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Publication Made Possible by the Collaborative And
Toolkit Publication made possible by the collaborative and committed efforts of the TalkSooner Team: Heidi Denton, Allegan County Community Mental Health Nikki Barth, Allegan County Community Mental Health Leigh Moerdyke, Pathways, MI Vicki Kavanough, Pathways, MI Kate Donaldson, District Health Department #10 Missy Gallegos, Public Health Muskegon County Rachel McCoy, Mercy Health Denise Herbert, network180 Stephanie VanDerKooi, Lakeshore Regional Entity 01/2017 Welcome Thank you for your interest in TalkSooner! Our intention with this toolkit is to explain more about TalkSooner and guide you on how to incorporate TalkSooner in your community. Data shows that substance use among adults and youth continues to be a major public health problem. In 2008, prevention coalitions in Allegan, Berrien, Kent, Ottawa, and Muskegon counties set out to examine the issue of substance use in their local communities. Using federal grant funding to address underage alcohol use, the five coalitions surveyed parents and youth regarding their communication on drug issues. Survey results showed that most parents did not feel adequately prepared to have meaningful conversations with their children about alcohol, tobacco, and other substances. Based on these findings, the mission of TalkSooner developed - help parents prevent youth substance use. Focus groups were conducted to gather input and determine the wants and needs of local parents and youth. It was decided that a website that offered parents tools and strategies to navigate “difficult conversations” was the first step in helping parents address substance use. Parents were looking for information on conversation starters, statistics, health consequences, local resources, and new drugs and drug trends. There was a strong positive reaction to the idea of a website as well as firm recommendations as to what tools and resources parents would find beneficial. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-1-200601-01 | PUBLISH DATE: 06/01/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 APPLICATIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000114653 Renewal of FX W259BW 144998 99.7 CANTON, OH CAPSTAR TX, LLC 05/28/2020 Accepted License For Filing 0000114641 Renewal of FM WNCD 13668 Main 93.3 YOUNGSTOWN, OH CITICASTERS 05/28/2020 Accepted License LICENSES, INC. For Filing 0000114579 Renewal of FX W263AX 158610 100.5 CIRCLEVILLE, OH SPIRIT 05/28/2020 Accepted License COMMUNICATIONS, INC For Filing 0000114737 License To LPD K08KD-D 62557 Main 8 ALAKANUK, AK STATE OF ALASKA 05/28/2020 Accepted Cover For Filing 0000114675 Renewal of FL WAKT- 196981 106.1 TOLEDO, OH TOLEDO INTEGRATED 05/28/2020 Accepted License LP MEDIA EDUCATION, INC. For Filing 0000114465 Renewal of AM WLTP 55182 Main 910.0 MARIETTA, OH iHM Licenses, LLC 05/27/2020 Accepted License For Filing 0000114481 Renewal of FX W282CF 147548 104.3 VAN WERT, OH FIRST FAMILY 05/27/2020 Accepted License BROADCASTING, INC For Filing 0000114500 Renewal of FM WFRI 53645 Main 100.1 WINAMAC, IN PROGRESSIVE 05/27/2020 Accepted License BROADCASTING For Filing SYSTEM, INC 0000114473 Renewal of LPD WQAW- 131071 Main 20 LAKE SHORE, MD HC2 STATION GROUP, 05/27/2020 Accepted License LP INC. For Filing Page 1 of 25 REPORT NO. PN-1-200601-01 | PUBLISH DATE: 06/01/2020 Federal Communications Commission 445 12th Street SW PUBLIC NOTICE Washington, D.C. -
Sports in French Culture
