Moby Dick Part I 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Influence of Herman Melville's Moby-Dick on Cormac Mccarthy's Blood Meridian
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian Ryan Joseph Tesar University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, and the Literature in English, North America Commons Repository Citation Tesar, Ryan Joseph, "The Influence of Herman Melville's Moby-Dick on Cormac McCarthy's Blood Meridian" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2218. http://dx.doi.org/10.34917/6456449 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE INFLUENCE OF HERMAN MELVILLE’S MOBY-DICK ON CORMAC MCCARTHY’S BLOOD MERIDIAN by Ryan Joseph Tesar Bachelor of Arts in English University of Nevada, Las Vegas 2012 A thesis submitted in partial fulfillment of the requirements for the Master of Arts – English Department of English College of Liberal Arts The Graduate College University of Nevada, Las Vegas August 2014 Copyright by Ryan Joseph Tesar, 2014 All Rights Reserved - THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Ryan Joseph Tesar entitled The Influence of Herman Melville’s Moby-Dick on Cormac McCarthy’s Blood Meridian is approved in partial fulfillment of the requirements for the degree of Master of Arts - English Department of English John C. -
FILM Moby-Dick (1851) Herman Melville (1819-1891) Adaptation By
FILM Moby-Dick (1851) Herman Melville (1819-1891) adaptation by Ray Bradbury & John Huston (1956) ANALYSIS Moby-Dick is the greatest American novel. This is the only film adaptation that is faithful to the book. All other movie versions are ridiculous. The only improvement any of them has made over this adaptation is in special effects—more spectacular shots of the white whale underwater. These are entertaining to see, but they add nothing to understanding and actually distract from the meanings of the book. Movie critics have been especially stupid in responding to this film. Ray Bradbury is a discerning writer who is largely true to Melville and John Huston was the most literary director in Hollywood. Contrary to the critics, the casting is perfect—especially Gregory Peck as Captain Ahab. Queequeg is also brilliantly portrayed. Unlike their critics Bradbury and Huston display a deep knowledge of the book, although they are limited in how much of it they can present in a film. They are able to include significant lines of dialogue that are over the heads of movie critics, such as the Pequod as a symbol of the world, expressed when Orson Welles as Father Mapple dresses like a sea captain, preaches from a pulpit in the form of a ship’s prow and refers to everyone in the world as “Shipmates.” They also convey the pantheistic divinity of Moby-Dick, who seems to be everywhere in the world at once. As Pip says, “That a great white god.” They establish that the story is a psychological allegory when Ishmael says that the sea is a “mirror” of himself. -
Moby-Dick: a Picture Voyage
Moby-Dick A Picture Voyage Library of Congress Cataloging–in–Publication Data Melville, Herman, 1819-1891 Moby-Dick : a picture voyage : an abridged and illustrated edition of the original classic / by Herman Melville ; edited by Tamia A. Burt, Joseph D. Thomas, Marsha L. McCabe ; with illustrations from the New Bedford Whaling Museum. p. cm. ISBN 0-932027-68-7 (pbk.) -- ISBN 0-932027-73-3 (Cloth) 1. Melville, Herman, 1819-1891. Moby Dick--Illustrations. 2. Sea stories, American--Illustrations. 3. Whaling ships--Pictoirial works. 4. Whaling--Pictorial works. 5. Whales--Pictorial works. I. Burt, Tamia A. II. Thomas, Joseph D. III. McCabe, Marsha. IV. Title. PS2384.M6 A36 2002 813'.3--dc21 2002009311 © 2002 by Spinner Publications, Inc. All rights reserved. Printed in the United States of America Spinner Publications, Inc., New Bedford, MA 02740 Moby-Dick A Picture Voyage An Abridged and Illustrated Edition of the Original Classic by Herman Melville Edited by Tamia A. Burt, Joseph D. Thomas, Marsha L. McCabe with illustrations from The New Bedford Whaling Museum Acknowledgments / Credits Naturally, no serious book concerning the American whaling industry can be done with- out interaction with the New Bedford Whaling Museum. We are grateful to Director Anne Brengle and Director of Programs Lee Heald for their support. We are especially grateful to the Museum’s library staff, particularly Assistant Librarian Laura Pereira and Librarian Michael Dyer, for their energy and helpfulness, and to Collections Manager Mary Jean Blasdale, Curator Michael Jehle, volunteer Irwin Marks, Emeritus Director Richard Kugler, and Photo Archivist Michael Lapides. When we began work on this project, The Kendall Whaling Museum was an indepen- dent entity in Sharon, Massachusetts, and we were fortunate enough to receive the gracious assistance and eminent knowledge of the Kendall’s Director, Stuart M. -
