BUILDING COLLABORATION, BUILDING COMMUNITY a Home for Northern Learning
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Re-Creating Indigenous Architectural Knowledge in Arctic Canada and Norawy
Protection of cultural heritage 9 (2020) 10.35784/odk.2085 RE-CREATING INDIGENOUS ARCHITECTURAL KNOWLEDGE IN ARCTIC CANADA AND NORAWY MACKIN Nancy 1 1 dr Nancy Mackin, University of British Columbia and University of Victoria, Canada https://orcid.org/0000-0002-5427-3202 ABSTRACT: Long resident peoples including Gwich’in, Inuvialuit, Copper Inuit, and Sami, Coast Salish and others have learned over countless generations of observation and experimentation to construct place-specific, biomimetic architecture. To learn more about the heritage value of long-resident peoples’ architecture, and to discover how their architecture can selectively inform adaptable architecture of the future. we engaged Inuit and First Nations knowledge-holders and young people in re-creating tradition-based shelters and housing. During the reconstructions, children and Elders alike expressed their enthusiasm and pride in the inventiveness and usefulness of their ancestral architectural wisdom. Several of the structures created during this research are still standing years later and continue to serve as emergency shelters for food harvesters. During extreme weather, the shelters contribute to a potentially widespread network of food harvester dwellings that would facilitate revitalization of traditional foodways. The re-creations indicate that building materials, forms, assembly technologies, and other considerations from the architecture of Indigenous peoples provide a valuable heritage resource for architects of the future. KEY WORDS: Indigenous, Arctic architecture, Inuit architecture, reconstructions, heritage 58 Nancy Mackin 1. Introduction and research questions Tradition-based shelters have always been part of life in the high Arctic, where sudden storms and extreme cold pose serious risks to food harvesters, scientists, and other people out on the land. -
Sustainable Features of Vernacular Architecture: Housing of Eastern Black Sea Region As a Case Study
arts Article Sustainable Features of Vernacular Architecture: Housing of Eastern Black Sea Region as a Case Study Burcu Salgın 1,*, Ömer F. Bayram 1, Atacan Akgün 1 and Kofi Agyekum 2 1 Department of Architecture, Erciyes University, Kayseri 38030, Turkey; [email protected] (Ö.F.B.); [email protected] (A.A.) 2 Department of Building Technology, Kwame Nkrumah University of Science and Technology, Kumasi 233, Ghana; agyekum.kofi[email protected] * Correspondence: [email protected] Received: 22 May 2017; Accepted: 4 August 2017; Published: 17 August 2017 Abstract: The contributions of sustainability to architectural designs are steadily increasing in parallel with developments in technology. Although sustainability seems to be a new concept in today’s architecture, in reality, it is not. This is because, much of sustainable architectural design principles depend on references to vernacular architecture, and there are many examples found in different parts of the world to which architects can refer. When the world seeks for more sustainable buildings, it is acceptable to revisit the past in order to understand sustainable features of vernacular architecture. It is clear that vernacular architecture has a knowledge that matters to be studied and classified from a sustainability point of view. This work aims to demonstrate that vernacular architecture can contribute to improving sustainability in construction. In this sense, the paper evaluates specific vernacular housing in Eastern Black Sea Region in Turkey and their response to nature and ecology. In order to explain this response, field work was carried out and the vernacular architectural accumulation of the region was examined on site. -
Inuit Knowledge and Use of Wood Resources on the West Coast Of
