The Little Book of Paris Datasheet

Total Page：16

File Type：pdf, Size：1020Kb

TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us The Little Book of Paris Dominique Foufelle ISBN 9782812313318 Publisher EPA Binding Hardback Territory USA & Canada Size 3.94 in x 5.91 in Pages 176 Pages Illustrations 78 color, b&w Name of series The Little Book of... Price $16.95 Complete with period engravings, this small album tells the history of Paris through its twenty arrondissements and its main monuments. Why was the Place de la Nation formerly called la Place du Trône? Has the Panthéon always been the resting place of great men? Who exactly decided where the Hôtel de Ville should stand? What saved the Eiffel Tower from destruction? Whose idea was it to turn the Tuileries into the capital's first public garden? What is the difference between the Assemblée Nationale and the Palais Bourbon? Complete with period engravings, this small album tells the history of Paris through its twenty arrondissements and its main monuments. Also available: Dominique Foufelleis is a journalist and an author. She has already published The Little Book of French Castles, The Little Book of the Eiffel Tower and The Little Book of Historic Quotes with Les Editions du Chêne|Dominique Foufelleis is a journalist and an author. She has already published The Little Book of French Castles, The Little Book of the Eiffel Tower and The Little Book of Historic Quotes with Les Editions du Chêne Dominique Foufelleis is a journalist and an author. She has already published The Little Book of French Castles, The Little Book of the Eiffel Tower and The Little Book of Historic Quotes with Les Editions du Chene Published 17th Jul 2017 .

Copy Link

Recommended publications

Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main ofﬁce tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@ﬁnearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar.
[Show full text]
By ROBERT MOSES an American Builder of Today Looks Back at a Parisian Pred- Ecessor and Draws Some Conclusions for Post-War Rebuilding of Cities
\ by ROBERT MOSES An American builder of today looks back at a Parisian pred- ecessor and draws some conclusions for post-war rebuilding of cities. Author of th;~~Ii:~ ~~~k ~:stP~~~ :~~~tq~arr! cjt; I of New }!;rk, Robert the;reat M;;; ;pM;;;V;';;b ;;;i1.;;;;; 01 • Baron who rebuilt ParisM grand scale, both good qualities and faults. His dictatorial Although Baron Georges-Eugene Haussmann belongs to the talents enabled him to accomplish a vast amount of work " Paris of the last century, his story is so modern and its in an incredibly short time, but they also made him many implications and lessons for us so obvious that even those enemies, for he was in the habit of riding roughshod over who do not realize that there were planners before we had planning commissions, should pause to examine this histo~ic all opposition. He had studied law and music, and had served in various figure in the modernization of cities, learn a few home truths civil service capacities during the Bourgeois Monarchy and the from what happened to him. Second Republic, and his skill in manipulating public opinion Baron Haussmann has been described as a "Brawny Alsa- in the plebiscite brought him recognition. In 1853 he was re- tian, a talker and an epicure, an ogre for work, despotic, warded by being called to Paris and given the post of .Prefect insolent, confident, full of initiative and daring, and caring of the Seine which he was to hold until January 1, 1870. hot a straw for legality." Everything about him was on a 57 19.4 2 Key to places numbered on plan which are A-Place and Tour St·Jacques B-Rue de mentioned in the text or illustrated.
