DOCSLIB.ORG

STAR Digio 100 チャンネル：４５２ ROCK/POPS GOLD ALBUM 放送日：２００２／３／１８～３／２４ 「番組案内（４時間サイクル）」 開始時刻：4：00～8：00～12：00～16：00～20：00～24：00～

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
STAR Digio 100 チャンネル：４５２ ROCK/POPS GOLD ALBUM 放送日：２００２／３／１８～３／２４ 「番組案内（４時間サイクル）」 開始時刻：4：00～8：00～12：00～16：00～20：00～24：00～ 【お知らせ】＊４／１（月）より、一部チャンネルを改編致します。新チャンネル表は、STARdigio Web-Siteの トップページ、スカパー FAX-BOX CH499 にてお取り出しいただけます。 STAR digio 100 チャンネル：４５２ ROCK/POPS GOLD ALBUM 放送日：２００２／３／１８～３／２４ 「番組案内（４時間サイクル）」 開始時刻：4：00～8：00～12：00～16：00～20：00～24：00～ 楽曲タイトル 演奏者名 ROCK/POPS GOLD ALBUM DO THE STRAND ROXY MUSIC BEAUTY QUEEN ROXY MUSIC STRICTLY CONFIDENTIAL ROXY MUSIC EDITIONS OF YOU ROXY MUSIC IN EVERY DREAM HOME A HEARTACHE ROXY MUSIC FOR YOUR PLEASURE ROXY MUSIC LET'S STICK TOGETHER Bryan Ferry CASANOVA Bryan Ferry SEA BREEZES Bryan Ferry SHAME, SHAME, SHAME Bryan Ferry 2HB (ハンフリー・ボガードに捧ぐ) Bryan Ferry THE PRICE OF LOVE Bryan Ferry CHANCE MEETING Bryan Ferry IT'S ONLY LOVE Bryan Ferry GEIGER COUNTER～RADIOACTIVITY KRAFTWERK ～RADIOLAND～AIRWAVES～INTERMISSION RADIO STARS～URANIUM KRAFTWERK OHM SWEET OHM KRAFTWERK SKY SAW BRIAN ENO OVER FIRE ISLAND BRIAN ENO ST. ELMO'S FIRE BRIAN ENO IN DARK TREES BRIAN ENO THE BIG SHIP BRIAN ENO I'LL COME RUNNING BRIAN ENO GOLDEN HOURS BRIAN ENO EVERYTHING MERGES WITH THE NIGHT BRIAN ENO SPIRITS DRIFTING BRIAN ENO BRIDGE OVER TROUBLED WATER（明日に架ける橋） SIMON & GARFUNKEL EL CONDOR PASA(If I Could)（コンドルは飛んで行く） SIMON & GARFUNKEL CECILIA（いとしのセシリア） SIMON & GARFUNKEL KEEP THE CUSTOMER SATISFIED SIMON & GARFUNKEL SO LONG. FRANK LLOYD WRIGHT SIMON & GARFUNKEL （フランク・ロイド・ライトに捧げる歌） THE BOXER SIMON & GARFUNKEL BABY DRIVER SIMON & GARFUNKEL THE ONLY LIVING BOY IN NEW YORK SIMON & GARFUNKEL （ニューヨークの少年） HOE DOWN POCO BAD WEATHER POCO WHAT AM I GONNA DO POCO YOU ARE THE ONE POCO RAILROAD DAYS POCO FROM THE INSIDE POCO WHAT IF I SHOULD SAY I LOVE YOU POCO JUST FOR ME AND YOU POCO MECCANIC DANCING (OH WE GO!) XTC BATTERY BRIDES XTC BUZZCITY TALKING XTC CROWDED ROOM XTC THE RHYTHM XTC ARE YOU RECEIVING ME? XTC RED XTC BEATOWN XTC I AM THE AUDIENCE XTC I ZIMBRA TALKING HEADS MIND TALKING HEADS PAPER TALKING HEADS CITIES TALKING HEADS LIFE DURING WARTIME TALKING HEADS MEMORIES CAN'T WAIT TALKING HEADS AIR TALKING HEADS HEAVEN TALKING HEADS ＊毎日A.M3：55～5分間、メンテナンスの為休止致します。 ＊個人的に楽しむ場合を除き、著作権上、無断複製は禁じられています。 ＊FAXサービスは、（月）午前中入替作業の為、午後以降の御利用を御願い致します。御了承下さい。.
