn Elizabeth Porter 2010 All Rights Reserved “DANTE GABRIEL ROSSETTI AND THE ITALIAN RENAISSANCE: ENVISIONING AESTHETIC BEAUTY AND THE PAST THROUGH IMAGES OF WOMEN” A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. by CAROLYN ELIZABETH PORTER Master of Arts, Virginia Commonwealth University, 2007 Bachelor of Arts, Furman University, 2004 Director: ERIC GARBERSON ASSOCIATE PROFESSOR, DEPARTMENT OF ART HISTORY Virginia Commonwealth University Richmond, Virginia August 2010 Acknowledgements I owe a huge debt of gratitude to many individuals and institutions that have helped this project along for many years. Without their generous support in the form of financial assistance, sound professional advice, and unyielding personal encouragement, completing my research would not have been possible. I have been fortunate to receive funding to undertake the years of work necessary for this project. Much of my assistance has come from Virginia Commonwealth University. I am thankful for several assistantships and travel funding from the Department of Art History, a travel grant from the School of the Arts, a Doctoral Assistantship from the School of Graduate Studies, and a Dissertation Writing Assistantship from the university. -
Case 21 2012/13: a Julia Margaret Cameron Photo Album
Case 21 2012/13: A Julia Margaret Cameron Photo Album Expert adviser’s statement Reviewing Committee Secretary’s note: Please note that any illustrations referred to have not been reproduced on the Arts Council England Website SUMMARY OF WORK Julia Margaret Cameron (1815-1879) – (Compiler) THE "SIGNOR 1857" ALBUM, 1857 Sotheby’s Sale L12408, 12 December, 2012, Lot 65) 35 photographs by various photographers, including Cameron, Reginald Southey, Rejlander, and 2nd Earl Brownlow, all mounted individually on within an album (one leaf now loose), comprising 3 salted paper prints and 32 albumen prints, 24 images with later inscriptions in pencil by Mary Seton Watts identifying the sitters and occasionally with other notes, one inscription in ink by George Frederic Watts, a few annotations by Julia Margaret Cameron, and with further pencil inscriptions in two further hands, one providing children’s ages, the other identifying sitters, also with a later inscription on the front pastedown giving an (incorrect) summary of the content, four stubs, one page with adhesive residue where a photograph or other insertion has apparently been removed, 35 pages, plus blanks, 4to (246 x 197mm), green morocco, marbled endpapers, gilt borders and gilt stamped on upper cover “Signor.1857”. EXECUTIVE SUMMARY Julia Margaret Cameron (1815-1879) was one of the greatest nineteenth century artists in any medium and one of the greatest photographers that Britain has ever produced. She took her first photograph in 1864 but was actively involved with photography prior to this, compiling a number of albums. The Signor 1857 album is the earliest of eight recorded photographic albums assembled by Cameron in the period before she took up photography herself. -
Directory of Organisations and Resources for People with Disabilities in South Africa
DISABILITY ALL SORTS A DIRECTORY OF ORGANISATIONS AND RESOURCES FOR PEOPLE WITH DISABILITIES IN SOUTH AFRICA University of South Africa CONTENTS FOREWORD ADVOCACY — ALL DISABILITIES ADVOCACY — DISABILITY-SPECIFIC ACCOMMODATION (SUGGESTIONS FOR WORK AND EDUCATION) AIRLINES THAT ACCOMMODATE WHEELCHAIRS ARTS ASSISTANCE AND THERAPY DOGS ASSISTIVE DEVICES FOR HIRE ASSISTIVE DEVICES FOR PURCHASE ASSISTIVE DEVICES — MAIL ORDER ASSISTIVE DEVICES — REPAIRS ASSISTIVE DEVICES — RESOURCE AND INFORMATION CENTRE BACK SUPPORT BOOKS, DISABILITY GUIDES AND INFORMATION RESOURCES BRAILLE AND AUDIO PRODUCTION BREATHING SUPPORT BUILDING OF RAMPS BURSARIES CAREGIVERS AND NURSES CAREGIVERS AND NURSES — EASTERN CAPE CAREGIVERS AND NURSES — FREE STATE CAREGIVERS AND NURSES — GAUTENG CAREGIVERS AND NURSES — KWAZULU-NATAL CAREGIVERS AND NURSES — LIMPOPO CAREGIVERS AND NURSES — MPUMALANGA CAREGIVERS AND NURSES — NORTHERN CAPE CAREGIVERS AND NURSES — NORTH WEST CAREGIVERS AND NURSES — WESTERN CAPE CHARITY/GIFT SHOPS COMMUNITY SERVICE ORGANISATIONS COMPENSATION FOR WORKPLACE INJURIES COMPLEMENTARY THERAPIES CONVERSION OF VEHICLES COUNSELLING CRÈCHES DAY CARE CENTRES — EASTERN CAPE DAY CARE CENTRES — FREE STATE 1 DAY CARE CENTRES — GAUTENG DAY CARE CENTRES — KWAZULU-NATAL DAY CARE CENTRES — LIMPOPO DAY CARE CENTRES — MPUMALANGA DAY CARE CENTRES — WESTERN CAPE DISABILITY EQUITY CONSULTANTS DISABILITY MAGAZINES AND NEWSLETTERS DISABILITY MANAGEMENT DISABILITY SENSITISATION PROJECTS DISABILITY STUDIES DRIVING SCHOOLS E-LEARNING END-OF-LIFE DETERMINATION ENTREPRENEURIAL -
Fallen Woman Or Fallen Man? Representations of Moral
