Adaptation Studies
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Moby-Dick: a Picture Voyage
Moby-Dick A Picture Voyage Library of Congress Cataloging–in–Publication Data Melville, Herman, 1819-1891 Moby-Dick : a picture voyage : an abridged and illustrated edition of the original classic / by Herman Melville ; edited by Tamia A. Burt, Joseph D. Thomas, Marsha L. McCabe ; with illustrations from the New Bedford Whaling Museum. p. cm. ISBN 0-932027-68-7 (pbk.) -- ISBN 0-932027-73-3 (Cloth) 1. Melville, Herman, 1819-1891. Moby Dick--Illustrations. 2. Sea stories, American--Illustrations. 3. Whaling ships--Pictoirial works. 4. Whaling--Pictorial works. 5. Whales--Pictorial works. I. Burt, Tamia A. II. Thomas, Joseph D. III. McCabe, Marsha. IV. Title. PS2384.M6 A36 2002 813'.3--dc21 2002009311 © 2002 by Spinner Publications, Inc. All rights reserved. Printed in the United States of America Spinner Publications, Inc., New Bedford, MA 02740 Moby-Dick A Picture Voyage An Abridged and Illustrated Edition of the Original Classic by Herman Melville Edited by Tamia A. Burt, Joseph D. Thomas, Marsha L. McCabe with illustrations from The New Bedford Whaling Museum Acknowledgments / Credits Naturally, no serious book concerning the American whaling industry can be done with- out interaction with the New Bedford Whaling Museum. We are grateful to Director Anne Brengle and Director of Programs Lee Heald for their support. We are especially grateful to the Museum’s library staff, particularly Assistant Librarian Laura Pereira and Librarian Michael Dyer, for their energy and helpfulness, and to Collections Manager Mary Jean Blasdale, Curator Michael Jehle, volunteer Irwin Marks, Emeritus Director Richard Kugler, and Photo Archivist Michael Lapides. When we began work on this project, The Kendall Whaling Museum was an indepen- dent entity in Sharon, Massachusetts, and we were fortunate enough to receive the gracious assistance and eminent knowledge of the Kendall’s Director, Stuart M. -
Celebrating the 200Th Birthday of Herman Melville
*Pop-up Moby Dick read-aloud contest. Visit HERM each of the ten sites, take a selfie of you reading AN M ELVILLE Celebrating the the Moby Dick selection from the podium. 200th Birthday Post it to Instagram and include the hashtag, 200th Birthday #ACKMobyDick. Winners will be selected NANTUCKET weekly for a gift certificate to one of the 1819 - 2019 of Herman Melville participating restaurants. List of locations to visit: Melville at 200/Essex at 200 Artists Association of Nantucket Participating Organizations 19 Washington Street Artists Association of Nantucket Greenhound Station Department of Culture and Tourism 10 Washington Street The Dreamland Maria Mitchell Association Egan Maritime Institute 2 Vestal Street Greenhound Station/ReMain Nantucket Maria Mitchell Association Museum of African American History Museum of African American History 29 York Street Nantucket Atheneum Nantucket Atheneum Nantucket Historical Association 1 India Street Nantucket Lightship Basket Museum Or, The Whale Restaurant Nantucket Lifesaving and Queequeg’s Restaurant Shipwreck Museum Sconset Trust 158 Polpis Road Theatre Workshop of Nantucket Nantucket Lightship Basket Museum 49 Union Street Queequeg’s Restaurant 6 Oak Street Sconset Trust 1 New Street, Sconset Nantucket Department of Culture and Tourism Herman Melville Whaling Museum 25 Federal Street Nantucket, MA 02554 15 Broad Street 508-228-0925 1819 - 1891 August Thursday, Aug. 1 About Herman Melville Calendar of Events 200th birthday of Herman Melville Born on August 1, 1819, into a once-prominent April Lecture by Joe and Kathy Galllichio on the Moby Dick New York family, Herman Melville was raised in Friday, April 26 basket at Nantucket Lightship Basket an atmosphere of financial instability and genteel Opening of the Whaling Museum’s Essex Disaster Museum, 49 Union Street pretense. -
Moby Dick in 50 Objects
Dear Reader, Reading Moby-Dick is an adventure. The narrative takes you to MOBY DICK the deepest and strangest recesses of the human mind and through the daily life of a nineteenth-century whaleman. You’re in for a wild—sometimes dull, and other times queer—ride. Like any good adventure, a map will help you on your journey. IN These fifty objects will help you decode the literary symbolism of Moby Dick, a novel laden with meaningful images and motifs. This guidebook will also help animate the nineteenth-century context in which the novel emerged. The world looked different to Herman Melville in the nineteenth-century, and these objects 50 OBJECTS will help you better understand the text within its context. Of course, your best guide to Moby-Dick—whether it’s your first, second, or fifth read—is your own mind. Let the novel challenge A GUIDE THROUGH THE GREAT, WEIRD, AND LONG you, bore you, and take you outside of yourself. AMERICAN CLASSIC Good luck and bon voyage! BY Josh Ameen, Jacob Beaudoin, Laura Byrd, Isabelle Carter, Austin Cederquist, Isabella Conner, Sam Cooper, Tori Corr, Marissa Cuggino, Gianna Delaney, Kyle Erickson, Taylor Galusha, Jackie Ireland, Mathew Lannon, Melissa Lawson, Emma Leaden, Kathryn Mallon, Caroline May, Emily Nichols, Conrrad Ortega, Daniel Proulx, Dan Roussel, Krista Sbordone, Dustin Smart, Bobby Tolan, Sarah Tripp, Brianna Wickard, & Dr. Christy Pottroff A carpet bag is specifically made for travelling and is usually made out of the same material as an oriental rug. It was perfect for people who did not want to carry enough luggage that would require a heavier trunk. -
