Spring 2006 the Moore Holler
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sports in French Culture
Sporting Frenchness: Nationality, Race, and Gender at Play by Rebecca W. Wines A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: French) in the University of Michigan 2010 Doctoral Committee: Associate Professor Jarrod L. Hayes, Chair Professor Frieda Ekotto Professor Andrei S. Markovits Professor Peggy McCracken © Rebecca W. Wines 2010 Acknowledgements I would like to thank Jarrod Hayes, the chair of my committee, for his enthusiasm about my project, his suggestions for writing, and his careful editing; Peggy McCracken, for her ideas and attentive readings; the rest of my committee for their input; and the family, friends, and professors who have cheered me on both to and in this endeavor. Many, many thanks to my father, William A. Wines, for his unfailing belief in me, his support, and his exhortations to write. Yes, Dad, I ran for the roses! Thanks are also due to the Team Completion writing group—Christina Chang, Andrea Dewees, Sebastian Ferarri, and Vera Flaig—without whose assistance and constancy I could not have churned out these pages nor considerably revised them. Go Team! Finally, a thank you to all the coaches and teammates who stuck with me, pushed me physically and mentally, and befriended me over the years, both in soccer and in rugby. Thanks also to my fellow fans; and to the friends who I dragged to watch matches, thanks for your patience and smiles. ii Table of Contents Acknowledgements ii Abstract iv Introduction: Un coup de -
VHF-UHF Digest
The Magazine for TV and FM DXers August 2015 Brian S. May (CT), Robert Grant (MI), and Steve Rich (IN) DXing digital TV stations from Cincinnati during the WTFDA Convention in Fort Wayne. Farthest catches were Columbus, Lexington, and possibly Cleveland. Photo taken by Ryan Grabow (FL) E-SKIP SEEMS TO TAPER OFF UP NORTH, BUT YOUR VUD EDITOR STILL HEARING IT AS HE EXPORTS THIS PDF FILE GROUP PHOTO FROM CONVENTION ON PAGE 52 The Official Publication of the Worldwide TV-FM DX Association METEOR SHOWERS INSIDE THIS VUD CLICK TO NAVIGATE Delta Aquariids 02 Page Two 25 Coast to Coast TV DX JUL 21 – AUG 23 03 TV News 29 Southern FM DX 11 FM News 33 DX Bulletin Board Perseids 21 DX Bulletin Board 52 WTFDA Convention JUL 13 – AUG 26 22 Photo News THE WORLDWIDE TV-FM DX ASSOCIATION Serving the UHF-VHF Enthusiast THE VHF-UHF DIGEST IS THE OFFICIAL PUBLICATION OF THE WORLDWIDE TV-FM DX ASSOCIATION DEDICATED TO THE OBSERVATION AND STUDY OF THE PROPAGATION OF LONG DISTANCE TELEVISION AND FM BROADCASTING SIGNALS AT VHF AND UHF. WTFDA IS GOVERNED BY A BOARD OF DIRECTORS: DOUG SMITH, GREG CONIGLIO, KEITH McGINNIS AND MIKE BUGAJ. Editor and publisher: Ryan Grabow Treasurer: Keith McGinnis wtfda.org Webmaster: Tim McVey Forum Site Administrator: Chris Cervantez Editorial Staff: Jeff Kruszka, Keith McGinnis, Fred Nordquist, Nick Langan, Doug Smith, Bill Hale, John Zondlo and Mike Bugaj Website: www.wtfda.org; Forums: http://forums.wtfda.org PAGE TWO The Page You Turn To for News of the WTFDA and the TV/FM DX World Mike Bugaj – [email protected] August 2015 WELL, THAT WAS QUICK We also welcome Paul Snider to the club. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726598 A fantasy-theme analysis of the political rhetoric of the Reverend Jesse Louis Jackson, the first “serious” Black candidate for the office of president of the United States Callahan, Linda Florence, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Callahan, Linda Florence. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
How to Switch Programs on the XDS Pro Using Serial Commands Every
