Starlight Musicals 1958
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Walt Disney's Sleeping Beautywalt Disney's Sleeping Beauty Once
Walt Disney's Sleeping BeautyWalt Disney's Sleeping Beauty Once upon a time, in a kingdom far away, a beautiful princess was born ... a princess destined by a terrible curse to prick her finger on the spindle of a spinning wheel and become Sleeping Beauty. Masterful Disney animation and Tchaikovsky's celebrated musical score enrich the romantic, humorous and suspenseful story of the lovely Princess Aurora, the tree magical fairies Flora, Fauna and Merryweather, and the valiant Prince Phillip, who vows to save his beloved princess. Phillips bravery and devotion are challenged when he must confront the overwhelming forces of evil conjured up by the wicked and terrifying Maleficent. Embark on a spectacular adventure of unprecedented scale and excitement in this thrilling, timeless Disney Classic. distributed by Buena Vista film distribution co., inc. Walt Disney presents Sleeping Beauty Technirama(r) Technicolor(r) With the Talents of Mary Costa Bill Shirley Eleanor Audley Verna Felton Barbara Luddy Barbara Jo Allen Taylor Holmes Bill Thompson Production Supervisor . Ken Peterson Sound Supervisor . Robert O. Cook Film Editors . Roy M. Brewer, Jr. Donald Halliday Music Editor . Evelyn Kennedy Special Processes . Ab Iwerks Eustace Lycett (c)Copyright MCMLVIII - Walt Disney Productions - All Rights Reserved Music Adaptation George Bruns Adapted from Tchaikovsky's "Sleeping Beauty Ballet" Songs 1 George Bruns Erdman Penner Tom Adair Sammy Fain Winston Hibler Jack Lawrence Ted Sears Choral Arrangements John Karig Story Adaptation Erdman Penner From the Charles Perrault version of Sleeping Beauty Additional Story Joe Kinaldi Winston Hibler Bill Peet Ted Sears Ralph Wright Milt Banta Production Design Don Da Gradi Ken Anderson McLaren Stewart Tom Codrick Don Griffith Erni Nordli Basil Davidovich Victor Haboush Joe Hale Homer Jonas Jack Huber Kay Aragon Color Styling Eyvind Earle Background Frank Armitage Thelma Witmer Al Dempster Walt Peregoy Bill Layne Ralph Hulett Dick Anthony Fil Mottola Richard H. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Finding Aid for Bolender Collection
KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by -
Film Program
/o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
"Drums" Box-Office Music in South!
R K 0 RADIO PICTURES ~;'{'4dlitli1.l!!.::;:::!:!1:1l11..li1l1111']:t~ Vol. XXII NEW YORK CITY, OCTOBER 20, 1951 No. 15 "DRUMS" BOX-OFFICE MUSIC IN SOUTH! By TERRY TURNER ATLANTA, October 16-With bands aplaying and gals aswaying the real core of the southern campaign for the King Brothers DRUMS IN THE DEEP SOUTH was reached when a street parade of southern beauties from 12 south- ern states, headed by Mayor Hartsfield, Franchot Tone and Barbara Payton, and six high school bands, swung down famous old Peachtree street to the Rialto Theatre with thousands lining the sidewalks. Among those thousands were Maurice and Hymie King, who appeared thrilled and lamented the fact that there were no newsreels present to re- cord the epic event. (Contina.ed on Page Five) SCOREBOARD SPECIAL CITATION "Racket" Prem. The world premiere for THE (our best grosser at the Capitol, BEHAVE YOURSELF! - Much FOR "ON THE LOOSE" f<ACKET has been set for the better than recent engagements toppinq EIFFEL TOWER by at Boston, Davenport, Cedar $2500, which had the benefit of American Youth Institute has Earle Theatre, Philadelphia, on Rapids, San Francisco, Waterloo, a world premiere as well as per- oiven Filmakers ON THE LOOSE October 5th. RKO Radio's usual Seol tle. Oakland (moveover), ccnel appearances of Franchot E; Special Citation for "excellence showmanship treatment for a fea- in faithfully mirroring one of the Philadelphia (held over), Miami, Tone and Burgess Meredith). Four ture of this character will be days topped week's gross on symptomatic causes of America's two theatres, Baltimore. -
Westerns at The
For immediate release: December 21, 2007 WEXNER CENTER GOES WEST FOR NINE-FILM SERIES IN JANUARY This January, the Wexner Center presents a five-night, nine-film series offering some of the best films from that most American of genres, the western. Though the western has been proclaimed dead or irrelevant numerous times in film history, the recent releases of 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and even the Coen brothers’ western update No Country for Old Men suggest that there is still plenty of life and contemporary relevance in the genre (see the New York The Searchers, showing January 10 Image courtesy Warner Bros. Times Magazine cover story “How the Western Was Won” on November 11 for more on this topic). The Western series at