XVIII Fallen Woman or Fallen Man? Representations of moral responsibility, punishment and reward in George Frederic Watts’s painting Found Drowned (1848-50) and Charles Dickens’s novel Our Mutual Friend (1864-5). SUSAN KNIGHTS This article will examine gendered representations of moral responsibility by comparing its treatment of fallen women in the above artefacts. George Frederic Watts evinces sympathy and condemnation for the plight of a drowned woman, alone bearing the punishment for her fall from prevalent societal expectations of female behaviour. Charles Dickens appears to go further in challenging the distribution of moral responsibility, inverting the stereotypic trope of the fallen woman by instead punishing a fallen man for his moral failure. Both artefacts, however, remain trapped in the dominant cultural model of the time, with its privileging of the patriarchal home as the best protector of female propriety. They thus re-enforce stereotypic inscriptions of gender. Read together as social documents, they reflect a society in transition, in which attitudes towards morality, class and gender, far from being universal and absolute, were fraught with paradox, uncertainty and ambivalence. he Victorians were much exercised by perceived essentialist gender differences, Tadvocating separate public or private spheres for men and women even as a burgeoning urban female workforce increasingly complicated strict delineations. Traditionally, women were expected to maintain the highest moral standards, but were disproportionately castigated -
The-Diamond-Empire-Transcript.Pdf
1 MEDIA EDUCATION F O U N D A T I O N 60 Masonic St. Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org The Diamond Empire Transcript Part 1 begins on pg. 1 Part 2 begins on pg. 15 PART 1: INTRODUCTION NARRATOR: On a hill above Johannesburg is the private estate of one of the wealthiest families on earth. They’ve made their fortune by manipulating markets and fixing prices. Their money has come from ordinary people all over the world who imagine they’re investing in something rare and valuable. But this is a family which deals in illusion. It presides over one of the last great cartels, an extraordinarily successful business empire worth $60 billion. This is the Oppenheimer family and their trade is diamonds. NARRATOR: The richest diamond jewelry market in the world is in New York. It’s a $10.8 billion business. Around 47th Street, there are twenty-five thousand people who buy, cut, polish and sell diamonds, from the most glamorous jewelry to the cheapest mail-order. It’s a highly secretive and risky business. The Oppenheimers themselves declined to help in any way in the making of this film. Bill Goldberg is one of the few top dealers who will talk openly about what he does. BILL GOLDBERG: It’s fascinating, it’s amazing that a lot of men that are ten years younger than I am can’t wait to retire and I can’t wait to get here in the morning at eight o’clock, to produce these beautiful works, these beautiful pieces of art from what looks like a pebble on the beach. -
19Th Century European Paintings I New York I November 7, 2018 24960
New York I November 7, 2018 New York 19th Century European Paintings European 19th Century 19th Century European Paintings I New York I November 7, 2018 24960 19th Century European Paintings New York | Wednesday 7 November 2018, at 2pm BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Mark Fisher, Director Front cover: Lot 53 New York, New York 10022 +1 (212) 644 9009 fax +1 (323) 436 5488 Inside front cover: Lot 26 bonhams.com [email protected] [email protected] Facing page: Lot 41 Back cover: Lot 34 PREVIEW To bid via the internet please Madalina Lazen, Director Inside back cover: Lot 21 Saturday 3 November 12-5pm visit www.bonhams.com/24960 +1 (212) 644 9108 Index ghost image: Lot 32 Sunday 4 November 12-5pm [email protected] Monday 5 November 10am-5pm Please note that telephone bids REGISTRATION Tuesday 6 November 10am-5pm must be submitted no later Rocco Rich, Specialist IMPORTANT NOTICE than 4pm on the day prior to +1 (323) 436 5410 Please note that all customers, the auction. New bidders must [email protected] SALE NUMBER: 24960 irrespective of any previous activity also provide proof of identity with Bonhams, are required to and address when submitting London complete the Bidder Registration CATALOG: $35 bids. Telephone bidding is only Charles O’Brien Form in advance of the sale. The available for lots with a low +44 (0) 20 7468 8360 form can be found at the back estimate in excess of $1000. [email protected] of every catalogue and on our website at www.bonhams.com Please contact client services Peter Rees and should be returned by email or with any bidding inquiries. -
The Heart of the Matter