Load more

Recommended publications
  • 183 Anti-Valentine's Day Songs (2015)
    183 Anti-Valentine's Day Songs (2015) 4:24 Time Artist Album Theme Knowing Me Knowing You 4:02 Abba Gold Break up Lay All Your Love On Me 5:00 Abba Gold cautionary tale S.O.S. 3:23 Abba Gold heartbreak Winner Takes it All 4:55 Abba Gold Break up Someone Like You 4:45 Adele 21 Lost Love Turning Tables 4:08 Adele 21 broken heart Rolling in the Deep 3:54 Adlele 21 broken heart All Out Of Love 4:01 Air Supply Ulitimate Air Supply Lonely You Oughta Know 4:09 Alanis Morissette Jagged Little Pill broken heart Another heart calls 4:07 All American Rejects When the World Comes Down jerk Fallin' Apart 3:26 All American Rejects When the World Comes Down broken heart Gives You Hell 3:33 All American Rejects When the World Comes Down moving on Toxic Valentine 2:52 All Time Low Jennifer's Body broken heart I'm Outta Love 4:02 Anastacia Single giving up Complicated 4:05 Avril Lavigne Let Go heartbreak Good Lovin' Gone Bad 3:36 Bad Company Straight Shooter cautionary tale Able to Love (Sfaction Mix) 3:27 Benny Benassi & The Biz No Matter What You Do / Able to Love moving on Single Ladies (Put a Ring On It) 3:13 Beyonce I Am Sasha Fierce empowered The Best Thing I Never Had 4:14 Beyonce 4 moving on Love Burns 2:25 Black Rebel Motorcycle Club B.R.M.C. cautionary tale I'm Sorry, Baby But You Can't Stand In My Light Anymore 3:11 Bob Mould Life & Times moving on I Don't Wish You Were Dead Anymore 2:45 Bowling for Soup Sorry for Partyin' broken heart Love Drunk 3:47 Boys Like Girls Love Drunk cautionary tale Stronger 3:24 Britney Spears Opps!..
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Roxy Music Viva! the Live Roxy Music Album Mp3, Flac, Wma
    Roxy Music Viva! The Live Roxy Music Album mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Viva! The Live Roxy Music Album Country: US Released: 1976 Style: Glam, Art Rock MP3 version RAR size: 1628 mb FLAC version RAR size: 1319 mb WMA version RAR size: 1978 mb Rating: 4.1 Votes: 630 Other Formats: AA APE MIDI VOC MP1 ASF AIFF Tracklist Hide Credits Out Of The Blue A1 4:40 Written-By – Manzanera* A2 Pyjamarama 3:27 A3 The Bogus Man 7:05 A4 Chance Meeting 3:01 A5 Both Ends Burning 4:54 B1 If There Is Something 10:29 B2 In Every Dream Home A Heartache 8:10 B3 Do The Strand 3:55 Companies, etc. Manufactured By – Atlantic Recording Corporation Pressed By – Presswell Produced For – E.G. Records Ltd. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Published By – E.G. Music Published By – TRO-Total Published By – TRO-Cheshire Recorded At – Apollo Theatre, Glasgow Recorded At – Newcastle City Hall Recorded At – Empire Pool, Wembley Mixed At – Air Studios Mastered At – Atlantic Studios Credits Backing Vocals – The Sirens Bass – John Gustafson, John Wetton, Rick Wills, Sal Maida Crew – Chris Adamson, Mick Rossi Drums – Paul Thompson Engineer – Bill Price, Chris Michie , Frank Owen, John Punter, Rhett Davies Engineer [Mix] – Steve Nye Engineer [Mix] [Assistant] – Jon Walls Guitar – Phil Manzanera Mastered By – GP* Producer – Chris Thomas Saxophone, Oboe – Andrew Mackay* Strings, Synthesizer, Keyboards – Edwin Jobson* Voice, Keyboards – Bryan Ferry Written-By – Ferry* Notes Presswell (PR matrix code on label) Recorded Live at the Apollo, Glasgow, November 1973 - The City Hall, Newcastle, November 1974 and The Empire Pool, Wembley, October 1975.
    [Show full text]
  • Should Big Data Change the Modelling Paradigm in Official Statistics?