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color
From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color Ben Rogers University of Delaware Melville's fictional whale Moby Dick appears to derive from the real whale Mocha Dick, yet the differences in names and colors between these two suggest that Moby's name may be intimately connected to his symbolic role. One meaning of mob is 'to wrap in a cowl or veil'. Creating an adjective by adding -y produces moby 'having the qualities of being hooded, especially about the head', a definition reflected in Ishmael's "grand hooded phantom." Dick may be a shortening of Dickens, a euphemism for the devil. Dick may also suggest Dicky 'an officer acting on commission', an appropriate meaning for Ahab' s and Starbuck's conception of Moby as God or an agent of God. Lexicons available to Melville reveal the meaning of the name and illuminate the characteriza- tion of Moby as both commodity and Zeus of the sea, both "dumb brute" and divine Leviathan. The 1929 discovery of a narrative about a white whale named Mocha Dick began 70 years of speculation as to the extent of Mocha as Moby's prototype. The narrative, written by J.R. Reynolds in 1839, described a "renowned monster, who had come off victorious in a hundred fights ... [and was] white as wool." Typical of the reaction of literary critics at the time was Garnett's remark that "Moby Dick ... was but Mocha Dick in faery fiction dressed" (1929, 858). Critical editions of Moby-Dick often include the Reynold's narrative and today scholars generally agree that Melville probably knew of Mocha.1 The obvious sibling qualities of the two whales has tended to center onomastic study on the name Mocha Dick, and subsequent research has attempted to demonstrate that Melville knew of Mocha Dick or, assuming this, to explain why Mocha changed to Moby. -
Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 P.M., SR34K1 (Attemsgasse 25, Basement) Dr
Topics in Anglophone Literary Studies Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 p.m., SR34K1 (Attemsgasse 25, basement) Dr. Michael Fuchs 1. About the Course “Call me Ishmael.” Even if you haven’t read Moby-Dick, you will probably know the novel’s iconic open- ing line. Likewise, even if you haven’t read Moby-Dick, you will have a rough idea as to what its story is about—Captain Ahab’s frantic hunt of a white sperm whale. The very fact that people know about Moby-Dick without knowing Moby-Dick testifies to the book’s cultural relevance and power. Indeed, as we will see, Moby-Dick is about so much more than the mere conflict between man and nature. This undergraduate seminar will consist of two main parts: In the first half of the semester, we will engage in a close reading of what many literary scholars and also the general public consider one of the (if not the) “great American novels.” In the second half of the semester, we will look at the presence of Moby-Dick in popular culture. Accordingly, we will watch movie adaptations, read comic adaptations, listen to music adaptations, but also explore some other texts in which Moby-Dick (and/or Moby Dick) plays a dominant role. Since the first part of this undergraduate seminar will pursue a close reading of Moby-Dick, the main objective here will be that students gain a deeper understanding of Moby-Dick and its socio- economic environment; in particular, students will come to understand (and appreciate) what might be termed Moby-Dick’s postmodernism avant la lettre, its rhetorical strategies, its ecological subtexts, its engagement with scientific discourse, and nineteenth-century whale-hunting. -
Bible Leaves! Hellenism and Hebraism in Melville's Moby-Dick
Bible Leaves! Bible Leaves! Hellenism and Hebraism in Melville's Moby-Dick The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation New, Elisa. 