DOCSLIB.ORG

Den Digitale Leg – Om Børn Og Computerspil

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Den Digitale Leg – Om Børn Og Computerspil DEND ENDIGITALE DIGITALE LEG – OM BØRN OG COMPUTERSPIL LEG – om børn og computerspil Af Simon Egenfeldt-Nielsen og Jonas Heide Smith - Side 1 af 142 - www.autofire.dk/dendigitaleleg DEN DIGITALE LEG – OM BØRN OG COMPUTERSPIL Den digitale Leg udkom i 2000 på Hans Reitzels Forlag. Denne fil indeholder hele bogens tekst med følgende undtagelser: Skærmbilleder og fotografier. Der er foretaget enkelte minimale ændringer i teksten i forhold til originalen. Denne fils sidetal stemmer ikke overens med originalens. Forfatterne kan kontaktes på disse adresser: Simon Egenfeldt-Nielsen ([email protected]) Jonas Heide Smith ([email protected]) Denne version: 06-05-2004 Bogens website: www.autofire.dk/dendigitaleleg Køb bogen for 150 kr. inkl. porto via www.autofire.dk/dendigitaleleg/hovedsider/bestil.htm Dette værk er offentliggjort under en Creative Commons-licens: This work is licensed under the Creative Commons Attribution-NoDerivs- NonCommercial License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nd-nc/1.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. - Side 2 af 142 - www.autofire.dk/dendigitaleleg DEN DIGITALE LEG – OM BØRN OG COMPUTERSPIL Forord ................................................................................................... 5 Indledning ............................................................................................ 6 Computerspil og viden ........................................................................................... 7 Bogens indhold....................................................................................................... 9 Bogens metode....................................................................................10 Det kompetente mediebarn.................................................................13 Computerbrug........................................................................................................14 Perspektiver og kompetencer................................................................................17 Kapitel 1: Computerspillene „i sig selv“..............................................19 Hvad er et computerspil? ..................................................................................... 20 Begreber.................................................................................................................21 Computerspil og genrer...................................................................... 23 Computerspillets historie ..................................................................................... 26 Begyndelsen ....................................................................................................................... 27 1970’erne............................................................................................................................ 30 1980’erne............................................................................................................................ 33 1990’erne............................................................................................................................ 37 Computerspil, medier og interaktivitet.............................................. 44 Er computerspil voldelige?................................................................................... 48 Er computerspil drengeleg? ................................................................................. 49 Computeren og kønnet......................................................................................... 50 Hvorfor er der ingen pigespil?...............................................................................51 Jagten på pigespillet ............................................................................................. 52 Kapitel 2 : Den offentlige mening ................................................... 54 Firkantede øjne..................................................................................................... 62 Kapitel 3: Effekten og individet.......................................................... 65 Den glemte industri.............................................................................................. 65 De voldelige spils dominans................................................................................. 67 Ud af halvmørket .............................................................................................................. 68 Computerspillene rykker ind i hjemmet......................................................................... 71 Wonderboy in Monsterland – spillene og den yngre barndom .................................. 71 Half-life – Den mellemste barndom og det sociale...................................................... 74 Age of Empires – Ungdomsårene .................................................................................. 78 Unreal – de 18-27-årige.................................................................................................... 79 Er computerspil afhængighedskabende?........................................................................ 81 Truslen mod det sociale barn .......................................................................................... 83 Computerspil og risici....................................................................................................... 85 Kapitel 4: Leg, computerspil og fællesskaber .................................... 88 Legens historie...................................................................................................... 