Sporting Frenchness: Nationality, Race, and Gender at Play by Rebecca W. Wines A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) in the University of Michigan 2010 Doctoral Committee: Associate Professor Jarrod L. Hayes, Chair Professor Frieda Ekotto Professor Andrei S. Markovits Professor Peggy McCracken © Rebecca W. Wines 2010 Acknowledgements I would like to thank Jarrod Hayes, the chair of my committee, for his enthusiasm about my project, his suggestions for writing, and his careful editing; Peggy McCracken, for her ideas and attentive readings; the rest of my committee for their input; and the family, friends, and professors who have cheered me on both to and in this endeavor. Many, many thanks to my father, William A. Wines, for his unfailing belief in me, his support, and his exhortations to write. Yes, Dad, I ran for the roses! Thanks are also due to the Team Completion writing group—Christina Chang, Andrea Dewees, Sebastian Ferarri, and Vera Flaig—without whose assistance and constancy I could not have churned out these pages nor considerably revised them. Go Team! Finally, a thank you to all the coaches and teammates who stuck with me, pushed me physically and mentally, and befriended me over the years, both in soccer and in rugby. Thanks also to my fellow fans; and to the friends who I dragged to watch matches, thanks for your patience and smiles. ii Table of Contents Acknowledgements ii Abstract iv Introduction: Un coup de -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726598 A fantasy-theme analysis of the political rhetoric of the Reverend Jesse Louis Jackson, the first “serious” Black candidate for the office of president of the United States Callahan, Linda Florence, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Callahan, Linda Florence. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
SAGA COMMUNICATIONS, INC. (Exact Name of Registrant As Specified in Its Charter)
2016 Annual Report 2016 Annual Letter To our fellow shareholders: Well…. here we go. This letter is supposed to be my turn to tell you about Saga, but this year is a little different because it involves other people telling you about Saga. The following is a letter sent to the staff at WNOR FM 99 in Norfolk, Virginia. Directly or indirectly, I have been a part of this station for 35+ years. Let me continue this train of thought for a moment or two longer. Saga, through its stockholders, owns WHMP AM and WRSI FM in Northampton, Massachusetts. Let me share an experience that recently occurred there. Our General Manager, Dave Musante, learned about a local grocery/deli called Serio’s that has operated in Northampton for over 70 years. The 3rd generation matriarch had passed over a year ago and her son and daughter were having some difficulties with the store. Dave’s staff came up with the idea of a ‘‘cash mob’’ and went on the air asking people in the community to go to Serio’s from 3 to 5PM on Wednesday and ‘‘buy something.’’ That’s it. Zero dollars to our station. It wasn’t for our benefit. Community outpouring was ‘‘just overwhelming and inspiring’’ and the owner was emotionally overwhelmed by the community outreach. As Dave Musante said in his letter to me, ‘‘It was the right thing to do.’’ Even the local newspaper (and local newspapers never recognize radio) made the story front page above the fold. Permit me to do one or two more examples and then we will get down to business. -
Stations Coverage Map Broadcasters
820 N. Capitol Ave., Lansing, MI 48906 PH: (517) 484-7444 | FAX: (517) 484-5810 Public Education Partnership (PEP) Program Station Lists/Coverage Maps Commercial TV I DMA Call Letters Channel DMA Call Letters Channel Alpena WBKB-DT2 11.2 GR-Kzoo-Battle Creek WOOD-TV 7 Alpena WBKB-DT3 11.3 GR-Kzoo-Battle Creek WOTV-TV 20 Alpena WBKB-TV 11 GR-Kzoo-Battle Creek WXSP-DT2 15.2 Detroit WKBD-TV 14 GR-Kzoo-Battle Creek WXSP-TV 15 Detroit WWJ-TV 44 GR-Kzoo-Battle Creek WXMI-TV 19 Detroit WMYD-TV 21 Lansing WLNS-TV 36 Detroit WXYZ-DT2 41.2 Lansing WLAJ-DT2 25.2 Detroit WXYZ-TV 41 Lansing WLAJ-TV 25 Flint-Saginaw-Bay City WJRT-DT2 12.2 Marquette WLUC-DT2 35.2 Flint-Saginaw-Bay City WJRT-DT3 12.3 Marquette WLUC-TV 35 Flint-Saginaw-Bay City WJRT-TV 12 Marquette WBUP-TV 10 Flint-Saginaw-Bay City WBSF-DT2 