    Statistical Journal of the IAOS 31 (2015) 193–202 193 DOI 10.3233/SJI-150892 IOS Press “Re-make/Re-model”: Should big data change the modelling paradigm in official statistics?1 Barteld Braaksmaa,∗ and Kees Zeelenbergb aInnovation Program, Statistics Netherlands, 2490 HA Den Haag, The Netherlands bMethods and Statistical Policies, Statistics Netherlands, 2490 HA Den Haag, The Netherlands Abstract. Big data offers many opportunities for official statistics: for example increased resolution, better timeliness, and new statistical outputs. But there are also many challenges: uncontrolled changes in sources that threaten continuity, lack of identifiers that impedes linking to population frames, and data that refers only indirectly to phenomena of statistical interest. We discuss two approaches to deal with these challenges and opportunities. First, we may accept big data for what they are: an imperfect, yet timely, indicator of phenomena in society. These data exist and that’s why they are interesting. Secondly, we may extend this approach by explicit modelling. New methods like machine-learning techniques can be considered alongside more traditional methods like Bayesian techniques. National statistical institutes have always been reluctant to use models, apart from specific cases like small-area estimates. Based on the experience at Statistics Netherlands we argue that NSIs should not be afraid to use models, provided that their use is documented and made transparent to users. Moreover, the primary purpose of an NSI is to describe society; we should refrain from making forecasts. The models used should therefore rely on actually observed data and they should be validated extensively. Keywords: Big data, model-based statistics 1.
    [Show full text]
  • Internalized Homophobia of the Queer Cinema Movement
    San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2010 If I Could Choose: Internalized Homophobia of the Queer Cinema Movement James Joseph Flaherty San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Flaherty, James Joseph, "If I Could Choose: Internalized Homophobia of the Queer Cinema Movement" (2010). Master's Theses. 3760. DOI: https://doi.org/10.31979/etd.tqea-hw4y https://scholarworks.sjsu.edu/etd_theses/3760 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IF I COULD CHOOSE: INTERNALIZED HOMOPHOBIA OF THE QUEER CINEMA MOVEMENT A Thesis Presented to The Faculty of the Department of Television, Radio, Film and Theatre San José State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by James J. Flaherty May 2010 © 2010 James J. Flaherty ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled IF I COULD CHOOSE: INTERNALIZED HOMOPHOBIA OF THE QUEER CINEMA MOVEMENT by James J. Flaherty APPROVED FOR THE DEPARTMENT OF TELEVISION, FILM, RADIO AND THEATRE SAN JOSÉ STATE UNIVERSITY May 2010 Dr. Alison McKee Department of Television, Film, Radio and Theatre Dr. David Kahn Department of Television, Film, Radio and Theatre Mr. Scott Sublett Department of Television, Film, Radio and Theatre ABSTRACT IF I COULD CHOOSE: INTERNALIZED HOMOPHOBIA OF THE QUEER CINEMA MOVEMENT By James J.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
    KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev.
    [Show full text]
  • Kevin Milburn Futurism and Musical Meaning in Synthesized
    Kevin Milburn Futurism and Musical Meaning in Synthesized Landscapes Abstract The purpose of this paper is to explore how musicians engaged with a particular form of technology, the synthesizer, to create imaginative geographies of the near future. It examines the output of numerous ‘synth-pop’ acts involved in the production of this commercially successful, urban-focussed music, focussing on the period between 1977 and 1984. Attention is given to how this music both embedded and self-consciously reflected notions of futurism, a theme that, until that time, had largely been neglected in popular music. The role of earlier futuristic visionaries, such as Fritz Lang, JG Ballard and Stanley Kubrick, in shaping musicians depictions of futurism is highlighted. Throughout, the music is interpreted by situating it within the specific cultural, economic and sociotechnical realms in which it was produced. Whilst the emphasis is on debates concerning futurism that were played out within a British musical context reference is also made to related significant developments that occurred outside the UK. This paper assesses the way that notions of futurism were enrolled into electronic music in certain times and places. Naturally, in many respects, all contemporary popular music is now ‘electronic’; if not in its instrumentation then almost certainly in terms of its recording, distribution and consumption. However, my analysis of ‘electronic music’ refers to music in which electrically powered keyboard instruments, and specifically synthesizers, are to the fore of the mix, and where many of the sounds produced are clearly synthetically generated. In particular, the focus is on a form of electronic music, given the genre-label ‘synth-pop’ for marketing purposes, that was produced by artists sometimes referred to as ‘futurists’.