[Show full text]
Infrastructure and Everyday Life in Paris, 1870-1914
The Fragility of Modernity: Infrastructure and Everyday Life in Paris, 1870-1914 by Peter S. Soppelsa A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2009 Doctoral Committee: Associate Professor Joshua H. Cole, Co-Chair Associate Professor Gabrielle Hecht, Co-Chair Professor Richard Abel Professor Geoffrey H. Eley Associate Professor Dario Gaggio Copyright 2009 Peter S. Soppelsa For Jen, who saw me through the whole project. ii Contents Dedication ii List of Figures iv Introduction: Modernity, Infrastructure and Everyday Life 1 Chapter 1: Paris, Modernity and Haussmann 35 Part One: Circulation, The Flow of Traffic 99 Chapter 2: The Dream Life of the Métropolitain, 1872-1895 107 Chapter 3: Paris Under Construction, 1895-1914 182 Part Two: Hygiene, The Flow of Light, Air, Water and Waste 253 Chapter 4: Opening the City: Housing, Hygiene and Urban Density 265 Chapter 5: Flows of Water and Waste 340 Conclusion: The Fragility of Modernity 409 Bibliography 423 iii List of Figures Figure 1: Morice's Marianne on the Place de la République 74 Figure 2: The departmental commission's 1872 Métro plan 120 Figure 3: A standard CGO horse-powered tram 122 Figure 4: CGO Mékarski system compressed air tram, circa 1900 125 Figure 5: Francq's locomotive sans foyer 127 Figure 6: Albert Robida, L'Embellissement de Paris par le métropolitain (1886) 149 Figure 7: Jules Garnier’s Haussmannized Viaduct, 1884 153 Figure 8: From Louis Heuzé's 1878 Pamphlet 154 Figure 9: From Louis Heuzé's 1878 Pamphlet 154 Figure 10: Le Chatelier's 1889 Métro Plan 156 Figure 11: 1890 Métro plan from Eiffel and the North Railway Company 163 Figure 12: J.B.
[Show full text]
L'illustration. [May 13, 1899. Vol. 113, No. 2933.]
57e A N N E E 113e VOLUME L'ILLUSTRATION Journal Universel N° 2933 SAMEDI 13 M AI 1899 La reproduction des matières contenues dans L ’ILLU STR ATIO N est interdite. Prix du Numéro : 75 centimes. L’ILLUSTRATION ne publie d’insertions payantes que dans l'emplacement réservé aux sur les feuilles de garde et de couverture paginées à part ABONNEMENTS FRANCE ÉTRANGER PARIS, DÉPARTEMENTS ET ALGÉRIE PAYS FAISANT PARTIE DE L’UNION POSTALE Un an, 36 fr. — Six mois, 18 fr. — Trois mois, 9 fr. Un an, 44 fr. — Six mois, 22 fr. — Trois mois, 11 fr. PARIS BUREAUX : 13, RUE SAINT-GEORGES 9 A nno nces L’ILLUSTRATION 13 Mai 1899 LA SEMAINE COMIQUE, par Henriot. La Société des Beaux-Arts va dis Restaurant chic, Le grand chic pour porter les pla Fiacres automobiles. Prévenances téléphoniques. poser des barres d'appui permettant — Dîner 415 francs??? ques de bicyclette. Comment marchez-vous? A — Allô! Mademoiselle... Allé! de regarder sans fatigue les ta — Ce sont les prix de la maison : Dans l’œil, comme un monocle, ou l’heure ou à la course? Pourquoi me réveillez-vous au mi bleaux du Salon perchés tout à fait mais Monsieur a droit sans supplé avec un ressort, comme un pince- — Comme nous pouvons. lieu d e la nuit... Allô! en haut. ment à quatre insertions de son nez. — C’est pour voir si votre appa nom dans les journaux. reil fonctionne bien. 13 Mai 1899 L'ILLUSTRATION Annonces 3 4 A nnonces L ’I L L U S T R A T I O N 13 Mai 1899 AU PARADIS TERRESTRE Ce n'est pas en croquant la pomme Que mère Eve a fauté là-haut, C'est en se grisant de l'arome Doux et capiteux du Congo.
