Join Us for a Dickens of a Celebration!

Total Page：16

File Type：pdf, Size：1020Kb

© www.byerschoice.com 2008 • Edition II Gerald Dickens Returns! Join us for a Dickens of a Celebration! September 27 – 28, 2008 We have planned lots of special happenings such as a chance to win a Trip for Two to London , a performance of “A Christmas Carol” by Charles Dickens’ great-great grandson Gerald Charles Dickens and special Caroler® event figures of Mr. and Mrs. Dickens. Gerald has told us that he will be happy to sign these pieces for you if you can catch him between performances. The weekend will be very festive with a huge birthday cake and English Tea and a chance to ride a double decker bus. You will also have an opportunity to design your own Caroler and tour the production floor. There will be lots of our “Old Friends” for sale and many retired pieces will be raffled off as prizes. For a complete update on our event happenings visit www.byerschoice.com . Event Figures: Some of the activities are already sold out but don’t let that discourage you. Charles and Catherine Dickens We promise lots of fun for everyone! 1 7 6 5 17 CAROLER ® CROSSWORD PUZZLE : 15 How well do you know your Carolers? See if you can identify the different characters that are numbered above in order to fill out our Caroler Crossword Puzzle (back page) . You can request a free catalog showing all of the 2008 figures at www.byerschoice.com 11 9 4 14 13 12 2 8 16 3 10 Witch on Broom & Halloween Cat New this Fall CAROLER ® CROSSWORD PUZZLE 4355 County Line Road P.O. Box 158, Chalfont, PA 18914 215-822-6700 Wine Santa Available at your local Byers’ Choice Retailer.

Copy Link

Recommended publications

Liminal Dickens
Liminal Dickens Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Valerie Kennedy, Katerina Kitsi-Mitakou and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8890-7 ISBN (13): 978-1-4438-8890-5 To Dimitra in love and gratitude (Katerina Kitsi-Mitakou) TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Abbreviations ................................................................................... x Introduction ................................................................................................. 1 Liminal Dickens: Rites of Passage in His Work Valerie Kennedy, Katerina Kitsi-Mitakou Part I: Christian Births, Marriages and Deaths Contested Chapter One ............................................................................................... 20 Posthumous and Prenatal Dickens Dominic Rainsford Chapter
[Show full text]
A Biographical Note on Charles Dickens *** Uma Nota Biográfica Sobre Charles Dickens
REVISTA ATHENA ISSN: 2237-9304 Vol. 14, nº 1 (2018) A BIOGRAPHICAL NOTE ON CHARLES DICKENS *** UMA NOTA BIOGRÁFICA SOBRE CHARLES DICKENS Sophia Celina Diesel1 Recebimento do texto: 25 de abril de 2018 Data de aceite: 27 de maio de 2018 RESUMO: As biografias de autores famosos costumam trazer supostas explicações para a sua obra literária. Foi o caso com Charles Dickens e a revelação do episódio da fábrica de graxa quando ele era menino, inspiração para David Copperfield. Exposta na biografia póstuma escrita pelo amigo próximo de Dickens John Forster, o episódio rapidamente tornou-se parte do imaginário Dickensiano. Porém é interessante observar mais de perto tais explicações e considerar outros pontos de vista, incluindo o do próprio autor. PALAVRAS-CHAVE: Charles Dickens; David Copperfield; Fábrica de Graxa; Literatura Vitoriana; Biografia literária. ABSTRACT: The biographies of famous authors often bring supposed explanations for their literary work, especially for complicated or obscure passages. Such was the case with Charles Dickens and the revelation of the blacking factory episode when he was a boy, which served later as inspiration for his novel David Copperfield. Exposed in the posthumous biography written by Dickens’s close friend John Forster it quickly called fan’s attention and became part of the Dickensian imaginary. Yet, it is interesting to look closer at such easy explanations and consider different views, including the author’s himself. KEYWORDS: Charles Dickens; David Copperfield; Blacking factory; Victorian literature; Literary biography. 1 Mestre pela Loughborough University, no Reino Unido, em Literatura Inglesa. Doutoranda em Estudos em Literatura na UFRGS - Universidade Federal do Rio Grande do Sul.
