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Putting Together a Powerful Password
B10 THE NEWS-ENTERPRISE CLASSIFIEDS TUESDAY, MARCH 20, 2012 CROSSWORD Putting together a powerful password Dear Readers: Computer by the rental-car company mail, newspapers, advertis- passwords are necessary was, “We can’t do that, be- ing fliers and packages. If and an important part of on- HINTS cause people take them.” you’re going to be gone for line security. What’s not a FROM At least they should pho- a long time, stop mail via good password? According HELOISE tocopy pages out of the www.usps.com under “Man- to the Federal Trade Com- handbook addressing the age Your Mail.” Call your mission, things that are easi- important issues (e.g., wind- newspaper to stop it as well. ly associated with you are binder with dividers in it. I shield wipers, lights, radio, ■ The lawn needs to be not good passwords: your label the dividers so I can portable media players, jack maintained. pets’ names, your birthday, keep my hints separate from placement for flat tires, haz- ■ Park a car in the drive- your mother’s maiden name articles. It really helps to ard buttons, etc.). — Linda in way so it looks like some- or any part of your phone keep my house and office Colorado Springs, Colo. one is home. number. Also, consecutive much cleaner. — Barbara in ■ Heloise Central called ■ Turn down the ringer numbers, simple words and Antelope, Calif. several rental-car agencies, on your phone. A phone is the word “password” are MISSING OWNERS MANUAL. and I’ll be darned, for the a clue no one is home. -
Ipod Shuffle (2Nd Gen) Features Guide (Manual)
iPod shuffle Features Guide 2 Contents Chapter 1 3 iPod shuffle Basics 4 iPod shuffle at a Glance 4 Using the iPod shuffle Controls 5 Connecting and Disconnecting iPod shuffle 6 Charging the Battery 7 Status Lights Chapter 2 9 Loading and Playing Music 9 About iTunes 10 Importing Music into Your iTunes Library 12 Organizing Your Music 13 Loading Music onto iPod shuffle 16 Playing Music Chapter 3 19 Storing Files on iPod shuffle 19 Using iPod shuffle as an External Disk Chapter 4 21 iPod shuffle Accessories 21 Apple Earphones 22 iPod shuffle Dock 22 iPod USB Power Adapter 22 Available Accessories Chapter 5 23 Tips and Troubleshooting 26 Updating and Restoring iPod shuffle Software Chapter 6 27 Safety and Handling 27 Important Safety Information 29 Important Handling Information Chapter 7 30 Learning More, Service, and Support Index 33 2 1 iPod shuffle Basics 1 Congratulations on purchasing iPod shuffle. Read this chapter to learn about the features of iPod shuffle, how to use its controls, and more. To use iPod shuffle, you put songs and other audio files on your computer and then load them onto iPod shuffle. Use iPod shuffle to:  Load songs for listening on the go  Listen to podcasts, downloadable radio-style shows delivered over the Internet  Listen to audiobooks purchased from the iTunes Store or audible.com  Store or back up files and other data, using iPod shuffle as an external disk 3 iPod shuffle at a Glance Headphones port Top status light Play/Pause Volume Up Previous/Rewind Next/Fast-forward Volume Down Power switch OFF Shuffle switch Bottom status light Using the iPod shuffle Controls The simple controls make it easy to play songs, audiobooks, and podcasts on iPod shuffle. -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
MOZART in the JUNGLE Season 2 Q&A Jason Schwartzman (Creator
MOZART IN THE JUNGLE Season 2 Q&A Jason Schwartzman (Creator, Writer, Executive Producer) Paul Weitz (Executive Producer) What’s exciting about the new season? Jason Schwartzman: We’re joined by so many more guest stars and luminaries from the classical music world: Gustavo Dudamel, Joshua Bell, Lang Lang and Emanuel Ax. Paul Weitz: Basically people in the classical music world saw Season 1 and it’s kind of a guilty pleasure for them but we started to get incoming calls from people who wanted to be on the show. Schwartzman: We also have Dermot Mulroney and Gretchen Mol. The cast feels like there’s a lot more going on, more epic in that way. Why does the show appeal to non-classical fans? Weitz: It’s a show about a large, dysfunctional family and two outsiders who are entering the family. There’s Hailey, a young oboist who has been practicing since the age of 5 and has been the “good girl” for most of her life. And now as we enter Season 2, she’s questioning what she wants out of this. Does she want to be an instrument of orchestra or does she want to one day have a solo career. How, if you’re not used to it, are you the person who breaks up in a relationship? Are you able to have an ill-advised fling now and then and take ownership of your sexuality? She’s reinventing herself in a positive way. And Gael Garcia Bernal’s character, Rodrigo, is the other character. He’s a superstar, but he’s fairly isolated. -
What Went Wrong with Kmart?
