Bongo's Bingo Down Under Is Back

Total Page：16

File Type：pdf, Size：1020Kb

MEDIA ALERT BONGO’S BINGO DOWN UNDER IS BACK launching its ongoing national tour Monday 31st July, 2017- Australia – Following its debut Down Under in June, Bongo’s Bingo is back and here to stay, all the way from the U.K. With multiple shows launching in Sydney, Melbourne and Brisbane in August 2017. Following a record sell out in the less than five minutes for the first ever Australian shows, Bongo’s Bingo Down Under has already garnered a colossal following with rave reviews leaving many bingo party-goers wanting more. Bongo’s Bingo is unlike anything Australia has experienced before, a fun-loving party atmosphere with a touch of healthy competition that requires a wee bit of concentration and skill. This rather chaotic and ironic version of the normally sedate game will have you up on your feet busting a move and keeling over in fits of laughter at the same time. The Bingo hosts, aka fun creators, gleefully and cheekily preside over each evening of merriment, calling out the numbers, playing hand-in-the-air sing-a-long tunes and entice plenty of revelry with packed out audiences. With letting loose pretty much compulsory, Grannies and prudes best stay at home, together with your dignity as an evening at Bongo’s Bingo will have you escaping your comfort zone for a night of festivity and frivolity. Perfect for those seeking a different kind of night out. Best experienced amongst friends, with opportunities to win big cash prizes and hysterical gifts and not so amazing things in between. A night out at Bongo’s Bingo quite simply has to be seen to be believed. In just two years, Bongo’s Bingo has become a pivotal part of the UK’s cultural landscape, helping to re-shape how people choose to go out at night. Having recently launched internationally in Dubai and now in Australia, this international phenomenon is a must-see event. Tickets will be available to purchase online from Friday 4th July 2017 at 4pm AEST for all shows as listed below via www.bongosbingodownunder.com.au Be sure to get in quick as an all show sell out is expected to happen in minutes. Food and beverage available at each event with doors opening from 6pm and shows kicking off from 7:30pm. KEY DATES AND LOCATIONS- BRISBANE THURSDAY 24TH AUGUST, 2017 THE TIVOLI, 52 COSTIN STREET, FORTITUDE VALLEY, QLD ($55 PER PERSON) SYDNEY FRIDAY 25TH AUGUST & SATURDAY 26TH AUGUST 2017 SECRET LOCATION TO BE ANNOUNCED VIA @BONGOSBINGODOWNUNDER (LOCATION WILL BE WITHIN A 5KM RADIUS OF SYDNEY CBD, $55 PER PERSON) MELBOURNE THURSDAY 31ST AUGUST & FRIDAY 1ST SEPTEMBER 2017 COLLINGWOOD TOWN HALL, 140 HODDLE STREET, ABBOTSFORD, VIC ($55 PER PERSON) For further information please visit www.bongosbingodownunder.com.au Get a glimpse of all the action, watch this clip- https://youtu.be/L0TdwP73HSE @bongosbingodownunder /bongosbingodownunder #bongosbingoAU For further information please contact Rachel Cameron at The Society Group. [email protected] or +61 401 557 387 .

Copy Link

Recommended publications

Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes.
[Show full text]
29Th Flickerfest INTERNATIONAL SHORT FILM FESTIVAL PROGRAM ANNOUNCED for 2020
FLiCKERFEST 2020 29th INTERNATIONAL SHORT FILM FESTIVAL Festival: 10th Jan - 19th Jan 2020, Bondi Pavilion, Bondi Beach, Sydney Australia Tour: Jan - May 2020, 50 Venues Australia-wide PRESS RELEASE December 12, 2019 29th FLiCKERFEST INTERNATIONAL SHORT FILM FESTIVAL PROGRAM ANNOUNCED FOR 2020 The 29th Flickerfest International Short Film Festival is thrilled to announce the full list of short films officially selected into the Academy® qualifying and BAFTA recognised competitions for 2020. Over 10 thrilling days, Flickerfest, a beloved Sydney summer institution will once again delight audiences with the very best in short films from Australia and around the world, screened under the stars at the iconic Bondi Pavilion in January. A record 3,500 entries from over 100 countries have been received for Flickerfest 2020; a testimony to the fact that Flickerfest is one of the world’s leading and most respected platforms for short film. From this large entry field only around 200 of the very best most creative and inspiring shorts will be screened at the Festival across 17 competitive programmes and four showcase programmes all guaranteed to make you laugh, cry and gasp with delight. The shorts in competition at Flickerfest are fiercely vying for a number of prestigious prizes including the Flickerfest Award for Best International Short Film, the Yoram Gross Award for Best International Animation, the Flickerfest Award for Best Australian Short Film and the Flickerfest Award for Best Documentary- All are Academy® Qualifying. Plus, a host of other hotly contested prizes, which recognise the various craft areas inherent in making a great short film.