Document generated on 10/02/2021 5:05 a.m. Études/Inuit/Studies Inuit knowledge and use of wood resources on the west coast of Nunavik, Canada Savoir inuit et utilisation des ressources en bois sur la côte ouest du Nunavik, Canada Stéphanie Steelandt, Najat Bhiry, Dominique Marguerie, Caroline Desbiens, Minnie Napartuk and Pierre M. Desrosiers Volume 37, Number 1, 2013 Article abstract Driftwood and shrubs are the primary wood resources available in most areas URI: https://id.erudit.org/iderudit/1025259ar of coastal Nunavik. Today, they are mainly used as fuel for campfires, but DOI: https://doi.org/10.7202/1025259ar historically they were very important for the ancestors of present-day Inuit. This article documents Inuit traditional knowledge about the origin, See table of contents availability, gathering, and exploitation of wood resources in this region located in the Low Arctic and the Subarctic. Interviews were conducted with 27 Inuit between 60 and 89 years of age in the villages of Ivujivik, Akulivik, Publisher(s) Inukjuak, and Umiujaq on the east coast of Hudson Bay. Our data reveal, among other things, that Inuktitut names for pieces of driftwood were based Association Inuksiutiit Katimajiit Inc. on shape, aspect, colour, and texture. This traditional knowledge was very Centre interuniversitaire d’études et de recherches autochtones (CIÉRA) accurate and highly diverse in the southern villages because of their significant exposure to driftwood. Wood from shrubs (i.e. willows, birches, and alders) ISSN was mainly harvested in the fall and used to make fires, mattresses, sleeping mats (alliat), and other objects. According to the participants, driftwood 0701-1008 (print) originates in southern Hudson Bay and James Bay and is washed up on the 1708-5268 (digital) beaches in late summer and the fall. -
523.02 Readings
EVDA 523.02/ARST 457.02 EVDS, University of Calgary History of Architecture and Human Settlement II: 1750 to Present H(3-0) Winter 2019 Tuesdays and Thursdays, 10:50 -12:20, Room 2160 Instructor: Dr. Graham Livesey Email: [email protected], Tel: (403) 220-8671, Room 3168 Teaching Assistant: Ashley Ortleib (Revised: October 10, 2018) INTRODUCTION AND TEACHING APPROACH This is the second course (including EVDA 523.01/ARST 457.01) examining the history of architecture and settlement from the prehistoric world until the present. This course will address the traditions of the Western world from the Industrial Revolution until the present, and will be delivered using lectures, videos, discussions, quizzes, and readings. The course examines technological, social, and political changes that have transformed the history of architecture since the late eighteenth century. It also presents major movements, figures, and building typologies, along with a particular emphasis on the evolving city during the nineteenth and twentieth centuries. New approaches to representation and its impacts on architecture are also studied, along with the changing role of the architect (including the history of women in architecture). Broad cultural questions of modernity and post-modernity are explored, including such critiques of modernism as critical regionalism (with an emphasis on Japan and Canada). OBJECTIVES - Students are expected to learn of the key concepts and figures that have shaped the course of Western architecture and to become familiar with important works, practitioners, theorists and themes. As history courses are a required part of a professional architecture program, architectural history is understood to be necessary for understanding diverse culture and behaviours. -
Vernacular Architecture in Michoacán. Constructive Tradition As a Response to the Natural and Cultural Surroundings
Athens Journal of Architecture - Volume 2, Issue 4 – Pages 313-326 Vernacular Architecture in Michoacán. Constructive Tradition as a Response to the Natural and Cultural Surroundings By Eugenia Maria Azevedo-Salomao Luis Alberto Torres-Garibay† Various regions of Mexico (i.e., Michoacán) have a tradition in vernacular architecture with an important wealth heritage. Constructing in this way has a notable ecological quality that has benefits for its inhabitants and the natural and cultural surroundings. This work addresses the habitability of vernacular architecture in Michoacán, making the claim that the tradition of construction methods is anchored to the collective memory and the memory of the lived space. Therefore, memories express themselves as the truth of the past based in the present. In this way, the artisans of Michoacán gathered experience from past generations and distinguished themselves by the rational use of primary materials. With direct observation, surveys to users and literature based researches, selected examples of Michoacán are analyzed. The focus is on permanencies and transformations of the vernacular architecture of the region through the observation of social habits, uses, forms, construction, natural surrounding context and significance to society. The conclusion is reached by questioning why there is a gradual loss of vernacular heritage in the region. It is observed that a necessity for its permanence is required as well as the benefits of the implementation of new techniques that contribute to the regeneration of heritage buildings is emphasized. With sustainability in mind the incorporation of vernacular materials and construction methods together with contemporary solutions is also addressed. Introduction Vernacular architecture is the result of the process of collective creation in a geographical and cultural space. -