What Went Wrong With Kmart? An Honors Thesis (HONRS 499) by Jacqueline Matyk Thesis Advisor Dr. Mark Myring Ball State University Muncie, Indiana December 2003 Graduation: December 21, 2003 Table of Contents Abstract. ........... ..................................................... 3 Introduction ................................................................................ 4 History ofKnlart .......................................................................... 4 Overview ofKnlart ................................... .................................. 6 Kmart's Problems That Led to Bankruptcy ....... ............... 6 Major Troubles in 2001 .................................................................. 7 2002 and Bankruptcy ..................................................................... 9 Anonymous Letters Lead to Stewardship Review .................................... 9 Emergence from Bankruptcy........................................................... 12 Charles Conaway's Role ................................................................ 14 The Case Against Enio Montini and Joseph Hofmeister ........................... 17 Conclusion.. ............................................................................. 19 Works Cited ............................................................................. 20 2 Abstract This paper provides an in depth look at Krnart Corporation. I will discuss how the company began its operations as a small five and dime store in Michigan and grew into one of the nation's largest retailers. -
Courtney Harding, Is Excited to Start Her Second Year As a TACT Academy Instructor
Denise S Bass, has several television credits to her name including Matlock, One Tree Hill, HBO's East Bound and Down with Danny McBride and Katy Mixon, and TNT's production of T-Bone and Weasel starring Gregory Hines, Christopher Lloyd, and Wayne Knight. Also to her credit are several film productions including The Road to Wellville with Anthony Hopkins and Matthew Broderick, Black Knight with Martin Laurence, and The 27 Club with Joe Anderson. She has been performing theatrically since 1981 working from NC to Florida and touring the Southeast with the American Family Theatre out of Philadelphia. Denise's most recent roles include Ethel in Thalian Association's production of "Barefoot in the Park" (Winner 2017 Thalian Award Best Actress in a Play), Dottie in Thalian Association's production of "Noises Off" (Nominee 2016 Thalian Award Best Supporting Actress in a Play), and Madam Thenadier in Opera House Theatre Company's production of Les Miserable. Other notable roles over the years include Sally in "Follies", Dolly Levi in "Hello, Dolly!", Molly Brown in "The Unsinkable Molly Brown", Delightful in "Dearly Departed", Diana Morales in "A Chorus Line", and Mrs. Meers in "Throughly Modern Mille”. She is a producer and featured performer with Ensemble Audio Studios and was part of the cast for the audio production of "The King's Child", which was selected in 2017 at the Hear Now Audio Festival for the Gold Circle Page. She also voiced several characters for the very popular audio book "Percy the Cat and the Big White House". She is currently writing a collection of short stories and looks forward to teaching Fundamentals of Acting for TACT. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
The Chancellor Search Quietly Continues
INDEPENDENT SINCE 1956 INSIDE NEWS The The Aldermanic race and UWM UWM PAGE 3 EDITORIAL Dean blows the Iowa caucus January 28, 2004 The weekly campus newspaper of UWM Volume 48 | Issue 16 PAGE 25 UWM Dance Team wins NEWS Hip Hop Championships The SA Spotlight: Know what's PAGE 8 going on at UWM! PAGE 2 Men's Basketball hits SPORTS eight conference wins What you missed in UWM PAGE 18 athletics PAGES 18-19 Greenstreet to Veto override sent to Assembly Governor Doyle re-examines Conceal and Carry Bill continue progress very surprised that the veto was overridden," said Carpen ter. "I hold no ill will but I in plenary address think it was a terrible deci sion. By Nathan Hal! "It is one of the worst pieces Staff Writer of legislation I have seen writ ten in the last 20 years. It has The spring semester plenary a lot of flaws," said Carpenter. speech, titled "Building Bridges, Some Bill supporters are Laying Foundations—A Progress confident that the Assembly Report," was held on Thursday, will uphold the veto override; Jan. 22 in Bolton Hall. Interim others say it will be close. Chancellor Bob Greenstreet and "I think it will be a close call Provost/ Vice Chancellor for Aca in the assembly," said Rolf Lind- demic Affairs John Wanat gave gren the author of a brief report on the state of the recalldoyle.com. "I think it will university to an audience of come down to one vote." approximately 150 people, Carpenter agreed with Lind- including administrators, facul Greenstreet gren. -
