TONY TASSET

EDUCATION 1985 M.F.A. The School of the Art Institute of , Chicago, IL. 1983 B.F.A. The Art Academy of , Cincinnati, OH. 1983 Northwestern University, Evanston, IL.

SOLO EXHIBITIONS 2011 Judy, Leo Koenig Inc. Projekte, New York, NY Life During War Time, Rochester Arts Center, Rochester, MN 2010 Selected Works 1986-1996, Tony Tasset, Kavi Gupta, Chicago, IL Eye, Pritzker Park, Chicago, IL 2009 Squib, Kunsthalle Wien, Vienna, Austria 2008 Kavi Gupta Gallery/Leipzig, 2007 Laumeier Sculpture Park, St. Louis, MO. 2006 Frownland VonZweck Gallery, Chicago IL 2003 University Galleries, Illinois State University, Normal, IL. Portland Institute for Contemporary Art, Portland, OR. 2002 Feigen Contemporary, New York, NY. 2001 Judy, Donald Young Gallery, Chicago, IL. Christopher Grimes Gallery, Santa Monica, CA. 2000 Feigen Contemporary, New York, NY. Tony Tasset: As It Is, The Contemporary Art Center, Cincinnati, OH. 1998 Tony Tasset, Institute of Visual Arts, , WI. Christopher Grimes Gallery, Santa Monica, CA. 1997 Feigen Contemporary, New York, NY. Christopher Grimes Gallery, Santa Monica, CA. 1996 Manfred Baumgartner Gallery, Washington, D.C. Christopher Grimes Gallery, Santa Monica, CA. 1995 Robert Smithson/Tony Tasset: Site/Nonsite, Museum of Contemporary Art, Chicago, IL.(catalogue) 1994 Feature, New York, NY. 1993 Rhona Hoffman Gallery, Chicago, IL. 1992 Feature, New York, IL. Christopher Grimes Gallery, Santa Monica, CA. Galeria Pedro Oliveira, , . (catalogue) Shedhalle, Zurich, Switzerland. (catalogue) 1991 Feature, New York, NY. Rhona Hoffman Gallery, Chicago, IL. 1990 Feature, New York, NY. 1989 Rhona Hoffman Gallery, Chicago, IL. 1988 Feature, Chicago, IL. Susanne Hilberry Gallery, Birmingham, MI. Daniel Weinberg Gallery, , CA. Feature, Chicago, IL. 1987 Karsten Schubert Ltd., , England. (catalogue) 1986 Domesticates, Feature, Chicago, IL. (catalogue) Christine Burgin Gallery, New York, NY

GROUP EXHIBITIONS 2010 Unnatural Rubber, Warhol Museum, Pittsburgh, PA Rewind: The 70’s -90’s, Museum of Contemporary Art, Chicago, Chicago, IL Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, Chicago, IL 100 Years a Draft of History, PS 1 Moma, NY and the Stoschek Foundation, Dusseldorf, Germany 2009 Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds Gallery, Austin, TX Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, Chicago, IL 100 Years a Draft of History, PS 1 Moma, NY and the Stoschek Foundation, Dusseldorf, Germany 2009 Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds Gallery, Austin, TX From a Position, Evanston Art Center, curated by Maxwell C. Graham, Evanston, IL Walls,Floors and Ceilings Carl Solway Gallery, Cincinnati, OH 2008 Recent Acquisitions: Focus on Chicago, Museum of Contemporary Art, Chicago, IL Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, North Miami, FL; traveling to Musée d’art Contemporain de Montréal, Québec 25 artists x 2 screenings = 1 week, Blum & Poe, Los Angeles, CA 2007 Sympathy for the Devil,: Art and Rock and Roll from 1967, Museum of Contemporary Art, Chicago Into Me/ Out of Me, MACRO, Rome 2006 Into Me/Out of Me Kunst-Werke (KW) Institute for Contemporary Art in , curator Klaus Biesenbach Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago Collections, Museum of Contemporary Art, Chicago,IL. 2005-06 Situation Comedy: Humor in Recent Art, Independent Curators International, New York, NY;The Contemporary