Log Cabin Studies: the Rocky Mountain Cabin, Log Cabin Technology and Typology, Log Cabin Bibliography
Utah State University DigitalCommons@USU U.S. Government Documents (Utah Regional Forestry Depository) 1984 Log Cabin Studies: The Rocky Mountain Cabin, Log Cabin Technology and Typology, Log Cabin Bibliography United States Department of Agriculture, Forest Service Follow this and additional works at: https://digitalcommons.usu.edu/govdocs_forest Part of the Architectural Engineering Commons Recommended Citation United States Department of Agriculture, Forest Service, "Log Cabin Studies: The Rocky Mountain Cabin, Log Cabin Technology and Typology, Log Cabin Bibliography" (1984). Forestry. Paper 4. https://digitalcommons.usu.edu/govdocs_forest/4 This Report is brought to you for free and open access by the U.S. Government Documents (Utah Regional Depository) at DigitalCommons@USU. It has been accepted for inclusion in Forestry by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 'EB \ L \ga~ United Siaies Department of Agriculture Foresl Serv ic e Intermountain Region • The Rocky Mountain Cabin Ogden, Utah Cull ural Resource • log Cabin Technology and Typology Re~ o rl No 9 LOG CABIN STUDIES By • log Cabin Bibliography Mary Wilson - The Rocky Mountain Cabi n - Log Ca bin Technology and Typology - Log Cabi n Bi b 1i ography CULTURAL RESOURCE REPORT NO. 9 USDA Forest Service Intennountain Region Ogden. Ut ' 19B4 .rr- THE ROCKY IOU NT AIN CA BIN By ' Ia ry l,i 1s on eDITORS NOTES The author is a cultural resource specialist for the Boise National Forest, Idaho . An earlier version of her Rocky Mountain Cabin study was submitted to the university of Idaho as an M.A. thesis . Cover photo : Homestead claim of Dr. -
Australian Settler Bush Huts and Indigenous Bark-Strippers: Origins and Influences
Australian settler bush huts and Indigenous bark-strippers: Origins and influences Ray Kerkhove and Cathy Keys [email protected], [email protected] Abstract This article considers the history of the Australian bush hut and its common building material: bark sheeting. It compares this with traditional Aboriginal bark sheeting and cladding, and considers the role of Aboriginal ‘bark strippers’ and Aboriginal builders in establishing salient features of the bush hut. The main focus is the Queensland region up to the 1870s. Introduction For over a century, studies of vernacular architectures in Australia prioritised European high-style colonial vernacular traditions.1 Critical analyses of early Australian colonial vernacular architecture, such as the bush or bark huts of early settlers, were scarce.2 It was assumed Indigenous influences on any European-Australian architecture could not have been consequential.3 This mirrored the global tendency of architectural research, focusing on Western tradi- tions and overlooking Indigenous contributions.4 Over the last two decades, greater appreciation for Australian Indigenous archi- tectures has arisen, especially through Paul Memmott’s ground-breaking Gunyah, Goondie and Wurley: The Indigenous Architecture of Australia (2007). This was recently enhanced by Our Voices: Indigeneity and Architecture (2018) and the Handbook of Indigenous Architecture (2018). The latter volumes located architec- tural expressions of Indigenous identity within broader international movements.5 Despite growing interest in the crossover of Australian Indigenous architectural expertise into early colonial vernacular architectures,6 consideration of intercultural architectural exchange remains limited.7 This article focuses on the early settler Australian bush hut – specifically its widespread use of bark sheets as cladding. -
David Moses, Phd, Peng, PE, LEED® AP
