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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
Philosophy Physics Media and Film Studies
MA*E299*63 This Exploration Term project will examine the intimate relationship Number Theory between independent cinema and film festivals, with a focus on the Doug Riley Sundance Film Festival in Park City, Utah. Film festivals have been central Prerequisites: MA 231 (for mathematical maturity) to international and independent cinema since the 1930s. Sundance Open To: All Students is the largest independent film festival in the United States and has Grading System: Letter launched the careers of filmmakers like Paul Thomas Anderson, Kevin Max. Enrollment: 16 Smith, and Quentin Tarantino. During this project, students will study Meeting Times: M W Th 10:00 am–12:00 pm, 1:30 pm–3:30 pm the history of film festivals and the ways in which they have influenced the landscape of contemporary cinema. The class will then travel to the Number Theory is the study of relationships and patterns among the Sundance Film Festival for the last two weeks of the term to attend film integers and is one of the oldest sub-disciplines of mathematics, tracing screenings, panels, workshops and to interact with film producers and its roots back to Euclid’s Elements. Surprisingly, some of the ideas distributers. explored then have repercussions today with algorithms that allow Estimated Student Fees: $3200 secure commerce on the internet. In this project we will explore some number theoretic concepts, mostly based on modular arithmetic, and PHILOSOPHY build to the RSA public-key encryption algorithm and the quadratic sieve factoring algorithm. Mornings will be spent in lecture introducing ideas. PL*E299*66 Afternoons will be spent on group work and student presentations, with Philosophy and Film some computational work as well. -
IRE VARSITY NEWS Vol
IRE VARSITY NEWS Vol. 91, Issue 01 The Student Newspaper of the University of Detroit Mercy Wednesday, Sept. 23, 2009 www. .net Six crimes target UDM students on, around McNichols campus· Public Safety increases presence, offers escorts By MICHAEL MARTINEZ area was dangerous and that he shouldn't go out VN SPORTS EDITOR alone, and he plans to heed that advice. He said he still feels confident in his decision to attend Several recent crimes on and around campus UDM, and doesn't believe the crimes would have have UDM students and public safety officers on scared him off had they occurred before he heightened alert. moved on campus. At least six crimes targeting UDM students Jason Miller, a freshman mechanical engi have been reported in less than three months, neering major, also said he wasn't scared walking with the most recent taking place during a frater around·his new school. He believes that the UDM nity party less than a week into the new school Department of Public Safety (DPS) is doing year. everything in.its power to protect the student The crimes inClude three armed robberies, bod~ . two unarmed robberies, and a breaking and en "It does make you feel·a little more nervous," tering in the College of Health Professions build he said of the crimes. "I still feel safe on campus, ing. Laptops, money and though. I usually see the PHOTOS BY ALICE ARUTOFF cell phones have been stolen public safety officers at least School year off to a warm start from students, prompting Crime wave two or three times a day." many to take extra precau- _ Armed robbery, Sept. -
Crazy Narrative in Film. Analysing Alejandro González Iñárritu's Film
Case study – media image CRAZY NARRATIVE IN FILM. ANALYSING ALEJANDRO GONZÁLEZ IÑÁRRITU’S FILM NARRATIVE TECHNIQUE Antoaneta MIHOC1 1. M.A., independent researcher, Germany. Corresponding author: [email protected] Abstract Regarding films, many critics have expressed their dissatisfaction with narrative and its Non-linear film narrative breaks the mainstream linearity. While the linear film narrative limits conventions of narrative structure and deceives the audience’s expectations. Alejandro González Iñárritu is the viewer’s participation in the film as the one of the directors that have adopted the fragmentary narrative gives no control to the public, the narration for his films, as a means of experimentation, postmodernist one breaks the mainstream con- creating a narrative puzzle that has to be reassembled by the spectators. His films could be included in the category ventions of narrative structure and destroys the of what has been called ‘hyperlink cinema.’ In hyperlink audience’s expectations in order to create a work cinema the action resides in separate stories, but a in which a less-recognizable internal logic forms connection or influence between those disparate stories is the film’s means of expression. gradually revealed to the audience. This paper will analyse the non-linear narrative technique used by the In the Story of the Lost Reflection, Paul Coates Mexican film director Alejandro González Iñárritu in his states that, trilogy: Amores perros1 , 21 Grams2 and Babel3 . Film emerges from the Trojan horse of Keywords: Non-linear Film Narrative, Hyperlink Cinema, Postmodernism. melodrama and reveals its true identity as the art form of a post-individual society. -
Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Pgpost Template
The Pri nce Ge orge’s Pos t A C OMMUNITY NEWSPAPER FOR PRINCE GEORGE ’S COUNTY Since 1932 Vol. 84, No. 8 February 25—March 2, 2016 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 cents PG County Council Confirm Two New Appointments By Press Officer https://www.youtube.com/watch PG County Government ?v=yrlkQ3oeKBk. “The Prince George’s UPPER MARLBORO , County Council confirmed two MD—The Prince George’s incredible leaders to continue County Council confirmed the our public safety progress appointments of H.P. “Hank” throughout the County,” said Stawinski, III as Chief of the Prince George’s County Exec - Prince George’s County Police utive Rushern Baker, III. “I Department (PGPD) and Gevo - want to congratulate Hank nia R. Whittington as Director Stawinski and Gevonia “Gee- of the Prince George’s County Gee” Whittington on their new Office of Homeland Security. and critical leadership posi - Following the County Council tions and look forward to being confirmation, Chief Stawinski kept appraised through their and Director Whittington were counsel as well as their service sworn-in during a ceremony in to the citizens of this County. the Office of the County Execu - I also want to thank Chairman tive in Upper Marlboro, MD. To view this swearing-in ceremony on YouTube, go to the web page See CEREMONY Page A 3 CAPITAL NEWS SERVICE PHOTO BY LEO TRAUBHEY PGCPS Teacher Receives Maryland Attorney General Brian Frosh, left of the American flag, and state Sen. Susan Lee, D-Montgomery, left of Frosh, listen to Vinton Cerf, vice president of Google and keynote speaker at this year’s first meeting of the Maryland Cybersecurity $25,000 and is Named Council on Thursday, February 4, 2016. -
D5310 DIE HARD (USA, 1988) (Other Titles: Piege De Cristal; Stirb Langsam; Trappola Di Cristallo)
D5310 DIE HARD (USA, 1988) (Other titles: Piege de cristal; Stirb langsam; Trappola di cristallo) Credits: director, John McTiernan ; writers, Jeb Stuart, Steven E. de Souza ; story, Roderick Thorp. Cast: Bruce Willis, Bonnie Bedelia, Reginald Veljohnson, Robert Davi, Grand L. Bush. Summary: Action/adventure film set in contemporary Los Angeles. A team of terrorists thieves has seized an office building in L.A. and taken hostages. A New York cop (Willis), in town to spend Christmas with his estranged wife (Bedelia), is the only hope for the people held by the thieves. Two FBI agents assigned to the case (Davi and Bush) are Vietnam veterans. Ansen, David. “The arts: movies: reactivating action heroes” Newsweek 112 (Jul 25, 1988), p. 58. [Reprinted in Film review annual 1989] Breuning, Ulrich. “Die hard” Levenede billeder 5 (Feb 1989), p. 46-7. Broesky, Pat H. “Death is hard ... reincarnation is easy” New York times 143 (Jun 12, 1994), sec. 2, p. 15. Canby, Vincent. “Film view: ‘Die hard’ calls to the kidult” New York times 137 (Jul 31, 1988), sec. 2, p. 19-20. Carr, Jay. “Bruce Willis’ ‘Die hard’: Stylized terror” Boston globe (Jul 15, 1988), p. 29. _______. “Star Bonnie Bedelia keeping her cool” Boston globe (Jul 21, 1988), Calendar, p. 9. Cherchi Usai, Paolo. “Trappola di cristallo” Segnocinema 36 (Jan 1989), p. 26-7. Chiacchiari, Federico. “Trappola di cristallo” Cineforum 28/278 (Oct 1988), p. 92-3. Cieutat, Michel. “Piege de cristal” Positif 334 (Dec 1988), p. 73. Combs, Richard. “Die hard” Monthly film bulletin 56 (Feb 1989), p. 45-6. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Kevin Costner, America's Teacher
