Rec Center Gets a Makeover Dordt Instructor Challenges Steve King for Congress Concert Choir Tour: Ain't No Sickness Can Hold
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A Producer's Handbook
DEVELOPMENT AND OTHER CHALLENGES A PRODUCER’S HANDBOOK by Kathy Avrich-Johnson Edited by Daphne Park Rehdner Summer 2002 Introduction and Disclaimer This handbook addresses business issues and considerations related to certain aspects of the production process, namely development and the acquisition of rights, producer relationships and low budget production. There is no neat title that encompasses these topics but what ties them together is that they are all areas that present particular challenges to emerging producers. In the course of researching this book, the issues that came up repeatedly are those that arise at the earlier stages of the production process or at the earlier stages of the producer’s career. If not properly addressed these will be certain to bite you in the end. There is more discussion of various considerations than in Canadian Production Finance: A Producer’s Handbook due to the nature of the topics. I have sought not to replicate any of the material covered in that book. What I have sought to provide is practical guidance through some tricky territory. There are often as many different agreements and approaches to many of the topics discussed as there are producers and no two productions are the same. The content of this handbook is designed for informational purposes only. It is by no means a comprehensive statement of available options, information, resources or alternatives related to Canadian development and production. The content does not purport to provide legal or accounting advice and must not be construed as doing so. The information contained in this handbook is not intended to substitute for informed, specific professional advice. -
How White Supremacy Returned to Mainstream Politics
GETTY CORUM IMAGES/SAMUEL How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 WWW.AMERICANPROGRESS.ORG How White Supremacy Returned to Mainstream Politics By Simon Clark July 2020 Contents 1 Introduction and summary 4 Tracing the origins of white supremacist ideas 13 How did this start, and how can it end? 16 Conclusion 17 About the author and acknowledgments 18 Endnotes Introduction and summary The United States is living through a moment of profound and positive change in attitudes toward race, with a large majority of citizens1 coming to grips with the deeply embedded historical legacy of racist structures and ideas. The recent protests and public reaction to George Floyd’s murder are a testament to many individu- als’ deep commitment to renewing the founding ideals of the republic. But there is another, more dangerous, side to this debate—one that seeks to rehabilitate toxic political notions of racial superiority, stokes fear of immigrants and minorities to inflame grievances for political ends, and attempts to build a notion of an embat- tled white majority which has to defend its power by any means necessary. These notions, once the preserve of fringe white nationalist groups, have increasingly infiltrated the mainstream of American political and cultural discussion, with poi- sonous results. For a starting point, one must look no further than President Donald Trump’s senior adviser for policy and chief speechwriter, Stephen Miller. In December 2019, the Southern Poverty Law Center’s Hatewatch published a cache of more than 900 emails2 Miller wrote to his contacts at Breitbart News before the 2016 presidential election. -
Freeze Frame by Lydia Rypcinski 8 Victoria Tahmizian Bowling and Other [email protected] Fun at 45 Below Zero
THE WORLD'S ONLY MAGAZINE DEVOTED EXCLUSIVELY TO THE BUSINESS OF BOWLING CONTENTS VOL 18.1 PUBLISHER & EDITOR Scott Frager [email protected] Skype: scottfrager 6 20 MANAGING EDITOR THE ISSUE AT HAND COVER STORY Fred Groh More than business Positively negative [email protected] Take a close look. You want out-of-the-box OFFICE MANAGER This is a brand new IBI. marketing? You want Tom Patty Heath By Scott Frager Clark. How his tactics at [email protected] PBA are changing the CONTRIBUTORS way the media, the public 8 Gregory Keer and the players look Lydia Rypcinski COMPASS POINTS at bowling. ADMINISTRATIVE ASSISTANT Freeze frame By Lydia Rypcinski 8 Victoria Tahmizian Bowling and other [email protected] fun at 45 below zero. By Gregory Keer 28 ART DIRECTION & PRODUCTION THE LIGHTER SIDE Designworks www.dzynwrx.com A feather in your 13 (818) 735-9424 cap–er, lane PORTFOLIO Feather bowling’s the FOUNDER Allen Crown (1933-2002) What