Museum, Honolulu, Hawaii: The Chicago Cultural Center, Chicago, IL: Winiipeg Art Gallery, Winnipeg, Manitoba, Canada; Museum of Art, Fort Lauderdale, FL. 25 Years: Selected Solo Exhibitions, Baumgartner, Gallery, New York, NY. 2004 The Center is Anywhere, Museum of Contemporary Art, Chicago, IL. 25th Anniversary: The LA Years Part I, Christopher Grimes Gallery, Los Angeles, CA. …lautloses irren, ways of worldmaking, too…, Postbahnhof am Ostbahnhof, Berlin. Contemporary Art Museum, St. Louis, MO. 2003 M_ARS. Art and War, Neue Galerie am Landesmuseum Joanneum, , Austria Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago, IL. Chicago Artists in the New Millenium, Union League of Chicago, Chicago, IL. 2002 Masquerade, John Michael Kohler Arts Center, Sheboygan, WI Kunst Nach Kunst, Neuen Museum Weserberg, Bremen, Germany. Basics, Kunsthalle Bern, Bern, Switzerland. (catalogue) Looking at America, Yale Univeristy Art Gallery, New Haven, CT. Individuality, Saks Fifth Avenue, New York, NY. Sculpture in Chicago Now, Part 11, Glass Curtain Gallery, Chicago, IL. Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT. 2001 Joy, Ursala Blickle Stifung, Kraichtal, Germany. New Works, Feigen Contemporary, New York, NY. At Home, Lennon Weinberg Inc., New York, NY. Pictures, Patents, Monkeys, and More…On Collecting, Western Gallery, Western Center, Sheboygan, WI: Akron Art Museum, Akron, OH; Fuller Museum of Art, Brockton, MA; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; Pittsburgh Center for the Arts, Pittsburgh, PA. 2000 Life After Squirrel, Location One, New York, NY. Warning Shots, The Royal Amouries, Leeds, England. The Body in Photographs: A Recent Gift from Eileen and Peter Norton, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY. 1999-98 Mayday, Centre d’Art Neues Museum Weserburg Bremen, Germany; Staaliche, Kunshalle Baden- Baden, Germany; Centro Galego de Arte Contemporanea, Santiago di Compostela, Spain; National Museum of Art, Seoul, Korea. Ingelnook II, University, Galleris, Normal, IL Sweat, Camerawork, London, England. All of Me, New Langston Arts, San Francisco, CA. 1997 ca-ca poo-poo, Kolnischer Kunstverin, Cologne, Germany. Shot Reverse-Shot, Walter Phillips Gallery, Banff, Alberta, Canada. 1996 The Moral Imagination, Plug-In Gallery, Winnipeg, Canada. Art In Chicago: 1945-1995, The Museum of Contemporary Art, Chicago, IL. (catalogue) Persona, The Renaissance Society at the , Chicago, IL; Kunsthalle Basel, Basel Switzerland. Shit, Baron/Boisante’ Gallery, New York, NY. Subvert Object, Ubu Gallery, New York, NY. AbFab, Feature, New York, NY. 1995 It’s How You Play The Game, Exit Art, New York;curated by Thelma Golden, Nancy Spector, Robert Storr, Jeanette Ingberman and Papo Colo. Strung Into the Appolonian Dream…an exhibition of a private collection, Feature, New York, NY. Seven Llongish Wodden Sculptures, Feature, New York, NY. Art As Dramatic Comedy, Randolph Street Gallery, Chicago, IL. 1994 The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL. Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design, Milwaukee, WI. 1993 Mixed Messages: A Survey of Recent Chicago Art, Forum for Contempoary Art, St. Louis, MO. A Sequence of Forms: Sculpture by Illinois Artists, Chicago Cultural Center, Chicago, IL. New Works, Feigen Inc. Chicago, IL. Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler, Contemporary Arts Center, Cincinnati, OH; Urbana-Champaign, IL; I Space, University of Urbana-Champaign Gallery, Chicago, IL. 