Point of View As Key to the Narrative Structure, Symbolism, and Theme of Moby Dick Delma Ward Tayer Central Washington University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks at Central Washington University Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1964 Point of View as Key to the Narrative Structure, Symbolism, and Theme of Moby Dick Delma Ward Tayer Central Washington University Follow this and additional works at: http://digitalcommons.cwu.edu/etd Part of the Liberal Studies Commons, and the Other Education Commons Recommended Citation Tayer, Delma Ward, "Point of View as Key to the Narrative Structure, Symbolism, and Theme of Moby Dick" (1964). All Master's Theses. Paper 416. This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. POINT OF VIBW AS KEY TO 'rHE NARRATIVE STRUCTURE, SYMBOLISM , AND THEME OF .!iQg Q!.9lf A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements of the Degree Master of Education by Delma Ward Tayer August 1964 L{) b71 /, ~ T.?.--30 p SPECIAL COLLECTION .. • ' 122727 APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Aushutz, COMMITTEE CHAIRMAN _________________________________ _________________________________ Donald J. Murphy TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION • • • . • • . • • . • • • • • 1 Purpose • • • • • • . • • • • • • • • • • 1 Method • • • • • • • • • • • • • • • • • • 2 Definitions -
Celebrating the 200Th Birthday of Herman Melville
*Pop-up Moby Dick read-aloud contest. Visit HERM each of the ten sites, take a selfie of you reading AN M ELVILLE Celebrating the the Moby Dick selection from the podium. 200th Birthday Post it to Instagram and include the hashtag, 200th Birthday #ACKMobyDick. Winners will be selected NANTUCKET weekly for a gift certificate to one of the 1819 - 2019 of Herman Melville participating restaurants. List of locations to visit: Melville at 200/Essex at 200 Artists Association of Nantucket Participating Organizations 19 Washington Street Artists Association of Nantucket Greenhound Station Department of Culture and Tourism 10 Washington Street The Dreamland Maria Mitchell Association Egan Maritime Institute 2 Vestal Street Greenhound Station/ReMain Nantucket Maria Mitchell Association Museum of African American History Museum of African American History 29 York Street Nantucket Atheneum Nantucket Atheneum Nantucket Historical Association 1 India Street Nantucket Lightship Basket Museum Or, The Whale Restaurant Nantucket Lifesaving and Queequeg’s Restaurant Shipwreck Museum Sconset Trust 158 Polpis Road Theatre Workshop of Nantucket Nantucket Lightship Basket Museum 49 Union Street Queequeg’s Restaurant 6 Oak Street Sconset Trust 1 New Street, Sconset Nantucket Department of Culture and Tourism Herman Melville Whaling Museum 25 Federal Street Nantucket, MA 02554 15 Broad Street 508-228-0925 1819 - 1891 August Thursday, Aug. 1 About Herman Melville Calendar of Events 200th birthday of Herman Melville Born on August 1, 1819, into a once-prominent April Lecture by Joe and Kathy Galllichio on the Moby Dick New York family, Herman Melville was raised in Friday, April 26 basket at Nantucket Lightship Basket an atmosphere of financial instability and genteel Opening of the Whaling Museum’s Essex Disaster Museum, 49 Union Street pretense. -
Moby Dick in 50 Objects
Dear Reader, Reading Moby-Dick is an adventure. The narrative takes you to MOBY DICK the deepest and strangest recesses of the human mind and through the daily life of a nineteenth-century whaleman. You’re in for a wild—sometimes dull, and other times queer—ride. Like any good adventure, a map will help you on your journey. IN These fifty objects will help you decode the literary symbolism of Moby Dick, a novel laden with meaningful images and motifs. This guidebook will also help animate the nineteenth-century context in which the novel emerged. The world looked different to Herman Melville in the nineteenth-century, and these objects 50 OBJECTS will help you better understand the text within its context. Of course, your best guide to Moby-Dick—whether it’s your first, second, or fifth read—is your own mind. Let the novel challenge A GUIDE THROUGH THE GREAT, WEIRD, AND LONG you, bore you, and take you outside of yourself. AMERICAN CLASSIC Good luck and bon voyage! BY Josh Ameen, Jacob Beaudoin, Laura Byrd, Isabelle Carter, Austin Cederquist, Isabella Conner, Sam Cooper, Tori Corr, Marissa Cuggino, Gianna Delaney, Kyle Erickson, Taylor Galusha, Jackie Ireland, Mathew Lannon, Melissa Lawson, Emma Leaden, Kathryn Mallon, Caroline May, Emily Nichols, Conrrad Ortega, Daniel Proulx, Dan Roussel, Krista Sbordone, Dustin Smart, Bobby Tolan, Sarah Tripp, Brianna Wickard, & Dr. Christy Pottroff A carpet bag is specifically made for travelling and is usually made out of the same material as an oriental rug. It was perfect for people who did not want to carry enough luggage that would require a heavier trunk. -
