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Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942). -
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message. -
Normal Now! Art and Dis/Ability in a Digital World
29 OCTOBER, 2020 Normal Now! Art and Dis/ability in a Digital World Department of Culture and Aesthetics 2 NORMAL NOW! ART AND DIS/ABILITY IN A DIGITAL WORLD Welcome to the international symposium Normal Now! Art and Dis/ability in a Digital World Who counts as normal, and how can we ask this question so that the answers give us keys to a more inclusive society? Warmly welcome to discuss this topical question with internationally leading scholars and artists working on the theme of bodies, technologies and norms – a central theme in a digital world where images govern who is included and who is excluded. This symposium presents diverse challenges to the image of normality – the image that identifies us as normal or not – so that we may confront stereotypes about what we can do and be. The impetus of the symposium is a commitment to a topic with pressing societal relevance: understanding and transforming the ways in which notions of normality emerge in our cultural expressions and experiences, at a time when diversity is increasingly at stake. Art mirrors and drives these processes, as it originates and circulates in a media landscape dependent on coded standards that pervade global infrastructures as well as our most intimate relations. For this reason, and many more, we need to consider the conditions and consequences of how we imagine the normal, how we give these imaginings power in the form of images – and how such images affect everyday activities and identities in the 21st century network society. Anchored in a project on blind photographers, the symposium responds to this need by sharing new knowledge together with individuals who define a growing field and by making that knowledge available to a broad audience. -
Creativity Imagination & Play
A.P.T. CONFERENCE 2015, Maritime Centre, University of Greenwich, FLIPPING THE CLASSROOM Greenwich, 6TH JULY 2015 London, UK Simon Hayhoe, (Canterbury Christ A GROUNDED THEORY DESIGN AND IMPLEMENTATION OF Church University / London school of Economics) A COURSE TO SUPPORT STUDENTS WITH DISABILITIES Kris Roger (London School of USING TABLET COMPUTERS AND SMARTPHONES AT THE Economics) Sebastiaan Eldritch-Boersen LONDON SCHOOL OF ECONOMICS AND CANTERBURY (London School of Economics) Linda Kelland (London School of CHRIST CHURCH UNIVERSITY, UK Economics) The reason for the study, INTRODUCTION aims and objectives THE MOTIVATION FOR THE STUDY The Disabled Students Allowance (DSA) is a government grant for students aged 18 years and over in English and Welsh higher education Amongst other things, this grant supports the provision of traditional assistive technologies In April 2014, the British Minister for Universities and Science proposed cuts to the DSA Although a later announcement has suggested that these cuts will be postponed until the academic year 2016-2017, a number of universities are already preparing alternative means to support disabled students in future AIMS & OBJECTIVES OF THE STUDY Investigate a cost effective alternative to traditional, expensive assistive technologies Develop education and training on the use of mainstream technologies that students largely own anyway and use for alternative purposes Evaluate whether students are already using these devices, and how to employ them to best effect Explore the most effective way of providing training in the use of these devices Literature and policies that CONTEXT OF THE STUDY provide context to the study DEFINITION OF DISABILITY (2010 EQUALITIES ACT) “You’re disabled under the Equality Act 2010… if you have a physical or mental impairment that has a ‘substantial’ and ‘long-- term’ negative effect on your ability to do normal daily activities. -
Alternative Formats If You Require This Document in an Alternative Format, Please Contact: [email protected]
Citation for published version: Garcia Carrizosa, H, Sheehy, K, Rix, J, Seale, J & Hayhoe, S 2020, 'Designing technologies for museums: accessibility and participation issues', Journal of Enabling Technologies, vol. 14, no. 1, pp. 31-39. https://doi.org/10.1108/JET-08-2019-0038, https://doi.org/10.1108/JET-08-2019-0038 DOI: 10.1108/JET-08-2019-0038 10.1108/JET-08-2019-0038 Publication date: 2020 Document Version Peer reviewed version Link to publication Publisher Rights Unspecified The final publication is available at Emerald via https://doi.org/10.1108/JET-08-2019-0038 University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Designing technologies for museums: accessibility and participation issues Helena Garcia Carrizosa, Kieron Sheehy, Jonathan Rix, Jane Seale and Simon Hayhoe Abstract Helena Garcia Carrizosa is Purpose – This paper aims to report the findings of a systematized literature review focusing on based at The Open participatory research and accessibly in the context of assistive technologies, developed for use within University, Heerlen, The museums by people with sensory impairments or a learning disability. -
Proud to Sponsor Canterbury Festival
