Blu-Ray/DVD Roundup for Jan. 18, 2021
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Jill Bilcock: Dancing the Invisible
JILL BILCOCK: DANCING THE INVISIBLE PRESS KIT Written and Directed by Axel Grigor Produced by Axel Grigor and Faramarz K-Rahber Executive Produced by Sue Maslin Distributed by Film Art Media Production Company: Distributor: Faraway Productions Pty Ltd FILM ART MEDIA PO Box 1602 PO Box 1312 Carindale QLD 4152 Collingwood VIC 3066 AUSTRALIA AUSTRALIA Email: [email protected] Phone: +61 3 9417 2155 faraway.com.au Email: [email protected] filmartmedia.com BILLING BLOCK FILM ART MEDIA, SOUNDFIRM, SCREEN QUEENSLAND and FILM VICTORIA in association with SCREEN AUSTRALIA, THE AUSTRALIAN BROADCASTING CORPORATION and GRIFFITH UNIVERSITY present JILL BILCOCK: DANCING THE INVISIBLE Featuring CATE BLANCHETT, BAZ LUHRMANN, SHEKHAR KAPUR and RACHEL GRIFFITHS in a FARAWAY PRODUCTIONS FILM FILM EDITORS SCOTT WALTON & AXEL GRIGOR DIRECTOR OF PHOTOGRAPHY FARAMARZ K-RAHBER PRODUCTION MANAGER TARA WARDROP PRODUCERS AXEL GRIGOR & FARAMARZ K-RAHBER EXECUTIVE PRODUCER SUE MASLIN © 2017 Faraway Productions Pty Ltd and Soundfirm Pty Ltd. TECHNICAL INFORMATION Format DCP, Pro Res File Genre Documentary Country of Production AUSTRALIA Year of Production 2017 Running Time 78mins Ratio 16 x 9 Language ENGLISH /2 LOGLINE The extraordinary life and artistry of internationally acclaimed film editor, Jill Bilcock. SHORT SYNOPSIS A documentary about internationally renowned film editor Jill Bilcock, that charts how an outspoken arts student in 1960s Melbourne became one of the world’s most acclaimed film artists. SYNOPSIS Jill Bilcock: Dancing The Invisible focuses on the life and work of one of the world’s leading film artists, Academy award nominated film editor Jill Bilcock. Iconic Australian films Strictly Ballroom, Muriel’s Wedding, Moulin Rouge!, Red Dog, and The Dressmaker bear the unmistakable look and sensibility of Bilcock’s visual inventiveness, but it was her brave editing choices in Baz Luhrmann’s Romeo+Juliet that changed the look of cinema the world over, inspiring one Hollywood critic to dub her editing style as that of a “Russian serial killer on crack”. -
Little John's Auction Service
74779_LJ_Ses1_Cvr 5/2/07 5:10 AM Page 2 JUNE 5, 2007 - IMPORTANT FIREARMS AUCTION THE WORLD-FAMOUS STEMBRIDGE armory COLLECTION Little John’s Auction Service A DIVISION OF LITTLE JOHN’S ANTIQUE ARMS, INC. 74779_LJ_Ses1_Cvr 5/2/07 5:10 AM Page 3 Movie & Television reference TITLE PAGE # TITLE PAGE # Air Force One 40 Men in Black 38, 69, 79 Absolute Power 44 Mighty Joe Young 9 Alamo, The 23 Mod Squad 6 Annie Oakley 5, 40 Mountain Men, The 20, 21, 23, 27, 35, 56 Annie Get Your Gun 13 Mystery Men 3, 4, 43, 45, 82 Arizona 10, 28 Natural Born Killers 46, 97 Barbarosa 5, 58 Nevada Smith 24 Batman 3, 6, 39 North and South 62 Batman II 33, 96 Northwest Mounted Police 21, 37 Batman Forever 33 Old Yeller 65, 72 Big Jake 2, 3 On Dangerous Ground 48 Blues Brothers 17 On Deadly Ground 2 Bonanza 18, 19, 25 One Eyed Jacks 60 Cheyenne Autumn 43 Outlaw Josie Wales, The 13, 28 Deer Hunter 42 Paint Your Wagon 20 Desperado 32 Payback 1 Dick Tracy 47 Phantom 9 Dr. Quinn, Medicine Woman 53 Plainsman, The 14 Dracula 9 Point of No Return 44, 46 Dream West 68 Postman, The 38 Dynasty 70 Predator 42, 69 El Dorado 92 Prisoner of Zenda 8 End of Days 43 Rifleman, The 36 Eraser 8 Raiders of the Lost Ark 9, 10, 39, 74 Extreme Prejudice 42 Rambo II 51, 96 Fear & Loathing in Las Vegas 71 Rebel, The 22 Fighting Kentuckian, The 28 Red Dawn 11 Flying Tigers 65 Rough Riders 51, 70 Gambler IV 5 Sergeant York 25 Ghost and the Darkness, The 12 Shane 12, 13 Geronimo 4 Shooting at Arnold 43 Getaway, The 40 Silverado 25, 37 Godfather II 42 Sons of Katie Elder 29 Gunsmoke 40 Spawn -