Moby Dick by Herman Melville
Moby Dick By Herman Melville Chapter 8: The Pulpit I had not been seated very long ere a man of a certain venerable robustness entered; immediately as the storm-pelted door flew back upon admitting him, a quick regardful eyeing of him by all the congregation, sufficiently attested that this fine old man was the chaplain. Yes, it was the famous Father Mapple, so called by the whalemen, among whom he was a very great favorite. He had been a sailor and a harpooneer in his youth, but for many years past had dedicated his life to the ministry. At the time I now write of, Father Mapple was in the hardy winter of a healthy old age; that sort of old age which seems merging into a second flowering youth, for among all the fissures of his wrinkles, there shone certain mild gleams of a newly developing bloom- the spring verdure peeping forth even beneath February’s snow. No one having previously heard his history, could for the first time behold Father Mapple without the utmost interest, because there were certain engrafted clerical peculiarities about him, imputable to that adventurous maritime life he had led. When he entered I observed that he carried no umbrella, and certainly had not come in his carriage, for his tarpaulin hat ran down with melting sleet, and his great pilot cloth jacket seemed almost to drag him to the floor with the weight of the water it had absorbed. However, hat and coat and overshoes were one by one removed, and hung up in a little space in an adjacent corner; when, arrayed in a decent suit, he quietly approached the pulpit. -
When Whales Lit the World Quiz
When Whales Lit the World Up to the 20th century, men shipped out whaling—risking their lives and spending up to five years at sea per voyage. Why? Because whalers lit the world, providing oil for lamps and for the machines of the industrial revolution—at no small cost to the whale population. Test your whaling knowledge. 1. Many idioms and words we use today arose from maritime jargon. Which of the following is not true? The “slush” in “slush fund” referred to fat scum. “Blackstrap” was a sailor’s nickname for tar. “A good square meal” came into being due to common use of square plates. “Junk” referred to spent rope. 2. There are many whales in the sea, and each had its own peculiarities noted by whalers. Which of the following is not true? American whalers sought out the blue whale, as its immense size provided the most blubber, and therefore, profit. The name of the right whale comes from being considered the best or “right” whale to target for blubber and baleen harvesting. Sperm whales were occasionally referred to as “carpenter fish,” as their vocalizations sounded to seamen like hammer blows. John Smith was disappointed by his discovery of fin or humpback whales in America, as they did not provide baleen or oil. 3. Among seafaring tales, few are as well known as Herman Melville’s Moby Dick. Which of the following is not true? Moby Dick was likely modeled after a famous mankiller in the early 1800s. The chapel in New Bedford, MA, does indeed exist. -
Traces of Religion and Science in Herman Melville's Moby Dick
2011 International Conference on Languages, Literature and Linguistics IPEDR vol.26 (2011) © (2011) IACSIT Press, Singapore Traces of Religion and Science in Herman Melville's Moby Dick ∗ Nasser Mahmoudi1 and Fatemeh Azizmohammadi2 1Department of Persian Literature, Shoushtar Branch, Islamic Azad University, Shoushtar, Iran 2Department of English Literature, Arak Branch, Islamic Azad University, Arak, Iran Abstract: It may be stated that despite his scanty schooling, Melville has shown deep interest in the prevailing trends of his age. A true representative of his age is that he struggled hard not only to resolve the conflict between the Calvinistic and the Emersonian theories but also to bring a compromise between religion and science. Though basically a Christian confronted with the complex question of human existence, his experience as a sailor offered him ample scope to develop a systematic knowledge of the outer world. This systematic knowledge of the universe endowed him with the scientific spirit to solve the basic problems of human existence. But while attempting to solve the mystery of religion, he doubted his own religious faith. His religious faith and scientific beliefs are projected in his two major characters, Ishmael and Ahab respectively. Ishmael represents the religious mind of Melville upholding all the virtues of religion; he does not have the heroic grandeur of Ahab - an unheroic hero. Ahab is a real hero, hero of Melville's scientific self that is not prepared to admit defeat from a subhuman, a Prometheus who has descended on earth in the nineteenth century to establish the supremacy of man over creation at the cost of his own life. -