[Show full text]
MEDIA RELEASE 20Th July 2020 – for Immediate Release
MEDIA RELEASE 20th July 2020 – for Immediate Release Navigating Cancer in the COVID Crisis and Beyond Cancer waits for noone. Each day in Australia 396 people a day are diagnosed with cancer, that’s 145,000 Aussies per year who deal with a diagnosis, which is more than most daily COVID totals, and 50, 000 will die. It certainly doesn’t go into isolation because of COVID. Recently many people have had their diagnosis delayed due to COVID (Medical Republic, 12th May 2020, Francine Crimmins), because many have been reluctant to see their doctors or have tests done. Alarmingly, Cancer Council Victoria have reported a 37% drop in breast cancer diagnoses and the University of Melbourne, Cancer Research Centre says the costs to the Australian healthcare system will be large. Cancer continues, and this means that thousands of Australians will continue to be diagnosed (hopefully) and treated amongst the virus crisis, creating further stress on individuals and the healthcare sector, but delays in cancer diagnosis may be far worse. Health Equals Freedom is a new, unique National service for those newly diagnosed with cancer, anywhere in Australia, and is provided by secure Telehealth video and audio, it opened its doors just before the pandemic. Dr Rachel Cameron, is the owner and founder of Health Equals Freedom, which she designed to meet an unmet need, due to her personal experience, interest and professional training, this service supports people in navigating their cancer diagnosis and treatment. Dr Rachel Cameron has also written a new book to support this service, which maps out the most important information that someone needs when first diagnosed, the book can be used to prepare for meetings with doctors and to take notes in.
[Show full text]
Ballet Rambert Tour of Australia-New Zealand 1947-1949
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BALLET RAMBERT TOUR OF AUSTRALIA-NEW ZEALAND 1947-1949 PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Ballet Rambert (BR) is today the oldest existing dance company in England. It was founded in 1930 by Marie Rambert (MR), whose balletic lineage can be traced back to Isadora Duncan, E. Jacques-Dalcroze, S. Diaghilev, V. Nijinsky, Cecchetti and S. Astafieva. It was from these sources that she created an English ballet company with an understated style. This young, small company of thirty dancers under the personal direction of Marie Rambert arrived in Australia in October 1947 under the entrepreneur D.D. O’Connor in association with the British Council as the first major overseas company to visit Australia after World War II. The Australian public, who had been exposed in the pre-war period to a virtuosic and exuberant Russian style on a large scale, began to appreciate the smaller works presented with such realism. BR introduced a different concept of ballet to Australians -- as art and not spectacle. Their impact was immediate and significant. Many Australians joined the company on tour, such as Cecil Bates, Ruth Boker, Charles Boyd (a former BR member), Rachel Cameron, June Florenz, Joan and Monica Halliday, Kathleen Lamb, Marita Lowden, Moira Peoples, Ann Somers (or Kathleen Gorham), Basil Truro (or Vassilie Trunoff ) including David Hunt who returned to Australia with BR and they in turn influenced future generations of dancers. Some of the Ballet Rambert dancers remained in Australia and contributed to the development of dance, these being Joyce Graeme, Brenda Hamlyn, Rex Reid and Margaret Scott.