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, IL. 1992 Editions Functional Objects by Artists and Architects, Rhona Hoffman Gallery, Chicago, IL. Drawing New Conclusions, Betty Tymer Gallery, The School of the Art Institute of Chicago, Chicago, IL. Multiples, Randolph Street Gallery, Chicago, IL. 1991 Office Party, (March) Feature, New York, NY. Galerie Anselmo Alvarez, Madrid, Spain Power: Its Icons, Myths and Structure in American Culture 1961-1991, Museum of Fine Art, Richmond VA:curated by Holliday T. Day. (catalogue) Stillst and Switches, Shedhalle, Zurich, Switzerland. 1990 Toward the Future Contemporary Art in Context, Museum of Contemporary Art, Chicago, IL. (brochure) Machine Shop, The Machine Shop at Emery, Cincainnati, OH;curatrd by Derrick Woodham. Awards in the Visual Arts, New Orleans Museum of Art, New Orleans, LA;Southeastern Center for Contemporary Art, Winston-Salem, NC; Arthur M. Sackler Museum, Harvard University, Cambridege, MA; The BMW Gallery, New York,NY. (catalogue) The Thing Itself, Feature, New York, NY. (brochure) Work on Paper, Paula Allen Gallery, New York, NY. Outdoor Sculpture Show: Chicago Artists from Chicago Galleries, Klein Art Works, Chicago, IL. New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University, Pittsburgh, PA; curated by Elaine A. King. (catalogue) Oh, Those Four Walls :The Gallery as Context, Atlanta College of Art Gallery, Atlanta, GO;curated by Lisa Tuttle. (catalogue) Half-Truths, The Parrish Art Museum, Southhampton, NY; curated by Marge Goldwater. (catalogue) 1989 Filling in the Gap, Feigen, Inc.,Chicago, IL; curated by Saul Ostrow. (catalogue) FUNCTIONFUNCTION, Suzan Rezac Gallery, Chicago, IL. (catalogue) On Kawara: Date Paintings 1966-1988, The Renaissance Society at the University of Chicago, Chicago, IL. Signs of Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian; Fundacao Luso- Americana Para O Desenvolvimento, Lisbon, Portugal; curated by Judith Russi Kirshner. (catalogue) Romancing the Stone, Feature, New York, NY. Double Take, Contemporary Arts Center, Cincinnati, OH;curated by Hudson. Reused, Althea Viafore Gallery, New York, NY. Susanne Hilberry Gallery, Birmingham, MI. Exhibition 12, Studio Arts Faulty, UIC School of Art and Design, Gallery 400, Chicago, IL. (catalogue) Dorothy, Center for Contemporary Art, Chicago, IL; curated by Hudson. 1988 Walk Out to Winter, Bess Cutler Gallery, New York, NY; curated by Christian Leigh. (catalogue) Redefining the Object, University Art Galleries, Wright State University, Dayton, OH; Cleveland Center for Contemporary Art, Cleveland OH;curated by Barry A. Rosenberg. (catalogue) Material Art, Althea Viafore Gallery, New York, NY. Artschwager: His Peers and his Persuasion, 1963-1988, Daniel Weinberg Gallery, Los Angeles, CA; Leo Castelli Gallery New York, NY. (catalogue) Near Miss, Feature, Chicago, IL. The Objects of Sculpture, The Arts Club of Chicago, Chicago, IL; curated by Neal Benezra. (catalogue) Chicago Buy the Square Foot, Randolph Street Gallery, Chicago, IL. Life Like, Lorance Monk Gallery, New York, NY; curated by Marvin Heiferman. Homecoming, Art Academy of Cincinnati, Cincinnati. OH. NYC #1/Sculpture, Rotterdam Arts Council, Rotterdam, The Netherlands; curated by Thord Thordeman; touring Sweden and Finland. (catalogue) Formal, Dart Gallery, Chicago, IL. (catalogue) Lattitudes Focus on Chicago, The Aspen