was your first game where the balls job, Cathy DeSocio? aren’t really balls, there are no bowling shoes, 13245 Riverside Dr., Suite 501 Sherman Oaks, CA 91423 and the lanes aren’t even 13 (818) 789-2695(BOWL) flat. But people come What was your first Fax (818) 789-2812 from miles around, pay $40 job, John LaSpina? [email protected] an hour, and book weeks in advance. www.BowlingIndustry.com 14 HOTLINE: 888-424-2695 What Bowling 32 Means to Me THE GRAPEVINE SUBSCRIPTION RATES: One copy of Two bowling International Bowling Industry is sent free to A tattoo league? every bowling center, independently owned buddies who built a lane 20 Go ahead and laugh but pro shop and collegiate bowling center in of their own when their the U.S., and every military bowling center it’s a nice chunk of and pro shop worldwide. -
MARGARET KAMINSKI 2354 Ewing Street, Los Angeles, CA 90039 646.207.8652 • [email protected]
MARGARET KAMINSKI 2354 Ewing Street, Los Angeles, CA 90039 646.207.8652 • [email protected] EXPERIENCE Nickelodeon, Los Angeles, CA 2016 – Present Writer, NiCkelodeon Kids’ ChoiCe Awards (2019) Writer, NiCkelodeon Kids’ ChoiCe Sports Awards (2018) Writer, NiCkelodeon Kids’ ChoiCe Awards (2018) Writers’ Assistant, Nickelodeon Kids’ Choice Awards (2017) Writers’ Assistant, NiCkelodeon Kids’ ChoiCe SPorts Awards (2017) Writers’ Assistant, NiCkelodeon Kids’ ChoiCe SPorts Awards (2016) Above Average Productions, Los Angeles, CA January 2018 – Present Freelance Writer Live From WZRD, Warner Media/VRV, Los Angeles, CA November 2018 – MarCh 2019 Staff Writer Scholastic’s Choices Magazine, New York, New York Video Producer, Story Editor MarCh 2018 – Present Freelance Writer February 2015 – Present Assistant Editor, Managing Editor of Teaching Resources May 2012 – February 2015 SKOOGLE Pilot (All That Reboot), PoCket.WatCh, Los Angeles, CA April 2018 – August 2018 Contributing Writer (punch-up) E! Live from the Red Carpet, Los Angeles, CA August 2017 – November 2018 August 2017 – Present Writer The 2018 PeoPle’s ChoiCe Awards The 2018 Primetime Emmy Awards The 2017 Primetime Emmy Awards The 2017 AmeriCan MusiC Awards The 2018 Golden Globes The 2018 SCreen ACtors Guild Awards The 2018 Grammy Awards MTV Movie + TV Awards Pre-Show, Los Angeles, CA May 2018 – June 2018 Writer PotterCon/Wizard U., National/Touring July 2012 – January 2018 Executive Producer Fallen For You: Pilot, Los Angeles, CA DeCember 2016 Writers’ Assistant Collier.Simon, Los Angeles, CA February 2016 – Present Freelance Writer Masthead Media, New York, NY SePtember 2015 – February 2016 Freelance Writer PMK•BNC (Vowel), New York, NY MarCh 2015 – SePtember 2015 Freelance Writer EDUCATION Barnard College, Columbia University, B.A. -
THE WRITE CHOICE by Spencer Rupert a Thesis Presented to The
THE WRITE CHOICE By Spencer Rupert A thesis presented to the Independent Studies Program of the University of Waterloo in fulfilment of the thesis requirements for the degree Bachelor of Independent Studies (BIS) Waterloo, Canada 2009 1 Table of Contents 1 Abstract...................................................................................................................................................7 2 Summary.................................................................................................................................................8 3 Introduction.............................................................................................................................................9 4 Writing the Story...................................................................................................................................11 4.1 Movies...........................................................................................................................................11 4.1.1 Writing...................................................................................................................................11 4.1.1.1 In the Beginning.............................................................................................................11 4.1.1.2 Structuring the Story......................................................................................................12 4.1.1.3 The Board.......................................................................................................................15 -
Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps. -
Defending the Indispensable: Allegations of Anti- Conservative Bias, Deep Fakes, and Extremist Content Don’T Justify Section 230 Reform