46.2 Marquette WBKP-TV 5 Flint-Saginaw-Bay City WEYI-TV 30 Traverse City-Cadillac WFQX-TV 32 GR-Kzoo-Battle Creek WOBC-CA 14 Traverse City-Cadillac WFUP-DT2 45.2 GR-Kzoo-Battle Creek WOGC-CA 25 Traverse City-Cadillac WFUP-TV 45 GR-Kzoo-Battle Creek WOHO-CA 33 Traverse City-Cadillac WWTV-DT2 9.2 GR-Kzoo-Battle Creek WOKZ-CA 50 Traverse City-Cadillac WWTV-TV 9 GR-Kzoo-Battle Creek WOLP-CA 41 Traverse City-Cadillac WWUP-DT2 10.2 GR-Kzoo-Battle Creek WOMS-CA 29 Traverse City-Cadillac WWUP-TV 10 GR-Kzoo-Battle Creek WOOD-DT2 7.2 Traverse City-Cadillac WMNN-LD 14 Commercial TV II DMA Call Letters Channel DMA Call Letters Channel Detroit WJBK-TV 7 Lansing WSYM-TV 38 Detroit WDIV-TV 45 Lansing WILX-TV 10 Detroit WADL-TV 39 Marquette WJMN-TV 48 Flint-Saginaw-Bay -
Mg 1415 Overtime.Pdf
THE PALACE OF AUBURN HILLS THE PALACE OF AUBURN HILLS PALACE FACTS CAPACITY: Basketball – 21,231; Hockey – 20,804; Concert and Family Shows – 6,000 to 23,000 depending on configuration. NUMBER OF EVENTS: An annual average of 200. PROFESSIONAL TEAM: Detroit Pistons (NBA). ACREAGE: The Palace sits on 61.1 acres (2,662,717 square feet) and was cited by conservationists for its work in preserving natural wetlands areas throughout the property during the building’s construction in 1988. LEADERSHIP The Palace of Auburn Hills, home of the Detroit Pistons (NBA) and numerous concerts, family shows, sporting events, OVERALL BUILDING AREA: 570,000 square feet. trade shows and special productions, remains one of the world’s most innovative arenas after more than 25 years. ATRIUM ADDITION: 100,000 square-foot addition which opened on September 13, 1996. The Palace has undergone more than $40 million in venue upgrades and renovations in the last three years to elevate ATRIUM HEIGHT: 117 feet. fan experience and modernize the facility. The most recent renovations conclude the three-year improvement plan UNITED SHORE CLUB WEST ADDITION: 12,000 square feet. which began under ownership of Tom Gores and Platinum Equity. A new digital renovation project took place this summer and features a center court high-definition Palace360 scoreboard system that also includes upper-level end- NORTH PAVILION ADDITION: 65,000 square feet. PLAYERS zone boards, LED ribbon boards encircling the lower-level and upper level fascia, arena tunnel entrance digital dis- PRESIDENT’S CLUB AND ADJOINING SUITES ADDITION: 5,600 square feet. plays and audio system enhancements. -
Licensing and Management System
Approved by OMB (Office of Management and Budget) 3060-0010 September 2019 (REFERENCE COPY - Not for submission) Commercial Broadcast Stations Biennial Ownership Report (FCC Form 323) File Number: 0000042287 Submit Date: 2018-02-15 FRN: 0002711737 Purpose: Commercial Broadcast Stations Biennial Ownership Report Status: Received Status Date: 02/15/2018 Filing Status: Active Section I - General Information 1. Respondent FRN Entity Name 0002711737 Midwest Communications, Inc. Street City (and Country if non U.S. State ("NA" if non-U.S. Zip Address address) address) Code Phone Email 904 Wausau WI 54403 +1 (715) 842- paul. Grand 1437 rahmlow@mwcradio. Ave. com 2. Contact Name Organization Representative John S. Neely, Esq. Miller and Neely, PC Zip Street Address City (and Country if non U.S. address) State Code Phone Email 3750 Kensington MD 20895 +1 (301) 933-6304 [email protected] University Blvd, West Suite 203 3. Application Question Response Filing Fee Is this application being submitted without a filing fee? No Fees Application Type Form Number Fee Code Quantity Fee Amount Subtotal Biennial Form 323 MAR 69 85 $4,830.00 Total $4,830.00 4. Nature of (a) Provide the following information about the Respondent: Respondent Relationship to stations/permits Licensee Nature of Respondent For-profit corporation (b) Provide the following information about this report: Purpose Biennial "As of" date 10/01/2017 When filing a biennial ownership report or validating and resubmitting a prior biennial ownership report, this date must be Oct. 1 of the year in which this report is filed. 5. Licensee(s) and Station(s) Respondent is filing this report to cover the following Licensee(s) and station(s): Licensee/Permittee Name FRN Midwest Communications, Inc. -
