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A Aplicação Dos Efeitos Visuais Em Tempo Real Na Construção Narrativa De Espetáculos Com Projeção

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A Aplicação Dos Efeitos Visuais Em Tempo Real Na Construção Narrativa De Espetáculos Com Projeção UNESP | UNIVERSIDADE ESTADUAL PAULISTA | INSTITUTO DE ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES DOUTORADO EM ARTES VISUAIS Fernanda Carolina Armando Duarte A aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção BOLSISTA FAPESP Processo nº 2014/0296-0 São Paulo 2017 1 UNESP | UNIVERSIDADE ESTADUAL PAULISTA | INSTITUTO DE ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES DOUTORADO EM ARTES VISUAIS Fernanda Carolina Armando Duarte A aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção Tese de Doutorado apresentada ao Programa de Pós- Graduação em Artes Visuais, do Instituto de Artes, Universidade Estadual Paulista “Júlio de Mesquita Filho”, para obtenção do título de Doutora em Artes Visuais sob a orientação da Prof.ª Dr.a Rosangela da Silva Leote. São Paulo 2017 2 Ficha catalográfica preparada pelo Serviço de Biblioteca e Documentação do Instituto de Artes da UNESP D812a Duarte, Fernanda Carolina Armando, 1980- A aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção / Fernanda Carolina Armando Duarte. - São Paulo, 2017. 291 f. : il. Orientador: Profª. Drª. Rosangela da Silva Leote. Tese (Doutorado em Artes) – Universidade Estadual Paulista “Julio de Mesquita Filho”, Instituto de Artes. 1. Projeção audio-visual. 2. Arte interativa. 3. Performance (Mariana Borges Gasparino - CRB 8/7762) 3 Banca Examinadora: _______________________________________ Prof.ª Dr.ª Rosangela da Silva Leote Presidente - Orientadora UNESP – Instituto de Artes ________________________________________ Prof.ª Dr.ª Josette Maria Alves de Souza Monzani UFSCar – DAC ________________________________________ Prof. Dr. Marcus Vinicius Fainer Bastos PUC – SP / USP – Departamento de Artes ________________________________________ Prof. Dr. Agnaldo Valente Germano da Silva UNESP – Instituto de Artes ________________________________________ Prof.ª Dr.ª Rita Luciana Berti Bredariolli UNESP – Instituto de Artes Data da Defesa: São Paulo, 30 de outubro de 2017 4 Resumo Esta pesquisa investigou a aplicação dos efeitos visuais em tempo real na construção narrativa de espetáculos com projeção. Partindo de estudos para a construção de um dispositivo direcionado para a aplicação de efeitos visuais em tempo real, pretendíamos localizar como é possível fazer tal aplicação dentro de três modalidades diferentes de espetáculos, que se enquadram no escopo de trabalhos realizados pelo grupo artístico RE(C)organize, do qual fazemos parte, sendo eles: um show musical, um espetáculo performático (sendo que esses devem integrar em seus projetos a videoprojeção) e uma apresentação de vídeo mapping, que seja total ou parcialmente, realizada de forma ao vivo. A opção por essas modalidades foi feita de acordo com a afinidade profissional do grupo. Buscamos, através de um processo teórico e prático, identificar os efeitos que evidenciam um discurso narrativo, de forma simbólica e/ou metafórica, além de detectar aqueles que possuíssem a potencialidade de atender as exigências do espetáculo ao vivo, que a nosso ver são: a urgência (no sentido de que a obra precisa acontecer naquele instante único) e a evidência (no sentido de caracterizar o momento específico de forma clara) - o que é abordado de forma detalhada ao longo deste projeto. Palavras chave: video mapping, efeitos visuais, espetáculo ao vivo, arqueologia audiovisual, interatividade. 5 Abstract This research investigated the application of visual effects in real time in the narrative construction of spectacles with projection. Starting from studies to construct a device directed to the application of visual effects in real time, we wanted to locate how it is possible to make such application in three different modalities of spectacles, that fall within the scope of works realized by the artistic group RE(C)organize, of which we are part, being: a musical show, a performance spectacle (being that these must integrate in their projects the videoprojection) and a presentation of video mapping, that is totally or partially, realized in a live form. The option for these modalities was made according to the professional affinity of the group. We seek, through a theoretical and practical process, to identify the effects that evidence a narrative discourse, in a symbolic and / or metaphorical way, as well as to detect those who had the potential to meet the demands of the live show, which we believe are: the urgency (in the sense that the work must happen in that unique instant) and the evidence (in the sense of characterizing the specific moment in a clear way) - which is discussed in detail throughout this project. Keywords: video mapping, visual effects, live show, audiovisual archeology, interactivity. 