the Wexner Center—which kicks off January 10—presents a rare chance to revisit (or see on the big screen for the first time) some influential western classics. It features some of the genre’s iconic stars (including John Wayne, James Stewart, Randolph Scott, and Gary Cooper) in films by some of the genre’s masters (such as John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher). While this series focuses on the postwar western cycle typified by flawed heroes and muddied morals (exemplified by Ford’s landmark The Searchers), it also includes lighter approaches (The Plainsman, Trail of the Vigilantes) and the clearly revisionist Little Big Man. This series was organized by the Wexner Center’s film staff. Tickets for each night of the series are $7 general public; $5 members, students, and senior citizens; $3 children under 12. -
THE APPRENTICESHIP of ROBERT ANDERSON. The
This dissertation has been microfilmed exactly as received 70-6715 AYERS, David Hugh, 1924- THE APPRENTICESHIP OF ROBERT ANDERSON. The Ohio State University, Ph.D., 1969 Theater University Microfilms, Inc., Ann Arbor, Michigan ( c ) David Hugh Ayers 1970 ALL RIGHTS RESERVED THE APPRENTICESHIP OF ROBERT ANDERSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David Hugh Ayers, B.A., H.A. ****** The Ohio State University 1969 Approved by ^ __ ^XCo-Adviser D^ision of Theatre ^ Co-Adviser Division of Theatre PREFACE For over fifteen years, Robert Anderson has been recognized as a major American playwright, but no full-length critical consider ation of his work has been undertaken. This first comprehensive treat ment of his career developed as an outgrowth of the American Play wrights Theatre program. As Executive Director of the APT project for the past six years, ray association with Mr. Anderson in connec tion with fifty nationwide APT productions of his play. The Days Between, resulted in some of the most rewarding and stimulating ex periences of my life. Inspired initially by admiration for the man and his work, the present study grew out of the realization that a wealth of material has accumulated over the period of this associa tion in the form of letters, tape-recorded broadcasts, various re visions of The Days Between, the author's notes on interpretation, etc., which could serve as valuable sources of information for future biographers, critics, historians, and play directors. The purpose of the dissertation is twofold: to present a professional biography of Robert Anderson and to provide explication of his major plays through an examination of his development as a playwright and by the inclusion of Mr. -
Submission: Bachelor of Applied Arts Music Theatre Performance
April 2, 2009 Sheridan College Institute of Technology and Advanced Learning 1430 Trafalgar Road Oakville ON L6H 2L1 (905) 845-9430 Submission: Bachelor of Applied Arts Music Theatre Performance Applying for Ministerial Consent Under the Post-secondary Education Choice and Excellence Act, 2000 The Secretariat Postsecondary Education Quality Assessment Board Suite 1511 2 Carlton Street Toronto, Ontario M5B 1J3 Tel.: 416-325-1686 Fax: 416-325-1711 E-mail: [email protected] Sheridan College Institute of Technology and Advanced Learning 1. Title Page 1.1 Submission Title Page Full Legal Name of Organization: Sheridan College Institute of Technology and Advanced Learning Operating Name of Organization: N/A Common Acronym of Organization: Sheridan College URL for Organization Homepage: http://www1.sheridaninstitute.ca/ Proposed Degree Nomenclature: Bachelor of Applied Arts (Music Theatre Performance), BAA (MTP) Location (specific address) where program to be delivered (each location requires a location- specific consent from the Minister): 1430 Trafalgar Road, Oakville, Ontario L6H 2L1 Contact Information: Person Responsible for this Submission:* Name/Title: Dr. Mary Preece, Vice President Academic Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x4061 Fax: (905) 815-4002 E-mail: [email protected] Site Visit Coordinator (if different from above):** Name/Title: Nancy Riddell, Coordinator Administrative Services Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x2666 Fax: (905) 815-4168 E-mail: [email protected] Anticipated Start Date: September, 2010 Anticipated Enrolment for the first 4 years of the program: 166 Chair, Board of Governors Name/Title: Susanna D’Arcy Mailing Address: c/o Board of Governors Office, 1430 Trafalgar Road, Oakville, ON L6H 2L1 Telephone: (905) 844-5198 * The person who is the primary contact for the submission on matters pertaining to proposal content and communications from the Postsecondary Education Quality Assessment Board. -
Theatre Music on LP Larry Hart Wrote Falls Away Without Much Magnitude