Art Museum, Aspen, CO. (catalogue) Contemporary Icons and Explorations: The Goldstrom Family Collection, Davenport Museum of Art, Davenport, IA. (catalogue) Liars: A Question of Reason, State of Ilinois Gallery, Chicago, IL; curated by Debra Donato. Nature, Feature, Chicago, IL. A White Show, MoMing Gallery, Chicago, IL; curated by Jeanne Dunning. A Different Color: Definition and Redefinition, Painting in America, Biennial International de Pintura, U.S. Pavillion, Museo de Arte Moderne, Cuenca, Ecuador: curated by Christian Leigh. (catalogue) 1986 July, Wolff Gallery, New York, NY. The Non-Spiritual in Art Abstract Painting 1985-????, Chicago, IL;curated by Hudson. (catalogue) Larry Johnson, Tony Tasset, Christopher Wool, Kuhlenschmidt-Simon, Los Angeles, CA. One Hand Clapping, Karsten Schubert Ltd., London, England. Gilbert and George, Donald Judd, Tony Tasset, Christine Burgin Gallery, New York NY, Of Ever-Ever Land I speak, Stux Gallery, New York, NY; curated by Chrostian Leigh. Surfaces: Two Decades of Painting in Chicago, 1970s and 1980s, The Terra Museum of Art, Chicago, IL; curated by Judith Russi Kirschner. (catalogue)] Anxious Objects, University Galleries, Illinois State University, Normal, IL; curated by Barry Blinderman. A Spectacle of Reflexivity, UWM Art Museum, University of Wisconsin, Milwaukee, WI; curated by Michelle Grabner. (catalogue) Industrial Icons, San Diego State University, San Diego, CA. Homer, Huttinger, Tasset, Feature, Chicago, IL. SAIC: A New Generation, Museum of Contemporary Art, Chicago, IL; curated by Lynne Warren. (catalogue) Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN. (catalogue) Promises, Promises, Feature, Chicago, IL; CAGE, Cincinnati, OH: curated by Hudson. Dull Edge, Randolph Street Gallery, Chicago, IL; curated by Jeanne Dunning and Tony Tasset. (catalogue) 1985 Post Modern Conceptual Pop Production, Feature, Chicago, IL. Two-person exhibition (with Mitchel Kane), School of the Art Institute of Chicago Gallery, Chicago, IL. Wilder Scholarship Retrospective, Chidlaw Gallery, Cincinnati, OH. The Perfect Couple, CAGE, Cincinnati, OH. Invitational, Feature and Rhona Hoffman Gallery, Chicago, IL. 1984 Two-person exhibition (with Greg Green), Bookspace, Chicago, IL. Sexuality in Art and the Media, School of the Art Institute of Chicago, Chicago, IL. 1983 Artists Call, Rhona Hoffman Gallery, Chicago, IL.

AWARDS AND GRANTS 2006 The John Simon Guggenheim Foundation Award 1989 Artists Fellowship, Illinois Arts Council. The Louis Comfort Tiffany Foundation, Awards in Painting, Sculpure, Printmaking and Craft Media Awards in the Visual Arts 9, Southeastern Center for Contemporary Art, Winston-Salem, NC. 1986 John Quincy Adams Traveling Fellowship, The School of the Art Institute of Chicago. 1984 Wilder Traveling Fellowship, The Art Academy of Cincinnati.

COLLECTIONS Smart Museum of Art, University of Chicago, IL Laumeier Sculpture Park, St Louis Carnegie Museum of Art, Pittsburgh The Baltimore Museum, Baltimore, MA. The Art Institute of Chicago, Chicago, IL. The Museum of Contemporary Art, Chicago, IL. Museum of Contemporary Art, Los Angeles, CA. The San Francisco Museum of Art, San Francisco, CA. Goldblatt’s Building, City of Chicago, Chicago, IL. Nathan J. Manilow Sculpture Park, University Park, IL. David L. Lawrence Convention Center, Pittsburgh, PA. Museum Fur Moderne Kunst, Frankfurt, Germany. Milwaukee Art Museum, Milwaukee, WI.

