Billie Eilish Earns Second No. 1 Album on Billboard 200 Chart With
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Top 50 Singles Top 50 Albums
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TW THIS WEEK LW LAST WEEK TI TIMES IN HP HIGH POSITION * BULLET TOP 50 SINGLES WEEK COMMENCING 16 NOVEMBER, 2020 TOP 50 ALBUMS TW LW TI HP TITLE Artist COMPANY CAT NO. TW LW TI HP TITLE Artist COMPANY CAT NO. 1 2 13 1 MOOD 24kGoldn Feat. Iann Dior <P>2 COL/SME G0100044072345 * 1 NEW 1 1 DISCO Kylie Minogue LIB/UMA LIB224CD 2 1 3 1 POSITIONS Ariana Grande UMA 3541572 2 2 2 2 POSITIONS Ariana Grande UNI/UMA B003314802 3 3 15 2 HEAD & HEART Joel Corry & MNEK <P> NEON/UMA 0742305 * 3 29 16 3 F*CK LOVE (SAVAGE) The Kid Laroi COL/SME G0100044183579 4 4 8 4 HOLY Justin Bieber Feat. Chance The Rapper DEF/UMA 3517898 4 5 4 1 T. R. U. T. H. Guy Sebastian SME 19439797692 5 7 6 5 WHAT YOU KNOW BOUT LOVE Pop Smoke <G> REP/UMA US-UM7-20-13343 5 1 2 1 THE MAKARRATA PROJECT Midnight Oil SME 19439793942 6 5 10 5 LEMONADE Internet Money, Gunna Feat. Don Toliver, NAV CAR/UMA 1213358 6 4 3 1 LETTER TO YOU Bruce Springsteen COL/SME 19439811582 * 7 16 3 7 SO DONE The Kid Laroi COL/SME G0100044686111 * 7 NEW 1 7 CONFETTI Little Mix RCA/SME 19439805322 8 8 14 8 YOU BROKE ME FIRST Tate McRae <P> RCA/SME G010004279031F 8 3 2 3 LOVE GOES Sam Smith CAP/UMA 0738291 9 6 14 1 WAP Cardi B Feat. -
Top 40 Singles Top 40 Albums Mood Take You Dancing BE WHEN WE ALL FALL ASLEEP, WH
30 November 2020 CHART #2271 Top 40 Singles Top 40 Albums Mood Take You Dancing BE WHEN WE ALL FALL ASLEEP, WH... 1 24kGoldn feat. Iann Dior 21 Jason DeRulo 1 BTS 21 Billie Eilish Last week 2 / 15 weeks Platinum / Columbia/SonyMusic Last week 18 / 11 weeks Gold / Atlantic/Warner Last week - / 1 weeks BigHit/SonyMusic Last week 19 / 87 weeks Platinum x3 / Darkroom/Interscop... positions 34+35 PWR / UP Good News 2 Ariana Grande 22 Ariana Grande 2 AC/DC 22 Megan Thee Stallion Last week 3 / 5 weeks Gold / Republic/Universal Last week 25 / 4 weeks Republic/Universal Last week 1 / 2 weeks LeidsepleinPresse/SonyMusic Last week - / 1 weeks 300Entertainment/Warner Therefore I Am you broke me first Six60 (3) Divide 3 Billie Eilish 23 Tate McRae 3 Six60 23 Ed Sheeran Last week 1 / 2 weeks Darkroom/Interscope/Universal Last week 21 / 14 weeks Gold / RCA/SonyMusic Last week 3 / 55 weeks Platinum x3 / Massive/Universal Last week 22 / 195 weeks Platinum x14 / Asylum/Warner Holy Prisoner Positions Diamonds 4 Justin Bieber feat. Chance The Rapp... 24 Miley Cyrus feat. Dua Lipa 4 Ariana Grande 24 Elton John Last week 4 / 10 weeks Gold / DefJam/Universal Last week - / 1 weeks RCA/SonyMusic/Warner Last week 4 / 4 weeks Republic/Universal Last week 24 / 124 weeks Platinum x3 / Virgin/Universal Lemonade pov Shoot For The Stars Aim For The Mo... Impossible: Music By The Book 5 Internet Money And Gunna feat. Don... 25 Ariana Grande 5 Pop Smoke 25 Stan Walker Last week 6 / 12 weeks Platinum / TenThousandProjects/.. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
NMS15 Marketing Opportunities
SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers; -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Chuck Mangione
