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An Uncurling Hand Isolation in Public Places
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 An Uncurling Hand Isolation In Public Places Kimberly Kelley Lundblom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lundblom, Kimberly Kelley, "An Uncurling Hand Isolation In Public Places" (2011). Electronic Theses and Dissertations, 2004-2019. 1761. https://stars.library.ucf.edu/etd/1761 AN UNCURLING HAND: ISOLATION IN PUBLIC PLACES by KIMBERLY KELLEY LUNDBLOM B.A. University of North Florida, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2011 Major Professor: Terry Thaxton © 2011 Kimberly K. Lundblom ii ABSTRACT The creative thesis ―An Uncurling Hand: Isolation in Public Places‖ is a collection of poetry concerned with ideological dichotomies: conventional domestication against the exotic, class divides and its implications for identity, and most importantly the feeling of isolation even when surrounded by others. iii I am grateful to Terry Thaxton, whose belief in my abilities was unwavering and life altering. iv TABLE OF CONTENTS INTRODUCTION Writing Life Essay ............................................................................................................ -
Note: the Following List Is Only a Sampling of the Songs That Best Describe the Joker’S Wild
Note: The following list is only a sampling of the songs that best describe The Joker’s Wild. This is not an all-inclusive listing. The Joker’s Wild welcomes requests and music from a variety of genres. Ain't That A Kick In The Head Jump, Jive, an' Wail All of Me Just a Gigolo/I Ain't Got Nobody All The Way Just One of Those Things Angel Eyes Kansas City Angelina/Zooma-Zooma Kiss To Build a Dream On, A Are You Havin' Any Fun Lady is a Tramp, The As Long As I'm Singin' Let's Call The Whole Thing Off As Time Goes By Let's Fall in Love At Last Like Young Auld Lang Syne L-O-V-E Baby Please Come Home Love is the Tender Trap Banana Split For My Baby Luck Be a Lady Basin Street Blues Mack the Knife Besame Mucho Memories Are Made of This Best Is Yet To Come Moon River Beyond the Sea Moonlight in Vermont Bim Bam Moonlight Serenade Bla Bla Cha Cha Cha More Blue Alert Mustang Sally Buona Sera My Funny Valentine Can't Take That Away From Me New York, New York Cheek to Cheek Night and Day Come Fly With Me A Nightingale Sang in Berkeley Square Come Rain or Come Shine O Sole Mio Comin' Home Baby Oh Marie Crazy Lady Old Devil Moon Dig That Crazy Chick One For My Baby Do Nothin' Till Hear From Me Papa Loves Mambo Don't Get Around Much Anymore Paper Moon Down The Road I Go Pennies From Heaven Duke's Place Please Be Kind East of the Sun, West of the Moon Please Don't Talk About Me When I'm Gone Easy To Love Pop-A-Diddy Fifteen on Fifteen Shadow of Your Smile, The Fine Romance, A Shape in a Drape Five Guys Named Moe Sing, Sing, Sing Five Months, Two Weeks, -
CODE BLEU Thank You for Joining Us at Our Showcase This Evening
PRESENTS… CODE BLEU Thank you for joining us at our showcase this evening. Tonight, we are featuring Code Bleu, led by Sean and Faith Gillen. Performing together for over twenty years, Code Bleu has become one of the most sought – after orchestras in New York. Code Bleu possesses a unique blend of fun, excitement and elegance that will leave your guests endlessly raving about your wedding. Featuring eight powerful lead vocalists, horns, keyboards, guitar, bass, drums and percussion, they can reproduce virtually any musical style. Code Bleu Members: • ELECTRIC, ACOUSTIC GUITARS, VOCALS………………………..………SEAN GILLEN • VOCALS AND MASTER OF CEREMONIES……..………………………….FAITH GILLEN • VOCALS AND KEYBOARDS..…………………………….……………………..RICH RIZZO • VOCALS AND PERCUSSION…………………………………......................SHELL LYNCH • KEYBOARDS AND VOCALS………………………………………..………….…DREW HILL • BASS……………………………………………………………………….….......DAVE ANTON • DRUMS AND SEQUENCING………………………………………………..JIM MANSFIELD • SAXOPHONE, VOCALS, FLUTE, AND GUITAR….……………ANTHONY POLICASTRO • VOCALS………………………………………………………………….…….PAMELA LEWIS • TRUMPET AND VOCALS……………….…………….………………….ALYSON GORDON www.skylineorchestras.com (631) 277 – 7777 #Skylineorchestras DANCE : BURNING DOWN THE HOUSE – Talking Heads BUST A MOVE – Young MC A GOOD NIGHT – John Legend CAKE BY THE OCEAN – DNCE A LITTLE LESS CONVERSATION – Elvis CALL ME MAYBE – Carly Rae Jepsen A LITTLE PARTY NEVER KILLED NOBODY – Fergie CAN’T FEEL MY FACE – The Weekend A LITTLE RESPECT – Erasure CAN’T GET ENOUGH OF YOUR LOVE – Barry White A PIRATE LOOKS AT 40 – Jimmy Buffet CAN’T GET YOU OUT OF MY HEAD – Kylie Minogue ABC – Jackson Five CAN’T HOLD US – Macklemore & Ryan Lewis ACCIDENTALLY IN LOVE – Counting Crows CAN’T HURRY LOVE – Supremes ACHY BREAKY HEART – Billy Ray Cyrus CAN’T STOP THE FEELING – Justin Timberlake ADDICTED TO YOU – Avicii CAR WASH – Rose Royce AEROPLANE – Red Hot Chili Peppers CASTLES IN THE SKY – Ian Van Dahl AIN’T IT FUN – Paramore CHEAP THRILLS – Sia feat. -