[Show full text]
Edinburgh Research Explorer
Edinburgh Research Explorer Trollope, Orley Farm, and Dickens' marriage break-down Citation for published version: O'Gorman, F 2018, 'Trollope, Orley Farm, and Dickens' marriage break-down', English Studies, pp. 1-19. https://doi.org/10.1080/0013838X.2018.1492228 Digital Object Identifier (DOI): 10.1080/0013838X.2018.1492228 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: English Studies Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in English Studies on 21/9/2018, available online: https://www.tandfonline.com/doi/full/10.1080/0013838X.2018.1492228. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 1 Trollope, Orley Farm, and Dickens’ Marriage Break-down Francis O’Gorman ABSTRACT Anthony Trollope’s Orley Farm (1861-2), the plot of which the novelist thought the best he had ever conceived, is peculiarly aware of Charles Dickens, the seemingly unsurpassable celebrity of English letters in the 1850s. This essay firstly examines narrative features of Orley Farm that indicate Dickens was on Trollope’s mind—and then asks why.
[Show full text]
Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of the United States, 1867-1868
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 12-17-2014 Making it in America: How Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of The United States, 1867-1868 Jillian Martin Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Martin, Jillian, "Making it in America: How Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of The United States, 1867-1868." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/communication_theses/112 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MAKING IT IN AMERICA: HOW CHARLES DICKENS AND HIS CUNNING MANAGER GEORGE DOLBY MADE MILLIONS FROM A PERFORMANCE TOUR OF THE UNITED STATES, 1867-1868 by JILLIAN MARTIN Under the Direction of Leonard Teel, PhD ABSTRACT Charles Dickens embarked on a profitable journey to the United States in 1867, when he was the most famous writer in the world. He gave seventy-six public readings, in eighteen cities. Dickens and his manager, George Dolby, devised the tour to cash in on his popularity, and Dickens earned the equivalent of more than three million dollars. They created a persona of Dickens beyond the literary luminary he already was, with the help of the impresario, P.T. Barnum. Dickens became the first British celebrity to profit from paid readings in the United States.
[Show full text]
A Christmas Carol
November 13 – December 26, 2014 OneAmerica Stage STUDY GUIDE edited by Richard J Roberts & Milicent Wright contributors: Janet Allen, Courtney Sale Russell Metheny, Murell Horton, Michael Lincoln, Andrew Hopson Indiana Repertory Theatre 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com SEASON 2013-2014 YOUTH AUDIENCE FAMILY SERIES & MATINEE PROGRAMS SPONSOR 2 INDIANA REPERTORY THEATRE Charles Dickens’ A Christmas Carol adapted by Tom Haas The beloved classic of loss and redemption returns to IRT’s snow-covered stage! Dickens’ characters bring new life every season in this faithful, fanciful and frolicsome adaptation. It’s Indy’s favorite holiday tradition. Experience it for the first time all over again. Recommended for students in grades 4-12 Themes, Issues, & Topics the consequences of greed humanity’s ability to change the power of love and forgiveness The performance will last 90 minutes with no intermission. Study Guide Contents Synopsis 3 Author Charles Dickens 4 A Christmas Carol on Stage 6 Education Sales From the Designers 8 Randy Pease • 317-916-4842 From the Artistic Director 10 [email protected] From the Director 12 British Money in Scrooge’s Day 13 Pat Bebee • 317-916-4841 Victorian Life 14 [email protected] Music 16 Works of Art – Kyle Ragsdale 18 Outreach Programs Indiana Academic Standards 19 Milicent Wright • 317-916-4843 Resources 20 [email protected] Discussion Questions 23 Writing Prompts 24 Activities 25 Game: 20 Questions 26 Fifth Third Bank Financial Ed. 30 Text Glossary 31 Going to the Theatre 35 Young Playwrights in Process 36 Robert Neal in A Christmas Carol, 2010.