David Moses, PhD, PEng, PE, LEED® AP Principal Moses Structural Engineers Inc. Toronto, ON Ontario Construction Secretariat The Future of Building Tall Timber Construction Long spans and Construction sequencing 2004-2008 Art Gallery of Ontario 2004-2008 Art Gallery of Ontario 2009 Wavedecks, Toronto TD Place Stadium TD Place Stadium Construction: Spring Valley Custom Classic 2009 MEC Burlington, Ontario 2012 Wayne Gretzky Sports Centre Brantford, ON – 1st CLT in Ontario 2012 Wayne Gretzky Sports Centre Brantford, ON – 1st CLT in Ontario 2012 Wayne Gretzky Sports Centre Brantford, ON – 1st CLT in Ontario 2012 Playvalue Toys, Ottawa, ON 1st CLT Retail What about Condos? Sequester = Absorb 2 cubic metres of wood = 1 ton = 1 tonne CO2 removed from atmosphere Cross-Laminated Timber (CLT) Global Production 2010 – 2015 (5 years) Doubled 2015 – 2018 (3 years) Doubled 2019-2020 New plants in US and Canada will double North American production 2017 Ontario Government • Ministry of Natural Resources and Forestry • Ministry of the Environment • Ministry of Municipal Affairs and Housing • Economic Development • Northern Development 36% of Ontario’s forests have indigenous partners, stakeholders, management and growing Table 1. Brock Commons, Vancouver. Source: rethinkWood.com 4D Time Simulations Brock Commons Source: CIRS report, CADMakers 3D Modelling / Analysis 2015 14-storeys Norway University of Toronto Architect: MJMA & Patkau Architects The Arbour, George Brown College, Toronto Architect: Moriyama and Teshima 77 Wade Avenue, Toronto Architect: Bogdan Newman Caranci 80 Atlantic, Toronto Architect: Quadrangle T3 Bayside, Toronto Architects: 3XN & WZMH Education & Training • Engineers, Architects • Carpenters • Developers • Building Owners • Government (politicians, civil servants, planners, building officials) Training @mosesstructures www.mosesstructures.com. -
About the Caa / À Propos De L'aca
ABOUT THE CAA / À PROPOS DE L’ACA The Canadian Archaeological Association (caa) was founded in 1968. Membership includes professional, avocational and student archaeologists, as well as individuals of the general public of any country, who are interested in furthering the objectives of the Association. The objectives of the caa are as follows: § To promote the increase and the dissemination of archaeological knowledge in Canada; § To promote active discourse and cooperation among archaeological societies and agencies and encourage archaeological research and conservation efforts; § To foster cooperative endeavours with aboriginal groups and agencies concerned with First Peoples’ heritage of Canada; § To serve as the national association capable of promoting activities advantageous to archaeology and discouraging activities detrimental to archaeology; § To publish archaeological literature, and; § To stimulate the interest of the general public in archaeology. ——— L’Association canadienne d’archéologie (aca) a été fondée en 1968. Ses adhérents comptent des archéologues dont c’est la profession ou un violon d’Ingres et des étudiants, ainsi que des membres venant du grand public et de n’importe quel pays, qui ont en vue de favoriser les objectifs de l’Association. Les objectifs de l’aca sont les suivants: § promouvoir l’accroissement et la propagation de connaissances archéologiques au Canada; § promouvoir une coopération et des échanges actifs entre les sociétés et les organismes archéologiques, et favoriser le travail de recherche et de conservation; § stimuler les efforts de coopération avec les groupes autochtones et les organismes concernés par le patrimoine canadien des Premières nations; § servir d’association nationale pouvant promouvoir les activités avantageuses pour l’archéologie et décourager les activités nuisibles à l’archéologie; § publier de la documentation archéologique; § stimuler l’intérêt du grand public pour l’archéologie. -
2015 Toronto Urban Design Awards Jury Report
FOREWORD Every other year, the City of Toronto holds the Urban Design Awards as an opportunity to acknowledge, award and celebrate some of the city’s best projects and practitioners in urban design. This is an especially important year as it marks our 25th anniversary. The Toronto Urban Design Awards was initiated in 1990 and it is remarkable to see not only how the awards themselves have evolved and grown, but more importantly, how the caliber and quality of design has markedly improved over the years. We have come a long way in that time and today Toronto can proudly count itself amongst the world’s most influential cities for urban design. The Awards also serve as one of the ways the City of Toronto promotes and encourages better design quality and best practices in urban design. Excellence in urban design is fundamentally about how the quality of design reaches beyond the individual site or program to both respond to and positively impact the public realm and surrounding urban context. Such projects warrant recognition because of the importance that excellent urban design plays in enhancing Toronto’s livability, economic prowess, global profile, as well as in bringing a little more happiness into our lives by uplifting our everyday experiences – this is the essence of how good design progressively builds a great city. This year, the City received 90 submissions in nine categories. The esteemed Jury, comprised of Alex Bozikovic, Stephen Teeple, Sibylle von Knobloch, and George Dark - as our returning Juror from 25-years ago, were impressed with the overall quality of the submissions. -