6 Resumen Esta investigación estudió la aplicación de los efectos visuales en tiempo real en la construcción narrativa de espectáculos con proyección. A partir de analisis para la construcción de un dispositivo dirigido a la aplicación de efectos visuales en tiempo real, pretendíamos localizar cómo es posible hacer la aplicación de efectos dentro de tres modalidades diferentes de espectáculos, que se encuadran en el ámbito de trabajos realizados por el grupo artístico RE(C)organize, de lo cual formamos parte, siendo ellos: un show musical, un espectáculo performático (siendo que éstos deben integrar en sus proyectos la videoproyección) y una presentación de video mapping, que sea total o parcialmente, realizada de forma en vivo. La opción por estas modalidades se hizo de acuerdo con la afinidad profesional del grupo. Buscamos, a través de un proceso teórico y práctico, identificar los efectos que evidencian un discurso narrativo, de forma simbólica y / o metafórica, además de detectar aquellos que poseían la potencialidad de atender las exigencias del espectáculo en vivo, que a nuestro ver son: la urgencia (en el sentido de que la obra necesita suceder en aquel instante único) y la evidencia (en el sentido de caracterizar el momento específico de forma clara) - lo que se aborda de forma detallada al largo de este proyecto. Palabras clave: video mapping, efectos visuales, espectáculo en vivo, arqueología audiovisual, interactividad. 7 Agradecimentos Agradeço imensamente a minha orientadora, Rosangella Leote, que acreditou em meu trabalho desde o início, incentivou, e, generosamente, me apresentou oportunidades de evolução. Aos professores Profa. Dra. Josette Monzani, Prof. Dr. Agnus Valente, Prof. Dr. Marcus Bastos, Profa. Dra. Rita Bredariolli e Prof. Dr. Roberto Tietzmann., membros da banca avaliadora de defesa e do exame de qualificação, por toda a compreensão, gentileza, incentivo e dedicação a este trabalho em todas as etapas Aos professores Dr. Josep Cerdà e Dr. Efrain Foglía, pela acolhida, companheirismo, ensinamentos e todas as oportunidades recebidas em Barcelona. À todos os professores do Instituto de Artes da Unesp, em especial os que tive a oportunidade usufruir das disciplinas: Mario Bolognesi, Milton Sogabe, Jose Spaniol e Sergio Romagnolo. Às agências de fomento FAPESP e CAPES, as quais, por meio de convênio firmado, forneceram um importante financiamento a esta pesquisa no Brasil através do processo número 2014/0296-0, e, também no exterior, através da concessão da Bolsa BEPE com número de processo 2015/09253-4. Aos artistas entrevistados e que cederam material esta pesquisa: Agrupamento Andar 7 (Luciana Ramin e Gabriel Diaz-Regañon), Clássicos de Calçada (Tatiana Travisani e Deco Nascimento), Ricardo Cançado, Henrique Roscoe (VJ 1mpar), Lina Lopes, Mirella Brandi e Muepetmo, Christian Lins, Omar Prole, Xavi Gibert, Pedro Zaz, Roger Sodré, Nigel Anderson, Leo Monstro e sua banda, Alvaro Muñoz Ledo, Nigel Anderson, Stela Campos, Maurício Jabur, Paloma Oliveira e Matheus Knelsen, Jaime Lobato, Patrícia Vaz e Eduardo Affonso. Ao meu eterno companheiro de estrada Rodrigo Rezende de Souza, pelo trabalho, incentivo e paciência. À minha mãe Regina Duarte, que sempre esteve torcendo e rezando pelo meu sucesso, e ao meu pai, José Nogueira Duarte Júnior, que me olha do céu. Ao meu irmão Luis Duarte e à minha cunhada Anita Santiago, que tanto me ajudaram com burocracias e documentações em língua espanhola e me receberam de 8 braços abertos na Espanha. Aos amigos espanhóis Ramon Blanco, Rocío Arregui e Yolanda Spínola-Elias, pela acolhida em Sevilha e a Núria Oliver Vivas, pelo carinho em Mérida. Aos grandes amigos do GIIP e da UNESP, companheiros de jornada, angústias e cervejas, Lucas Gorzynski, Luis Quesada, Jorge Ribail, Fabio Rodrigues, Carol Perez, Miguel Alonso, Judvan Lopes, Caio Netto, Hosana Celeste, Nicolau Centola, Fernando Codevilla, Talita Esquivel, Gustavo Lemos e Karin Schmyntt. Aos amigos da Faculdade Impacta Diego Corazza, Sandro Cajé, Ayao Okamoto, Alexandra Nakano, Janaína Veneziani, Edilson Ferri e Agda Carvalho. À minha sogra Nice Besani e a tia Roseli Besani, por todo incentivo Às minhas irmãs, Débora Duarte e Lúcia Duarte, meus cunhados Alberto Oliveira e Juliano Mendes e meus sobrinhos Guilherme, Guillermo, Pablo e Rafael e sobrinhas Bianca, Marta, Júlia e Anita, por compreenderem as minhas ausências em função da elaboração desta tese. À querida Sabrina de Cássia Martins, primeira espectadora de nossa performance. Aos professores de cursos livres realizados durante a pesquisa, luiz duVa, Raimo Benedetti, Rejane Cantoni e Eduardo Crescenti, VJ Vigas, Pedro Zaz e Roger Sodré. A todos os amigos que fiz em Barcelona, em especial aos amigos da gestão de 2015/2016 da APEC, Rafael Prado, Patrícia
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