[Show full text]
{DOWNLOAD} Who Was Charles Dickens? Pdf Free Download
WHO WAS CHARLES DICKENS? PDF, EPUB, EBOOK Pamela D. Pollack,Meg Belviso | 112 pages | 01 Jan 2015 | Grosset and Dunlap | 9780448479675 | English | New York, United States Charles Dickens | Biography, Books, Characters, Facts, & Analysis | Britannica In he began submitting them to a magazine, The Monthly. He would later recall how he submitted his first manuscript, which he said was "dropped stealthily one evening at twilight, with fear and trembling, into a dark letter box, in a dark office, up a dark court in Fleet Street. When the sketch he'd written, titled "A Dinner at Poplar Walk," appeared in print, Dickens was overjoyed. The sketch appeared with no byline, but soon he began publishing items under the pen name "Boz. The witty and insightful articles Dickens wrote became popular, and he was eventually given the chance to collect them in a book. Buoyed by the success of his first book, he married Catherine Hogarth, the daughter of a newspaper editor. He settled into a new life as a family man and an author. Dickens was also approached to write the text to accompany a set of illustrations, and that project turned into his first novel, "The Pickwick Papers," which was published in installments from to This book was followed by "Oliver Twist," which appeared in Dickens became amazingly productive. In addition to these novels, Dickens was turning out a steady stream of articles for magazines. His work was incredibly popular. Dickens was able to create remarkable characters, and his writing often combined comic touches with tragic elements. His empathy for working people and for those caught in unfortunate circumstances made readers feel a bond with him.
[Show full text]
Dickens After Dickens, Pp
CHAPTER 10 Fictional Dickenses Emily Bell, Loughborough University Much as Charles Dickens’s own characters have appeared in various forms since their textual debuts – as discussed with relation to Miss Havisham in Chapter 4, Rosa Bud in Chapter 5, Little Nell in Chapter 7, and the full cast of Great Expectations in Chapter 9 – Dickens himself has been fictionalised in diverse ways throughout the 20th and 21st centuries. Some of these appear- ances are vastly popular among audiences who might not be particularly well versed in the author’s works, and do not aim for biographical specificity (for example, Gonzo’s turn as the Dickens-narrator in The Muppet Christmas Carol [1992], or Simon Callow as Dickens in an episode of Doctor Who, ‘The Unquiet Dead’ [2005]). Others have trod the line between biography and fiction une- venly, being read (and reviewed) as pure biography rather than biofiction, caus- ing dedicated Dickensians some headaches but being popularly received as fact. The line between biofiction and biography has long been blurred: as Michael Lackey notes, one of the foundational definitions of biofiction drawn from Carl Bode’s 1955 essay suggests that, ‘if a biography is either bad or stylized, then it would qualify as a biographical novel’ (Lackey 4); Georg Lukács had said some- thing similar in his 1937 study The Historical Novel, suggesting that the sub- ject’s ‘character is inevitably exaggerated, made to stand on tiptoe, his historical calling unduly emphasized … the personal, the purely psychological and bio- graphical acquire a disproportionate breadth, a false preponderance’ (314–21). That the biographical novel might be too biographical is a striking claim.