How to Switch Programs on the XDS Pro Using Serial Commands Every
How to switch programs on the XDS Pro using Serial Commands Every Program transmitted via the XDS satellite system is associated with a Program ID that identifies the program to the receiver. Individual programs may be selected to the receiver’s output ports by issuing serial ID commands via the M&C (Console) Port on the back of the receiver, thereby changing the program that the receiver is decoding. If a program is selected for decoding using this method that is NOT part of the station’s list of authorized programming, it will NOT be decoded. Only programs authorized for the station that the receiver is assigned to can be decoded. Whenever possible, always use the XDS Port Scheduler as your main method of taking a program to ensure you receive the proper content. You can command the receiver as follows: 1) Start a terminal session (using HyperTerminal or equivalent) by connecting to the receiver’s M&C (Console) Port. The default settings for this Port are 115200, 8, None, 1. 2) Hit Enter. You should see a “Hudson” prompt. 3) Log in by by typing LOGIN(space)TECH(space)(PASSWORD) (Use your Affiliate NMS (myxdsreceiver.westwoodone.com) password OR you can use the receiver’s daily password (Setup > Serial # > PWD). 4) Login confirmation will be displayed (‘You are logged in as TECH’) Once you are logged in, the command to steer a Port on the receiver to a specific program PID is: PORT(space)LIVE,(Port),ID Examples: PORT LIVE,A,99 – This command will set Port A to Program ID 99 (Mark Levin) PORT LIVE,B,1196 – This command will set Port B to Program ID 1196 (CBS Sports - Tiki and Tierney) Please refer to the PID table listed below for the Program ID assignments for each program available on the Westwood One XDS receiver. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Copyright by Avi Santo 2006
Copyright by Avi Santo 2006 The Dissertation Committee for Avi Dan Santo Certifies that this is the approved version of the following dissertation: Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 Committee: ______________________________ Thomas Schatz, Co-Supervisor ______________________________ Michael Kackman, Co-Supervisor ______________________________ Mary Kearney ______________________________ Janet Staiger ______________________________ John Downing Transmedia Brand Licensing Prior to Conglomeration: George Trendle and the Lone Ranger and Green Hornet Brands, 1933-1966 by Avi Dan Santo, B.F.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2006 Acknowledgements The support I have received from family, friends, colleagues and strangers while writing this dissertation has been wonderful and inspiring. Particular thanks go out to my dissertation group -- Kyle Barnett, Christopher Lucas, Afsheen Nomai, Allison Perlman, and Jennifer Petersen – who read many early drafts of this project and always offered constructive feedback and enthusiastic encouragement. I would also like to thank Hector Amaya, Mary Beltran, Geoff Betts, Marnie Binfield, Alexis Carreiro, Marian Clarke, Caroline Frick, Hollis Griffin, Karen Gustafson, Sharon Shahaf, Yaron Shemer, and David Uskovich for their generosity of time and patience in reading drafts and listening to my concerns without ever making these feel like impositions. A special thank you to Joan Miller, who made this past year more than bearable and brought tremendous joy and calm into my life. Without you, this project would have been a far more painful experience and my life a lot less pleasurable.