Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010, Subscription, Volume 01
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The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
TOCC 0285 Dayas Organ Booklet Copy
WILLIAM HUMPHREYS DAYAS, ONE OF LISZT’S LAST PUPILS by Jan Lehtola William Humphreys Dayas (1863–1903) was one of the last stars of the Franz Liszt piano school. In music for the organ, he is a forgotten member of the circle which included Liszt and Reubke. His two organ sonatas, especially the Second, take their place in a series beginning with Liszt’s Fantasy and Fugue on the chorale ‘Ad nos, ad salutarem undam’ (1850) and Reubke’s Sonata Der 94ste Psalm (1857). Dayas lef published copies of his organ sonatas to Richard Faltin (1835–1918), organist of what was then St Nicholas’s Church (now Helsinki Cathedral), which is how they came to be in the Sibelius Academy Library, where I discovered them in 1997. Written in ink in the score are some minor amendments probably made by Dayas himself. I came across Dayas’ transcription of the Tème varié (originally for piano), by Arthur H. Bird – another long-forgotten composer – entirely accidentally in the British Library in London in 2013. Very few people are familiar with Dayas’ organ sonatas. In the early years of the twentieth century they featured in the repertoire of such Finnish organists as Faltin and Karl Sjöblom (1861–1939), but as far as I know, I am the only organist to have performed these peices since his own day. Wherever I have done so – at the Gewandhaus in Leipzig, St Tomas in Dresden and the Riga Dom, for example – they have met with astonishment and excitement, frstly because they are totally unfamiliar and secondly because they are so good. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
FRIENDS of CHAMBER MUSIC Concerts
Long Theatre, UOP Campus - Stockton, California - Sunday, April 21, 1985 - 3 p.m. 'J'riend5g-~ CtJAMBEI-', MUSIC in cooperation with San Joaquin Delta College and University of the Pacific present The KaLichstein-Laredo-Robinson Trio Joseph Kalichstein, Piano Jaime Laredo, Violin Sharon Robinson, Cello PROGRAM Trio in E Major, Hob.XV:28 Franz Joseph Haydn (1732-1809) Allegro moderato Allegretto Finale: Allegro Trio in A Minor Maurice Ravel (1875-1937) Moder!! Pantoum(assez vite) Passacaille (tr~s large) Finale: anim~ INTERMISSION Trio in E Flat Major, Op. 100 (D 922) Franz Schubert (1797-1828) Allegro Andante con moto Scherzando: Allegro moderato Allegro moderato ********* Frank Salomon Associates, 201 West 54th Street, New York, N.Y. 10019 THE KALICHSTEIN-LAREDO-ROBINSON TRIO The Ka1ichstein-Laredo-Robinson Trio brings together three internationally lcc A me ar 1S S W 0 a e 1me rom e1r ~c ve so 0 careers eac se~son 0 per form the great literature for piano trio, offering a rare combination of virtuosity, musicianship, and the sheer joy of making music together that has established them as one of today's most exciting ensembles. The Trio has delighted audiences in coast-to-coast tours, performi ng in such major centers as New York, Los Angeles, Montreal, Detroit, Chicago, Toronto, and New Orleans and will soon be reaching yet a wider public with the release of their first recording, the Mendelssohn Trios on Vox Cum Laude. The Trio formed as a result of an ongoing relationship between the three artists developed through a series of performances on the YM-YWHA's acclaimed "Chamber Music at the Y" series, which is directed by Jaime Laredo. -
