Diamond Farnsworth

Total Page:16

File Type:pdf, Size:1020Kb

Diamond Farnsworth Diamond Farnsworth Gender: Male Height: 5 ft. 11 in. Weight: 200 pounds Eyes: Blue Hair Length: Regular Waist: 34 Inseam: 33 Shoe Size: 9 Physique: Average / Athletic Coat/Dress Size: 42L Ethnicity: Caucasian / White Photos Film Credits The Dukes of Hazzard: The Stunt Coordinator Beginning The Astronaut Farmer Stunt Coordinator Dangerous Perceptions Stunt Coordinator Alex & Emma Stunt Coordinator Ticker (Short) Stunts Powder Keg (Short) Stunt Driver Pearl Harbor Stunts Smartruck Stunt Coordinator Zero Effect Stunt Coordinator Fox Hung Stunts Last Man Standing Stunts Batman Forever Stunts Crowfoot Stunt Coordinator For Better or Worse Stunt Double The Usual Suspects Stunt Player A Passion to Kill Stunt Coordinator Generated on 09/29/2021 05:36:09 pm Page 1 of 5 The Chase Stunts A Perfect World Stunts The Fugitive Stunts In the Shadow of a Killer Stunt Coordinator Necessary Roughness Stunts Harley Davidson and the Helicopter Stunt Pilot Marlboro Man Pump Up the Volume Stunts A Gnome Named Gnorm Stunts Weekend at Bernie's Stunts Pink Cadillac Stunt Coordinator Fletch Lives Stunts Last Rites Stunt Coordinator They Live Stunts Far North Stunt Coordinator The Dead Pool Stunt Coordinator The Game Stunts Big Shots Stunts Now Way Out Stunt Coordinator Nadine Stunt Coordinator / Stunts The Big Easy Stunt Coordinator Ruthless People Stunt Commando Stunts Pale Rider Stunts Rambo: First Blood Part 2 Stunt Coordinator The Terminator Stunts The Wild Life Stunts Rhinestone Stunt Coordinator Ghostbusters Stunts Streets of Fire Stunt Performer Fire and Ice Stunts The Slayer Stunt Coordinator / Stunt Double: Michael Holmes First Blood Stunts Generated on 09/29/2021 05:36:09 pm Page 2 of 5 The Sword and the Sorcerer Stunts Heartbeeps Stunts Ghost Story Stunts Halloween 2 Stunts Charlie Chan and the Curse of Utility Stunts the Dragon Queen Windtalker Stunts Fade to Black Stunts The BIg Brawl Stunts Alligator Stunt Performer Humanoids from the Deep Stunts 10 Stunts The Lady in Red Stunts Breaking Away Stunts Butch and Sundance: The Early Stunts Days The Norseman Stunts Big Wednesday Stunts Jennifer Stunt Driver F.I.S.T Stunts Deadman's Curve Stund Double: Bruce Davison Rollercoaster Stunts Rollerball Stunts Paint Your Wagon Stunts Fox Hunt Stunt Actor / Goon They Call Me Bruce? Stunt Actor / Macho Guy #3 The Beastmaster Stunt Actor / Marauders Piranha Water Skier Television NCIS (204 Episodes) Stunt Coordinator NCIS (1 Episode) Stunt Double: Mark Harmon JAG (227 Episodes) Stunt Coordinator Mr. & Mrs. Smith Stunt Double: Scott Bakula Generated on 09/29/2021 05:36:09 pm Page 3 of 5 Wildside Stunts The Yellow Rose (3 Episodes) Stunts How the West Was Won (5 Stunts Episodes) Hec Ramsey (4 Episodes) Stunts Alias Smith and Jones (4 Stunts Episodes) Bonanza (7 Episodes) Stunts Nichols (5 Episodes) Stunts The Virginian (2 Episodes) Stunts Here Come the Brides (1 Stunts Episodes) Laredo (3 Episodes) Stunts Walker, Texas Ranger Stunt Actor / Kyle Commercial Stage Music Videos Motion Capture Guild Affiliations DGA, SAG / AFTRA Stunt Teams Stuntmen's Association Stunt Skills Stunt Skills: Ratchets, Air Rams, Precision Driving, Motorcycle: Precision, Precision