3t) Nighl Was Made lor Love' and "She Didn't Say 'Yes'." One of the RCA Victor "Show Time" series, LPM-3151, .$3.15. "CONNECTICUT YANKEE" (R Rodgers and L Hart). This score is not done justice by the cast on this RCA recoiding. The incomplete presen tation of some fine songs that Dick Rodgers and Theatre Music on LP Larry Hart wrote falls away without much magnitude. Al Goodman's orchestra, Earl Wrightson. and Elaine Malbin. Numbers like "Thou Swell" and "My Heart Stood Still" are out of Messrs. Rodgers and Hart top drawer. RCA LK-10L:6. S4.19: Tliiiiies. Thii ifccortiiiig is iroai tiie =0Uiiutt-ack. EW things of the LP era have Fred Astaire, Nanette Fabra\, Cyd Chars^ise are "CONVERSATION PIECE" (Noel Coward). Noel been more gratifying than the fine. One of the highspots is Astaire's very Coward. Lily Pons, and Columbia records ful relaxed singing of 'By Myself." The songs are fil their mission in this original recording ovi F"candid" exposures permitted of briUiant. Mary Martin's ver.sion, C-Ml 4751. is two twelve-inch Col. SL-163, $11.90. This is a good too, but not complete. Victor LPM-3155 play with music. Although this recording does the great, good, and perhaps not-so- features Harold Lang and Edith Adams, both not star musically, its stars give better than good products of the Broadway musi worth hearing. average perlormances. Mr. Coward presents his part artfully in his inimitable style. Lily Pons cal stage in the last half-dozen years, "BLACKBIRDS OF T928" (McHugli-Fields). -
Rediscovering Me and Juliet and Pipe Dream , the Forgotten Musicals of Rodgers and Hammerstein
ABSTRACT Title of Thesis: “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN Bradley Clayton Mariska, Master of Arts, 2004 Thesis directed by: Assistant Professor Jennifer DeLapp Department of Musicology Me and Juliet (1953) and Pipe Dream (1955) diverged considerably from Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Me and Juliet was the team’s first musical comedy and had an original book by Hammerstein. Pipe Dream was based on a John Steinbeck novel and featured bums and prostitutes. This paper documents the history of Me and Juliet and Pipe Dream , using correspondence, early drafts of scripts, interviews with cast members, and secondary sources. I analyze the effectiveness of plot, music, and lyrics, while considering factors in each show’s production that may have led to their respective failures. To better understand reception, emphasis is placed upon each show’s relationship to the political and cultural landscape of 1950s America. Re-examining these musicals helps document the complete history of the Rodgers and Hammerstein collaboration and provides valuable insights regarding the duo’s social values and personal philosophies of musical theatre. “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN by Bradley Clayton Mariska Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirement for the degree of Master of Arts 2004 Advisory Committee: Professor Jennifer DeLapp, Chair Professor Barbara Haggh-Huglo Professor Richard King © Copyright by Bradley Clayton Mariska 2004 To Grandma Bonnie, for The Sound of Music To my parents, for Joseph ii ACKNOWLEDGEMENTS I am indebted to many individuals who have helped in the completion of this document. -
OUR TOWN for Summit Days
COMBINING The Summit Herald, Summit Record, Summit Press and Summit News-Guide OFFICIAL: " Subscription $2.00 a Year Official Newspaper Of City and County. Published Thursday A.M. Telephone Summit 6-6300 by The Summit Publishing Co., 357 Springfield Avenue. Entered at the Mailed in conformity with P. 0. D. Order No. 19687. Post Office, Summit, N. J., aa 2n{> MMIT HERALD Class Matter. 55th Year. No. 8 FRED L. PALMER, Editor & Publisher THURSDAY, AUGUST 5, 1943 J. EDWIN CARTER, Business Mgr. & Publisher 5 CENTS Fortress Pilot DOWNS TWO JAPS SERVICE FLAG HONORS NURSES IN SERVICE Blasts Attacking OUR TOWN For Summit Days, , Jap Planes FRIENDS OF GORDON ROAN August 12,13,14 An Associated Press (delayed We publish in this issue the first letter we. have received Fifty-six Summit'"tnprchantK have dispatch) yesterday from "Some- from a Summit boy in a German prison camp. As you will see already agreed to support the third where in Now Guinea", reported a annual Summit Days, August 12. 1'!. Flying Fortress piloted 'by Captain by reading the letter he cannot write to his friends in Summit H in a demonstration thai Summit f Joseph E. Henslcr, of 2 Surrey —but you can write to him. As you can also see it will help is the place to shop. The total " load, had shot down "two Japanese him greatly to get your letters. Will each of you who knows number of supporters Is now ex- Zeroes today to avenge the loss of him sit down and write and make a note to write often? Also pected to reach nearly 75.