Chuck Mangione Year Album Chart Peak 1971 Friends and Love...A Chuck Mangione Concert Jazz Albums 14 1971 Friends and Love...A Chuck Mangione Concert The Billboard 200 116 1971 Together The Billboard 200 194 1972 Chuck Mangione Quartet Jazz Albums 14 1972 Chuck Mangione Quartet The Billboard 200 180 1972 Together Jazz Albums 22 1973 Alive! Jazz Albums 21 1973 Friends and Love...A Chuck Mangione Concert Jazz Albums 36 1974 Land of Make Believe Jazz Albums 7 1975 Chase the Clouds Away Jazz Albums 6 1975 Chase the Clouds Away The Billboard 200 47 1975 Encore Jazz Albums 24 1976 Bellavia Jazz Albums 7 1976 Bellavia The Billboard 200 68 1976 Encore The Billboard 200 102 1977 Feels So Good Jazz Albums 1 1977 Land of Make Believe The Billboard 200 157 1977 Main Squeeze Jazz Albums 4 1977 Main Squeeze The Billboard 200 86 1978 Children of Sanchez Jazz Albums 1 1978 Children of Sanchez The Billboard 200 14 1978 Children of Sanchez R&B Albums 37 1978 Feels So Good The Billboard 200 2 1978 The Best of Chuck Mangione [Mercury] Jazz Albums 23 1978 The Best of Chuck Mangione [Mercury] The Billboard 200 105 1979 An Evening of Magic, Live at the Hollywood Bowl Jazz Albums 5 1979 An Evening of Magic, Live at the Hollywood Bowl The Billboard 200 27 1980 Fun and Games Jazz Albums 1 1980 Fun and Games The Billboard 200 8 1980 Fun and Games R&B Albums 13 1981 Tarantella Jazz Albums 10 1981 Tarantella R&B Albums 51 1981 Tarantella The Billboard 200 55 1982 Love Notes Jazz Albums 8 1982 Love Notes R&B Albums 53 1982 Love Notes The Billboard 200 83 1983 70 Miles Young Jazz Albums 19 1983 Journey to a Rainbow Jazz Albums 10 1983 Journey to a Rainbow The Billboard 200 154 1984 Disguise The Billboard 200 148 1988 Eyes of the Veiled Temptress Top Contemporary Jazz 22 Albums 1999 The Feeling's Back Top Jazz Albums 12 2000 Everything for Love Top Jazz Albums 15. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
July 29, 7996
1351 No. Registration Mail GST1 .20 plus f$2.80 7996 29, - 3.00 July 24 No. 63 $Volume 2 - RPM - Monday July 29, 1996 Concert findastry suffers first-half 996 slump year ago, according to Pollstar stats. The early 1996 stats show that many musical CONCERT continued from page 2 A recent article in concert industry trade journal year totaled approximately $239 million, a 26% veterans have dominated concert sales. Rod Pollstar indicates that concert revenues are down drop from the $322 million in the same period in bandslike U2, the Stones or Pink Flo, Stewart was the top concert money -winner, feels that the concert business c significantly in 1996 compared to the same period 1995. bringing in $29 million thus far, with another in '95. The Dead alone did $29 million in concert balancing effect - if people are sper. seasoned veteran, Bob Seger, second on the list. It one Eagles show, they may not sper The magazine attributed much of the business during the initial six months of 1995. The was also felt that a rash of veteran bands on tour - downturn to the absence of perennial top concert Eagles, meanwhile, who took in $61 million during smaller tours. Styx, Chicago, Foreigner, Kansas- have "In this business, it's difficult t draw The Grateful Dead, which dissolved following the first half of '95, have earned just $10 million cannibalized each other, making for another factor the death of Jerry Garcia a year ago. Another factor so far this year (albeit in just 10 shows). much is enough.