JEFFREY-HORNADAY-Cor
JEFFREY HORNADAY Director FILM / TELEVISION: DIRECTOR GEEK CHARMING Mandeville Films Disney Channel Film starring: Sarah Hyland SHOUT Universal Pictures Feature Film starring: John Travolta, Heather Graham, Gwyneth Paltrow, Jamie Walters OUT OF STEP ABC Television After School Special SAWDUST CBS Television Pilot DOUBLE SWITCH ABC Television Movie of the Week LIVE CONCERT DIRECTOR MILEY CYRUS ‘Wonder World’ World Tour PAUL McCARTNEY ‘Driving U.S.A.’ World Tour BACKSTREET BOYS ‘Black and Blue’ World Tour LIONEL RICHIE ‘Renaissance’ World Tour MARIAH CAREY ‘Rainbow’ World Tour LIONEL RICHIE with Tina Turner European Tour REBA McENTIRE ‘The Singer’s Diary’ World Tour LIONEL RICHIE ‘Time’ European Tour MADONNA 'Girlie Show’ World Tour PAULA ABDUL 'Under My Spell’ World Tour MADONNA 'Who’s That Girl’ World Tour FEATURE FILMS: CHOREOGRAPHER FLASHDANCE Paramount Pictures Dir: Adrian Lyne A CHORUS LINE Embassy Pictures Dir: Richard Attenborough DICK TRACY Touchstone Pictures Dir: Warren Beatty CAPTAIN EO Lucasfilm/Disney Dir: Francis Ford Coppola CARLITO'S WAY Universal Pictures Dir: Brian DePalma ROMANCING THE STONE 20th Century Fox Dir: Robert Zemeckis LIFE STINKS Warner Brothers Dir: Mel Brooks THE MARRYING MAN Touchstone Dir: Jerry Rees STREETS OF FIRE Universal Pictures Dir: Walter Hill D.C. CAB Warner Brothers Dir: Joel Schumacher TANGO AND CASH Warner Brothers Dir: Andrei Konchalovsky OPPORTUNITY KNOCKS Universal Pictures Dir: Donald Petrie 1 CORPORATE: CREATIVE DIRECTOR New York Auto Show Nissan Reveal of Z Roadster & Armada DETROIT Nissan -
Join Us. 100% Sirena Quality Taste 100% Pole & Line
melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films. -
Polowanie Na Króliki Reż. Phillip Noyce
Polowanie na króliki reż. Phillip Noyce MATERIAŁY DYDAKTYCZNE DLA NAUCZYCIELI SPIS TREŚCI 1. Informacje o filmie. (str.2). 2. Scenariusz lekcji języka Polskiego. (str.5) Temat: Prawo, które łamie wolnośd – o filmie „Polowanie na króliki” Phillipa Noyce`a. 3. Scenariusz lekcji wychowawczej i WOS. (str.9) Temat: W imieniu prawa zabieram Ci wolnośd! Załącznik 1: Słownik pojęd (str.11) Załącznik 2: Arkusz analizy SWOT (str.12) Załącznik 3: Metaplan (str.13) 4. Scenariusz lekcji geografii (str.14) Temat: Kolonializm Australii na podstawie filmu „Polowanie na króliki”, reż. Philip Noyce 1 Wszelkie prawa do materiałów dydaktycznych zastrzeżone dla Stowarzyszenia Nowe Horyzonty. INFORMACJE O FILMIE NOTA O FILMIE Tytuł: Polowanie na króliki (Rabbit-Proof Fence) Kraj i rok produkcji: Australia 2002 Reżyseria: Phillip Noyce Scenariusz: Christine Olsen na podstawie książki Doris Pilkington “Follow the Rabbit-Proof Fence” Zdjęcia: Christopher Doyle Muzyka: Peter Gabriel Montaż: David Coulson Obsada: Everlyn Sampi (Molly Craig), Tianna Sansbury (Daisy Kadibill), Laura Monaghan (Gracie Fields), David Gulpilil (Moodoo), Ningali Lawford (Maud), Myarn Lawford (babcia Molly), Deborah Mailman (Mavis), Jason Clarke (posterunkowy Riggs), Kenneth Branagh (A.O. Neville), Natasha Wanganeen (Nina, szefowa internatu), Garry McDonald (Mr. Neal, mężczyzna znad Moon River), Roy Billing (inspektor policji), Lorna Leslie (pani Thomas), Celine O'Leary (pani Jessop), Kate Roberts (kobieta znad Moore River) NAGRODY Australijskie Nagrody Filmowe: najlepszy film, najlepsza -