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 11/28/2020 7PM through 11/28/2020 11P s: AirTime s: Runtime Schedule: Description 07:00:00p 00:00 Saturday, November 28, 2020 7PM 07:00:00p 04:27 INTO THE GROOVE / MADONNA 07:04:27p 04:11 YOU SHOULD BE DANCING / BEE GEES 07:08:38p 03:49 I'M COMING OUT / DIANA ROSS 07:12:27p 03:32 BIG SHOT / BILLY JOEL 07:15:59p 03:00 YOU MIGHT THINK / CARS 07:18:59p 03:32 BOOGIE NIGHTS / HEATWAVE 07:22:31p 03:40 THE HEAT IS ON / GLENN FREY 07:26:11p 03:10 HANDCLAP / FITZ & THE TANTRUMS 07:29:26p 03:30 STOP-SET 07:36:10p 03:49 JUMP / VAN HALEN 07:39:59p 03:42 I'M EVERY WOMAN (EDIT) / WHITNEY HOUSTON 07:43:41p 05:02 LOWDOWN / BOZ SCAGGS 07:48:43p 03:57 I'M YOUR BOOGIE MAN / K.C. & THE SUNSHINE BAND 07:52:40p 03:30 STOP-SET 08:00:00p 00:00 Saturday, November 28, 2020 8PM 08:00:00p 04:13 LOVE SHACK / B-52'S 08:04:13p 02:40 TAKE THE MONEY & RUN / STEVE MILLER BAND 08:06:53p 03:30 PUMP UP THE JAM / TECHNOTRONIC 08:10:23p 03:56 DRIVER'S SEAT / SNIFF 'N' THE TEARS 08:14:19p 03:39 WORKING FOR THE WEEKEND / LOVERBOY 08:17:58p 03:52 MAC ARTHUR PARK / DONNA SUMMER 08:21:50p 02:57 WAKE ME UP BEFORE YOU GO-GO / WHAM! 08:24:47p 04:27 BORN IN THE U.S.A. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
November 2020: Alumni English 100 Class Oracle
Issue 1 November 5, 2020 Onward Odyssey ORACLE English 100 Writers’ Journal Contents Why We Write .............. 2 Educational Journeys .. 13 Kevin Mullen, Odyssey Co-Director, English 100 Instructor [email protected] 608-572-6730 Emily Auerbach, Odyssey Co-Director [email protected] 608-712-6321 www.odyssey.wisc.edu Odyssey Oracle 11-5-2020 Why We Write If I had a chance to really look back wanted and not worry about the backlash. I could at my life, I can say that writing explore my feelings with words instead of keeping saved it. From the early years of them bottled up. It didn’t take me long to fill my me writing love letters to the guys journal up after figuring out that I had something who probably didn’t know I existed to say. I started to use my subject journals to jot to writing papers and poetry for down things in school, at family events, and even my Odyssey class, putting a pen to in church. It turned out that I did have something paper gave me the space to express myself freely to say! Instead of holding on to the mean things I and unafraid. I knew that my silent power could thought about myself at the time, I got them out. I take me into a world where what I said mattered was able to clear my mind while giving it space to and was appreciated. recreate how I felt about myself. In other words, I’d struck gold. Outside of my notebooks I was a gentle giant. -
The Future of Youth Justice: a Community-Based Alternative to the Youth Prison Model Patrick Mccarthy, Vincent Schiraldi, and Miriam Shark
New Thinking in Community Corrections OCTOBER 2016 • NO. 2 VE RI TAS HARVARD Kennedy School Program in Criminal Justice Policy and Management The Future of Youth Justice: A Community-Based Alternative to the Youth Prison Model Patrick McCarthy, Vincent Schiraldi, and Miriam Shark Introduction Executive Session on [F]airly viewed, pretrial detention of a juvenile Community Corrections gives rise to injuries comparable to those associated This is one in a series of papers that will be with the imprisonment of an adult. published as a result of the Executive Session on —Justice Thurgood Marshall Community Corrections. It is, in all but name, a penitentiary. The Executive Sessions at Harvard Kennedy School bring together individuals of independent —Justice Hugo L. Black standing who take joint responsibility for rethinking and improving society’s responses to an issue. Members are selected based on their Is America getting what it wants and needs by experiences, their reputation for thoughtfulness, incarcerating in youth prisons young people who and their potential for helping to disseminate the get in trouble with the law? work of the Session. Members of the Executive Session on Community If not, is there a better way? Corrections have come together with the aim of developing a new paradigm for correctional policy For 170 years, since our first youth correctional at a historic time for criminal justice reform. The Executive Session works to explore the role of institution opened, America’s approach to youth community corrections and communities in the incarceration has been built on the premise that a interest of justice and public safety. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
