Table Des Matieres Volume I
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Tate Papers Issue 12 2009: Antony Hudek
Tate Papers Issue 12 2009: Antony Hudek http://www.tate.org.uk/research/tateresearch/tatepapers/09autumn/hudek... ISSN 1753-9854 TATE’S ONLINE RESEARCH JOURNAL Landmark Exhibitions Issue From Over- to Sub-Exposure: The Anamnesis of Les Immatériaux Antony Hudek Although a number of twentieth-century exhibitions are already hailed as ‘landmark exhibitions’, one major and highly innovative exhibition has eluded the attention of scholars until recently: Les Immatériaux , co-curated in 1985 for the Centre Georges Pompidou in Paris by the philosopher Jean-François Lyotard and the design historian and theorist Thierry Chaput. 1 Among its many novel features was the fact that it was the first exhibition in which a philosopher played a leading role, opening the door to many other instances where intellectuals would become ad hoc curators. 2 Instead of the standard sequence of white cubes, Lyotard and Chaput divided the entire fifth floor of the museum with large sheets of uncoloured metal mesh hanging from the ceiling. Contrary to the neutral lighting of most exhibition environments, Les Immatériaux offered a theatrical setting – the work of young stage designer Françoise Michel – which played with stark contrasts between spotlit exhibits and areas of near total darkness.3 In Chaput’s words: ‘Decked in demanding grey, illuminated by improbable lighting, with unpredictable ideas allowed to hover, this hour, this day in this year, suspended, rigorously ordered yet without system, “The Immaterials” exhibit themselves between seeing, feeling and hearing.’ 4 Importantly, Les Immatériaux brought together a striking variety of objects, ranging from the latest industrial robots and personal computers, to holograms, interactive sound installations, and 3D cinema, along with paintings, photographs and sculptures (the latter ranging from an Ancient Egyptian low-relief to works by Dan Graham , Joseph Kosuth and Giovanni Anselmo ). -
The Act of Presence
The Act of Presence Key Readings from the Philosophy of Louis Lavelle translations, introduction, forewords and page-notes by Robert Jones All Rights Reserved. Copyright © 1993-2010 by Robert Jones 20 Webb Court, Bingil Bay, Queensland, Australia 4852 No portion of the translations, introduction, forewords or page-notes may be reproduced by whatever means without permission of the copyright owner. ii All Rights Reserved. Copyright © 1993-2009 by Robert Jones 20 Webb Court, Bingil Bay, Queensland, Australia 4852 No portion of the translations, introduction, forewords or page-notes may be reproduced by whatever means without permission of the copyright owner. All Rights Reserved. Copyright © 1993-2010 by Robert Jones 20 Webb Court, Bingil Bay, Queensland, Australia 4852 No portion of the translations, introduction, forewords or page-notes may be reproduced by whatever means without permission of the copyright owner. iii For Philippe Chinkirch All Rights Reserved. Copyright © 1993-2010 by Robert Jones 20 Webb Court, Bingil Bay, Queensland, Australia 4852 No portion of the translations, introduction, forewords or page-notes may be reproduced by whatever means without permission of the copyright owner. iv Acknowledgments As signalled on the dedication page, main thanks go to my friend Philippe Chinkirch who introduced me to Lavelle during his stay in Australia in the early 1990’s. My first translations of the philosopher, most of them brief, date back to that time and were incorporated in various articles that appeared in the United States and Japan. Later, after M. Chinkirch had returned to Paris, he continued to feed my interest by sending hard-to- get texts. -
The Clever Body
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2006 The Clever Body Csepregi, Gabor University of Calgary Press Csepregi, Gabor. "The Clever Body", University of Calgary Press, Calgary, Alberta, 2006. http://hdl.handle.net/1880/48917 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com THE CLEVER BODY by Gabor Csepregi ISBN 978-1-55238-594-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. -
HARD FACTS and SOFT SPECULATION Thierry De Duve
THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION Thierry de Duve ABSTRACT Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions (attribution, etc.) and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. KEYWORDS, Readymade, Fountain, Independents, Stieglitz, Sanitary pottery Then the smell of wet glue! Mentally I was not spelling art with a capital A. — Beatrice Wood1 No doubt, Marcel Duchamp’s best known and most controversial readymade is a men’s urinal tipped on its side, signed R. Mutt, dated 1917, and titled Fountain. The 2017 centennial of Fountain brought us a harvest of new books and articles on the famous or infamous urinal. I read most of them in the hope of gleaning enough newly verified facts to curtail my natural tendency to speculate. But newly verified facts are few and far between. -
Metaphysics Today and Tomorrow*
1 Metaphysics Today and Tomorrow* Raphaël Millière École normale supérieure, Paris – October 2011 Translated by Mark Ohm with the assistance of Leah Orth, Jon Cogburn, and Emily Beck Cogburn “By metaphysics, I do not mean those abstract considerations of certain imaginary properties, the principal use of which is to furnish the wherewithal for endless dispute to those who want to dispute. By this science I mean the general truths which can serve as principles for the particular sciences.” Malebranche Dialogues on Metaphysics and Religion 1. The interminable agony of metaphysics Throughout the twentieth century, numerous philosophers sounded the death knell of metaphysics. Ludwig Wittgenstein, Rudolf Carnap, Martin Heidegger, Gilbert Ryle, J. L. Austin, Jacques Derrida, Jürgen Habermas, Richard Rorty, and, henceforth, Hilary Putnam: a great many tutelary figures have extolled the rejection, the exceeding, the elimination, or the deconstruction of first philosophy. All these necrological chronicles do not have the same radiance, the same seriousness, nor the same motivations, but they all agree to dismiss the discipline, which in the past was considered “the queen of the sciences”, with a violence at times comparable to the prestige it commanded at the time of its impunity. Even today, certain philosophers hastily spread the tragic news with contempt for philosophical inquiry, as if its grave solemnity bestowed upon it some obviousness. Thus, Franco Volpi writes: ‘Grand metaphysics is dead!’ is the slogan which applies to the majority of contemporary philosophers, whether continentals or of analytic profession. They all treat metaphysics as a dead dog.1 In this way, the “path of modern thought” would declare itself vociferously “anti- metaphysical and finally post-metaphysical”. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
Spring 2019 the State Is Not a Work of Art
AH 513 | Spring 2019 The State is Not a Work of Art Hans Haacke, Der Bevölkerung, 2000, detail Mondays 3:00‑5:30 | Prof: Blake Stimson | Office hours: Wednesdays 1:00‑2:00 It has been a commonplace for a century now that “to understand the esthetic”—this is John Dewey in 1934 —“one must begin with it in the raw.” Therein lies art’s autonomy, its capacity for critical distance. This course will question this assumption by drawing on the tradition in German philosophy that turns on Hegel’s assertion “The state is not a work of art.” By drawing on the continuities between the political and aesthetic philosophies of Kant, Hegel, Marx, Lukács and Adorno we will develop a working account of realism that might effectively respond to the tragic cultural politics of our own day. REQUIREMENTS Class parcipaon will count for 50% of your grade, one qurter each based on your aendance, wrien responses to the quesons posed online, three short essays each responding to any chosen assigned reading and presented in class, and your contribuon to classroom discussion. Your final project will count for 30% and your midterm presentaon 20%. The final paper assignment is in two parts. The first part is to be an inial dra of 7 pages presented like a 20‑minute conference paper with feedback from the rest of the class in the paper workshop. The final paper should be 15‑20 pages and focus on any point of intersecon between aesthecs and polics. Please submit as a Google doc through Google Classroom. -
Meaning and Self-Organisation in Visual Cognition and Thought