Vicki Hiatt Music Supervisor / Editor
VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM LUCK Peggy Holmes, dir. Paramount Pictures Jonathan Aibel, Glenn Berger, David Ellison, Dana Music Editor Goldberg, Ignacio Perez Dolset, Jose Frederick San Roman, prods. THE MONKEY KING Stephen Chow, dir. Pearl Studio Music Editor TOP GUN: MAVERICK Jerry Bruckheimer, Tom Cruise, David Ellison, prods. Paramount Pictures Joseph Kosinski, dir. Music Editor THE BAD GUYS Aaron Blabey, Patrick Hughes, Damon Ross, exec. prods. Dreamworks Animation Music Editor GO KARTS Sonia Borella, Jamie Hilton, prods. Netflix Owen Trevor, dir. Music Editor MONSTER ON THE HILL Brad Booker, Sandra Rabbins, prods. Paramount Pictures Animation Bradley Raymond, dirs. Music Editor SUPER PETS Patty Hicks, prod. Warner Bros. Pictures Samm Levine, Jared Stern, dirs. Music Editor THE EXTINCTS David Lipman, Michael Siegel, prods. Starling Entertainment William Joyce, dir. Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR ABOMINABLE Jane Hartwell, Lisa Stewart, prods. Dreamworks Animation Jill Culton, dir. Music Editor SPACE MONKEY PRINCE Debbie Vercilino, Chuck Williams, prods. Music Editor John Davis, dir. PLAYMOBIL: THE MISSING PIECE Moritz Borman, Dimitri Rassam, Aton ON Animation Studios / Wild Bunch Soumache, Alexis Vonarb, prods. Music Editor Lino DiSalvo, dir. THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Phillip Noyce: Director of Many Moods
E-CineIndia April-June 2020 ISSN: 2582-2500 Article Ranjita Biswas Phillip Noyce: Director of Many Moods Rabbit Proof Fence Celebrated Australian director Phillip Noyce Noyce’s obsession with the moving imag- cannot be boxed into a particular ‘genre’ of es began when he was introduced to ‘under- filmmaking. On one hand, he made block- ground’ (as opposed to Hollywood big studio busters in Hollywood like The Quiet Ameri- films and its distribution network and made can with Michael Caine, The Bone Collector more as personal expression by passionate with Angelina Jolie, etc. and then back in his followers of cinema) short films in 1968 made homeland he made Rabbit Proof Fence, a tale by a group of young Australian filmmakers of human tenacity based on a true story of under the Ubu banner on a shoe-string bud- three Aborigine girls escaping from a deten- get. As Noyce recalls, after watching their tion camp when the then Australian govern- seventeen short films which he attended more ment set up these to ‘educate’ and ‘civilize’ out of curiosity and expectation to enjoy some the indigenous people of mixed parentage ‘vicarious thrills’ as the ‘underground’ term with white fathers. This film was screened, connoted, he was stunned by the experience. along with his other works, at the 24th Kol- ‘On that night I guess my whole attitude to kata International Film Festival (2018) when art, my whole attitude to movies-in fact my Australia was the focus country. Noyce was whole life-changed’, thinking, ‘I’m gonna present at the festival and conducted a couple make movies like that. -
Authorship and Post-Classical Hollywood" (2015)