How to switch programs on the XDS Pro using Serial Commands Every Program transmitted via the XDS satellite system is associated with a Program ID that identifies the program to the receiver. Individual programs may be selected to the receiver’s output ports by issuing serial ID commands via the M&C (Console) Port on the back of the receiver, thereby changing the program that the receiver is decoding. If a program is selected for decoding using this method that is NOT part of the station’s list of authorized programming, it will NOT be decoded. Only programs authorized for the station that the receiver is assigned to can be decoded. Whenever possible, always use the XDS Port Scheduler as your main method of taking a program to ensure you receive the proper content. You can command the receiver as follows: 1) Start a terminal session (using HyperTerminal or equivalent) by connecting to the receiver’s M&C (Console) Port. The default settings for this Port are 115200, 8, None, 1. 2) Hit Enter. You should see a “Hudson” prompt. 3) Log in by by typing LOGIN(space)TECH(space)(PASSWORD) (Use your Affiliate NMS (myxdsreceiver.westwoodone.com) password OR you can use the receiver’s daily password (Setup > Serial # > PWD). 4) Login confirmation will be displayed (‘You are logged in as TECH’) Once you are logged in, the command to steer a Port on the receiver to a specific program PID is: PORT(space)LIVE,(Port),ID Examples: PORT LIVE,A,99 – This command will set Port A to Program ID 99 (Mark Levin) PORT LIVE,B,1196 – This command will set Port B to Program ID 1196 (CBS Sports - Tiki and Tierney) Please refer to the PID table listed below for the Program ID assignments for each program available on the Westwood One XDS receiver. -
William (Bill) S. Ballenger
WILLIAM (BILL) S. BALLENGER Interviewed by Susan Steiner Bolhouse and Kyle Melinn November 19, 2019 Sponsored by the Michigan Political History Society P.O. Box 4684 East Lansing, MI 48826-4684 Kyle Melinn: This conversation is part of the James J. Blanchard living library of Michigan Political History, a project of the Michigan Political History society. Hello, I'm Kyle Melinn, editor of the MIRS newsletter, joined by Susan Bolhouseolhouse. Today we're going to have a conversation with Bill Ballenger, former state legislators, state department director, racing commissioner, editor of two publications, including the Ballenger Report, a well-read political newsletter online. Bill, thanks for joining us today. Bill Ballenger: My pleasure, Kyle and Susan Bolhouse. Kyle Melinn: So I went through a lot of things that people may recognize your name and attach you to, but what do you attach yourself to, if you were to put your name on the tombstone, what would you want it to say? Bill Ballenger: Terminal political junkie. Kyle Melinn: Terminal political junkie. Explain that. Bill Ballenger: Well, I mean, I started out in politics, if you want to call it that, back in the 1960's working for the Republican state central committee in the fall of 1965 when Ellie Peterson was the first female state party chairman for either major political party in the entire country. And two years later I found myself in the Michigan legislature in the state house at the age of 27. In 1968, served one two-year term and then one four-year term in the Senate, and we were off to the races. -
2014 Seattle National Student Electronic Media Convention
National Student Electronic Media Convention Seattle, WA #CBISeattle October 23-25, 2014 OCTOBER 2014 Welcome to Seattle! On behalf of the College Broadcasters, Inc. (CBI) Board of Directors, I’d like to welcome you to Seattle for the National Student Electronic Media Convention (NSEMC), or CBI Seattle for short. CBI Seattle is America’s top convention dedicated exclusively to the interests of student radio stations, TV/video outlets, and webcasters. Whichever category—or categories—you fall into, we are confident that you will leave the convention with the skills and motivation to improve your student media outlet. In its third year, the NSEMC continues to grow. Among the improvements this year are an additional breakout room, giving you the choice of six sessions during most time slots; a pre-convention workshop—FCC 101, an intensive, three-hour pre-convention workshop hosted by a veteran adviser and a nationally-known attorney. That’s in addition to what’s made us so successful since our inception—high-quality sessions led by advisers and media professionals, student-led roundtables, and networking and social opportunities. I am pleased to announce that this year’s keynote address will be given by Seattle broadcast legend John Curley. During his 30-year radio and TV career, John has earned numerous accolades, including multiple local Emmy Awards and the Edward R. Murrow Award for Excellence in Journalism. John previously hosted KING 5 TV’s “Evening Magazine”—America’s highest-rated regionally produced TV show for fourteen years—and currently hosts “The Curley and Tom Morning Show” on KIRO 97.3 FM. -