    [Show full text]
  • Roxy Music Limited Yvonne P
    Journal of Business Case Studies – Second Quarter 2005 Volume 1, Number 2 A Teaching Case Study: Roxy Music Limited Yvonne P. Shanahan, (E-mail: [email protected]), University of Canterbury, New Zealand Morris W. Shanahan, (E-mail: [email protected]), Christchurch Polytechnic Institute Technology, New Zealand BACKGROUND oxy Music Limited is a wholesale supplier of Compact Discs (CDs), Music Cassettes, Videos and, more recently DVDs, in the New Zealand music and entertainment market. All products are imported R from Germany, the United Kingdom, the United States of America or Holland. Product arrives in boxes of 1,000 units. For the purpose of this case, we are focusing on CD sales. CUSTOMERS Roxy Music distributes its products to a variety of customers, and the major difference between these customers is the volume of product which they order. Roxy Music has one large customer which is a national chain (not only of Roxy Music’s product) - Warehouse Music. Warehouse Music sells approximately 30% of the retail sales volume. This customer always buys in large quantities. For the Top 20 chart hits, they would purchase in volumes of a minimum 1,000 units often up to 10,000 units and they would purchase these quantities in either one, two or three orders, depending on the success of the charted album. They would sell 30,000 units if an Album went platinum. Warehouse Music always pay on time – 20th of the Month following and require no extra administrative effort. At the other end of the continuum, there are a number of small music stores throughout New Zealand.
    [Show full text]
  • Bryan Ferry Till Furuvik I Maj 2020
    Pressmeddelande 2019-11-13 BRYAN FERRY TILL FURUVIK I MAJ 2020 Den första artisten till Furuviks konsertsommar 2020 är äntligen bokad! Idag kan vi avslöja att ingen mindre än Bryan Ferry är redo att inta Furuviks Stora Scen. Ferry slog igenom med bandet Roxy Music på 70-talet och har sedan dess etablerat sig som en ikonisk och innovativ sångare och låtskrivare. Med en blandning av Sinatra, Gainsbourg och Lou Reed har Bryan Ferry alltid brutit ny mark med sin musik och vi är otroligt stolta över att få välkomna honom till Furuvik den 30 maj kl. 20.00. Med klassiska hits som ”Slave To Love” och “Let’s Stick Together” har Bryan Ferry varit ständigt närvarande inom populärmusiken. Både från starten av 70-talet med Roxy Music och med sin solokarriär som sträckt sig över tre decennier har Ferry aldrig slutat att imponera. Utöver sina egna låtar har han även förmågan att ta låtar från olika genrer och ge dem nytt liv, något som bland annat går att höra på hans rosade album ”Dylanesque” från 2007, en hyllning till Bob Dylan. – Vi är så taggade inför att äntligen kunna släppa artister inför sommaren 2020 och vilken artist att börja med! Bryan Ferry är en riktigt grym bokning och vi ser fram emot när han äntligen kliver ut på Furuviks Stora Scen, säger Nina Tano, vd på Furuvik. Bryan Ferrys senaste album ”Bitter-Sweet” släpptes 2018 och tidigare i år blev han invald i Rock and Roll Hall of Fame som medlem i Roxy Music. Den 30 maj kl. 20.00 tar han över Furuviks Stora Scen.
    [Show full text]
  • Singles 1970 to 1983
    AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD.
    [Show full text]
  • TEACHERS PACK GLAM! the PERFORMANCE of STYLE 8 February – 12 May 2013
    TEACHERS PACK 8 February – 12 May 2013 May –12 8 February OF STYLE GLAM! THE PERFORMANCE Peter Hujar Candy Darling on her Deathbed 1974 © The Peter Hujar Archive, LCC; courtesy Pace/MacGill Gallery, New York INTRODUCTION Glam, a visually extravagant pop style The pack is designed to support teachers and exploded across Britain during the years educators in planning a visit to the exhibition 1971–5. The exciting, futuristic sounds, with a collection of ideas, workshops and extravagant fashions and glitter-dappled points for discussion. The activities are personas emerging in this era had their suitable for all ages and can be adapted to roots firmly in British art schools. your needs before, during and after your visit. Glam! The Performance of Style is the A special school group price for exhibitions first exhibition to explore glam style is available if you book and pay at least and sensibility in depth. The exhibition two weeks in advance. Groups of students investigates artistic developments in under 18 years of age £4 and over 18s £4.40. Britain, Europe and North America through Teachers wanting to make a research trip the prism of glam, examining painting, to the exhibition in advance of a visit are sculpture, installation art, film, photography welcome to do so free of charge. Please and performance. book in advance. To book a visit please call 0151 702 7400. Bringing together more than 100 artworks, the exhibition will reveal the genealogy of For further details about visiting glam. Themes of camp, exaggerated identity, Tate Liverpool with your group see: androgyny, eroticism and dandyism will be www.tate.org.uk/learn/teachers/school-visits- explored in the work of David Hockney, tate-liverpool Andy Warhol, Cindy Sherman and many more.
    [Show full text]