About This Volume Robert C
About This Volume Robert C. Evans Herman Melville’s Moby-Dick is often considered the greatest American novel—a vast epic that combines deep philosophy and high adventure as well as rich comedy and profound tragedy. Moby- Dick also offers a particularly diverse array of characters of various types, personalities, and ethnic backgrounds, and its styles are as varied as the people it depicts. Full of humorous dialects and idioms and brimming with probing, impassioned, poetic speeches, Melville’s novel explores the fascinating world of whale-hunting in the mid-nineteenth century, even as it also raises some of the most persistent questions about the purposes and meanings of human life. 7he ¿nal impact of the book—when enraged whale meets pursuing ship—is one of the most memorable episodes in all of American literature. 7he present volume examines Moby-Dick, the novel (references to Moby Dick the whale have no italics and no hyphen), from a variety of points of view. Indeed, a special focus of this volume involves the many different kinds of critical perspectives that can be—and have been—employed when examining Melville’s masterwork. In particular, the present volume emphasizes how the novel was received by many of its earlier readers; the variety of ways in which it can be interpreted by readers today; and a number of the most up-to-date approaches, such as ecocriticism and connections between Melville’s novel and modern art. 7he volume opens with an essay by -oseph &sicsila, author (among much else) of an important book concerning the “canonization” of literary classics in anthologies of American literature. -
Ishmael and His Sleeping Partners
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1977 Ishmael and His Sleeping Partners John Langley College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Langley, John, "Ishmael and His Sleeping Partners" (1977). Dissertations, Theses, and Masters Projects. Paper 1539624985. https://dx.doi.org/doi:10.21220/s2-kmw5-d373 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. ISHMAEL AND HIS SLEEPING PARTNERS A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by John Langley- 1977 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, October 1977 {jJ'sCCl* ^ ^i William F. Davis Ibrfh&L, Elsa Nettels Robert Sc^rblnick ISHMAEL AND HIS SLEEPING PARTNERS ABSTRACT Critical speculation concerning Ishmael's develop ment in Moby-Dick has argued for and against a mellowing of. his initial misanthropy, but has frequently ignored evidence in the book itself concerning his character sub sequent to the events he describes. This reveals an Ishmael to whom authorship itself is a central concern, which in turn suggests that an important passage which implies the relative insignificance of the "intellect or fancy" must be balanced against another passage, similar in tone and phrasing, indicating the reverse. -
Moby Dick (1956) AUDIENCE SCORE 73%
Moby Dick (1956) AUDIENCE SCORE 73% liked it Average Rating: 3.5/5 User Ratings: 8,233 Movie Info Previous film versions of Moby Dick insisted upon including such imbecilities as romantic subplots and happy endings. John Huston's 1956 Moby Dick remains admirably faithful to its source. "Call me Ishmael" declares itinerant whaler Richard Basehart as the opening credits fade. Though slightly intimidated by the sermon delivered by Father Mapple (Orson Welles in a brilliant one-take cameo), who warns that those who challenge the sea are in danger of losing their souls, Ishmael nonetheless 1976 theatrical re-release poster signs on to the Pequod, a whaling ship captained by the brooding, one-legged Ahab (Gregory Peck). For TOMATOMETER lo these many years, Ahab has been engaged in an obsessive pursuit of Moby Dick, the great white whale to whom he lost his leg. Ahab's dementia All critics spreads throughout the crew members, who maniacally join their captain in his final, fatal attack upon the elusive, enigmatic Moby Dick. Screenwriter Ray Bradbury masterfully captures the allegorical elements in the Herman Melville original without 84% sacrificing any of the film's entertainment value Average Rating: 7.1/10 (Bradbury suffered his own "great white whale" in the Reviews Counted: 19 form of director Huston, who sadistically ran Fresh: 16 roughshod over the sensitive author throughout the Rotten: 3 film).Cinematographer Oswald Morris' washed-out color scheme brilliantly underlines the foredoomed bleakness of the story. Moby Dick's one major Top critics shortcoming is its obviously artificial whale-but try telling a real whale to stay within camera range and hit its marks.