89 Legens idealisering............................................................................................... 93 Den ukorrekte leg og krigslegetøjet................................................................................ 95 - Side 3 af 142 - www.autofire.dk/dendigitaleleg DEN DIGITALE LEG – OM BØRN OG COMPUTERSPIL Fiktion og virkelighed .......................................................................................... 97 Legeforskningen..................................................................................................100 Grundlæggende er leg jo …?...............................................................................103 Eventyret, døden og livets regler......................................................................... 115 Actionspil ......................................................................................................................... 115 Adventurespil................................................................................................................... 116 Simulationsspil................................................................................................................. 117 Strategispil........................................................................................................................ 118 Mellem leg og læring...........................................................................................120 Kapitel 5: Menneske og maskine ......................................................122 Vindere og tabere.................................................................................................125 På grænsen til det virtuelle ..................................................................................126 Ordforklaring.....................................................................................128 Litteratur............................................................................................134 - Side 4 af 142 - www.autofire.dk/dendigitaleleg DEN DIGITALE LEG – OM BØRN OG COMPUTERSPIL FORORD Denne bog handler om computerspil. Det er der ikke mange bøger der gør, hverken på dansk eller andre sprog. Emnet er ellers væsentligt nok. Den industri, der lever af at fremstille og distribuere computerspil, eller når det skal være fint: interaktiv underholdning, har det på verdensplan rigtig godt. Faktisk går det så godt at det kun kan undre at spillene har opnået så ringe kulturpolitisk interesse som det er tilfældet. En slags debat om computerspil opstår næsten udelukkende som følge af moralsk panik og akkompagneret af billeder fra særligt voldelige spil. Disse spil er ikke enlige svaler, men kan heller ikke siges at repræsentere spillenes bredde og potentiale. Som entusiastiske computerspillere med både personlig og videnskabelig interesse i emnet har vi udvalgt en række vinkler på et emne, der ellers ikke får så megen ‘seriøs’ opmærksomhed. Vi har gjort dette med særlig opmærksomhed på de sider af fænomenet som kan tænkes at have interesse for læsere som måske aldrig har sat deres ben på en netcafé eller prøvet kræfter med Dooms monstre. Med samme læser for øje har vi forsøgt at rense ud i den ofte noget indforståede jargon, der omgærder spillene. Ord hvis betydning kræver en forklaring er, første gang de optræder, markeret med en * og forklaret bag i bogen. Trods spillenes relativt korte historie hersker der stor uenighed om helt basale detaljer i deres historie. Flere kilder har måttet læses temmelig kritisk, men vi har gjort vores yderste for at kunne præsentere en så præcis fremstilling som muligt. For forbedringsforslag samt påpegning af fejl og mangler skylder vi stor tak til: Sidsel Hæggelin, Marie Louise Bossow, Søren Friis Smith, Anne Marie Asmussen, Fin Egenfeldt-Nielsen, Vibeke Nørgaard og Dorte Ipsen. Eventuelle fejl står dog helt for forfatternes egen regning. Litteraturhenvisninger, hyperlinks og supplerende vinkler på bogens emne kan
Load more

Recommended publications
  • For Composers, Musicians, Sound Designers, and Game Developers
    THE COMPLETE GUIDE TO GAME AUDIO For Composers, Musicians, Sound Designers, and Game Developers Aaron Marks CMP BOOKS Lawrence, Kansas 66046 CMP Books CMP Media LLC 1601 West 23rd Street, Suite 200 Lawrence, Kansas 66046 USA Designations used by companies to distinguish their products are often claimed as trademarks. In all instances where CMP is aware of a trademark claim, the product name appears in initial capital let- ters, in all capital letters, or in accordance with the vendor’s capitalization preference. Readers should contact the appropriate companies for more complete information on trademarks and trade- mark registrations. All trademarks and registered trademarks in this book are the property of their respective holders. Copyright © 2001 by CMP Media LLC, except where noted otherwise. Published by CMP Books, CMP Media LLC. All rights reserved. Printed in the United States of America. No part of this publi- cation may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher; with the exception that the program listings may be entered, stored, and executed in a computer system, but they may not be reproduced for publication. The programs in this book are presented for instructional value. The programs have been carefully tested, but are not guaranteed for any particular purpose. The publisher does not offer any warran- ties and does not guarantee the accuracy, adequacy, or completeness of any information herein and is not responsible for any errors or omissions. The publisher assumes no liability for damages result- ing from the use of the information in this book or for any infringement of the intellectual property rights of third parties that would result from the use of this information.