Sustainability Lessons Learnt from Traditional Architecture: a Case Study of the Old City of As-Salt, Jordan
IOSR Journal Of Environmental Science, Toxicology And Food Technology (IOSR-JESTFT) e-ISSN: 2319-2402,p- ISSN: 2319-2399. Volume 5, Issue 3 (Jul. - Aug. 2013), PP 100-109 www.Iosrjournals.Org Sustainability lessons learnt from traditional architecture: a case study of the old city of As-Salt, Jordan Rana Tawfiq Almatarneh Assistant professor at The School of Architecture and Design Al-Ahliyya Amman University, Amman- Jordan Abstract: Architecture is the art and science of designing which involves the manipulation of space, materials, program and other elements in order to achieve an end which is aesthetic, functional and sustainable. In the past, when the building envelope was the main element man used to protect himself from a harsh climate, he had to depend on passive energy which involves the use of natural energy sources for environmental, healthy, and economical reasons in our buildings. Traditional architecture, in Jordan, represents a living witness for the suitability of this architecture to the local environment, which incorporated the essence of sustainable architecture. The current study is aimed at investigating the elements of sustainability within the Jordanian traditional buildings based on the Jordan GBI rating key criteria, including: Energy Efficiency, indoor Environmental Quality, sustainable Site Planning and Management, material and Resources, water Efficiency, and innovation. Various typologies of six historical cases (i.e., Abu Jaber, Mouasher, Sukkar, Khatib, Toukan, and Qaqish buildings) in the old city of As-Salt were selected for this study, from a more comprehensive analysis. Findings of the study indicate uniqueness of the overall traditional As-Salt's architecture parallel with the current issues on sustainability. -
Excellence in Architecture Architects
EXCELLENCE IN ARCHITECTURE ARCHITECTS Based out of Vancouver, British Columbia, large metropolitan l ibraries, Patkau A rchi- Patkau A rchitects is a n award-winning ar- tects are committed to delivering the highest chitecture and design research studio found- quality design and planning services. ed by John and Patricia Patkau. Since its in- "We started our practice when we were ex- diverse portfolio of projects for a wide array tremely young architects in Edmonton, Al- of clients. From residential developments to berta," says J ohn Patkau, Co-Founder a nd Business World | one of four Principals currently within the Patkau Architects relocated their headquar- ters due to economic circumstances, and in been a booming economy, and it was a great - place to g et s tarted a s architects b ecause tice. there was work everywhere." "In 1983 and '84, there was a big recession in the oil-based economy that drove our work," | Business World ARTlab, University of Manitoba, Winnipeg, Manitoba Picture: James Dow and Patkau Architects 56 Business World | January 201 5 says John."At that time we relocated to the striving for architectural excellence." west coast to Vancouver. Principally because we realized the type of practice that we want- "We have a l ong track r ecord of d elivering ed -which was aimed at very special projects, high quality projects," he adds. "And a lot of extremely high-end, well-done projects- we depth of e xperience g iven t hat we've been needed to be located in a larger community. And also, we had a great personal love of the we have here is a team that's been working - together for almost that long, so it's an ex- ally was the right spot for us" With over 30 years of experience and success In t he s election p rocess o f their projects, John e mphasises caution and the need t o architects who are committed to achieving align their goals with t hose of t he p roject, the highest standard in their industry.