H-Announce CFP Extended: Kevin Costner, America's Teacher Announcement published by Edward Janak on Monday, June 8, 2020 Type: Call for Papers Date: June 5, 2020 to August 30, 2020 Location: United States Subject Fields: Cultural History / Studies, Film and Film History, Humanities, Public History, Teaching and Learning Call for Proposals: Kevin Costner: America’s Teacher Deadline for Abstracts Extended We are looking for chapter proposals for an edited collection on Kevin Costner examining the role of/potential of/problematization of Costner in educational settings domestically and abroad. Costner’s career is a myriad of successes and failures. In the past 35 years, his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards; he also experienced critical and box office failures with Waterworld and the Postman. However, in the past 20 years Costner has been able to reinvent himself as a versatile character actor appearing in leading roles in films as well as on cable (Hatfields & McCoys, Yellowstone) and streaming (The Highwaymen) television platforms. He has also become a quiet, but notable, philanthropist, giving both his time and money. Through the films in his oeuvre, Kevin Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book will serve as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education, including problematizing his oeuvre. -
Investing in Movies: Strategies for Investors and Producers
INVESTING IN MOVIES Investing in Movies: Strategies for Investors and Producers is a useful guide for inves- tors and producers looking for an analytical framework to assess the opportuni- ties and pitfalls of film investments. The book traces macroeconomic trends and the globalization of the business, as well as the impact these have on potential returns. It offers a broad range of guidelines on how to source interesting projects and advice on what kinds of projects to avoid, as well as numerous ways to maxi- mize risk-adjusted returns. While focusing primarily on investments in inde- pendent films, industry veteran and author Joseph Cohen also provides valuable insights into the studio and independent slate deals that have been marketed to the institutional investment community. A graduate of Yale and Oxford, Joseph Cohen held senior positions at Salomon and Lehman Brothers before he became president of Largo Entertainment, a joint venture between JVC and producer Lawrence Gordon, in 1989. During Cohen’s tenure, Largo produced such hits as Point Break and Malcolm X . Cohen founded American Entertainment Investors (AEI) in 1996, which is best known for advising independent production companies, including Alcon, River Road and Black Label. AEI advised Goldman Sachs and Assured Guaranty in restruc- turing The Weinstein Company in 2010. Cohen is a member of the Motion Pic- ture Academy and has taught film finance at the Peter Stark Producing Program at the University of Southern California. INVESTING IN MOVIES Strategies for Investors and -
The Diving Bell and the Butterfly June 2016
PROGRAMME THE DIVING BELL AND THE BUTTERFLY JUNE 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 JUNE 2016 • ISSUE 135 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN JUNE CONTENTS Films At A Glance 16-17 Rants and Pants 26-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 The Diving Bell and The Butterfly Sun 4.30-5.30 Remains one of our most powerful, beautiful films. (2008) Don’t miss. Page 18 SEAT PRICES Circle £9.00 FILMS OF THE MONTH Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through SEE more. DO more. the gate on High Street (right of apartments) Truman Mustang 50% OFF YOUR SECOND PAIR A fabulous South American tragi- They’re saying this is the must-film Terms and conditions apply Director: James Hannaway comedy embracing all the worth in to see… so come and see. 01442 877999 life and death. Page 10 Page 13 Also available with Advertising: Chloe Butler 01442 877999 (From Space) Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Troublemakers: Race The Story Of Land Art The timely story of Jesse Owens. “ Unhesitatingly The Rex Miss this and you might as well Hitler should have taken more 24 Bridge Street, Hemel Hempstead 25 Stoneycroft, Hemel Hempstead is the best cinema I have stop breathing… Breathtaking care of his skin. -
Lista Distribuidores Correccion
• 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black