Defending the Indispensable: Allegations of Anti- Conservative Bias, Deep Fakes, and Extremist Content Don’t Justify Section 230 Reform Matthew Feeney CSAS Working Paper 20-11 Should Internet Platform Companies Be Regulated – And If So, How? Defending the Indispensable: Allegations of Anti-Conservative Bias, Deep Fakes, and Extremist Content Don't Justify Section 230 Reform Matthew Feeney Director of the Cato Institute’s Project on Emerging Technologies Introduction When President Clinton signed the Telecommunications Act of 1996 it’s unlikely he knew that he was signing a bill that included what has come to be called the “Magna Carta of the Internet.”1 After all, the law was hundreds of pages long, including seven titles dealing with broadcast services, local exchange carriers, and cable. The Internet as we know it didn’t exist in 1996. Facebook founder Mark Zuckerberg was 11 years old, and two Stanford University PhD students, Larry Page and Sergey Brin, had only just begun a project that would come to be known at Google. Some didn’t even think that the Internet would last, with Ethernet co-inventor Robert Metcalfe predicting in 1995 that “the internet will soon go supernova and in 1996 will catastrophically collapse.”2 The U.S. Supreme Court would rule much of Title V of the law, otherwise known as the Communications Decency Act, to be unconstitutional in 1997.3 However, a small provision of the law – Section 230 – survived. This piece of legislation” stated that interactive computer services could not be considered publishers of most third-party content or be held liable for moderating content. -
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FRONT COVER SPRING | IN THE WRITERS’ ROOM | THE HEART OF PARIS | DAWN CHORUS DIMINUENDO cover_final.indd 1 4/23/20 2:50 PM Cover illustration by Anuj Shrestha Finches such as this siskin are among the bird families whose numbers have declined precipitously in the last years. Read more in “Dawn Chorus Diminuendo” on page . LILLIAN KING/GETTY IMAGES ifc-pg1_toc_final.indd 2 4/23/20 2:57 PM magazine.wellesley.edu Spring 2020 @Wellesleymag FEATURES DEPARTMENTS In the Writers’ Room From the Editor WCAA By Lisa Scanlon Mogolov ’ Letters to the Editor Class Notes The Heart of Paris From the President In Memoriam By Paula Butturini ’ Window on Wellesley Endnote Dawn Chorus Diminuendo By Catherine O’Neill Grace Shelf Life This magazine is published by the Wellesley College Alumnae Association, which has a mission “to support the institutional priorities of Wellesley College by connecting alumnae to the College and to each other.” ifc-pg1_toc_final.indd 3 4/23/20 2:57 PM From the Editor VOLUME , ISSUE NO. am certain that when the class of ’20 returns for its 50th reunion in 2070, the memory of their fi nal week on campus will be as vivid to them then as it is today. I write this on March Editor Alice M. Hummer 16. The last fi ve days on campus have been simultaneously completely heartwrenching and utterly heartwarming. Senior Associate Editors Lisa Scanlon Mogolov ’99 The College announced its decision to suspend classes and go to remote teaching last Catherine O’Neill Grace IThursday. Somehow, the seniors managed to paint the campus red overnight—festooning Design departments in the traditional decorations in their class color—and wore their robes for “the Hecht/Horton Partners, Arlington, Mass. -
How Wall Street Supports Racist Politicians and Enables White Supremacy
March 2019 BANKROLLING HATE: How Wall Street Supports Racist Politicians and Enables White Supremacy By Alyxandra Goodwin & Carrie Sloan EXECUTIVE SUMMARY White supremacy and white nationalism are ascendant in the Trump era,1 and many elected officials and candidates running for office have been emboldened to rip the mask of politeness off their racist, xenophobic, sexist, and homophobic ideologies.2 The finance industry is aiding and abetting the rise of violent white supremacy and nationalism by donating to the congressional campaigns of candidates who have expressed viciously racist, xenophobic, sexist, and homophobic views. Lobbying Groups Like the American Bankers Association Carry Water for Big Banks The financial sector—classified by the U.S. Census Bureau as finance, insurance, and real estate, or FIRE—is the largest donor to federal parties and candidates.3 Wall Street banks, like JPMorgan Chase, Wells Fargo, and Bank of America, make their own donations but also rely on trade and lobbying groups, such as the American Bankers Association (ABA) and the American Financial Services Association (AFSA), to carry water for them. THE FOUL FOUR: The Intersection of Wall Street’s Deregulation Agenda and Overt White Supremacy In this report, we identify