[Show full text]
Joan Denise Moriarty Ireland’S First Lady of Dance
Joan Denise Moriarty Ireland’s First Lady of Dance Edited by Ruth Fleischmann with contributions by Séamas de Barra, Patricia Crosbie, Ruth Fleischmann, Monica Gavin, David Wallace & Digital photography by Max Fleischmann Joan Denise Moriarty Ireland’s First Lady of Dance Edited by Ruth Fleischmann with contributions by Séamas de Barra, Patricia Crosbie, Ruth Fleischmann, Monica Gavin, David Wallace & Digital photography by Max Fleischmann 2012 Contents Foreword Cllr. Terry Shannon, Lord Mayor of Cork 5 Introduction Liam Ronayne, Cork City Librarian 7 Published 2012 by Cork City Libraries / Leabharlanna Cathrach Chorcaí A Tribute to Joan Denise Moriarty 57-61 Grand Parade, Domy Reiter-Soffer 8 Cork www.corkcitylibraries.ie A Life for Dance Ruth Fleischmann 11 The Cork Ballet Company: A Brief History Monica Gavin 19 Copyright © 2012 by the authors and the A Cork Lady’s Dream Comes True: respective copyright holders. Except as may be permitted by law, no part The Professional Ballet Companies of the material may be reproduced (including by storage in a retrieval system) or transmitted in any form or by any means. Patricia Crosbie 31 What’s in a Step? Moments in the Choreographic Language of Joan Denise Moriarty David Wallace 43 Joan Denise Moriarty and the Music for the Ballet ISBN 978-0-9549847-8-6 Séamas de Barra 51 The Moriarty Legacy The Firkin Crane Paul McCarthy 58 The Joan Denise Moriarty School of Dance Michelle Twomey 62 The Cork School of Dance Sinéad Murphy 64 Digital photography: Max Fleischmann Cork City Ballet Alan Foley 66 Design: edit+ www.stuartcoughlan.com Printed in Ireland by City Print Ltd, Cork Joan Denise Moriarty Commemorated 70 Further Reading 72 Joan Denise Moriarty: Life in Brief 74 Acknowledgements 76 Foreword Cork City Council is pleased to support the She was the choreographer of 115 ballets.
[Show full text]
2020 NATIONAL Graduationceremony Dear Endeavour Graduands
2020 NATIONAL Graduation Ceremony Dear Endeavour Graduands Your graduation day is an important milestone in your life. It is both an ending and a beginning, a day to reflect on memories of the past and your dreams for the future. Today you will graduate with a new academic award to your name. This is a major achievement, and confirms that you are qualified in a valuable health science or applied health science field. It is the culmination of your years of dedication and hard work towards completion of this award. The experiences you’ve had, the connections you’ve made and the knowledge and skills that you’ve gained with us have equipped you to take your place in an industry that is respected and sought by most Australians. The Endeavour College of Natural Health and its alumni are there to support you on your journey. Endeavour is by far Australia’s largest and most enduring institution in this field. As well as the Alumni association, another common tie binding our graduates is their determination to keep their clients’ needs firmly at the centre of their practice. As part of the Endeavour family you were prepared to understand that the client seeking your help is looking to be heard, respected and treated as a whole person. This is a characteristic that marks our graduates apart, and is a focus that is sorely needed as more Australians turn to the natural health industry for the answers they can’t find elsewhere. As new dimensions of integrative health practice continue to emerge, there are many career options for you to consider when it comes to using your knowledge to educate or transform the lives of others.
[Show full text]
Sydney Dance Company - a Study of a Connecting Thread with the Ballets Russes’
‘Sydney Dance Company - A study of a connecting thread with the Ballets Russes’ Peter Stell B.A. (Hons). The Australian Centre, School of Historical Studies, The University of Melbourne. A thesis submitted in fulfilment of the requirements for the degree of Master of Arts by Research May, 2009. i Declaration I declare that the work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text, and that the material has not been submitted, either in whole or in part, for a degree at this or any other university. …………………………………………. Peter Stell ii Abstract This thesis addresses unexplored territory within a relatively new body of scholarship concerning the history of the Ballets Russes in Australia. Specifically, it explores the connection between the original Diaghilev Ballets Russes (1909- 1929) and the trajectories of influence of Russian ballets that visited Australia. The study’s hypothesis is that the Sydney Dance Company, under the artistic direction of Graeme Murphy between 1976 and 2007, and the creation in 1978 of Murphy’s first full-length work Poppy, best exemplifies in contemporary terms the influence in Australia of the Ballets Russes. Murphy was inspired to create Poppy from his reading of the prominent artistic collaborator of the Ballets Russes, Jean Cocteau. This thesis asserts that Poppy, and its demonstrable essential connection with the original Diaghilev epoch, was the principal driver of Murphy’s artistic leadership over fifty dance creations by himself and collaborative artists. This study sketches the origins of the Ballets Russes, the impact its launch made on dance in the West, and how it progressed through three distinguishable phases of influence.