[Show full text]
Rehabilitating Catherine Dickens: Memory and Authorial Agency in Gaynor Arnold’S Neo-Victorian Biofiction Girl in a Blue Dress Kathryne Ford
Rehabilitating Catherine Dickens: Memory and Authorial Agency in Gaynor Arnold’s Neo-Victorian Biofiction Girl in a Blue Dress Kathryne Ford Catherine Dickens – Charles’s ultimately estranged wife – entrusted her letters from Charles to their daughter Katey, urging her to “Give these to the British Museum – that the world may know he loved me once” (qtd. in Schlicke 162). Gaynor Arnold’s biofictional account of Charles and Catherine Dickens’s marriage, entitled Girl in a Blue Dress (2008), heeds Catherine’s imperative to tell her side of the story by embodying her in the novel’s narrator, Dorothea (or) “Dodo” Gibson; likewise, Charles Dickens is cast as Dorothea’s estranged husband Alfred. Both Catherine Dickens and Gaynor Arnold recognise an author’s power to shape truth and solidify historical memory. In life, Catherine Dickens attempted to regain control of her story by employing her husband’s own words (in the form of letters he wrote to her) to counteract his claim that he never loved her and to corroborate her narrative of their life together. In fiction, Gaynor Arnold continues Catherine’s rehabilitative mission by inviting readers to consider the truth of Catherine’s history through the memorable mode of story. Moreover, Arnold’s Catherine Dickens equivalent – Dorothea Gibson – significantly reclaims her life at the end of the novel by assuming authorship of her late husband’s as yet unfinished final novel. The historical Catherine and her fictional counterpart Dorothea both engage with Charles Dickens’s words as a means of recovery. Fittingly, Dorothea takes a critical additional step: while Catherine left Charles’s words to her to speak for themselves, Dorothea adds her own words to the narrative he initiated, thus achieving authorship and constructing memory herself.
[Show full text]
Educational Programs for Children in the Charles Dickens Museum an Interactive Qualifying Project Proposal for the London Project Site
Educational Programs for Children in the Charles Dickens Museum An Interactive Qualifying Project Proposal For the London Project Site Submitted to the Faculty Of the WORCESTER POLYTECHNIC INSTITUTE In Partial Fulfillment of the requirements for the Degree of Bachelor of Science By _________________________ Nicole DeCampo _________________________ Heather Hassett _________________________ Amanda Olore Date: February 23, 2006 Approved: ______________________________________ 1. Museums 2. Educational programs Professor Joseph Petruccelli, Primary Advisor 3. Charles Dickens ______________________________________ Professor Joel Brattin, Co-Advisor Abstract Our project, completed at the Charles Dickens Museum, involved the creation of a computerized educational tool and a set of interactive activities that serve to educate children aged seven to nine on the life and works of Charles Dickens. To create effective learning tools, we conducted research and performed interviews with teachers, children, and museum staff. From these methods we developed an educational tool and activities to assist the museum in creating a child-friendly environment that fosters learning. i Authorship Page All group members contributed equally to the writing and editing of this report, as well as to the completion of the computerized educational tool and additional child- friendly activities. ii Acknowledgements We would like to acknowledge certain individuals that helped us with our project. Our project would not have been successful without their guidance and support. First we would like to thank our advisors, Professor Petruccellli and Professor Brattin. Their contributions helped us to improve our report and educational programs. In addition, we would like to thank the staff at the Charles Dickens Museum, especially our liaison Andrew Xavier. Their continual feedback was essential to the success of our project.
[Show full text]
Dickens and Thanatourism
James John Cutler. Dickens and Thanatourism Dickens and Thanatourism1 James John Cutler, Royal Holloway, University of London Keywords: Dickens, thanatourism, cultural afterlife, Our Mutual Friend, television adaptation Mots clés: Dickens thanatourisme, postérité culturelle, Our Mutual Friend, adaptation télévisée At the Charles Dickens Museum in Bloomsbury, London, visiting schoolchildren aged between eleven and sixteen complete an educational trail, for which they undertake various written activities corresponding with each room in the house. The trail explains the Mary Hogarth bedroom as where Catherine Dickens’s “younger sister Mary slept when she came to live here” but that she “fell ill after a family trip to the theatre and died here in Dickens’s arms” when “[s]he was only 17 years old”. The corresponding activity is to list four of the room’s “objects that relate to the theme of death”. There are many from which to choose given the bedroom’s rationale to reflect “Disease and death in Dickens’s life and times”, and to convey Dickens’s influence on “Victorian mourning”.2 Some relate to Dickens’s death: his will, a bust cast from his death mask by Thomas Woolner, Luke Fildes’ pictures of Dickens’s “Empty Chair” at Gad’s Hill (1870) and “Dickens’s grave at Westminster Abbey” (1871), and J. E. Millais’s sketch of “Charles Dickens after Death” (1870). Other objects represent Mary Hogarth’s death: a photograph of her grave at Kensal Green Cemetery and her white nightdress, laid poignantly on the bed. Further objects point to real and fictional sites characterized by death: photographs of the Staplehurst railway disaster, Dickens’s letter to The Times “on the late execution” at Horsemonger Lane (1845), 1 I am very grateful for the feedback of Juliet John and of external reviewers as well as of Marie-Amélie Coste, Christine Huguet and Nathalie Vanfasse at various stage of this article.