THE HEART OF THE MATTER SIERRA LEONE, DIAMONDS & HUMAN SECURITY (COMPLETE REPORT) Ian Smillie Lansana Gberie Ralph Hazleton Partnership Africa Canada (PAC) is a coalition of Canadian and African organizations that work in partnership to promote sustainable human development policies that benefit African and Canadian societies. The Insights series seeks to deepen understanding of current issues affecting African development. The series is edited by Bernard Taylor. The Heart of the Matter: Sierra Leone, Diamonds and Human Security (Complete Report) Ian Smillie, Lansana Gberie, Ralph Hazleton ISBN 0-9686270-4-8 © Partnership Africa Canada, January 2000 Partnership Africa Canada 323 Chapel St., Ottawa, Ontario, Canada K1N 7Z2 [email protected] P.O. Box 60233, Addis Ababa, Ethiopia pac@ telecom.net.et ________________ The Authors Ian Smillie, an Ottawa-based consultant, has 30 years of international development experience, as manager, programmer, evaluator and writer. He was a founder of the Canadian NGO Inter Pares, and was Executive Director of CUSO from 1979 to 1983. His most recent publications include The Alms Bazaar: Altruism Under Fire; Non Profit Organizations and International Development (IT Publications, London, 1995) and Stakeholders: Government-NGO Partnerships for International Development (ed. With Henny Helmich, Earthscan, London, 1999). Since 1997 he has worked as an associate with the Thomas J. Watson Jr. Institute at Brown University on issues relating to humanitarianism and war. Ian Smillie started his international work in 1967 as a teacher in Koidu, the centre of Sierra Leone’s diamond mining area. Lansana Gberie is a doctoral student at the University of Toronto and research associate at the Laurier Centre for Military, Strategic and Disarmament Studies, Waterloo, Ontario. -
Anglo American Agrees Acquisition of Oppenheimer Family's 40% Interest
CHL H OLDINGS LIMITED NEWS RELEASE 4 November 2011 Anglo American agrees acquisition of Oppenheimer family’s 40% interest in De Beers for US$ 5.1 billion Anglo American plc (“Anglo American”) and CHL Holdings Limited (“CHL”) announce their agreement for Anglo American to acquire an incremental interest in De Beers, increasing Anglo American’s current 45% shareholding in the world’s leading diamond company to up to 85%. Anglo American has entered into an agreement with CHL and Centhold International Limited (“CIL”), together representing the Oppenheimer family interests (“CHL Group”), to acquire their 40% interest in DB Investments and De Beers sa (“De Beers”) for a total cash consideration of US$5.1 billion, subject to adjustment as provided for in the agreement. Under the terms of the existing shareholders’ agreement between Anglo American, CHL and the Government of the Republic of Botswana (GRB), the GRB has pre-emption rights in respect of the CHL Group’s interest in De Beers, enabling it to participate in the transaction and to increase its interest in De Beers, on a pro rata basis, to up to 25%. In the event that the GRB exercises its pre- emption rights in full, Anglo American, under the proposed transaction, would acquire an incremental 30% interest in De Beers, taking its total interest to 75%, and the consideration payable by Anglo American to the CHL Group would be reduced proportionately. Anglo American has a deep knowledge and understanding of De Beers and an appreciation for the unique nature of diamonds, having been the company’s largest shareholder since De Beers became a private company in 2001 and as a longstanding shareholder in De Beers prior to that. -
Harmony and Discord in South African Foreign Policy Making
Composers, conductors and players: Harmony and discord in South African foreign policy making TIM HUGHES KONRAD-ADENAUER-STIFTUNG • OCCASIONAL PAPERS • JOHANNESBURG • SEPTEMBER 2004 © KAS, 2004 All rights reserved While copyright in this publication as a whole is vested in the Konrad-Adenauer- Stiftung, copyright in the text rests with the individual authors, and no paper may be reproduced in whole or part without the express permission, in writing, of both authors and the publisher. It should be noted that any opinions expressed are the responsibility of the individual authors and that the Konrad-Adenauer-Stiftung does not necessarily subscribe to the opinions of contributors. ISBN: 0-620-33027-9 Published by: Konrad-Adenauer-Stiftung 60 Hume Road Dunkeld 2196 Johannesburg Republic of South Africa PO Box 1383 Houghton 2041 Johannesburg Republic of South Africa Telephone: (+27 +11) 214-2900 Telefax: (+27 +11) 214-2913/4 E-mail: [email protected] www.kas.org.za Editing, DTP and production: Tyrus Text and Design Cover design: Heather Botha Reproduction: Rapid Repro Printing: Stups Printing Foreword The process of foreign policy making in South Africa during its decade of democracy has been subject to a complex interplay of competing forces. Policy shifts of the post-apartheid period not only necessitated new visions for the future but also new structures. The creation of a value-based new identity in foreign policy needed to be accompanied by a transformation of institutions relevant for the decision-making process in foreign policy. Looking at foreign policy in the era of President Mbeki, however, it becomes obvious that Max Weber’s observation that “in a modern state the actual ruler is necessarily and unavoidably the bureaucracy, since power is exercised neither through parliamentary speeches nor monarchical enumerations but through the routines of administration”,* no longer holds in the South African context.