Fall 2005 the Moore Holler
Broadcast & Cinematic Arts Department 37th Edition Fall 2005 The Moore Holler From the Creaking Chair By Pete Orlik us this year: to the department from Inside this issue: A prominent cable Steve Interconnect Cable Tech- Faculty Notes 3 network executive recently Amorose nologies in Florida. He observed: “Winners have (News Cen- will serve as course co- 4-6 Student Info parties, losers have meet- tral) joins us ordinator for BCA 223 ings.” Therefore, BCA op- from Adrian (Basic Video Production) Awards 8 timistically looks forward to College, Pat- and teach sections of BCA a significant number of rick Brown (film studies) 311 (Broadcast/Cable parties this Fall --- most was recruited from SUNY Copywriting) and BCA 318 Where are They 8 prominently in conjunction Fredonia, Brian Erchenbre- (Newswriting). Now? with Homecoming 2005. cher (audio) is an alum of There have also Despite CMU’s continuing Spring Arbor University, been staff additions in the Alumni Chapter 9 budget challenges, there is while Amy Farr (film stud- Dean’s office. The position much to celebrate in BCA ies), Lucus Keppel (audio), of CCFA Development Di- and we hope you can join Alumni Takeover 11 Ken Ochalek (video) and rector has been split so us in the festivities. Jessica Pondell that the administrator with In recognition of (administrative assistant) that title can concentrate the strength of our gradu- all hail from CMU. We are on fundraising while a new ate program, the university happy to have them as Events Coordinator facili- Faculty and Staff granted us three additional part of our instructional tates our College’s many • Pete Orlik, Chair graduate assistantships team. -
Curriculum Vitae Silvia Pedraza
1 August 2021 CURRICULUM VITAE SILVIA PEDRAZA University of Michigan Work: (734) 647-3659 Department of Sociology Fax: (734) 763-6887 500 S. State St., 3001 LSA Bldg. Home: (734) 761-3907 Ann Arbor, Michigan 48109-1382 U.S. citizen [email protected] Born in Havana, Cuba Education 1980 Ph.D., Department of Sociology, University of Chicago. 1977 M.A., Department of Sociology, University of Chicago. 1971 M.A., Masters in Teaching, the University of Michigan, Ann Arbor. 1967 B.A., Major in Sociology, the University of Michigan, Ann Arbor. 1960- 1960-63 Oak Grove High School, Vassalboro, Maine. 1952-60 Las Esclavas del Sagrado Corazón, Habana, Cuba. Fellowships, Awards, and Honors 2021 American Sociological Association, Latino/a Sociology Section, Founders Award. La Casa Students, Latinxcellence Legacy Award, University of Michigan. 2018-20 President, Association for the Study of the Cuban Economy (ASCE) and society (Elected). 2016 Golden Key International Honour Society, Honorary Faculty Award. 2015 Scholarship and Research Award, College of Literature, Science, and Arts together with the Department of Sociology, Department of American Culture, and Latin American and Caribbean Studies Program, eGIF Award. 2014 Faculty Dialogues Institute, College of Literature, Science, and Arts, Center for Research on Learning and Teaching and Inter Group Relations, the University of Michigan. 2013 Faculty Research and Scholarship Award, College of Literature, Science, and Arts, the University of Michigan. 2 2013 Research Partnership Award, Horace H. Rackham School of Graduate Studies, the University of Michigan. 2009 American Sociological Association, Latino/a Sociology Section, The Julian Samora Distinguished Career Award. 2007-08 Honors Program Course Development Award, College of Literature, Science, and Arts, the University of Michigan. -
Who Pays SX Q3 2019.Xlsx