Boating, Certified Scuba Diver - PADI, Rappelling, Wire Work, Fire Burns, Motorcross, Stunt Driving, Driving: 180's, Driving: 360's, Driving: Pipe Ramp, Driving: Canon Roll Overs, Driving: Jumps Ramp to Ramp, Driving: Jumps Dirt to Dirt, Driving: Drifting, Driving: Road Racing, Motorcycle: Falls, Driving: Near Misses, Driving: Car to Car Hits, Car Work, Fire Burns ~ Prep & Safety, Motorcycle Jumps, Boat Jumps, Boatwork, Marksman ~ Pistols & Rifles Unique Talents: Race Car Driver, Marksman Pistols and Rifles Athletic Skills: Rollerblading, Surfing, Swimming, Ice Hockey, Ice Skating, Skateboarding, Snow Skiing, Water Skiing, Archery, Race Car Driver (Nascar) Accents: Spoken Languages: Dance: Generated on 09/29/2021 05:36:09 pm Page 4 of 5 Training Awards References Stunt Skills Work History: Commercial, Film, Television Job Categories: Stunts, Stunt Coordinator, Stunt Double, Stunt Driver (Pro) Prior Job Title(s): Stunt Coordinator, Stunts / Utility Stunts, Stunt Driver Are you willing to work Globally?: yes Authorized to work in United States?: yes What state are you considered a Local Hire?: California What state are you considered a Local Hire?: Do you have a valid passport?: yes Generated on 09/29/2021 05:36:09 pm Page 5 of 5.
Recommended publications
  • Little John's Auction Service
    74779_LJ_Ses1_Cvr 5/2/07 5:10 AM Page 2 JUNE 5, 2007 - IMPORTANT FIREARMS AUCTION THE WORLD-FAMOUS STEMBRIDGE armory COLLECTION Little John’s Auction Service A DIVISION OF LITTLE JOHN’S ANTIQUE ARMS, INC. 74779_LJ_Ses1_Cvr 5/2/07 5:10 AM Page 3 Movie & Television reference TITLE PAGE # TITLE PAGE # Air Force One 40 Men in Black 38, 69, 79 Absolute Power 44 Mighty Joe Young 9 Alamo, The 23 Mod Squad 6 Annie Oakley 5, 40 Mountain Men, The 20, 21, 23, 27, 35, 56 Annie Get Your Gun 13 Mystery Men 3, 4, 43, 45, 82 Arizona 10, 28 Natural Born Killers 46, 97 Barbarosa 5, 58 Nevada Smith 24 Batman 3, 6, 39 North and South 62 Batman II 33, 96 Northwest Mounted Police 21, 37 Batman Forever 33 Old Yeller 65, 72 Big Jake 2, 3 On Dangerous Ground 48 Blues Brothers 17 On Deadly Ground 2 Bonanza 18, 19, 25 One Eyed Jacks 60 Cheyenne Autumn 43 Outlaw Josie Wales, The 13, 28 Deer Hunter 42 Paint Your Wagon 20 Desperado 32 Payback 1 Dick Tracy 47 Phantom 9 Dr. Quinn, Medicine Woman 53 Plainsman, The 14 Dracula 9 Point of No Return 44, 46 Dream West 68 Postman, The 38 Dynasty 70 Predator 42, 69 El Dorado 92 Prisoner of Zenda 8 End of Days 43 Rifleman, The 36 Eraser 8 Raiders of the Lost Ark 9, 10, 39, 74 Extreme Prejudice 42 Rambo II 51, 96 Fear & Loathing in Las Vegas 71 Rebel, The 22 Fighting Kentuckian, The 28 Red Dawn 11 Flying Tigers 65 Rough Riders 51, 70 Gambler IV 5 Sergeant York 25 Ghost and the Darkness, The 12 Shane 12, 13 Geronimo 4 Shooting at Arnold 43 Getaway, The 40 Silverado 25, 37 Godfather II 42 Sons of Katie Elder 29 Gunsmoke 40 Spawn
    [Show full text]
  • JEFFREY-HORNADAY-Cor