BIBLIOGRAPHY Kasper, Chris, “Tony Tasset,” http://whitehotmagazine.com, June 2011 Arning, Bill, review, Time Out New York, November 20-27, 1997, issue 113, p.48 Artner, Alan G., "Persona non grata," Chicago Tribune, March 17, 1996 Artner, Alan, "Sharp Conceptual Show Dares to be Different," The Chicago Tribune, January 22, 1993, Section 7, p. 56 Artner, Alan, "Art in 3-D: Artists today do almost anything -- except sculpt," The Chicago Tribune, February 7, 1993, Arts, pp.14-15 Artner, Alan, "Tasset's Works Activate Viewer's Participation," Chicago Tribune, January 13, 1989 Artner, Alan, "Tasset's Art Focuses on Presentation," Chicago Tribune, April 15, 1988, section 7, p.58 Artner, Alan, "Tony Tasset at Home with Clever Concept," Chicago Tribune, September 19, 1986, Section 7, p.55 Barewaldt, Wayne, The Plug in Harold, Winnipeg, Ontario, October, 1996 Barnes, Lucinda, catalogue essay, “Robert Smithson/Tony Tasset: Site/Nonsite”, Museum of Contemporary Art, Chicago, IL, 1995 Blinderman, Barry, catalogue essay, “Anxious Objects” University Galleries, Illinois State University, Normal, IL, 1986 Bonesteel, Michael, "Medium Cool New Chicago Abstraction," Art in America, December 1987, pp.138-147 Brown, Nate, “Art Appreciation,” Daily Vidette, January 17, 2003, p. 11. Bulka, Michael, “Tony Tasset,” New Art Examiner, March 1991, pp. 34-35 Campbell, Clayton, “The Visionary Landscape (review),” Flash Art, March/April 2000, p. 62. Cash, Stephanie, “Tony Tasset at Feigen Contemporary (review),” Art in America, March 1998, p. 101 Coburn, Marcia Froelk, "Minimalism to the Max," Chicago Magazine, October 13, 1993, pp.94-99, 152. Colby, Joy Hakanson, "Lean Exhibit, Lots of Thought," The Detroit News, March 13, 1988, p. 3D Cooke, Lynne, catalogue essay, Karsten Schubert, Ltd., London, England, 1987 Curtis, Cathy, Los Angeles Times, July 22, 1988. Day, Holliday T, catalogue essay, “Painting and Sculpture Today”, Indianapolis Museum of Art, Indianapolis, IN, 1986 Decter, Joshua, "New York in Review," Arts, summer 1990, p. 96. Duffy, Robert W., "Getting the Message: Knowledge Distilled," St. Louis Post Dispatch, September 19, 1993, Section 3, p. 11 (excerpt) Dunning, Jeanne, catalogue essay, “Dull Edge”, Randolph Street Gallery, Chicago, IL, 1986 Findsen, Owen, “’Banal’ Burbs Turn Into Authentic Art,” The Cincinnati Enquirer, April 2000 Frankel, David, “Tony Tasset, Feigen Contemporary”, ArtForum, February 2001, pp. 150-151 Gardner, Colin, review, Los Angeles Times, August 7, 1987, Part IV, p.16 Golden, Deven, review of "A White Show," New Art Examiner, March, 1987 Goldwater, Marge, catalogue essay, “Half-Truths,” The Parrish Art Museum, Southampton, NY, 1990 Grabner, Michelle, “Hello Mr. Soul”, Frieze, summer 1999, #47, p.100 Grabner, Michelle, review, Artforum, October 2010, p. 282. Grabner, Michelle, review, New Art Examiner, October 1997, p. 50 Grabner, Michelle, catalogue essay, “A Spectacle of Reflexivity,” UWM Art Museum, University of Wisconsin, Milwaukee, WI, 1986 Green, Ann Hunter, "Making the Art Rounds," Where/Chicago, September 1993, p.26-27 Hapgood, Susan, “’Shit’ at Baron/Boisanté,” Art in America, March, 1997, pp. 109-110 Hawkins, Margaret, “It’s a Girl Thing”, Chicago Sun-Times, February 9, 2001, p. 46 Heartney, Eleanor, "Strong Debuts," Contemporanea, July/August 1988, p.110 Henry, Gerrit, “Tony Tasset at Christine Burgin (review),” Art in America, June 1987 