Who Pays SoundExchange: Q3 2019 Entity Name License Type AMBIANCERADIO.COM BES Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES F45 Training Incorporated BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It's Never 2 Late BES Jukeboxy BES MANAGEDMEDIA.COM BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES Music Maestro BES Music Performance Rights Agency, Inc. BES MUZAK.COM BES NEXTUNE.COM BES Play More Music International BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Startle International Inc. BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio #1 Gospel Hip Hop Webcasting 102.7 FM KPGZ-lp Webcasting 411OUT LLC Webcasting 630 Inc Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting AD VENTURE MARKETING DBA TOWN TALK RADIO Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting africana55radio.com Webcasting AGM Bakersfield Webcasting Agm California - San Luis Obispo Webcasting AGM Nevada, LLC Webcasting Agm Santa Maria, L.P. Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting -
Licensee Count Q1 2019.Xlsx
Who Pays SoundExchange: Q1 2019 Entity Name License Type Aura Multimedia Corporation BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX Music BES GRAYV.COM BES Imagesound Limited BES INSTOREAUDIONETWORK.COM BES IO BUSINESS MUSIC BES It'S Never 2 Late BES MTI Digital Inc - MTIDIGITAL.BIZ BES Music Choice BES MUZAK.COM BES Private Label Radio BES Qsic BES RETAIL ENTERTAINMENT DESIGN BES Rfc Media - Bes BES Rise Radio BES Rockbot, Inc. BES Sirius XM Radio, Inc BES SOUND-MACHINE.COM BES Stingray Business BES Stingray Music USA BES STUDIOSTREAM.COM BES Thales Inflyt Experience BES UMIXMEDIA.COM BES Vibenomics, Inc. BES Sirius XM Radio, Inc CABSAT Stingray Music USA CABSAT Music Choice PES MUZAK.COM PES Sirius XM Radio, Inc Satellite Radio 102.7 FM KPGZ-lp Webcasting 999HANKFM - WANK Webcasting A-1 Communications Webcasting ACCURADIO.COM Webcasting Ad Astra Radio Webcasting Adams Radio Group Webcasting ADDICTEDTORADIO.COM Webcasting Aloha Station Trust Webcasting Alpha Media - Alaska Webcasting Alpha Media - Amarillo Webcasting Alpha Media - Aurora Webcasting Alpha Media - Austin-Albert Lea Webcasting Alpha Media - Bakersfield Webcasting Alpha Media - Biloxi - Gulfport, MS Webcasting Alpha Media - Brookings Webcasting Alpha Media - Cameron - Bethany Webcasting Alpha Media - Canton Webcasting Alpha Media - Columbia, SC Webcasting Alpha Media - Columbus Webcasting Alpha Media - Dayton, Oh Webcasting Alpha Media - East Texas Webcasting Alpha Media - Fairfield Webcasting Alpha Media - Far East Bay Webcasting Alpha Media -
AGREEMENT THIS AGREEMENT Entered Into This 19Th Day of March
AGREEMENT THIS AGREEMENT entered into this 19 th day of March, 2009, between the School District of Bloomfield Hills, Michigan, hereinafter called the "Board," and the Bloomfield Hills Education Association, hereinafter called the "Association." WHEREAS, the Board and the Association recognize and declare that providing a quality education for the children of Bloomfield Hills is their mutual aim and that the character of such education depends predominantly upon the quality and morale of the teaching service, and WHEREAS, the Board has a statutory obligation, pursuant to the Public Employment Relations Act, Act 379 of the Michigan Public Acts of 1965, as amended, to bargain with the Association as the representative of its teaching personnel with respect to hours, wages, terms and conditions of employment, and WHEREAS, the parties have reached certain understandings which they desire to confirm in this Agreement. In consideration of the following mutual covenants, it is hereby agreed as follows: 1 ARTICLE 1 - RECOGNITION A. The Board recognizes the Association as the sole and exclusive bargaining representative, as defined in Section II of Michigan Public Act 366 of 1947 as amended by Michigan Public Act 379 of 1965, for all certificated teachers by the Michigan Department of Education and employed by the Board in educational positions, whether on tenure or in a probationary status, but excluding full- or part-time supervisory (such as teaching principals or teaching coordinators), administrative and executive personnel, system coordinators,