1998. Bible leaves! Bible leaves! Hellenism and hebraism in Melville's Moby-Dick. Poetics Today 19(2): 281-303. Published Version http://dx.doi.org/10.2307/1773443 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:4726201 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Bible Leaves!Bible Leaves! Hellenismand Hebraism in Melville'sMoby-Dick Elisa New English,Pennsylvania Abstract "'Bible Leaves! Bible Leaves!': Hebraism and Hellenism in Melville's Moby-Dick"argues that Herman Melville is Hellenism's severest American critic, and his greatest book, a sustained defense of the Hebraic "letter."Using a range of devices to link his monomaniac, Ahab, with the Greek and Christian subordi- nation of history to reason, Melville exposes the damage to historical knowledge, as well as the characterological and institutional damages, that too singleminded a pursuit of the "spirit"may wreak: In Melville's version, Unitarian ministers and revivalist preachers as well as his own later, allegorizing critics join with Ahab in violent depredations on historical truth. On the other hand, Ishmael, as the essay goes on to argue, is Melville's Hebraist par excellence. Melville draws on Carlyle, on John Kitto's classically historicist Cyclopaediaof BiblicalLiterature, and on the Book of Ecclesiastes to fashion Ishmael as a hero of Hebraic restraint and a champion of Hebraic prolixity. -
Dissertation Rough Draft Final
UNIVERSITY OF CALIFORNIA RIVERSIDE Melville on the Beach: Transnational Visions of America A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ikuno Saiki December 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. Traise Yamamoto Copyright by Ikuno Saiki 2018 The Dissertation of Ikuno Saiki is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been finalized without the invaluable assistance of many people. First of all, I would like to express my sincere gratitude to my exam advisor and former dissertation chairperson, Professor Emory Elliott. Throughout the irregular and tedious process of completing my degree, he constantly encouraged me and supported me by frequent e- mail messages, writing from his office in early morning, or from a hotel in China at midnight, until a month before his sudden demise. I learned, and am still learning, from his enthusiastic and humanitarian approach to literature and from his pure devotion to help his students. Professor Jennifer Doyle was on my exam committee, and kindly succeeded Professor Elliott as chair. She made it possible for me to finish the dissertation within a limited amount of time, and her advice gave me a framework within which to integrate all my ideas. Professor Steven Gould Axelrod and Professor Traise Yamamoto supported me in the first difficult quarter at UC Riverside in 2001. I learned scholarship and the art of research from Professor Axelrod’s meticulous and warm suggestions on my seminar papers. Professor Yamamoto, who provides energetic guidance and affectionate care for her students, is one of my unattainable role models. -
When Whales Lit the World Quiz
When Whales Lit the World Up to the 20th century, men shipped out whaling—risking their lives and spending up to five years at sea per voyage. Why? Because whalers lit the world, providing oil for lamps and for the machines of the industrial revolution—at no small cost to the whale population. Test your whaling knowledge. 1. Many idioms and words we use today arose from maritime jargon. Which of the following is not true? The “slush” in “slush fund” referred to fat scum. “Blackstrap” was a sailor’s nickname for tar. “A good square meal” came into being due to common use of square plates. “Junk” referred to spent rope. 2. There are many whales in the sea, and each had its own peculiarities noted by whalers. Which of the following is not true? American whalers sought out the blue whale, as its immense size provided the most blubber, and therefore, profit. The name of the right whale comes from being considered the best or “right” whale to target for blubber and baleen harvesting. Sperm whales were occasionally referred to as “carpenter fish,” as their vocalizations sounded to seamen like hammer blows. John Smith was disappointed by his discovery of fin or humpback whales in America, as they did not provide baleen or oil. 3. Among seafaring tales, few are as well known as Herman Melville’s Moby Dick. Which of the following is not true? Moby Dick was likely modeled after a famous mankiller in the early 1800s. The chapel in New Bedford, MA, does indeed exist. -
Moby Dick Part I 1
Moby Dick Part I 1 from the land, leads them over the hills, down creeks and streams and rivers to the sea. The sea, where each man as in a mirror, finds himself. And so it was that I duly arrived at the town of New Bedford on a dark and dismal night late in the year 1841. Since I knew no one in the town, it soon became a matter of concern where I was to eat and sleep. With halting steps I paced the streets and passed the sign of The Crossed Harpoons inn. ISHMAEL: Hmmm. Looks too jolly—and, therefore, too expensive. NARRATOR: Moving on, I saw a swinging sign over a door with a white, tall straight jet of misty spray painted on it. These MOBY DICK: PART I words were written underneath: ISHMAEL: The Spouter Inn: Landlord, Peter Coffin. Looks dim and miserable CAST enough for me to afford. I’ll give it a try. NARRATOR Older Ishmael Narrating NARRATOR: Inside there was an old man ISHMAEL A Wandering Sailor behind the bar, selling sailors distilments COFFIN Innkeeper and death. Around the bar were the jaws of QUEEQUEG South Seas Islander Harpooner a whale, and the man standing within them MAPPLE Renowned Reverend seemed to be Jonah himself. NARRATOR: Call me Ishmael. Some years COFFIN: What brings ye here tonight, lad? ago, having little or no money, I thought I I am Peter Coffin, the landlord. would sail about and see the oceans of the world. Whenever it’s a damp, drizzly ISHMAEL: I’m headed to sea. -