[Show full text]
Pca Neighborhood Guide
PCA NEIGHBORHOOD GUIDE 1 INDEX VOCABULARY Useful everyday 4 phrases in French MAPS How to get to campus 5 from the two closest metro stations PHARMACIES A summary of pharmacies in Paris that are open 24/7 or 7 7-8 days a week SUPERMARKETS 8-9 Your guide in the jungle of French supermarkets EATING ORGANIC Where to find natural and 10 organic food in Paris MARKETS 11-13 Which markets to visit for fresh vegetables, fruits and other goods FITNESS & PARKS A selection of gyms to sweat and 14-15 parks to relax CANAL SAINT-MARTIN 16-17 A guide to one of our favorite areas of Paris AROUND SCHOOL Nearby restaurants, 18-23 cafés and bars ARRONDISSEMENTS GUIDE 25-44 Restaurants, bars, galleries and other places worth seeing in each district BANLIEUE GUIDE Places right outside of Paris that are 46-53 worth the trip 3 VOCABULARY USEFUL PHRASES Do you speak English? Do you have. ? Est-ce que vous parlez anglais? Avez-vous…? Could you repeat that, please? Where is. ? Pourriez-vous répéter, s’il vous Où est…? plaît? What street is the....on? Would you help me please? Dans quelle rue se trouve...? Pourriez-vous m’aider? What time does the restaurant Where can I find…? close? Où est-ce que je peux trouver...? À quelle heure le restaurant ferme? How much does . cost? Combien coûte…? Do you have any discounts for students? Where are the bathrooms? Avez-vous une réduction pour les Où sont les toilettes? étudiants? Yes // Oui Train station // Gare No // Non Bank // Banque Thank you // Merci Library // Bibliothèque Excuse me // Excusez-moi Bookstore // Librairie
[Show full text]
Memory, Identity, and the Feminist Self Oliva M
Memory, Identity, and the Feminist Self Oliva M. Espín, Ph.D. Association for Women in Psychology San Francisco March 2007 In 2001 the American Psychological Association Monitor, featured an article entitled ―A new reason for keeping a diary.” The article discusses the results of several studies on the beneficial health effects of writing down our memories. These studies explored further ―the well-established connection between writing and health‖ (Carpenter, 2001, p. 70). Apparently, ―repeated writing about negative events decreases their emotional impact‖ (p.70). According to the Monitor article, the results of these studies demonstrate that ―expressive writing–that is, writing that includes emotional descriptions of life events—helps people simplify and organize fragmented memories‖ (p.69). It squashes intrusive and avoidant thoughts about negative events at it may lead to improvements in working memory" (p.70). Improvements in working memory have been shown to have positive effects on health and academic performance. In fact, students who participated in this research increased their GPAs. The beneficial health effects of writing and other forms of disclosure are a well- established fact (e.g., research by Jourard in the 1960s and more recently, Pennebaker, 1990; 1993; 1997). Sharing the intimate details of our lives has many functions: The act makes us feel connected to others, alleviates stress, and makes us healthier. Researchers have found that writing and self-disclosure, particularly about emotionally laden events and negative experiences, improves our sense of well-being, boosts the immune system, increases our T-cell growth and antibody response, lowers our heart rate, helps us lose weight, improves sleep, elevates our mood and can even reduce 1 physical pain, in addition to strengthening social relationships, which in turn has beneficial health effects.
[Show full text]
AFL Fall 2017 Gazette: Lafayette Trivia (2 of 2: Answer) by Ernest and Janet Sutton
The Gazette of the American Friends of Lafayette No. 87 October 2017 Lafayette College, June 2017 Inside This Issue Newsletter 1 friendsoflafayette.org PRESIDENT’S MESSAGE Dear Friend of Lafayette, This year, 2017, continues to be an important year for the commemoration of Lafayette and his legacy and for The AFL. Since the publication of No. 86 of the Gazette in May, 80 AFL members celebrated our hero with a wonderful annual meeting in Bethlehem, Easton and Philadelphia, PA. Our special thanks to Diane Shaw and Pam Murray of Lafayette College for organizing and hosting our group. At the meeting, the membership approved the sites for 2018 and 2019, leaving it to the Board of Governors to determine the order. Chuck Schwam and I advocated for Annapolis/Baltimore and Savannah/Edisto Island respectively for 2018. After a spirited debate conducted respectfully and without charges or countercharges, the Board by majority vote approved Annapolis for 2018 and Savannah the following year. AFL members participated in a number of other important events from June to October. These were the US Embassy’s Picpus Cemetery event held this year on June 30, 2017 where Augie Huber placed the AFL wreath, our own Picpus ceremony on the traditional date of July 4, a wreath-laying at the Baltimore Lafayette equestrian statue, which is 100 years old, on Lafayette’s birthday, September 6, and a ceremony to inaugurate the placement of equestrian statues of Generals Lafayette and Pershing in the town of Versailles, France in early October. Still to come are the Yorktown Day festivities from October 18 to 20 – see Chuck’s article for details – and a visit to the Governor’s Mansion in Richmond on the anniversary, October 27, of Lafayette’s visit there.
