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2/27/2019 Femina Beauty Awards 2019: Check Out The Complete List Of The Winners - News World | DailyHunt NEWS NATIONAL English News >> News World India >> home The Trauma Of Being Trapped In Balakote On... Thursday, 21 Feb, 11.42 am 12 MIN AGO News World India HOME HOME Srinagar, Jammu, Leh Airports Closed For Air Femina Beauty Awards 2019: Check Out The Com Traffic, Pakistan Too Stops... 39 MIN AGO List Of The Winners NEWS Indian Fighter Jets Crash: One In Pakistan Territory, Pilot 'Taken... AN HOUR AGO TOP NEWS Tusks Missing From SP's Office Found In Same... AN HOUR AGO TOP NEWS Pak Says Two Indian Military Aircraft Shot In Pakistani Airspace, One Indian... AN HOUR AGO The Nykaa Femina Beauty Awards was held on Wednesday night and turned out to studded event. All the Bollywood celebrities grace the prestigious red carpets donni Browse By Topics outfits, giving their fans a glimpse of their favourite star. News Newly married Deepika Padukone and Ranveer Singh yet again were the show steal like always, didn't mince words while expressing love for his ladylove. VIEW ALL TOPICS The others who made it to the evening included actors like Vicky Kaushal, Sara Ali K Pannu, Tabu, Raveena Tandon, Twinkle Khanna, Ankita Lokhande and many others. Newspapers Check out the complete list of the winners: Ageless Beauty Award: Raveena Tandon VIEW ALL NEWSPAPERS Creative Icon of the Decade Award: Tabu Style and Substance Award: Taapsee Pannu Man of the Year Award: Ranveer Singh Woman of the Year Award: Deepika Padukone Fresh Face of the Year (Female) Award: Sara Ali Khan Fresh Face of the Year (Male) Award: Vicky Kaushal Beautiful Couple of the Year Award: Ranveer Singh-Deepika Padukone Here are the pictures from the star-studded event: Dailyhunt Related Stories BOLLYWOOD BOLLYWOOD https://m.dailyhunt.in/news/bangladesh/english/news+world-epaper-newswore/femina+beauty+awards+2019+check+out+the+complete+list+of+t… 1/2 2/27/2019 Femina Beauty Awards 2019: Check Out The Complete List Of The Winners - News World | DailyHunt Filmfare Glamour And Style Awards 2019, Inside Deepika Padukone says 2018 has b NEWSPics And Videos: Deepika... magical year! 2 weeks ago 2 months ago ENTERTAINMENT 'Padmaavat' wins big at Mirchi Music Awards 2019, check out the complete list... a week ago Blog FAQs News Books Business Work With Us Contact Us © 2015 DailyHunt Privacy Policy https://m.dailyhunt.in/news/bangladesh/english/news+world-epaper-newswore/femina+beauty+awards+2019+check+out+the+complete+list+of+t… 2/2.

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The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood.
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