CANTERBURY FESTIVAL KENT’S INTERNATIONAL ARTS FESTIVAL 20 OCT - 3 NOV 2018 canterburyfestival.co.uk i Welcome & Sponsors Box Office: 01227 787787 canterburyfestival.co.uk WELCOME PARTNER AND PRINCIPAL SPONSOR FUNDERS from Rosie Turner Festival Director Per ardua ad astra (through struggle to the stars) has been our watchword in preparing this Canterbury Christ Church University welcomes the SPONSORS year’s star-studded Festival. opportunity to work with Canterbury Festival in 2018, for the ninth consecutive year. We are delighted to be Massive thanks to our sponsors and associated with such a prestigious and popular event in donors – led by Canterbury Christ the city, as both Principal Sponsor and Partner. Church University – who have stayed Venue Sponsor loyal, increased their commitment, Canterbury Festival plays both a vital role in the city’s or joined us for the first time, proving excellent cultural programme and the UK festival that Canterbury needs, loves and calendar. It brings together the people of Canterbury, deserves a fantastic Festival. Now visitors, and international artists in an annual celebration you can support us by booking early, of arts and culture, which contributes to a prosperous telling your friends, organising a and more vibrant city. This year’s Festival promises to work’s night out… we need to sell be as ambitious and inspirational as ever, with a rich Technical Sponsor more tickets than ever before and and varied programme. there’s lots to tempt you. The University is passionate about, and contributes From Knights and Dames to significantly to, the region’s creative economy. We are performing Socks – please look proud to work closely with a range of local and national through the entire programme as cultural organisations, such as the Canterbury Festival, some of our unique events defy to collectively offer an artistically vibrant, academically simple classification. -
The Epistemological Model of Disability, and Its Role In
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Simon Hayhoe The epistemological model of disability, and its role in understanding passive exclusion in eighteenth and nineteenth century Protestant educational asylums in the USA and Britain Article (Accepted version) (Refereed) Original citation: Hayhoe, Simon (2016) The epistemological model of disability, and its role in understanding passive exclusion in eighteenth and nineteenth century Protestant educational asylums in the USA and Britain. International Journal of Christianity & Education, 20 (1). pp. 49-66. ISSN 2056- 9971 DOI: 10.1177/2056997115620621 © 2016 The Author This version available at: http://eprints.lse.ac.uk/64844/ Available in LSE Research Online: January 2016 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. The epistemological model of disability, and its role in understanding passive exclusion in Eighteenth & Nineteenth Century Protestant educational asylums in the US and Britain Simon Hayhoe, Faculty of Education, Canterbury Christ Church University, North Holmes Road, Canterbury, Kent CT1 1QU, UK Abstract This article examines how the process of constructing knowledge on impairment has affected the institutional construction of an ethic of disability. -
Canterbury Christ Church University's Repository of Research Outputs Http
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Fox, K. (2019) Paddy the Cope, Michael Powell and the story of the unmade film. Donegal Annual: Journal of the Donegal Historical Society. (In Press) Link to official URL (if available): This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] Dr Ken Fox, School of Media, Art and Design, Canterbury Christ Church University Paddy the Cope, Michael Powell and the story of the unmade film. As a native of Donegal with some knowledge of Paddy the Cope’s legendary status I find myself working in a University film department housed in the Powell Building, named after Michael Powell. The opportunity to bring Donegal and Powell’s Canterbury back together again was too serendipitous to miss. The story of Paddy the Cope was another of those films which only I would want to make and which I certainly should have made (Powell, 1986: 565). Almost ten pages of the first volume of Michael Powell’s (1905-90) autobiography is taken up with the trip to Ireland in 1946, the journey on horseback from Dublin to Dungloe to meet Paddy the Cope, at least near Dungloe, as by most accounts the horses were stabled at Inver and had to be returned to their owners in Dublin. Powell’s sojourn through Ireland provided so much publicity and incident it is surprising the trek has not become the basis for some retelling in film, television, radio, prose or theatre. -
Liminal Soundscapes in Powell & Pressburger's Wartime Films