Hixson, Kathryn, catalogue essay, “Tony Tasset ‘As It Is’”, Feigen Contemporary, New York, 2000 Hixson, Kathryn, “Transcendence to Transformation: The Art of Tony Tasset”, New Art Examiner, May 2000, pp. 34-38 Hixson, Kathryn, review, Flash Art, March/April, 1996, p. 114 Hixson, Kathryn, The Journal of Art, February 1991, p. 68 Hixson, Kathryn, “Chicago in Review,” Arts, April 1991, p.106 Hixson, Kathryn, "Cool, Conceptual, Controversial," New Art Examiner, May, 1988, pp. 30-33 Hudson, Kevin Maginnis and Richard Brettell, catalogue essays “The Non-Spiritual in Art Abstract Painting”, Chicago, IL, 1986 Hugunin, James R, review, New Art Examiner, March 1989, p. 44 Holg, Garrett, "Sculptors Make Statements with Everyday Objects," Chicago Sun Times, March 7, 1993, p.13 Johnson, Ken, “Tony Tasset (review),” New York Times, October 31, 1997. J.Z., “Tony Tasset at Christopher Grimes,” d’Art International, vol. 2, number 1, winter 1999. Kandel, Susan, “Like Young,” Los Angeles Times, May 29, 1997, p. 18. Kertess, Klaus, catalogue essay, “Artschwager: His Peers and His Persuasion, 1963-1988”, Daniel Weinberg Gallery, Los Angeles, CA and Leo Castelli Gallery, New York, NY King, Elaine A, catalogue essay, “New Generations: Chicago,” University of Pittsburgh, Pittsburgh, PA, 1990 Kirshner, Judith Russi, "The Benefit of the Doubt or Loving Modernism to Death," Artforum, November 1988, pp.106-111 Kittelman, Udo. J ackson Pollock und die M alerei n ach d er O rganisation der Malerei. Karlsruhe, Germany: Englehardt & Bauer, 2004: p. 36 Knight, Christopher, review, Los Angeles Herald, July 31, 1987 Knode, Marilu, “Tony Tasset”, Art/Text 61, 1998, p.48 Kutner, Janet, “Hybrid Film Mixes Facts, Fantasies,” The Morning News, March 8, 1998. Lambrecht, Luk (translated by Lynne George), “Olafur Gislason, Tony Tasset, Dieter Wymann (review),” (Shedhalle), Forum International, May 1992, pp. 86-87 Lebovici, Elisabeth, Liberation, Guide, October 1996, p. 34 Leigh, Christian, catalogue essay, “Dorothy,” Center for Contemporary Art, Chicago, IL, 1988 Leigh, Christian, “Summer Show (review)," Artscribe International, November/December, 1987 Leigh, Christian, catalogue essay, “A Different Corner: Definition and Redefiniton, Painting in America”, traveling exhibition, 1987 Leigh, Christian, “of Ever-Ever Land I speak”, catalogue essay, Stux Gallery, New York, NY, 1986 Leuking, Stephen, review “New Works, Sequence of Forms”, Sculpture, July-August 1993, pp. 57-58 Lippard, Lucy, catalogue essay, “Awards in the Visual Arts 9”, The BMW Gallery, New York, NY, 1990 Mauro, Lucia, "Local artists hop on the cutting edge," Pioneer Press, February 1, 1995, B4-B5 McCormick, Carlo, catalogue essay, “New York Now,” Goteborgs Kunstmuseum,” toured Sweden and Finland, 1988 McCracken, David, "Tasset Offers a Backstage Look at Slippery Sculptures," Chicago Tribune, January 11, 1991, Section 7, p. 8 McCracken, David, "Different Views of a Postmodernist World," Chicago Tribune, January 11, 1988, section 7 p. 60 Miles, Christopher, "Sharon Ellis and Tony Tasset," Artforum.com, 2002 on website Miro, Marsha, "Frames Tame Wild Things," Detroit Free Press, March 24, 1988, p. 5C Moody, Tom, review, Art Papers, November/December, 1996, p. 56 Morgan, Robert, "New York in Review," Arts, February 1989, p. 98 Nagy, Peter, “Shit (review),” Time Out, Oct. 31-Nov. 7, 1996, Issue # 58, p.48 New Yorker Magazine, April 29, 1991, p. 17 Noll, Damien, “Pixels