    JEFFREY HORNADAY Director FILM / TELEVISION: DIRECTOR GEEK CHARMING Mandeville Films Disney Channel Film starring: Sarah Hyland SHOUT Universal Pictures Feature Film starring: John Travolta, Heather Graham, Gwyneth Paltrow, Jamie Walters OUT OF STEP ABC Television After School Special SAWDUST CBS Television Pilot DOUBLE SWITCH ABC Television Movie of the Week LIVE CONCERT DIRECTOR MILEY CYRUS ‘Wonder World’ World Tour PAUL McCARTNEY ‘Driving U.S.A.’ World Tour BACKSTREET BOYS ‘Black and Blue’ World Tour LIONEL RICHIE ‘Renaissance’ World Tour MARIAH CAREY ‘Rainbow’ World Tour LIONEL RICHIE with Tina Turner European Tour REBA McENTIRE ‘The Singer’s Diary’ World Tour LIONEL RICHIE ‘Time’ European Tour MADONNA 'Girlie Show’ World Tour PAULA ABDUL 'Under My Spell’ World Tour MADONNA 'Who’s That Girl’ World Tour FEATURE FILMS: CHOREOGRAPHER FLASHDANCE Paramount Pictures Dir: Adrian Lyne A CHORUS LINE Embassy Pictures Dir: Richard Attenborough DICK TRACY Touchstone Pictures Dir: Warren Beatty CAPTAIN EO Lucasfilm/Disney Dir: Francis Ford Coppola CARLITO'S WAY Universal Pictures Dir: Brian DePalma ROMANCING THE STONE 20th Century Fox Dir: Robert Zemeckis LIFE STINKS Warner Brothers Dir: Mel Brooks THE MARRYING MAN Touchstone Dir: Jerry Rees STREETS OF FIRE Universal Pictures Dir: Walter Hill D.C. CAB Warner Brothers Dir: Joel Schumacher TANGO AND CASH Warner Brothers Dir: Andrei Konchalovsky OPPORTUNITY KNOCKS Universal Pictures Dir: Donald Petrie 1 CORPORATE: CREATIVE DIRECTOR New York Auto Show Nissan Reveal of Z Roadster & Armada DETROIT Nissan
    [Show full text]
  • Join Us. 100% Sirena Quality Taste 100% Pole & Line
    melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Reviews Bruce Springsteen: American Poet and Prophet by Donald L
    121 Reviews Bruce Springsteen: American Poet and Prophet by Donald L. Deardorff II. (Lanham, Maryland; Toronto; Plymouth, U.K.: The Scarecrow Press, 2014. 216 pages). Donald L. Deardorff II’s Bruce Springsteen: American Poet and Prophet presents the latest survey of the work of Bruce Springsteen. Deardorff offers the newest volume in Scarecrow Press’ series of introductory works on “rock, pop, and culture” that explore music and musicians within their social and cultural contexts. Given the introductory nature of the series, readers should not approach Bruce Springsteen: American Poet and Prophet expecting major scholarly interventions in the field of Springsteen Studies. Rather, Deardorff’s work should be assessed as an introductory text, one which scholars should judge based on whether it effectively provides undergraduate students and readers outside the academy with a suitable introduction to Springsteen’s music and the reasons for its popularity. Yet, in this task Deardorff definitively falls short. His methodology does not successfully answer his guiding question, and he demonstrates a troubling lack of familiarity with Springsteen’s canon. Those hoping for an introduction to Springsteen from an academic perspective should look elsewhere for a guided foray into his music, biography, and career history. In his introduction, Deardorff addresses the question of how to organize a book about Springsteen, a figure whose length of career and range of musical styles belies simple explanation. Deardorff elects to organize his book thematically. Unlike, for instance, Rob Kirkpatrick’s Magic in the Night: The Words and Music of Bruce Springsteen (2009), Deardorff does not chronologically progress through Springsteen’s albums and the biographical and historical context of their conception, release, and reception.