four particularly repugnant candidates whom Wall Street has financially supported in recent election cycles. We call these candidates the Foul Four. The four GOP candidates we highlight all ran for election or reelection in November 2018, with substantial support from Wall Street. The four have all embraced Trumpism, and their campaigns received significant backing from the finance industry generally and the ABA especially. Lou Barletta (R-PA), Matt Gaetz (R-FL), Greg Gianforte (R-MT), and Steve King (R-IA) have voted in line with Trump between 80 and 99 percent of the time.4 All have cast votes that are anti-choice, anti-immigrant, or anti-Black, and each has aligned himself with or associated with known white supremacists or members of the racist so-called “alt-right”. -
AGREEMENT (“Agreement”)
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild” or the “WGC”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (the “Association” or the “CMPA”) July 1, 2019 to June 30, 2022 © 2019 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCERS ASSOCIATION. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 21 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 28 Article A9 Credits p. 29 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 52 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. 71 Article C4 Television Production (Other than Television Movies) p. -
Congress of the United States Washington D.C
Congress of the United States Washington D.C. 20515 April 29, 2020 The Honorable Nancy Pelosi The Honorable Kevin McCarthy Speaker of the House Minority Leader United States House of Representatives United States House of Representatives H-232, U.S. Capitol H-204, U.S. Capitol Washington, D.C. 20515 Washington, D.C. 20515 Dear Speaker Pelosi and Leader McCarthy: As Congress continues to work on economic relief legislation in response to the COVID-19 pandemic, we ask that you address the challenges faced by the U.S. scientific research workforce during this crisis. While COVID-19 related-research is now in overdrive, most other research has been slowed down or stopped due to pandemic-induced closures of campuses and laboratories. We are deeply concerned that the people who comprise the research workforce – graduate students, postdocs, principal investigators, and technical support staff – are at risk. While Federal rules have allowed researchers to continue to receive their salaries from federal grant funding, their work has been stopped due to shuttered laboratories and facilities and many researchers are currently unable to make progress on their grants. Additionally, researchers will need supplemental funding to support an additional four months’ salary, as many campuses will remain shuttered until the fall, at the earliest. Many core research facilities – typically funded by user fees – sit idle. Still, others have incurred significant costs for shutting down their labs, donating the personal protective equipment (PPE) to frontline health care workers, and cancelling planned experiments. Congress must act to preserve our current scientific workforce and ensure that the U.S. -
ANN Macnaughton
WIFVV INTERVIEW WIFVVANN INTERVIEW MacNAUGHTON WIFVV INTERVIEW WIFVV Ann MacNaughton shared her extensive experience as a MD: In all of that are actors’ schedules, up to speed with the characters and what beats writer and story editor with a Vancouver audience at the contractual obligations…. have to be hit to build the rest of the season. If you recent Trade Forum. Her credits include story editor on AM: Absolutely. The stars always get the A plots; have to bring in writers, you try to select episodes E.N.G., My Life as a Dog, and Danger Bay; writer on but who gets more A plots, or do you balance them that don’t have many series arcs in them, or you episodic TV including Riverdale, Street Legal, and all equally? There is a rhythm to the season just as simply ask for well-crafted stories set in the series Road to Avonlea; and co-producer on Traders. Writer much as to an episode. And you may have fifteen arena and add the arcs yourself. Michelle Demers hooked up with Ann after the Forum 7-day shoots, but have to build in seven 6-day Other series, like Wind at My Back, where the for an informative look into the world of story shoots; you may have one actor guaranteed four stories are more stand-alone—a set of characters are departments. days per episode, another only two days. You may defined but it’s not about their progress through be allowed no more than fifty extras per episode, the season, and the world is distinctive but not Michelle Demers: Tell us about the road here.