and Particles, Pigment and Stone”, Chicago Journal, February 2001, p. 9 Ostrow, Saul, catalogue essay, “Filling in the Gap”, Feigen, Inc, Chicago, IL, 1989 Paine, Janice T., "Amenities: A strangely discomforting exhibit," Milwaukee Sentinel, October 14, 1994, 8E Pinto De Almeida, Bernardo, “Tony Tasset (catalogue essay), from exhibition at Galeria Pedro Oliveira, Portugal, 1992 Robinson, Walter, “Weekend Update,” artnet.com>reviews, October 25, 2000. Robinson, Walter, "State of the Art: Young, Gifted and Affordable," Metropolitan Home, November 1987, pp. 58-59 Rosenberg, Barry A, catalogue essay, “Redefining the Object”, University Art Galleries, Wright State University, Dayton OH and Cleveland Center for Contemporary Art, Cleveland, OH, 1988 Runólfsson, Halldór Björn, catalogue essay, “Stillstand Switches”, Shedhalle, Zurich, Switzerland, 1992 Russi-Kirchner, Judith, catalogue essay, “Art in Chicago: 1945-1995,” MCA Chicago, IL Russi-Kirchner, Judith, catalogue essay, “On Kawara: Date Paintings 1966-1988”, traveling exhibition Russi-Kirchner, Judith, catalogue essay, “Surfaces: Two Decades of Painting in Chicago,” The Terra Museum, Chicago, Il, 1986 Scanlan, Joe, “Money-Market,” dialogue, January 1987, p. 26. Schaffner, Ingrid and Therese Cafaro, catalogue essays, “Shit”, Baron Boisante Gallery, New York, NY Schjeldahl, Peter, "At the Salon of April," Village Voice, May 14, 1991, p.86 Schultz, Jerome, “Postmodernism, A Spectacle of Reflexivity (review),” The New Art Examiner, June 1987, p.55 Sherlock, Maureen P, "Tony Tasset," Arts, summer 1989, p. 82 Snodgrass, Susan, “Tony Tasset at Rhona Hoffman (review),” Art in America, January, 1994, pp.110-111 Sobel, Dean, “Identity and Recent Self-Portraiture”, 1997, catalogue essay, Milwaukee Art Museum, WI Stevens, Mitchell, "Forms to Warm the Heart," The Reader, February 19, 1993, p.29 “Sunday Style,” The New York Times, February 25, 2001. Tasset, Tony, catalogue essay, “Domesticates,” Feature, Chicago, IL, 1986 Tasset, Tony, "The Beast is Now Under Control," Nit & Wit, October 1986,p.15 Taylor, Sue, review of "Liars," Art in America, September 1987, pp.187, 189 Vissault, Maïté, “Recrudescence,” ETCMontréal, Sept., Oct., Nov., 2004, pp. 22-27 Waddington, Christopher, “Contemporary Icons and Explorations: The Goldstrom Family Collection”, Davenport Museum of Art, Davenport, IA, 1988 Wainwright, Martin, “Warning Shots: Royal Armouries Exhibits Art of Violence,” The Guardian May 13, 2000. Walker, Hamza, “Eureka! I’ve Lost It,” catalogue essay, Persona, 1996. Walker, Hamza and Susan Stryker, catalogue essays, “Kunsthalle Basel,” Basel, Switzerland Warren, Lynne, catalogue essay, “S.A.I.C.: A New Generation”, Museum of Contemporary Art, Chicago, IL, 1986 Wehr, Anne, “Tony Tasset”, Time Out New York, November 23 – 30, 2000 Wilk, Deborah, “Robert Smithson, Tony Tasset (review),” The New Art Examiner, January, 1996 Wilk, Deborah, “The Ecstasy of Limits (review),” New Art Examiner, February, 1995, p. 38 Yood, James, catalogue essay, The Refco Collection, Sue Taylor, editor, The Refco Group, Ltd, Chicago, 1990, pp. 178-79 Yood, James, catalogue essay, “Exhibition 12”, Studio Arts Faculty, School of Art & Design, University of Illinois at Chicago, Gallery 400, Chicago, IL, 1988 Yood, James, “Tony Tasset (review)”, ArtForum, March 1991, p. 134 “What's happening in New York," Atelier, Magazine of International Art, April, 1994, p.45