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2015 Understanding Tony Scott: Authorship and Post- Classical Hollywood Robert Arnett Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Film Production Commons Repository Citation Arnett, Robert, "Understanding Tony Scott: Authorship and Post-Classical Hollywood" (2015). Communication & Theatre Arts Faculty Publications. 20. https://digitalcommons.odu.edu/communication_fac_pubs/20 Original Publication Citation Arnett, R. (2015). Understanding Tony Scott: Authorship and Post-Classical Hollywood. Film Criticism, 39(3), 48-67. This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Understanding Tony Scott: Authorship and Post-Classical Hollywood Robert Arnett Few directors represent post-classical Hollywood cinema better than Tony Scott. His Hollywood career arcs from the 1980s and the iconic Top Gun (1984) to 2010, with the underrated Unstoppable. Scott’s films innovated the fragmentation and excessiveness of the post-classical Hollywood films, including the ability to overwhelm to an extent that negates for many critics and academics the possibility of any substance. Of Tony Scott, David Thomson, in his massive The New Biographical Dictionary o f Film (2003), managed about 100— dismissive—words, issuing, in effect, a challenge: those that see something in Tony Scott have “the advantage over me” (794).1 What Thomson and others fail to see in Tony Scott’s all-too-short career is a Hollywood director with a distinct authorship in the post-classical context. -
Diamond Farnsworth
Diamond Farnsworth Gender: Male Height: 5 ft. 11 in. Weight: 200 pounds Eyes: Blue Hair Length: Regular Waist: 34 Inseam: 33 Shoe Size: 9 Physique: Average / Athletic Coat/Dress Size: 42L Ethnicity: Caucasian / White Photos Film Credits The Dukes of Hazzard: The Stunt Coordinator Beginning The Astronaut Farmer Stunt Coordinator Dangerous Perceptions Stunt Coordinator Alex & Emma Stunt Coordinator Ticker (Short) Stunts Powder Keg (Short) Stunt Driver Pearl Harbor Stunts Smartruck Stunt Coordinator Zero Effect Stunt Coordinator Fox Hung Stunts Last Man Standing Stunts Batman Forever Stunts Crowfoot Stunt Coordinator For Better or Worse Stunt Double The Usual Suspects Stunt Player A Passion to Kill Stunt Coordinator Generated on 09/29/2021 05:36:09 pm Page 1 of 5 The Chase Stunts A Perfect World Stunts The Fugitive Stunts In the Shadow of a Killer Stunt Coordinator Necessary Roughness Stunts Harley Davidson and the Helicopter Stunt Pilot Marlboro Man Pump Up the Volume Stunts A Gnome Named Gnorm Stunts Weekend at Bernie's Stunts Pink Cadillac Stunt Coordinator Fletch Lives Stunts Last Rites Stunt Coordinator They Live Stunts Far North Stunt Coordinator The Dead Pool Stunt Coordinator The Game Stunts Big Shots Stunts Now Way Out Stunt Coordinator Nadine Stunt Coordinator / Stunts The Big Easy Stunt Coordinator Ruthless People Stunt Commando Stunts Pale Rider Stunts Rambo: First Blood Part 2 Stunt Coordinator The Terminator Stunts The Wild Life Stunts Rhinestone Stunt Coordinator Ghostbusters Stunts Streets of Fire Stunt Performer Fire and -
Reviews Bruce Springsteen: American Poet and Prophet by Donald L