MOVE Bombing Or What Is Called “May 13, 1985” in West Philadelphia, Was a Pivotal Moment in the Mayoral Reign of Wilson Goode and Was the First Time a U.S
James Madison University JMU Scholarly Commons Proceedings of the Tenth Annual MadRush MAD-RUSH Undergraduate Research Conference Conference: Best Papers, Spring 2019 MOVE: Philadelphia's Forgotten Bombing Charles Abraham Follow this and additional works at: https://commons.lib.jmu.edu/madrush Part of the United States History Commons Abraham, Charles, "MOVE: Philadelphia's Forgotten Bombing" (2019). MAD-RUSH Undergraduate Research Conference. 1. https://commons.lib.jmu.edu/madrush/2019/move/1 This Event is brought to you for free and open access by the Conference Proceedings at JMU Scholarly Commons. It has been accepted for inclusion in MAD-RUSH Undergraduate Research Conference by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. MOVE: Philadelphia’s Forgotten Bombing Charles Abraham James Madison University In a fortified rowhouse in West Philadelphia, a bomb dropped by Philadelphia Police killed eleven MOVE members, including five children, and burned down sixty-five other houses after a lengthy standoff between the two groups. MOVE was a cult-like organization which eschewed technology, medicine and western clothing, where members lived communally, ate raw food, left garbage on their yards, and proselytized with a loudspeaker, frustrating the residents of Osage Avenue. The MOVE Bombing or what is called “May 13, 1985” in West Philadelphia, was a pivotal moment in the mayoral reign of Wilson Goode and was the first time a U.S. city bombed itself. The bomb dropped on the MOVE rowhouse with only marginal consequences to the city government because of previous encounters with MOVE and antipathy in the public towards the MOVE organization resulting in the group falling into obscurity.1 1 For further reading on cults in America, see Willa Appel, Cults in America: Programmed for Paradise (New York: Holt, Rinehart, and Winston, 1983) which discusses the phenomenon of cults and how one is indoctrinated or breaks out of a cult. -
Burning Down the House
BURNING DOWN THE HOUSE The Destruction of Pennsylvania Hall, the Construction of Identity, And the Crisis of Abolition in Antebellum Philadelphia By: Rosalie Hooper Submitted to Professors Bethel Saler and Andrew Friedman In partial fulfillment of the requirements of History 400: Senior Thesis Seminar April 20, 2012 ABSTRACT In 1838, Pennsylvania Hall was constructed on the corner of Sixth Street and Race Street in Philadelphia. The managers of Pennsylvania Hall, the Pennsylvania Hall Association, intended for the building to serve as a testament to "the principles of Pennsylvania: 'Virtue, Liberty, and Independence.' They believed that Pennsylvania Hall would facilitate free discussion of slavery and other issues "not of an immoral character." Pennsylvania Hall opened to the public on May 14, 1838 with lyceums, abolitionists, and temperance groups scheduled to use the Hall as a forum for dialogue throughout the week. Three days later, a mob burned Pennsylvania Hall to the ground. The destruction of Pennsylvania Hall decisively changed how antebellum Philadelphians thought about slavery and abolition. Philadelphians used retellings of the events of Pennsylvania Hall's destruction to create and perform their own identities, incorporating the notion of slavery as an intrinsic part of their sense of self. Examining how members of the mob that destroyed Pennsylvania Hall, the Pennsylvania Hall Association, the Anti-Slavery Convention of American Women, and officers of Philadelphia's municipal government used Pennsylvania Hall's story to advance their interests forms the basis of this project. Each group refracted Pennsylvania Hall's story through a lens of their own interests and biases, thus creating many different interpretations of the singular events of the Hall's destruction and establishing their own understandings of the contentious and unstable categories of race, class, gender, and citizenship. -
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51.