    [Show full text]
  • Making Meaning out of Social Harm in Videogames
    Making Meaning out of Social Harm in Videogames by Aidan Fortier B.A., Dalhousie University, 2014 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Criminology Faculty of Arts and Social Sciences © Aidan Fortier 2018 SIMON FRASER UNIVERSITY Fall 2018 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Aidan Fortier Degree: Master of Arts Title: Making Meaning out of Social Harm in Videogames Examining Committee: Chair: Richard Frank Assistant Professor Bryan Kinney Senior Supervisor Associate Professor Sheri Fabian Supervisor Senior Lecturer Anthony Vickery External Examiner Assistant Teaching Professor Theatre Department University of Victoria Date Defended/Approved: September 14th, 2018 ii Ethics Statement iii Abstract A literature review demonstrates that videogame research has theoretical and empirical relevance to criminology. This thesis explores the construction of meaning around representations of social harm in videogames by answering two research questions: 1) How is social harm represented in videogames? 2) How do players construct meaning around videogame content relating to social harm? Study 1 is a qualitative content analysis of representations of social harm in the popular videogame Skyrim. Themes included crime and punishment, money and power, extrajudicial crime control, legitimacy of violence, and criminalization of race. These findings are contextualized against analogous real-world cultural constructs. Study 2 consists of 18 interviews with players about their experiences interpreting and responding to social harm representations in videogames. Players’ construction of meaning depended on factors including player- character relationship, playstyle, game genre, and play context.
    [Show full text]
  • John Carmack Archive - Interviews
    John Carmack Archive - Interviews http://www.team5150.com/~andrew/carmack August 2, 2008 Contents 1 John Carmack Interview5 2 John Carmack - The Boot Interview 12 2.1 Page 1............................... 13 2.2 Page 2............................... 14 2.3 Page 3............................... 16 2.4 Page 4............................... 18 2.5 Page 5............................... 21 2.6 Page 6............................... 22 2.7 Page 7............................... 24 2.8 Page 8............................... 25 3 John Carmack - The Boot Interview (Outtakes) 28 4 John Carmack (of id Software) interview 48 5 Interview with John Carmack 59 6 Carmack Q&A on Q3A changes 67 1 John Carmack Archive 2 Interviews 7 Carmack responds to FS Suggestions 70 8 Slashdot asks, John Carmack Answers 74 9 John Carmack Interview 86 9.1 The Man Behind the Phenomenon.............. 87 9.2 Carmack on Money....................... 89 9.3 Focus and Inspiration...................... 90 9.4 Epiphanies............................ 92 9.5 On Open Source......................... 94 9.6 More on Linux.......................... 95 9.7 Carmack the Student...................... 97 9.8 Quake and Simplicity...................... 98 9.9 The Next id Game........................ 100 9.10 On the Gaming Industry.................... 101 9.11 id is not a publisher....................... 103 9.12 The Trinity Thing........................ 105 9.13 Voxels and Curves........................ 106 9.14 Looking at the Competition.................. 108 9.15 Carmack’s Research......................
    [Show full text]
  • Bcsfazine #534
    The Newsletter of the British Columbia Science Fiction Association #534 $3.00/Issue November 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................5 News-Like Matter................................................................9 VCON 42 Report (Part 2) (Michael J. Bertrand)..............16 Art Credits..........................................................................18 BCSFAzine © November 2017, Volume 45, #11, Issue #534 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 17 November 2017: Submission deadline for December BCSFAzine (ideally). Sunday 19 November 2017 at 6 PM: November BCSFA meeting—at ABC Country Restaurant, 3580 Number Three
    [Show full text]
  • Playing the Past: History and Nostalgia in Video Games