SEEING, THINKING AND KNOWING THEORY AND DECISION LIBRARY General Editors: W. Leinfellner (Vienna) and G. Eberlein (Munich) Series A: Philosophy and Methodology of the Social Sciences Series B: Mathematical and Statistical Methods Series C: Game Theory, Mathematical Programming and Operations Research SERIES A: PHILOSOPHY AND METHODOLOGY OF THE SOCIAL SCIENCES VOLUME 38 Series Editor: W. Leinfellner (Technical University of Vienna), G. Eberlein (Technical University of Munich); Editorial Board: R. Boudon (Paris), M. Bunge (Montreal), J. S. Coleman (Chicago), J. Götschl (Graz), L. Kern (Pullach), I. Levi (New York), R. Mattessich (Vancouver), B. Munier (Cachan), J. Nida-Rümelin (Göttingen), A. Rapoport (Toronto), A. Sen (Cambridge, U.S.A.), R. Tuomela (Helsinki), A. Tversky (Stanford). Scope: This series deals with the foundations, the general methodology and the criteria, goals and purpose of the social sciences. The emphasis in the Series A will be on well-argued, thoroughly ana- lytical rather than advanced mathematical treatments. In this context, particular attention will be paid to game and decision theory and general philosophical topics from mathematics, psychology and economics, such as game theory, voting and welfare theory, with applications to political science, sociology, law and ethics. The titles published in this series are listed at the end of this volume. SEEING, THINKING AND KNOWING Meaning and Self-Organisation in Visual Cognition and Thought Edited by Arturo Carsetti University of Rome “Tor Vergata”, Rome, Italy KLUWER -
Año 20, Nº71 2 0
Dep. legal: ppi 201502ZU4650 Esta publicación científica en formato digital es continuidad de la revista impresa ISSN 1315-5216 Depósito legal pp 199602ZU720 Comité Científico Dep. legal: ppi 201502ZU4650 Directores Honorarios Nohan CHOMSKY Boaventura de SOUSA SANTOS (Portugal) Revista Internacional de Filosofía Iberoamericana Leonardo BOFF Franz HINKELAMMERT (Costa Rica) y Teoría Social Revista Internacional de Filosofía Iberoamericana Enrique DUSSEL Friz WALLNER (Austria) Universidad del Zulia, Maracaibo, Venezuela Gloria M. COMESAÑA-SANTALICES Facultad de Ciencias Económicas y Sociales y Teoría Social Raúl FORNET-BETANCOURT Constança MARCONDES CESAR (Brasil) Centro de Estudios Sociológicos y Antropológicos (CESA) Universidad del Zulia, Maracaibo, Venezuela Gino CAPOZZI Didier Le LEGALL (Francia) Año 20. Nº 71. Octubre-Diciembre, 2015 Facultad de Ciencias Económicas y Sociales Gianni VATTIMO Contenido Centro de Estudios Sociológicos y Antropológicos (CESA) Weinne KARLSSON (Suecia) Andrés ORTÍZ-OSÉS Año 20, N° 71 Portadilla Adela Cortina (España) Jens EVALD: Alf Ross – a life............................................................................................................................................................................... p. 7 Director-Editor Sara Beatriz Guardia (Perú). PRESENTACIÓN Alessandro Serpe................................................................................................................................................................................................. p. 13 Álvaro B. MÁRQUEZ-FERNÁNDEZ -
Emergence in Science and Philosophy Edited by Antonella
Emergence in Science and Philosophy Edited by Antonella Corradini and Timothy O’Connor New York London Contents List of Figures ix Introduction xi ANTONELLA CORRADINI AND TIMOTHY O’CONNOR PART I Emergence: General Perspectives Part I Introduction 3 ANTONELLA CORRADINI AND TIMOTHY O’CONNOR 1 The Secret Lives of Emergents 7 HONG YU WONG 2 On the Implications of Scientifi c Composition and Completeness: Or, The Troubles, and Troubles, of Non- Reductive Physicalism 25 CARL GILLETT 3 Weak Emergence and Context-Sensitive Reduction 46 MARK A. BEDAU 4 Two Varieties of Causal Emergentism 64 MICHELE DI FRANCESCO 5 The Emergence of Group Cognition 78 GEORG THEINER AND TIMOTHY O’CONNOR vi Contents PART II Self, Agency, and Free Will Part II Introduction 121 ANTONELLA CORRADINI AND TIMOTHY O’CONNOR 6 Why My Body is Not Me: The Unity Argument for Emergentist Self-Body Dualism 127 E. JONATHAN LOWE 7 What About the Emergence of Consciousness Deserves Puzzlement? 