Emerson String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the EMERSON STRING QUARTET EUGENE DRUCKER, VIOLIN (1st in Aitken & Schubert) PHILIP SETZER, VIOLIN (1st in Beethoven & Barber) .. LAWRENCE DUTTON, VIOLA DAVID FINCKEL, CELLO MONDAY -,. APRIL 28, 2003 8:00 P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY THIS PROJECT IS FUNDED IN PART BY THE CITY OF HOUSTON AND TIIE T EXAS COMMISSION ON THE ARTS THROUGH THE CULTURAL ARTS COUNCIL OF HOUSTON/HARRIS COUNTY. EMERSON STRING QUARTET -PROGRAM- LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro HUGH AITKEN (b.1924) Laura Goes to India (1998) SAMUEL BARBER (1910-1981) A . Adagio for String Quartet, Op. 11 (1936) -INTERMISSION- FRANZ SCHUBERT (1797-1828) Quartet in D Minor, D. 810, "Death and the Maiden" (1824) Allegro Andante con moto Scherzo: Allegro molto Presto -.. The Emerson String Quartet appears by arrangement with IMC Artists and records exclusively for Deutsche Grammophon. www.emersonquartet.com LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) ·.1 Beethoven wrote the Opus 18 Quartets during his first years in Vienna. He had arrived from Germany in 1792 by permission of the Elector of Bonn, shortly before his twenty-second birthday, in high spirits and carrying with him introductions to some of the most prominent members of music-loving Viennese nobility, who welcomed him into their substantial musical lives. At the end of his first four years in Vienna he had established himself as a pianist of major importance and a composer of the utmost promise; he had published, among other things, a set of three Piano Trios, Op.l, three Trios for Strings, Op. -
Boston Symphony Orchestra Concert Programs, Season 127, 2007
hr»"«r^"9 m \ ^HONY gq H 2007-2008 SEASON WEEK 20 fames Levine SeijiOzawa Music | Director Laure 1 INSURANCE INVESTMENTS RETIREMEN' ate. ^ T/^ arh. if4 fimply parf &(j wfo we At John Hancock we celebrate the talented performers and artists who bring for the performing the arts to life. And proudly continue our legacy of support arts and cultural institutions that enrich our community. Wi wIZi the future is yours Table of Contents Week 20 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 23 BSO MUSIC DIRECTOR JAMES LEVINE 26 THE BOSTON SYMPHONY ORCHESTRA 30 FAREWELL, THANKS, AND ALL BEST: THIS YEAR'S BSO RETIREES 37 THIS WEEK'S PROGRAM Notes on the Program 39 Robert Schumann 47 Dmitri Shostakovich 59 To Read and Hear More. Guest Artists 63 Daniele Gatti 65 Garrick Ohlsson 73 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY MICHAEL STEINBERG, FORMER ANNOTATOR FOR THE BSO, SAN FRANCISCO SYMPHONY, AND NEW YORK PHILHARMONIC. program copyright ©2008 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Peter Vanderwarker EMC where information lives- When information comes together, it's always # a memorable performance. MiHim wwiwm organization, the BSO understands the critical role that information plays in keeping its operations running fluidly— and as the world leader in information infrastructure solutions, we help enterprises of all sizes manage, use, protect, and share their information more efficiently and cost effectively. Learn more atwww.EMC.com. 2 EMC , EMC, and where information lives are registered trademarks of EMC Corporation. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003
20032004 SEASON ' 1 . BOSTON SYM PHONY ORCHESTRA *, m** JAMES LEVINE MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUEST C UCTOR SEIJI OZAWA MUSIC DIRECTOR LAUREATE Invite the entire string section for cocktails. With floor plansfrom 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty & harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAR a/ Lf/sAer Jrill BROOKLINE Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Since 1938 Salem 333 Stuart St. www.landryandarcari.com Route 1A 617-399-6500 Open 7 Days 800-649-5909 3*S mBSHHh^ James Levine, Music Director Designate ^>,^ Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Ed Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman George D. Behrakis ex-officio George Krupp Hannah H. Schneider Gabriella Beranek William R. Elfers R. Willis Leith, Jr. Thomas G. Sternberg Jan Brett Nancy J. Fitzpatrick Nathan R. -
Boston Symphony Orchestra Concert Programs, Season 101, 1981