    playing past HISTORY AND NOSTALGIA IN VIDEO GAMES the EditEd b y Zach Whalen Laurie N. Taylor Playing the Past Playing the Past History and Nostalgia in Video Games Edited by Zach Whalen and Laurie N. Taylor Vanderbilt University Press • Nashville © 2008 by Vanderbilt University Press Nashville, Tennessee 37235 All rights reserved Library of Congress Cataloging-in-Publication Data Playing the past : history and nostalgia in video games / edited by Zach Whalen and Laurie N. Taylor. p. cm. Includes bibliographical references and index. ISBN 978-0-8265-1600-8 (cloth : alk. paper) ISBN 978-0-8265-1601-5 (pbk. : alk. paper) 1. Video games. 2. Video games—Psychological aspects. 3. Video games—Study and teaching. I. Whalen, Zach, 1979– II. Taylor, Laurie N., 1978– GV1469.3.P483 2008 794.8—dc22 2007051878 Contents Preface and Acknowledgments vii 1 Playing the Past: An Introduction 1 Laurie N. Taylor and Zach Whalen Part I. Playing in the Past Negotiating Nostalgia and Classic Gaming 2 Why Old School Is “Cool”: A Brief Analysis of Classic Video Game Nostalgia 19 Sean Fenty 3 Homesick for Silent Hill: Modalities of Nostalgia in Fan Responses to Silent Hill 4: The Room 32 Natasha Whiteman 4 Playing the Déjà-New: “Plug it in and Play TV Games” and the Cultural Politics of Classic Gaming 51 Matthew Thomas Payne 5 Hacks, Mods, Easter Eggs, and Fossils: Intentionality and Digitalism in the Video Game 69 Wm. Ruffin Bailey 6 Screw the Grue: Mediality, Metalepsis, Recapture 91 Terry Harpold vi Playing the Past Part II. Playing and the Past Understanding Media History and Video Games 7 Unlimited Minutes: Playing Games in the Palm of Your Hand 111 Sheila C.
    [Show full text]
  • Kingdom Come: Deliverance (2018), Both of Which Have Become Subjects of Heated Discussions
    Of Damsels, Knights, and Identity Politics: Social Norms and Boundaries in Central and Eastern Europe’s Role-Playing Video Games By Ádám Hushegyi Submitted to Central European University Department of Nationalism Studies In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor András Kovács CEU eTD Collection Budapest, Hungary 2019 Abstract The thesis argues for the study of video games as a branch of popular culture with an exceptional ability to communicate social norms and boundaries, which enter into dialogue with their audiences’ political views and convictions. The thesis explores these themes through the analysis of two successful Central and Eastern European titles, The Witcher 3: Wild Hunt (2015) and Kingdom Come: Deliverance (2018), both of which have become subjects of heated discussions about politics and representation in video games, yet they have not received extensive academic attention. Following a literature review and theoretical framework, the thesis offers a comparative close reading of these games, which finds that they use themes such as nationalism, religion, and historical allusions to communicate diverging sets of values. Subsequently, the thesis examines how The Witcher 3 and Kingdom Come were received by journalists and audiences. In this part, the thesis offers a brief qualitative content analysis of three online discussion threads, which concludes that arguments about the games’ controversial aspects served as proxies for audiences to comment on a larger debate about political correctness and self-representation in the video game industry. Through these analyses, the work reaffirms the need to study games as politically- charged entertainment on a textual as well as extra-textual level.
    [Show full text]
  • Speaking About Race: Biopower and Racism in the New Media Landscape
    SPEAKING ABOUT RACE: BIOPOWER AND RACISM IN THE VIDEOGAME LANDSCAPE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sambo Srauy May 2014 Examining Committee Members: Jan Fernback, Ph.D., Advisory Chair, Mass Media and Communication Hector Postigo, Ph.D., Mass Media and Communication Nancy Morris, Ph.D., Mass Media and Communication Casey O’Donnell Ph.D., Department of Telecommunication, Information Studies and Media at Michigan State University, Outside Reader ii © Copyright 2014 by Sambo Srauy All Rights Reserved iii ABSTRACT This dissertation explores how discourses surrounding race and economics inform the way in which videogame creators understand their world and use that understanding to create content. Employing a Foucauldian discourse analysis, the content of two videogames, Skyrim and Max Payne 3, were analyzed. The analysis of Skyrim revealed that race is constructed as an inherently biological phenomenon. Moreover, culture is constructed as emerging from biology. The analysis of Max Payne 3 revealed that capitalism grounds the construction of race so that biology and culture serves to justify the economic position of light-skinned and dark-skinned Brazilians. These constructions come from various sources such as the works of J. R. R. Tolkien and film noir. The dissertation also interviews videogame developers using semi-structured interviews to examine the extent to which content creators are aware of these discourses and how industry norms and economics affect those discourses. Videogame developers revealed that these discourses stem from a market pressure to make videogame narratives understandable and sellable. iv I dedicate this work to my brilliant and wonderful wife, Amanda, and to our amazing daughter, Madeline.