    [Show full text]
  • AESTHETICS and POSTMODERN CINEMA Frank Burke
    Canadian Journal of Political and Social Theory/Revue canadienne de theorie politique et sociale, Volume XII, Numbers 1-2 (1988) . AESTHETICS AND POSTMODERN CINEMA Frank Burke The essays in this section all place themselves within contemporary post- essentialist discourse. In addressing contemporary film, they turn up yet more evidence ofthe disappearance of history, politics, art, narrative (grand and otherwise), significance, causality, the subject, and even gender. At the same time the films they address tend, in their anti-essentialism, to reverse an oft-cited postmodern maxim. In his The Postmodern Condition: A Report on Knowledge, Jean-Frangois Lyotard talks of postmodernism presenting the unpresentable ("put[ting] forward the unpresentable in presentation itself') .' In contradistinction, many of the films discussed in this section "unpresent the presentable" - a strategy which, I would ar- gue, not only asserts the impossiblity ofrepresentation in a post-essentialist context but also frees the spectator from presentation, hence from the domination of the text. Much of what follows cannot be defined solely as postmodern. "Multi- ple coding" techniques such as montage, collage, citation, etc. are moder- nist. What I call "othering" can undoubtedly be found in literature of earlier periods. And much of what is said of counterfeiting in To Live and Die in L.A. may also apply to Andre Gide's Les Faux-Monnayeurs (1926) . However, the proliferation of strategies whose effect is to efface presence in the very method of presentation can
    [Show full text]
  • STREETS of FIRE (USA, 1984) (Other Titles: Rues De Feu; Strade Di Fuoco)
    From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) S7755 STREETS OF FIRE (USA, 1984) (Other titles: Rues de feu; Strade di fuoco) Credits: director, Walter Hill ; writers, Walter Hill, Larry Gross. Cast: Michael Pare, Diane Lane, Rick Moranis, Amy Madigan. Summary: Fantasy/musical/melodrama set in a strange future cityscape. Tim Cody (Paré) is a soldier of fortune who returns to his old neighborhood to rescue his ex-girlfriend Ellen Aim (Lane) from the clutches of an evil motorcycle gang led by Raven (Dafoe). Described as an allegorical retelling of the Iliad and the story of the returned Vietnam veteran by Robert C. Cumbow in Vietnam war films. Anderson, Kay. “Streets of fire” Cinefantastique 14/4-5 (1984), p. 26-7. Ansen, David. “Movies: A rocky horror show” Newsweek 103 (Jun 11, 1984), p. 81. [Reprinted in Film review annual 1985] Arnold, Gary. “Dead-end ‘Streets of fire’” Washington post (Jun 1, 1984), p. B4. [Reprinted in Film review annual 1985] Benson, Sheila. [Streets of fire] Los Angeles times (May 3, 1984), Calendar, p. 1. [Reprinted in Film review annual 1985] Berkowitz, Stan [et al.] “Inside movies: Why Paramount let ‘Streets’ walk” Esquire 101 (Jun 1984), p. 276-7. Bortolussi, Stefano. “Strade di fuoco” Cineforum 24/239 (Nov 1984), p. 72-5. Butcher, Maryvonne. “Cinema” Tablet 238 (Sep 29, 1984), p. 957. Calum, Per and Skytte, Asbjorn. “Samtale med Walter Hill” Kosmorama 30/169-70 (Dec 1984), p.
    [Show full text]
  • Blu-Ray/DVD Roundup for Jan. 18, 2021
    Blu-Ray/DVD Roundup for Jan. 18, 2021 Written by gallupsun Monday, 18 January 2021 18:37 By Glenn Kay For the Sun Welcome back to another look at highlights arriving on Blu-ray and DVD. It’s another edition filled with plenty of interesting and unique little flicks. So, since you can’t or likely shouldn’t head out to the movies this week, be sure to give one of these titles a try! BIG NEW RELEASES! AMERICAN DREAM: This little thriller follows two entrepreneurs desperate for funding in order to finish their construction project. They approach a Russian mobster, but fail to reach a deal. However, after securing a legitimate deal with other sources, the mobsters decide to involve themselves in the project. As the story progresses, tension ultimately leads to violence. This movie from LionsGate is only being released on DVD for the time being and there aren’t any reviews for it available as of this writing. However, there are some big names involved in the production. It is directed by notable Oscar-winning cinematographer Janusz Kaminski (who has shot the majority of Steven Spielberg’s films over the last 30 years) and stars Michiel Huisman, Luke Bracey, Nick Stahl and Agnieszka Grochowska. EPICENTRO: Havana, Cuba is the focus of this documentary. According to the official plot 1 / 9 Blu-Ray/DVD Roundup for Jan. 18, 2021 Written by gallupsun Monday, 18 January 2021 18:37 synopsis, the movie details the country from its Spanish and American colonial eras to present day, detailing the development of cinema as a propaganda tool.