Traces of Religion and Science in Herman Melville's Moby Dick
2011 International Conference on Languages, Literature and Linguistics IPEDR vol.26 (2011) © (2011) IACSIT Press, Singapore Traces of Religion and Science in Herman Melville's Moby Dick ∗ Nasser Mahmoudi1 and Fatemeh Azizmohammadi2 1Department of Persian Literature, Shoushtar Branch, Islamic Azad University, Shoushtar, Iran 2Department of English Literature, Arak Branch, Islamic Azad University, Arak, Iran Abstract: It may be stated that despite his scanty schooling, Melville has shown deep interest in the prevailing trends of his age. A true representative of his age is that he struggled hard not only to resolve the conflict between the Calvinistic and the Emersonian theories but also to bring a compromise between religion and science. Though basically a Christian confronted with the complex question of human existence, his experience as a sailor offered him ample scope to develop a systematic knowledge of the outer world. This systematic knowledge of the universe endowed him with the scientific spirit to solve the basic problems of human existence. But while attempting to solve the mystery of religion, he doubted his own religious faith. His religious faith and scientific beliefs are projected in his two major characters, Ishmael and Ahab respectively. Ishmael represents the religious mind of Melville upholding all the virtues of religion; he does not have the heroic grandeur of Ahab - an unheroic hero. Ahab is a real hero, hero of Melville's scientific self that is not prepared to admit defeat from a subhuman, a Prometheus who has descended on earth in the nineteenth century to establish the supremacy of man over creation at the cost of his own life. -
The Many Masks of Melville's God1 I. “A Pondering Man”
The Many Masks of Melville’s God1 John Wenke O God (I prayed), come through The cloud; hard task Thou settest man To know Thee. —Clarel 2.18.133–35 I. “A Pondering Man” On Sunday, December 9, 1849, when considering what awaited him in “this antiquated gable-ended old town” in Germany, Herman Melville scribbled an off-handed self-portrait. He was not thinking of himself as a world traveler or a famous author. Instead, in the privacy of his jour- nal he simply anticipated that Cologne would offer “much to interest a pondering man like me” (Journals 35). Sophia Hawthorne, Nathaniel’s wife, experienced firsthand the epistolary and conversational energy of this “pondering man.” In a letter to her sister Elizabeth Palmer Pea- body, Mrs. Hawthorne copied “a very remarkable quotation” from the mid-April 1851 letter Melville had written to Hawthorne describing the tragic reach of The House of the Seven Gables. She also described her pleasure in listening to “this growing man dash his tumultuous waves of thought up against Mr. Hawthorne’s great, genial, compre- hending silences.” In this high tide of discourse, Melville “speaks his innermost about GOD, the Devil & Life” (qtd. in Leyda 926; upper- case in original). Melville’s letters to Hawthorne also contain “tumultuous waves of thought” that he did not always control: “I could rip an hour. You see, I began with a little criticism . and here I have landed in Africa” (Correspondence 187). In the process of praising Hawthorne’s novel, Melville discusses “the visable [sic] truth,” “the absolute condition of present things,” and the deification of the “sovereign” self (186). -
Ishmael and His Sleeping Partners
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1977 Ishmael and His Sleeping Partners John Langley College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Langley, John, "Ishmael and His Sleeping Partners" (1977). Dissertations, Theses, and Masters Projects. Paper 1539624985. https://dx.doi.org/doi:10.21220/s2-kmw5-d373 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. ISHMAEL AND HIS SLEEPING PARTNERS A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by John Langley- 1977 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, October 1977 {jJ'sCCl* ^ ^i William F. Davis Ibrfh&L, Elsa Nettels Robert Sc^rblnick ISHMAEL AND HIS SLEEPING PARTNERS ABSTRACT Critical speculation concerning Ishmael's develop ment in Moby-Dick has argued for and against a mellowing of. his initial misanthropy, but has frequently ignored evidence in the book itself concerning his character sub sequent to the events he describes. This reveals an Ishmael to whom authorship itself is a central concern, which in turn suggests that an important passage which implies the relative insignificance of the "intellect or fancy" must be balanced against another passage, similar in tone and phrasing, indicating the reverse.