[Show full text]
Comment Vous Rendre Au Centre Maurice RAVEL
CENTRE D’HEBERGEMENT MAURICE RAVEL 6 avenue Maurice Ravel 75012 PARIS + 33(0)1 44 75 60 00 - +33(0)1 43 44 45 30 Tél. réservation : +33.1 43 58 96 00 [email protected] Comment vous rendre au Centre Maurice RAVEL Centre Maurice RAVEL En avion (Le site officiel d’aéroports de Paris www.aeroportsdeparis.fr) Au départ de l’aéroport Roissy Charles de Gaulle • En Bus : Prendre Roissy Bus, Direction Aéroport Charles de Gaulle. Descendre à la station Roissy Pole - Puis prendre le Bus N°351, Direction Nation, descendre à la station Porte de Montreuil - Prendre PC 2, Direction Porte d’Ivry - Descendre à la station Porte de Saint Mandé. Temps estimé : 01h30 Tarification spéciale pour Roissy Bus : 8,50 € • En RER : Prendre RER B, Direction Robinson. Descendre à la station Châtelet les Halles - Prendre la correspondance à Châtelet, ligne 1, Direction Château de Vincennes - Descendre à la station Porte de Vincennes. Temps estimé : 01h00 • En Taxi : A la sortie de l’aéroport, une station de taxi (Prix du trajet : entre 35€ et 40€ environ). Au départ de l’aéroport d’Orly • En Bus : Au départ d’Orly Sud et d’Orly Ouest, prendre l’Orly Bus , Direction Denfert-Rochereau, Descendre à la station Jourdan Tombe Issoire. Prendre PC 1, Direction Porte de Charenton, descendre à Porte de Charenton. Prendre PC 2, Direction Porte de la Villette, descendre à Sahel. Temps estimé : 01h00 Tarification spéciale pour l’Orly bus : 6,00 € • En RER : Au départ d’Orly Sud et d’Orly Ouest, prendre l’Orly Val jusqu’à la gare d’Anthony.
[Show full text]
Paris 2019 Paris 2019
PRESS RELEASE PARIS 2019 PARIS 2019 In 2019, Paris is an exciting and inspiring place to be! This 21st-century global capital is more welcoming, more innovative, greener, and livelier … forever transforming itself. The destina- tion’s cultural agenda is its greatest araction with exhibitions and events and the opening of new prestigious or unusual places. Museums and trendy bars, a galleries and design hotels, emblematic monuments and popular restaurants all make Paris more than ever a prominent, multi-faceted capital that likes to surprise Parisians and visitors. A SPECTACULAR EVENTS CALENDAR. Some 300 events take place every day in Paris. Among the top events running through the year are the Fête de la Musique (Music Day), the Nuit des Musées (Museums at Night), Heritage Days, the Bastille Day fireworks display on 14 July, Paris Plages, Nuit © Musée du Louvre Blanche and, of course, the sparkling Christmas illuminations and New Year’s Eve celebrations on the Champs-Élysées. In 2019, Paris will be hosting prestigious exhibitions that are as iconic as they are eclectic: Bonnard, Vuillard and Maurice Denis will draw visitors to the Musée du Luxembourg for the show ‘Les Nabis et le Décor’, Leonardo da Vinci will be the focus at the Musée du Louvre, ‘The Couauld Collection’ at the Fondation Louis Vuion will aract a lovers, as will Behe Morisot and Degas at the Musée d’Orsay; the exhibition ‘Tutankhamun’ will immerse the public in history at the Grande Halle de la Villee, and the exhibition ‘Électro – From Kra£werk to Da£ Punk’ will have the Philharmonie in dance mode.