149 MARTINE NIDA-RÜMELIN 8 The Emergence of Rational Souls 163 UWE MEIXNER 9 Are Deliberations and Decisions Emergent, if Free? 180 ACHIM STEPHAN 10 Is Emergentism Refuted by the Neurosciences? The Case of Free Will 190 MARIO DE CARO PART III Physics, Mathematics, and the Special Sciences Part III Introduction 207 ANTONELLA CORRADINI AND TIMOTHY O’CONNOR 11 Emergence in Physics 213 PATRICK MCGIVERN AND ALEXANDER RUEGER 12 The Emergence of the Intuition of Truth in Mathematical Thought 233 SERGIO GALVAN Contents vii 13 The Emergence of Mind at the Co-Evolutive Level 251 ARTURO CARSETTI 14 Emerging Mental Phenomena: Implications for Psychological Explanation 266 ALESSANDRO ANTONIETTI 15 How Special Are Special Sciences? 289 ANTONELLA CORRADINI Contributors 305 Index 309 Introduction Antonella Corradini and Timothy O’Connor The concept of emergence has seen a signifi cant resurgence in philosophy and a number of sciences in the past couple decades. -
International Congress
Copertina_Copertina.qxd 29/10/15 16:17 Pagina 1 THE PONTIFICAL ACADEMY OF INTERNATIONAL SAINT THOMAS AQUINAS CONGRESS SOCIETÀ Christian Humanism INTERNAZIONALE TOMMASO in the Third Millennium: I N T D’AQUINO The Perspective of Thomas Aquinas E R N A T I O N Rome, 21-25 September 2003 A L C O N G R E S …we are thereby taught how great is man’s digni - S ty , lest we should sully it with sin; hence Augustine says (De Vera Relig. XVI ): ‘God has C h r i proved to us how high a place human nature s t i a holds amongst creatures, inasmuch as He n H appeared to men as a true man’. And Pope Leo u m says in a sermon on the Nativity ( XXI ): ‘Learn, O a n i Christian, thy worth; and being made a partici - s m i pant of the divine nature (2 Pt 1,4) , refuse to return n t by evil deeds to your former worthlessness’ h e T h i r d M i St. Thomas Aquinas l l e n Summa Theologiae III, q.1, a.2 n i u m : T h e P e r s p e c t i v e o f T h o m a SANCT s IA I T A M H q E O u D M i A n C A a E A s A A I Q C U I F I I N T A T N I O S P • PALAZZO DELLA CANCELLERIA – A NGELICUM The Pontifical Academy of Saint Thomas Aquinas (PAST) Società Internazionale Tommaso d’Aquino (SITA) Tel: +39 0669883195 / 0669883451 – Fax: +39 0669885218 E-mail: [email protected] – Website: http://e-aquinas.net/2003 INTERNATIONAL CONGRESS Christian Humanism in the Third Millennium: The Perspective of Thomas Aquinas Rome, 21-25 September 2003 PRESENTATION Since the beginning of 2002, the Pontifical Academy of Saint Thomas and the Thomas Aquinas International Society, have been jointly preparing an International Congress which will take place in Rome, from 21 to 25 September 2003. -
Metabiology and the Complexity of Natural Evolution
Arturo Carsetti Biology ︱ system being studied. In addition, he The tree-like branching of evolution is investigated the boundaries of semantic programmed by natural selection. information in order to outline the principles of an adequate intentional information theory. LuckyStep/Shutterstock.com Metabiology and SELF-ORGANISATION Professor Carsetti quotes Henri Atlan – “the function self-organises together with its meaning” – to highlight the prerequisite of both a conceptual the complexity of theory of complexity and a theory of self-organisation. Self-organisation refers to the process whereby complex systems develop order via internal processes, also in the absence of natural evolution external intended constraints or forces. It can be described in terms of network In his study of metabiology, rturo Carsetti is Professor Vittorio Somenzi, Ilya Prigogine, Heinz properties such as connectivity, making Arturo Carsetti, from the of Philosophy of Science von Foerster and Henri Atlan, Arturo it an ideal subject for complexity theory University of Rome Tor Vergata, A at the University of Carsetti became interested in applying and artificial life research. In accordance new mathematics. This is a mathematics Chaitin’s insight into biological reviews existing theories Rome Tor Vergata and Editor Cybernetics and Information Theory with Carsetti’s main thesis, we have that necessarily moulds coder’s activity. evolution led him to view “life as and explores novel concepts of the Italian Journal for to living systems. Subsequently, to recognise that, at the level of a Hence the importance of articulating evolving software”. He employed regarding the complexity the Philosophy of Science during his stay in Trieste he worked biological cognitive system, sensibility and inventing each time a mathematics algorithmic information theory to of biological systems while La Nuova Critica.