[Show full text]
As Light As Air: Decorative Dancing
71s 131jhl as 711r Decorative Dancing Michelle Potter explores the exhibition of eurhythmic dancing at picture of grace, painted by the [First] popularity of a free, Grecian- the Conservatorium of Music, Australian Ballet at the Kambala Sydney' around the time the School Fete at Rose Bay on Saturday'. style dance form in Australia Cazneaux photograph was published Other material in the same collection through images found in the in The Home. But if we don't know shows these young women posing much about Mary Whidborne, we do gracefully and decoratively in outdoor Library's collections know that Grecian-style dancing settings. Often the accompanying text and eurhythmics were popular refers to, or aspires to poetry: n1924 the renowned Australian recreational activities for young ladies 'Graceful as the tall trees that lift their photographer Harold Cazneaux in the 1920s and 1930s. And aspiring arms to the tall skies' is one example. Icaptured Miss Mary Whidborne's young dancers frequently performed Beaver also appeared on the cover of pupils in an open-air eurhythmic these styles of free dancing at fetes the magazine Woman in 1937 playing dance. The photograph, which and similar events. pan pipes and dressed as a kind of Cazneaux subsequently called Grecian The Papers of Moya Beaver, forest sylph. In that guise, as a pipe- Dance, was cut to a semi-circular held by the National Library playing sylph, she also appeared with format and published in Sydney Ure in its Manuscript Collection, her friends at a garden fete at Smith's magazine The Home in contain clippings and photographs Government House in Sydney in a November of that year.
[Show full text]
Australia Dances Creating Australian Dance 1945–1965 Australia Creating Australian Dance 1945–1965 Dances
Australia Dances Creating Australian Dance 1945–1965 Australia Creating Australian Dance 1945–1965 Dances ALAN BRISSENDEN AND KEITH GLENNON Wakefield Press 1 The Parade West Kent Town South Australia 5067 www.wakefieldpress.com.au First published 2010 Copyright © Alan Brissenden, 2010 Unless otherwise stated, all illlustrations are reproduced courtesy of the Barr Smith Library, University of Adelaide. All rights reserved. This book is copyright. Apart from any fair dealing for the purposes of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced without written permission. Enquires should be addressed to the publisher. All efforts have been made to trace owners of copyright of illustrations and names of photographers but the author and publisher apologise for any omissions. Designed by Liz Nicholson, designBITE Typeset by Clinton Ellicott, Wakefield Press Printed in China at Everbest Printing Co. Ltd National Library of Australia Cataloguing-in-Publication entry Author: Brissenden, Alan. Title: Australia dances: creating Australian dance 1945–1965/ Alan Brissenden, Keith Glennon. ISBN: 978 1 86254 802 2 (hbk.). Notes: Includes index. Bibliography. Subjects: Dance – Australia – History – 1945–1965. Ballet – Australia – History – 1945–1965. Other Authors/Contributors: Glennon, Keith. Dewey Number: 792.80994 Contents and Dedication pages: Line drawings by Elaine Haxton. For two Australian Giselles Laurel Martyn and Dorothy Stevenson and in memory of Keith Glennon CONTENTS Acknowledgments ix Introduction 1 1. The Borovansky Ballet 7 2. The National Theatre Ballet Company 37 3. The Australian Ballet 55 4. New South Wales 79 SYDNEY 80 The First Australian Ballet 82 The Kousnetzova Ballet Company 85 The Sydney Ballet Group 88 Ballet Theatre le Français 93 Ballet Australia 94 NEWCASTLE 102 5.
[Show full text]
The Magazine of the British Ballet Organization Order Your Official BBO Dance Uniform with IDS