Liminal soundscapes in Powell & Pressburger’s wartime films Anita Jorge To cite this version: Anita Jorge. Liminal soundscapes in Powell & Pressburger’s wartime films. Studies in European Cinema, Intellect, 2016, 14 (1), pp.22 - 32. 10.1080/17411548.2016.1248531. hal-01699401 HAL Id: hal-01699401 https://hal.archives-ouvertes.fr/hal-01699401 Submitted on 8 Feb 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Liminal soundscapes in Powell & Pressburger’s wartime films Anita Jorge Université de Lorraine This article explores Michael Powell & Emeric Pressburger’s wartime films through the prism of the soundscape, focusing on the liminal function of sound. Dwelling on such films as 49th Parallel (1941) and One of Our Aircraft is Missing (1942), it argues that sound acts as a diegetic tool translating the action into a spatiotemporal elsewhere, as well as a liberation tool, enabling the people threatened by Nazi assimilation to reach for a more permissive world where restrictions no longer operate. Lastly, the soundscape serves as a ‘translanguage’, bridging the gap between soldiers and civilians, or between different nations fighting against a common enemy, thus giving birth to a transnational community. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Taking risks to enable participatory data analysis and dissemination – A research note Journal Item How to cite: Rix, Jonathan; Garcia Carrizosa, Helena; Sheehy, Kieron; Seale, Jane and Hayhoe, Simon (2021). Taking risks to enable participatory data analysis and dissemination – A research note. Qualitative Research (Early Access). For guidance on citations see FAQs. c 2020 Jonathan Rix; 2020 Helena Garcia-Carrizosa; 2020 Kieron Sheehy; 2020 Jane Seale; 2020 Simon Hayhoe https://creativecommons.org/licenses/by-nc/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.1177/1468794120965356 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk QRJ0010.1177/1468794120965356Qualitative ResearchRix et al. 965356research-article2020 Research Note Q Taking risks to enable R participatory data analysis Qualitative Research 1 –11 and dissemination: a © The Author(s) 2020 research note Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/1468794120965356DOI: 10.1177/1468794120965356 journals.sagepub.com/home/qrj Jonathan Rix School of Education, Childhood Youth and Sport, Open University, Milton Keynes, UK Inland Norway University of Applied Sciences, Elverum, Norway Helena Garcia Carrizosa, Kieron Sheehy and Jane Seale School of Education, Childhood Youth and Sport, Open University, Milton Keynes, UK Simon Hayhoe Department of Education, University of Bath, Bath, UK Abstract The involvement of all participants within all aspects of the research process is a well-established challenge for participatory research. -
Blindness, Programming, Perception and Mulsemedia: Case Studies of Five Blind Computer Programmers
Blindness, Programming, Perception and Mulsemedia: Case studies of five blind computer programmers Simon Hayhoe Centre for the Philosophy of Natural and Social Science, London School of Economics & ICT Department, Leicester Grammar School http://www.blindnessandarts.com Lecture Delivered to BCS, Demontfort University, Leicester, UK 11th January 2011 Introduction What is Mulsemedia? Multi Sensory Media • Obvious advantages for people who are blind and deaf • Teaches us something about interfaces in general • It also teaches us something about – the culture of computer interfaces – how we learn to use them – how we interact with them on a deeper level Hayhoe S (Forthcoming) Non-Visual Programming, Perceptual Culture and Mulsemedia: Case studies of five blind computer programmers, In Multiple Sensorial Media Advances and Applications: New Developments in MulSeMedia (Ghinea G et. al. Eds). Hershey, Pennsylvania: IGI Global The Context of the Study “Blind programmers could compete quite nicely in the IT workplace when the mainframe was king. But today, as graphically oriented Windows tool kits displace the text-based mainframe development, blind programmers are facing an uncertain future.” Steve Alexander, Blind Programmers Face an Uncertain Future, ComputerWorld, November 6th 1998 The Context of the Study • Literature gives first-hand accounts of successful programmers who have become blind later in life and continued programming (Kotian 2008, Filpus 2008) • Little context given to older people who were educated in older schools for the blind -
415 REVIEWS Area, Produced by the Romney Marsh Research Trust (RMRT) and Its Antecedents
Archaeologia Cantiana - Vol. 131 2011 REVIEWS Excavations at Market Way St Stephen’s, Canterbury. By Richard Helm and Jon Rady. ix + 90 pp. 35 figs, 30 plates and 33 tables. CAT Occasional Paper No. 8, 2011. Paperback, £13.95. ISBN 978-1-870545-2-1. This very recently published report on the Market Way excavations adds considerably to the knowledge and understanding of the importance of suburban sites peripheral to Canterbury. Activity on this site has been dated to the Mesolithic, through the Neolithic to the transition of the Bronze to the Iron Age. After an apparent break in use of the site there is evidence of late Iron Age and early Roman agricultural activity along the Stour reflecting a trend already identified in the area. Although the excavations did not uncover as much as was hoped to consolidate the nearby findings by Frank Jenkins in the 1950s, sufficient evidence remained of the suburban pottery and tile industry which emerged in Canterbury suburbs during the first and second centuries AD, fixing the Market Way site into the overall pattern of activity along the Stour. From the mid-second century AD signs of abandonment are all that remain. The possible existence of a Roman road running from Northgate to the Market Way site is sustained by later Roman inhumation burials along the route, and the use of the route after a four hundred year hiatus, when the next agricultural settlements, evidenced by field patterns, emerged in the eighth century, only to be abandoned after the middle of the ninth century. Thereafter the site remained unoccupied until late post-medieval horticultural usage.