BOSTON SOYMPHONY OORCHESTRA Hundredth-L iUNDREDTH BirthdayOIRTHDAY OEASONSi s -°g™A LORCHESTRAj SHJIOZAWA 1881 -OCTOBER 22 -1981 w?w» V.S.O.P. % '' v£ CHAM*!** HEMY M a*^ m^ 1 COGNAC HOB FRANCE NE CHAMPAGNE CO^' THE FIRST NAME IN COGNAC SINCE 1724 EXCLUSIVELY FINE CHAMPAGNE COGNAC: FROM IMF tWO 'PREMIERS CRUS' OF THE COCNAC REGION Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Hundredth Birthday Season, 1981-82 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. J. P. Barger Mrs. John L. Grandin Irving W Rabb Mrs. John M. Bradley Edward M. Kennedy Mrs. George Lee Sargent Mrs. Norman L. Cahners David G. Mugar William A. Selke George H. A. Clowes, Jr. Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Talcott M. Banks, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs. James H. Perkins Allen G. Barry Edward G. Murray Paul C. Reardon Richard P Chapman John T. Noonan John L. Thorndike Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager William Bernell Edward R. Birdwell Daniel R. Gustin Artistic Administrator Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D. Hill Richard Ortner Director of Director of Administrator, Development Business Affairs Berkshire Music Center Joyce M. Snyder Theodore A. -
2020 Working MOTH Mag.Indd
2020 Music on the Hill Pg 1 2020 Music on the Hill Pg 1 Joseph J. Solomon Mayor VISITWARWICKRI.COM 2020 Music on the Hill Pg 1 Welcome to Music on the Hill’s Music on the Hill’s 2020 festival off ers seven diff erent concerts throughout Rhode Island. From East Greenwich on June 1, we weave our way to Westerly, Cranston, Warwick, and back. Our return to St. Luke’s Episcopal Church, Music on the Hill’s birthplace, is a special treat. The church’s new climate control system provides comfort for performers and audience alike. Another special aspect of our St. Luke’s fi na- le is the return of trumpeter Roderick MacDonald (Leipzig Gewandhaus Orchestra) to his home state. In 1979-1980, my fi rst season as principal bassist in the Rhode Island Philhar- monic Senior Youth Orchestra, Rod was principal trumpet. Oboist Anne Marie Gabriele (Los Angeles Philharmonic) was principal oboe. I’m thrilled to be able to feature Anne and Rod in the same concert...40 years in the making! Table of Contents Donors...................................................... p. 2 Thanks to the Aaron Roitman Fund for Chamber Music, violin virtuoso Evan Price -- “one of the world’s most confi - List of Advertisers............................... p. 9 dent voices in extra-classical string playing” -- joins us June 10 and 11. His unique blend of jazz and classical will wow Ticket Information............................. p. 10 you, I’m certain. The Miller-Porfi ris Duo pairs classic silent Concert Schedule................................. p. 11 fi lms with unique musical selections. World-renowned piano virtuoso Joseph Kalichstein performs Beethoven’s 4th Piano Concert Programs concerto, and Metropolitan Opera mezzo-soprano Mary Phillips sings on June 1 and 2. -
Sullivan-Journal Nr. 10 (Dezember 2013)
Sullivan-Journal Nr. 10 (Dezember 2013) Diese Ausgabe des Sullivan-Journals greift Themen auf, die im Mai nächsten Jahres mit dem Folgeband von SullivanPerspektiven weiter vertieft werden. Sullivans Erfahrungen in Leipzig spielen auch in dem erneut von Albert Gier, Meinhard Saremba und Benedict Taylor herausge- gebenen Buch SullivanPerspektiven II – Arthur Sullivans Bühnenwerke, Oratorien, Schau- spielmusik und Lieder eine Rolle, und zwar in einem Beitrag über die Einflüsse der deutschen Oper auf Sullivans Wirken in Großbritannien. Die Hintergrundinformationen zu der Kantate The Martyr of Antioch in diesem Journal bieten eine wesentliche Grundlage für die musikali- schen und literarischen Analysen dieses Werks in dem geplanten Buch. Und mit dem Beitrag von Klaus Aringer und Martin Haselböck ergänzen wir Roger Norringtons Essay aus dem ers- ten Band von SullivanPerspektiven über Sullivans Klangwelt. Die Hinweise zum Orchester in Weimar – das nicht allzu weit von Sullivans Studienort Leipzig entfernt liegt – und zur Instru- mentalentwicklung im 19. Jahrhundert tragen zu einem weiter reichenden Verständnis von Sul- livans musikalischen Erfahrungen bei. Darüber hinaus berichten wir über einen sensationellen Fund von Sullivan-Texten, die Jahr- zehnte lang der Aufmerksamkeit entgangen waren. Unser besonderer Dank für die Unterstützung bei der Recherche geht vor allem an die Kurato- rin Frances Barulich der Morgan Library in New York (Mary Flagler Cary Curator of Music Manuscripts and Printed Music, The Morgan Library & Museum), sowie an die -