[Show full text]
A Wanderer in Paris by the Same Author
.* ^'^' v^ •o ^^^ ^-c^ ^^.c.^' "^ ,* ^ # v*K^ A WANDERER IN PARIS BY THE SAME AUTHOR A WANDERER IN LONDON A WANDERER IN HOLLAND OVER BEMERTON'S listener's lure anne's terrible good-nature the open road the gentlest art THE ladies' PAGEANT SOME FRIENDS OF MINE CHARACTER AND COMEDY THE LIFE OF CHARLES LAMB ONE DAY AND ANOTHER HOTEL DE SEN'S THE RUK DE LHOTEL DE VILLE A WANDERER IN PARIS BY i E. V. LUCAS 1^ " " ril go and chat with Paris ^ — Romeo andJuliet W 1 I SIXTEEN ILLUSTRATIONS IN COLOUR BY WALTER DEXTER AND TH RTY-TWO REPRODUCTIONS FROM WORKS OF ART ) "Nzia ^axk TH : MACMILLAN COMPANY 1909 ^// rights reser-ved J f Copyright, 1909, By the MACMILLAN COMPANY, Set up and electrotyped. Published September, 19* ri A 2 4 6 5 6 SEP :17 1909 Nnrbjootr ^regs J. S. Gushing Co. — Berwick & Smith Norwood, Mass., U.S.A. i PREFACE A LTHOUGH the reader will quickly make -^^^ the discovery for himself, I should like here to emphasise the fact that this is a book about Paris and the Parisians written wholly from the outside, and containing only so much of that city and its citizens as a foreigner who has no French friends may observe on holiday visits. I express elsewhere my indebtedness to a few French authors. I have also been greatly assisted in a variety of ways, but especially in the study of the older Paris streets, by my friend Mr. Frank Holford. E. V. L. CONTENTS CHAPTER I PAGE The English Gates of Paris i CHAPTER II The Ile de la Cnt 9 CHAPTER III Notre Dame 31 CHAPTER IV Saint Louis and his Island 54 CHAPTER V The Marais 61 CHAPTER VI The Louvre: I.
[Show full text]
Paris and Post-Commune Angst
Andrew Eschelbacher Environment of Memory: Paris and Post-Commune Angst Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009) Citation: Andrew Eschelbacher, “Environment of Memory: Paris and Post-Commune Angst,” Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009), http://www.19thc- artworldwide.org/autumn09/environment-of-memory. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Eschelbacher: Environment of Memory: Paris and Post-Commune Angst Nineteenth-Century Art Worldwide 8, no. 2 (Autumn 2009) Environment of Memory: Paris and Post-Commune Angst by Andrew Eschelbacher In 1871, Karl Marx asked, "What is the Commune, that sphinx so tantalizing to the bourgeois mind?"[1] Straightforward as the question may have seemed, there was no satisfactory answer.[2] The three-month spring uprising following the Prussian siege of Paris had emanated from a series of political tensions that included an evolving national identity, religious turmoil, bourgeois excess, proletarian unrest, and shifting gender roles. Though the revolt was primarily carried out by the working classes, the Commune's ramifications threatened all strata of Parisian society and permeated the entirety of the fin-de-siècle memorial landscape. The government tried to hide obvious physical markers of the revolt beneath an intensive program of Republican monument building. However, the new monuments provided only a façade of a city untroubled by its recent past. Beneath the official rhetoric, vestiges of the Commune manifested themselves acutely in the city's memorial spaces, and filled the urban sphere with competing understandings of the revolt.
[Show full text]
Political Demonstrations at the Place De La Nation, Paris Ian Germani
Document generated on 10/01/2021 11:41 a.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada Revolutionary Rites: Political Demonstrations at the Place de la Nation, Paris Ian Germani Volume 22, Number 2, 2011 Article abstract Historians who study sites of memory emphasize the fluidity in meaning URI: https://id.erudit.org/iderudit/1008978ar attached to those sites. The meaning of monuments is dependent upon changes DOI: https://doi.org/10.7202/1008978ar in political context, which affect both how they are perceived and the uses to which they are put. With specific attention to the Place de la Nation in Paris See table of contents and to Dalou’s monument, Le Triomphe de la République, this article argues that street demonstrations have played an important role in creating meaning for Parisian sites of memory. It focuses on four events in the history of the Publisher(s) Place/monument: the inauguration of the bronze statue on 19 November, 1899; the demonstration marking the formation of the Popular Front on 12 February, The Canadian Historical Association / La Société historique du Canada 1934; the “bloody” 14 July demonstration of 1953; and the demonstration against Jean-Marie Le Pen and the National Front on 1 May, 2002. While the ISSN specific political context of these demonstrations varied, as did the character and purpose of the actors composing them, they all provided an occasion for 0847-4478 (print) the rehearsal of France’s revolutionary traditions, with particular reference to 1712-6274 (digital) the Paris Commune. The transitory nature and specific purposes of particular demonstrations, however, restricted their ability to alter the monument’s Explore this journal significance.
[Show full text]