Dancerthe 2014 The Magazine of the British Ballet Organization Order your official BBO Dance Uniform with IDS Pink portable barre exclusive to “Best uniform we’ve IDS, visit ids.co.uk for more details. ever had. Very happy... it’s our 7th year with great quality and prices from IDS!” JOHN TRAVIS Chief Executive BBO Made in the UK Logoed bags and hooded tops also available! Trade Order your official BBO uniform now at Exclusive Enquiries Wholesale Only ids.co.uk +44 (0)1626 36 32 32 Prices The British Ballet Organization FOUNDERS Edouard Espinosa Louise Kay FOUNDER PRESIDENT Dame Ninette de Valois OM, CH, DBE PRESIDENT Order your Dame Beryl Grey DBE PATRONS official BBO Thomas Edur CBE Wendy Ellis Somes Dance Uniform Bonnie Langford Tandy Muir-Warden with IDS Agnes Oaks CBE Peter Schaufuss Wayne Sleep OBE Doreen Wells, Marchioness of Londonderry BOARD OF THE TRUSTEES Nicholas Espinosa (Chairman) Nigel Copeland FCA Laura Hartong Dame Sally Powell DBE Peter Rostron FCA JOINT CHIEF EXECUTIVE OFFICERS Pink portable barre exclusive to “Best uniform we’ve John Travis IDS, visit ids.co.uk for more details. Robin Bloor ever had. Very happy... it’s our 7th year with great quality and prices from IDS!” Contents JOHN TRAVIS 2 From the President – Dame Beryl Grey 24 BUSY BOYZ – the Ballet Boyz, Michael Nunn Chief Executive BBO 3 From the CEO – John Travis and William Trevitt, talk about their new projects 4 From Strength to Strength 30 BBO Annual Teaching Qualifications Awards 6 Discovering Dance at BBO Dance Days 2014 33 Your Legacy is the BBO’s
[Show full text]
Adjuvant Therapy for Metastatic Cancer Gene-Engineered T Cells
The Journal of Immunology Gene-Engineered T Cells as a Superior Adjuvant Therapy for Metastatic Cancer1 Michael H. Kershaw,2 Jacob T. Jackson,2 Nicole M. Haynes, Michele W. L. Teng, Maria Moeller, Yoshihiro Hayakawa, Shayna E. Street, Rachel Cameron, Jane E. Tanner, Joseph A. Trapani, Mark J. Smyth,2 and Phillip K. Darcy2,3 The major limiting factor in the successful application of adjuvant therapy for metastatic disease is the lack of adjuvant specificity that leads to severe side effects. Reasoning that T cells of the immune system are highly specific, we generated tumor-specific T cells by genetic modification of mouse primary T cells with a chimeric receptor reactive with the human breast cancer-associated Ag erbB-2. These T cells killed breast cancer cells and secreted IFN-␥ in an Ag-specific manner in vitro. We investigated their use against metastatic breast cancer in mice in an adjuvant setting, and compared their effectiveness with the commonly applied adjuvants doxorubicin, 5-fluorouracil, and herceptin. Mice were inoculated orthotopically with the human erbB-2-expressing spontaneously metastatic mouse breast cancer 4T1.2 in mammary tissue, and the primary tumor was surgically removed 8 days later. Significant metastatic disease was demonstrated in lung and liver at the time of surgery on day 8 with increased tumor burden at later time points. T cell adjuvant treatment of day 8 metastatic disease resulted in dramatic increases in survival of mice, and this survival was significantly greater than that afforded by either doxorubicin, 5-fluorouracil, or herceptin. The Journal of Immunology, 2004, 173: 2143–2150.
[Show full text]
QEII Coronation Award the Queen Elizabeth II Coronation Award Is Presented Annually in Recognition of Outstanding Services to Th
QEII Coronation Award The Queen Elizabeth II Coronation Award is presented annually in recognition of outstanding services to the art of ballet. This Award was instituted in 1953, the year of the coronation of Queen Elizabeth II, by Dame Adeline Genée, then President of the Royal Academy of Dancing. Recipients: 1954 Dame Ninette de Valois OM CH DBE FRAD 1955 Tamara Karsavina 1956 Dame Marie Rambert DBE 1957 Sir Anton Dolin 1958 Phyllis Bedells FRAD 1959 Sir Frederick Ashton OM CH CBE 1960 Sir Robert Helpmann 1961 Ursula Moreton 1962 Cyril Beaumont OBE 1963 PJS Richardson OBE (posthumously) Dame Alicia Markova DBE 1964 Kathleen Gordon CBE FRAD 1965 Dame Peggy van Praagh DBE 1966 Serge Grigorieff Lubov Tchernicheva 1967 Lydia Sokolova 1968 Stanislav Idszikovsky 1969 John Hart CBE 1970 John Gilpin 1971 Louise Browne OBE FRAD 1972 Ruth French FRAD Royal Academy of Dance® is a charity registered in England and Wales No. 312826 1973 Norman Morrice 1974 Brian Shaw 1975 Robin Howard CBE 1976 Pamela May FRAD 1977 Winifred Edwards 1978 Sir Kenneth MacMillan 1979 Arnold Haskell CBE 1980 Glen Tetley 1981 Michael Somes CBE 1982 Dame Merle Park DBE 1983 Rudolf Nureyev 1984 Leslie Edwards OBE 1985 Antony Tudor 1986 Rudolf and Joan Benesh 1987 Peter Darrell 1988 John Lanchberry OBE 1989 Mary Clarke 1990 Sir Peter Wright CBE 1991 Ivor Guest MA FRAD 1992 Clement Crisp 1993 Julia Farron FRAD 1994 Sir Anthony Dowell CBE 1995 Dame Beryl Grey 1996 Irina Baronova 1998 Lady Anya Sainsbury 1999 Maina Gielgud 2000 Gillian Lynne 2003 HRH Princess Margaret Royal Academy of Dance® is a charity registered in England and Wales No.
[Show full text]