Guide-Mains Contexte Historique Et Enseignement Du Pianoforte Auxixe Siècle Klavierspiel Und Klavierunterricht Im 19
Guide-mains Contexte historique et enseignement du pianoforte auxixe siècle Klavierspiel und Klavierunterricht im 19. Jahrhundert Herausgegeben von Leonardo Miucci, Suzanne Perrin-Goy und Edoardo Torbianelli unter redaktioneller Mitarbeit von Daniel Allenbach und Nathalie Meidhof | downloaded: 10.10.2021 https://doi.org/10.24451/arbor.6273 source: Edition Argus Diese PDF-Version ist seitenidentisch mit dem gedruckten Buch, das 2018 in der Edition Argus erschienen ist. Für die PDF-Version gelten dieselben Urheber- und Nutzungsrechte wie für das gedruckte Buch. Dies gilt insbesondere für Abbildungen und Notenbeispiele. Das heißt: Sie dürfen aus der PDF-Version zitieren, wenn Sie die im wissenschaftlichen Bereich üblichen Urheberangaben machen. Für die Nutzung von Abbildungen und Notenbeispielen müssen Sie gegebenenfalls die Erlaubnis der Rechteinhaber einholen. Musikforschung der Hochschule der Künste Bern Herausgegeben von Martin Skamletz und Thomas Gartmann Band 11 Guide-mains Contexte historique et enseignement du pianoforte auxixe siècle Klavierspiel und Klavierunterricht im 19. Jahrhundert Herausgegeben von Leonardo Miucci, Suzanne Perrin-Goy und Edoardo Torbianelli unter redaktioneller Mitarbeit von Daniel Allenbach und Nathalie Meidhof Inhalt Introduction 7 Vorwort 12 Pierre Goy Beethovenetleregistrequilèveles étouffoirs – innovation ou continuité? 18 Jeanne Roudet La question de l’expression au piano. Le cas exemplaire de la fantaisie libre pour clavier (1780–1850) 45 Suzanne Perrin-Goy/Alain Muller Quels doigtés pour quelle interprétation? -
“War of the Romantics: Liszt and His Rivals” OCTOBER 24-27, 2019
2019 AMERICAN LISZT SOCIETY FESTIVAL “War of the Romantics: Liszt and his Rivals” OCTOBER 24-27, 2019 music.asu.edu AMERICAN LISZT SOCIETY www.americanlisztsociety.net A non-profit tax exempt organization under the provisions President of section Jay Hershberger 501 (c) (3) of Concordia College the Internal Music Department Revenue Moorhead, MN 56562 Code [email protected] Vice President Alexandre Dossin Greetings Dear Lisztians! University of Oregon School of Music & Dance Eugene, OR 97403-1225 On behalf of the board of directors of the American Liszt Society, it is an honor to welcome you to [email protected] the 2019 American Liszt Society Festival at the Arizona State University School of Music. We extend Executive/ Membership our gratitude to the Herberger Institute of Design and the Arts, Dr. Steven Tepper, Dean, to the School Secretary Justin Kolb of Music, Dr. Heather Landes, Director, and to our festival director, Dr. Baruch Meir, Associate Professor www.justinkolb.com 1136 Hog Mountain Road of Piano, for what promises to be a memorable and inspirational ALS festival. Dr. Meir has assembled Fleischmanns, NY 12430 a terrific roster of performers and scholars and the ALS is grateful for his artistic and executive oversight [email protected] of the festival events. Membership Secretary Alexander Djordjevic PO Box 1020 This year’s festival theme, War of the Romantics: Liszt and His Rivals brings together highly acclaimed Wheaton, IL 60187-1020 [email protected] guest artists, performances of important staples in the piano repertoire, a masterclass in the spirit of Liszt as creator of the format, informative lecture presentations, and a concert of choral masterpieces.