    [Show full text]
  • Games with Words: Textual Representation in the Wake of Graphical Realism in Videogames
    Games with Words: Textual Representation in the Wake of Graphical Realism in Videogames by Michael Hancock A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2015 ©Michael Hancock 2015 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Much of the videogame industry is based around a model of technological progress, whereby developers, individual videogames, and videogame platforms are lauded as superior based on their engagement with the latest, cutting edge forms of technology. As a direct consequence of this focus, sophisticated graphic-based representations are often employed as a yardstick for technological superiority, as it is a form of advancement that can be discerned by the naked eye. The focus on graphics has a number of consequences: it presents past videogames as inferior realizations that pale before more modern approaches; it favors image-based representation over other representational forms such as text; it enters videogames into a broader, ongoing debate in Western culture regarding mimesis and representations of reality that pit image and text against each other. An alternative to the graphic-dominated history of videogames is a variantological approach, in which marginalized and past forms of representation are not seen as dead ends and failures, but as variants that offer alternative perspectives.
    [Show full text]
  • Broj 32 Work.Indd
    1. STREET FIGHTER IV Već više od dve decenije ljubitelji borilačkih igara uživaju u serijalu Street Fighter. Pročitajte kratku istoriju serijala, a zatim proverite da li je Street Fighter IV dostojan naslednik prethodnika čitajući opis, i uživajte u uzbuđenju koje ulična tuča donosi igrajući igru. 2. BURNOUT PARADISE: uvodnikuvodnik THE ULTIMATE BOX Najluđa trkačka igra koja godinama dominira ONE (RED) RING TO RULE THEM ALL! na konzolama konačno stiže i na PC. Neverovatan osećaj brzine, potpuna sloboda Nemam pojma da li je već neko upotrebio ovaj naslov za Red Ring vožnje i neponovljivi udari adrenalina su ono of Death na Xbox konzoli, ali ja ga nisam video nigde, ozbiljan sam! što tera igrače da igraju Burnout. Mada, deluje kao da bi se neko toga dosetio. THE SIMS 3 No, redakcijski Xbox je doživeo kolaps, pojavio mu se Red Ring 3. of Death jednog dana, skroz nenadano. Zainteresujemo se mi za temu, internet kaže – ili pošaljite nazad Microsoftu, koji priznaje Najprodavanija igra svih vremena je ponovo RRoD i pristaje na zamene u roku od tri godine od datuma kupovine odložena, što nam pruža priliku da je (standardna garancija je godinu dana), ili zavijte konzolu u peškir ili proglasimo jednom od najiščekivanijih igara popravite sami putem uputstva. OK, zavijanje u peškir otpada, kao ovog leta (pa i cele godine), i da pogledamo i slanje nazad Microsoftu, pa smo prionuli na samostlanu opravku. šta će sve novo doneti Simsi 3 kada se na Pogledamo, na netu se prodaju uputstva za 40 dolara. Moš’ misliti. leto konačno pojave. Provalimo mi sami kako se otvara konzola, a na netu nađemo informaciju da je RroD u 99% slučajeva problem zbog toga što se hladnjak sa GPU razlabavio i onda se GPU greje i stvara problem.