[Show full text]
“Mariolatry”: Dickens's Cult of the Virgin Mary
Dickens and“ Mariolatry”: Dickens’s Cult of the Virgin Mary Matsuto SOWA＊ “How far can an author tell a truth without seeing it himself?” (Chesterton 277) “The truth emerges in Dickens in a dialectical way by attraction and repulsion.” (Cribb, Review of The Letters 96) Introduction Dickens’s doctrinal or ideological allegiances—his religious faith and intellectual belief—are difficult questions to deal with. In his centenary tributes to Dickens’s achievements in 1970, Angus Wilson observed: “Above all, he was a devout and practising Christian, however much sectarians of all denominations raised and still raise their eyebrows at his kind of Christianity” (7). Yet, reviewing Dennis Walder’s Dickens and Religion (1981), T. J. Cribb said: Dickens went to church and said his prayers but did not believe in priests, Churches, or even the Bible, as theology; he did not believe in ritual, original sin, or salvation by conversion; he rejected missionaries, public prayer, distribution of tracts, and most religious instruction, ＊金城学院大学文学部教授 ① ― 97 ― 金城学院大学キリスト教文化研究所紀要 there is no evidence that he believed in hell and he is elusive about resurrection. So in what sense is he a Christian, or even religious? (Cribb, Review of Dickens 403) Certainly, one can find suggestions of Dickens’s irreverence in a letter to L. W. Morey, where he writes: because many forms of religion lead to what is practically Diabolical irreligion, I would not therefore abolish all forms of religion. Neither because the attraction of the two sexes, one towards another, occasions crime and degradation very often, am I prepared to enlist in a Crusade for the separation of the two sexes henceforth.
[Show full text]
My Dearest Kate” Play Performs in Godalming to Raise Money for Age Uk Surrey
PRESS RELEASE – for immediate publication 31st May 2017 BUY YOUR TICKETS NOW FOR “MY DEAREST KATE” PLAY PERFORMS IN GODALMING TO RAISE MONEY FOR AGE UK SURREY The story of Charles Dickens and his wife Catherine, seen through a collection of the letters exchanged between herself and Charles, is the focus of a play ‘My Dearest Kate’ by Ellie Dickens which is being performed on Saturday 10th June at The Wilfrid Noyce Centre in Godalming from 2.00pm (doors open at 1.30pm). Marianne Gaston plays Catherine and David Holman plays Charles in this exciting dramatic new Small Spaces Theatre Company adaptation. Tickets priced at £10.00 (adult) and £5 (under 14’s) are available from Record Corner in Godalming (cash or cheque only) or from Eventbrite www.eventbrite.co.uk. Tea, coffee and cake are available to purchase after the performance. Proceeds from the event will go to Age UK Surrey to support services to improve later life for people across Surrey. End of press release. More information about “My Dearest Kate” “My Dearest Kate” is the story of Catherine Dickens and her and Charles’ turbulent marriage and separation until her death, seen through actual letters. Originally written and performed by Ellie Dickens in 1983, as a one woman play at the Edinburgh Fringe Festival and touring throughout Britain and America. She has given her blessing and consent for My Dearest Kate to be adapted into this entertaining dramatic 2 actor production, with moments of touching humour. Catherine Thompson Hogarth was born on 19th May 1815, the eldest daughter of George and Georgina Hogarth.
[Show full text]