121 Reviews Bruce Springsteen: American Poet and Prophet by Donald L. Deardorff II. (Lanham, Maryland; Toronto; Plymouth, U.K.: The Scarecrow Press, 2014. 216 pages). Donald L. Deardorff II’s Bruce Springsteen: American Poet and Prophet presents the latest survey of the work of Bruce Springsteen. Deardorff offers the newest volume in Scarecrow Press’ series of introductory works on “rock, pop, and culture” that explore music and musicians within their social and cultural contexts. Given the introductory nature of the series, readers should not approach Bruce Springsteen: American Poet and Prophet expecting major scholarly interventions in the field of Springsteen Studies. Rather, Deardorff’s work should be assessed as an introductory text, one which scholars should judge based on whether it effectively provides undergraduate students and readers outside the academy with a suitable introduction to Springsteen’s music and the reasons for its popularity. Yet, in this task Deardorff definitively falls short. His methodology does not successfully answer his guiding question, and he demonstrates a troubling lack of familiarity with Springsteen’s canon. Those hoping for an introduction to Springsteen from an academic perspective should look elsewhere for a guided foray into his music, biography, and career history. In his introduction, Deardorff addresses the question of how to organize a book about Springsteen, a figure whose length of career and range of musical styles belies simple explanation. Deardorff elects to organize his book thematically. Unlike, for instance, Rob Kirkpatrick’s Magic in the Night: The Words and Music of Bruce Springsteen (2009), Deardorff does not chronologically progress through Springsteen’s albums and the biographical and historical context of their conception, release, and reception. -
Oltre a Questo Lui (Buddy) Beve, Si Droga; Il Pacchetto Completo Insomma
Informazione sulla Produzione “Oltre a questo lui (Buddy) beve, si droga; il pacchetto completo insomma. Quel perdente di un’idiota… Brutto spione ubriacone. Quella sottospecie di fallito Io prego che sappia reagire—per favore, per favore, per favore…” —Rupert “Rip” Reed, Avvovato mondo dello spettacolo/malavita Un cast esplosivo—tra cui BEN AFFLECK (Hollywoodland), ANDY GARCIA (Ocean’s 12), RAY LIOTTA (Identity), JEREMY PIVEN (Entourage), RYAN REYNOLDS (The Amityville Horror), PETER BERG (Collateral), TARAJI HENSON (Hustle & Flow), CHRIS PINE (Just My Luck), MARTIN HENDERSON (The Ring), JASON BATEMAN (The Break-Up) ed al debutto cinematografico, la cantante premio Grammy ALICIA KEYS e l’artista hip-hop COMMON—sono i prototagonisti di Smokin’ Aces, la nuova esilarante commedia nera dello scrittore/regista JOE CARNAHAN, creatore di Narc. Benvenuti a Lake Tahoe, Nevada, dove tutti stanno seguendo le vicende di Buddy “Aces” Israel. La furbizia fatta a persona, il viscido illusionista Aces (Jeremy Piven) è cresciuto in un mondo pieno di bische, giocatori d’azzardo, killers e teppisti. A 21 anni, frequentava i più temuti criminali ed era l’attrazione principale al MGM. Dopo essere diventato il beniamino della malavita di Las Vegas, Aces inizia a montarsi seriamente la testa e decide di sfruttare il suo potere nel mondo dello spettacolo per farsi largo nel mondo criminale. Vuole diventare un boss della malavita - sembra così facile nei films - ma finisce semplicemente per rovinare i rapporti con l’organizzazione che lo aveva accolto, ed il suo ex-benefattore, il boss Primo Sparazza, diventa il suo nemico mortale. Voci di una taglia di $1,000,000 sulla testa di Aces offerta da Sparazza, si diffondono in lungo e in largo, suscitando l’interesse di una lurida banda di psicopatici ed assassini.