    [Show full text]
  • Interview with Matthew Stibbe
    ISSUE 03 - AUGUST 2015 -- REMEMBER ISSUE 03 - AUGUST 1 2 3 Interview with Matthew Stibbe PAGE 5 1 Interview with Aidan Hughes PAGE 20 2 Toonstruck Review PAGE 13 PAGE 40 Discworld Review 3 Cannon Fodder Review PAGE 17 Amiga: The PC’s best friend PAGE 37 REM E 3 M # PAGE 26 B E E Human ++ U R S S I EDITORIAL Time hasn’t been a particularly kind friend to the Abandoned Times magazine. We needed four years to release the first issue, another two for the second, and four more for this third iteration. That covers the entire Daniel Craig era in James Bond films, to put it into perspective. Not to mention that most of our contributors now spend a big part of their daily lives inside care homes for elders, solving sudoku puzzles or playing dominoes... Yes, I don’t know about the others, but I do feel that old when I look back at all these years. Thankfully, everyone is still young and healthy and you can still see us from time to time on Abandonia’s forums. It does beg the question, however: Why bother? Why bother making #3 when we have a smaller readership than an obscure doujinshi at the Comiket in Japan, especially with such a ragtag team of talents very much prone to sudden periods of chronic idleness. Well, the main reason is that we’ve accumulated a wealth of material throughout the years, written by great people in love with old games. They’ve been waiting to see their articles online for a long time now.
    [Show full text]
  • ARABIAN ART STUDIOS, Las Vegas, NV 2014 – Present Founder/Artist Founded an Art Services Company to Experience the Independent Work/Lifestyle
    - xtremecg.com ● 702-588-2602 ● [email protected] 24-years of creative leadership, team building, art direction, administrative experience, entrepreneurship and hands on art creation working in the game industry. Ability to foster strong team cooperation with a focus on delivery of high quality projects on time. Very adaptable to unique art styles with a proven record of directing, mentoring and inspiring teams in delivering a consistent look across a spectrum of shipped titles. Constantly looking to find creative avenues for growing the teams and encouraging artists to push their boundaries. ARABIAN ART STUDIOS, Las Vegas, NV 2014 – Present Founder/Artist Founded an art services company to experience the independent work/lifestyle. • Currently re-designing all electronic table games for LT Game; including the creation of VR Showroom in Unreal Engine 4 to showcase the new line of designed products. • Working on multiple projects for American Gaming Systems (AGS) to develop new and cutting edge graphics for the company. • Managing the sub-contracting to a select team of artists on tasks that require specialties. • Worked as the Creative Director and Art Director for Ungrounded Games 6/15 – 9/15 using Unity. Company closed due to lack of funding 9/2015. SHFL ENTERTAINMENT, Las Vegas, NV 2012 – 2014 Director of Art Hired on to spearhead the visual upgrade to studio products and participate in studio level planning for future product lines. • Personally redesigned the visual presentation of the hardware for all electronic table games and branded the Fusion line of products. The new designs created a surge in sales of new Gaming systems by many large clients.
    [Show full text]
  • Jukka Vahlo: in GAMEPLAY
    ANNALES UNIVERSITATIS TURKUENSIS ANNALES UNIVERSITATIS B 451 Jukka Vahlo Jukka IN GAMEPLAY The Invariant Structures and Varieties of the Video Game Gameplay Experience Jukka Vahlo Painosalama Oy, Turku , Finland 2018 Turku Painosalama Oy, ISBN 978-951-29-7168-8 (PRINT/Painettu) ISBN 978-951-29-7169-5 (Sähköinen/PDF) TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS Sarja - ser. B osa - tom. 451 | Humaniora | Turku 2018 ISSN 0082-6987 (PRINT) | ISSN 2343-3191 (ONLINE) IN GAMEPLAY The Invariant Structures and Varieties of the Video Game Gameplay Experience Jukka Vahlo TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS Sarja - ser. B osa - tom. 451 | Humaniora | Turku 2018 University of Turku Faculty of Humanities School of History, Culture and Arts Studies Department of Folkloristics Doctoral Programme Juno Supervised by Professor Pekka Hakamies Professor Jaakko Suominen University of Turku University of Turku Custos Professor Pekka Hakamies University of Turku Reviewed by Distinguished Professor Emeritus Simon J. Bronner Professor Frans Mäyrä Penn State Harrisburg University of Tampere Opponent Distinguished Professor Emeritus Simon J. Bronner Penn State Harrisburg The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. Cover: Juha Harju Player Type Icons: Natasha Trygg Layout: Jukka Vahlo ISBN 978-951-29-7168-8 (PRINT/Painettu) ISBN 978-951-29-7169-5 (Sähköinen/PDF) ISSN 0082-6987 (PRINT) ISSN 2343-3191 (ONLINE)
    [Show full text]