    [Show full text]
  • The General Cinema Northpark I & Ii: a Case
    THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER by JEREMY FLOYD SPRACKLEN Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY THE UNIVERSITY OF TEXAS AT ARLINGTON MAY 2015 Copyright © by Jeremy Floyd Spracklen 2015 All Rights Reserved ii Acknowledgements I would like to express my appreciation for all of the friends and family who encouraged and assisted me throughout my academic career and the writing of this thesis. Specifically, Bob and Diana Cunningham, Cindy and Gary Sharp, and Jessica Tedder. I am humbled by the amount of support that I have been given. I am thankful to my committee, Bart Weiss, Dr. Gerald Saxon, and chair Dr. Robert Fairbanks. Their suggestions and guidance throughout the research and writing of this work cannot be understated. Additionally, I am thankful to Adam Martin for his encyclopedic knowledge of theater buildings. But most of all, I would like to thank Ron Beardmore. His infectious love for the art of projecting film, and the theaters that show them, was the primary factor in choosing this subject for study. April 14, 2015 iii Abstract THE GENERAL CINEMA NORTHPARK I & II: A CASE STUDY OF A THIRD GENERATION MOVIE THEATER Jeremy Spracklen, MA The University of Texas at Arlington, 2015 Supervising Professor: Robert Fairbanks The purpose of this thesis is to present a typology of movie exhibition eras and then explore one of those eras in greater detail by studying a specific market and theater within that market.
    [Show full text]
  • Library of the Yazoo Library Association| 310 N
    Gordon Lawrence Contents: • Newspaper article • Brief encyclopedia sumnnarv Location: Vertical Flies at B.S. Ricks Memorial Library of the Yazoo Library Association| 310 N. Main Street, Yazoo City, Mississippi 39194 i/p- 4C,THE YAZOO HERALD PROFILE EDITION, SATURDAY, APRIL 24, 2004 Yazoo's Gordon: legendary Hollywood producer Spanning four decades, Lawrence Gordon n^s maintained a career as one oi the entertainment industry s most prolific and successful producers. He has been behind such timeless films as Field of Dreams," which was nominated for several Oscars, including Best Picture; the landmark action film "Die Hard" and the ultimate buddy picture, "48 Hrs." starring Eddie Murphy and Nick Nolte. Born in Yazoo City, Gordon graduated from Tulane University with a degree in business administration. Upon moving to Los Angeles in the early '60s, he went to work as executive assistant to Aaron Spelling at Four Star Television and soon became a writer and associate producer of many Spelling shows. He followed with a stint as head of West Coast talent development for ABC Television and later as an executive with Bob Banner Associates. In 1968, he joined Sam Arkoff and Jim Nicholson at American International Pictures (AIP) as vice president in charge of project development. He then moved to Screen Gems, the television division of Columbia Pictures as vice president, where he » w.w, ; helped develop the classic it television movie, "Brian's Song," as well as the first "novel for television," the adaptation of Leon Uris' "QB VII." Accepting an offer to become the first executive in the company's history to be in charge of worldwide production, Gordon returned to AIP.