A Unique Opportunity to Learn and Perform a Complete Opera Role In
TUITION: FREE!! While tuition is free, housing and living expenses are the responsibility of the participants. Information about housing for participants from outside New York City will be available. APPLICATION You may download an application from our web site: www.martinaarroyofdn.org La Rondine La Rondine THE MISSION STATEMENT The Mission of The Martina Arroyo Founda- tion is to prepare and counsel young singers in the interpretation of complete operatic roles for public performance. The Foundation guides each singer in the preparation of an entire operatic role through a formal educational process that includes the background of the drama, the historical per- spective, the psychological motivation of each character, and language proficiency. A unique opportunity to Martina Arroyo Foundation, Inc. learn and perform The Martina Arroyo Foundation, Inc. is a tax-exempt, nonprofit organization under Sec. 501 (c) (3) of the Inter- a nal Revenue Code. Complete Opera Role ——————————————————————- in The Martina Arroyo Foundation, Inc. Martina Arroyo, President and Artistic Director New York City P.O. Box 2015 Radio City Station, NY, NY 10101 Tel: 212-315-9190 Fax: 212-397-7257 June 4 to July 16, 2012 Email: [email protected] Web: www.martinaarroyofdn.org Production Photos by Jen Joyce Davis Staff: PRELUDE TO PERFORMANCE PROGRAM OUTLINE Martina Arroyo Artistic Director and Role Class Prelude to Performance is a professional training program The first four weeks will be dedicated to sessions, staging, Mark Rucker Administrative Director for select young singers to experience role preparation individual coaching, masterclasses with professionals like Willie A. Waters Music Director guided by a team of opera professionals. -
Ofcom Complaint Assessment
OfcomOfcom Broadcast Preliminary and On Demand View Bulletin Published 17 September 2020 Britain’s Got Talent Type of case Broadcast Standards Outcome Not Pursued Service ITV Date & time 5 September 2020, 20:00 Category Protection of children/generally accepted standards/dangerous behaviour/due impartiality Summary This programme included a performance by the British dance group Diversity which represented the events of 2020, including the Coronavirus pandemic and global anti-racism protests. We concluded that the programme did not raise issues which warranted investigation under the Broadcasting Code. Ofcom received approximately 24,5001 complaints about the above programme. Complainants outlined a range of concerns about Diversity’s performance, including that the themes of violence and racism were inappropriate for family viewing, that it expressed support for the political organisation ‘Black Lives Matter’ and that it was racist towards White people. Ofcom also received a number of messages of support and praise for the performance. Ofcom has assessed this programme against the relevant rules in the Broadcasting Code (“the Code”). Our assessment is that this programme did not raise any issues which warranted investigation. In our view, Diversity’s performance was an artistic expression of topical social issues and did not contain any content which was racist, unsuitably violent or otherwise inappropriate in the context of this programme. Given the significant publicity surrounding this case and the high volume of complaints received, we have decided to publish our reasons for this assessment. 1 As of 09:00 on 17 September 2020. 1 Introduction Britain’s Got Talent is a talent programme broadcast on ITV, which aims to find a new act from the general public to perform at the annual Royal Variety Performance and win a prize of £250,000. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.