    [Show full text]
  • Winter Break Assignment – Levine – ELA10/Honors ELA10 – Best Movie List Ever
    Winter Break Assignment – Levine – ELA10/Honors ELA10 – Best Movie List Ever Due as the bell rings the first day back after winter break. Please choose movies from the following list (and only the following list) and watch them over break. Write a 5-sentence summary and one paragraph review.. The summary should be no more than 5 sentences and the review should be about what you liked or disliked about the film and why. Grading: If you complete the assignment correctly (summary & review): 1 movie = 1 (NP) 2 movies = 2 (C) 3 movies = 3 (B) 4 movies = 4 (A) 1. A Day at the Races 17. Apocalypse Now 2. A Hard Day’s Night 18. Attack of the Killer Tomatoes 3. A River Runs Through It 19. Avalon 4. Abbot and Costello (ALL of their 20. Back to the Future (#1 only) movies) 21. Being There 5. Airplane 22. Better Off Dead 6. Alien or Aliens 23. Big 7. All That Jazz 24. Blade Runner 8. All the Presidents Men 25. Blazing Saddles 9. American Graffiti 26. Blow Out 10. An Affair to Remember 27. Body Double 11. An American in Paris 28. Bonnie and Clyde (1967) 12. An American Werewolf in 29. Brazil London 30. Breakfast at Tiffany’s 13. Anchors Away 31. Buckaroo Bonzai Across the 14. Angels with Dirty Faces 8th 15. Animal House Dimension 16. Annie Hall 32. Butch Cassidy and the 66. Full Metal Jacket Sundance Kid 67. Gentlemen Prefer Blondes 33. Cabaret 68. Giant 34. Caddy Shack 69. Gigi 35. Camelot 70. Goodfellows 36.
    [Show full text]
  • Gwen Stefani
    jeffrey hornaday choreographer selected credits contact: 818 509-0121 < FILM / TELEVISION > Teen Beach Movie *DGA Nominee, 2013 Disney Channel Geek Charming *DGA Nominee, 2012 Mandeville Films Shout Universal Pictures Out of Step ABC Television Sawdust CBS Television Pilot Double Switch ABC Television < LIVE CONCERT DIRECTOR > Barry Manilow ‘Manilow‘ Paris Las Vegas Paul McCartney ‘Driving U.S.A’ World Tour Madonna ‘Girlie Show’ World Tour Miley Cyrus ‘Wonder World’ World Tour Backstreet Boys ‘Black and Blue’ World Tour Lionel Richie ‘Renaissance’ World Tour Mariah Carey ‘Rainbow’ World Tour Lionel Richie with Tina Turner European Tour Reba McEntire ‘The Singer’s Diary’ World Tour Lionel Richie ‘Time’ European Tour Paula Abdul ‘Under My Spell’ World Tour Madonna ‘Who’s That Girl’ World Tour < FEATURE FILMS: CHOREOGRAPHER > Flashdance Dir. Adrian Lyne / Paramount Pictures A Chorus Line Dir. Richard Attenborough / Embassy Pictures Dick Tracy Dir. Warren Beatty / Touchstone Pictures Captain Eo Dir. Francis Ford Coppola / Lucasfilm/Disney Carlito’s Way Dir. Brian DePalma / Universal Pictures Romancing the Stone Dir. Robert Zemeckis / 20th Century Fox Life Stinks Dir. Mel Brooks / Warner Brothers The Marrying Man Dir. Jerry Rees / Touchstone Streets of Fire Dir. Walter Hill / Universal Pictures D.C. Cab Dir. Joel Schumacher / Warner Pictures Tango and Cash Dir. Andrei Konchalovsky / Warner Pictures Opportunity Knocks Dir. Donald Petrie / Universal Pictures < CORPORTATE: CREATIVE DIRECTOR >(complete list available upon request) New York Auto Show – Nissan Reveal of Z Roadster & Armada Detroit – Nissan Reveal of Maxima, Quest, & Titan Detroit Auto – Infiniti Reveal of Active Spirit & FX45 ‘Z Tour’ Live Events – Nissan 25 City Rock Music Tour New York Auto Show – Infiniti Reveal of G35 Coupe, M45 & FX45 New York Auto Show - Nissan Reveal of Murano Detroit Auto Show - Nissan Reveal of Quest Concept Detroit Auto Show - Infiniti Reveal of FX45 & G35 Los Angeles E3 – Microsoft Launch of Xbox New York Auto Show - Infiniti Reveal of I-35 .
    [Show full text]