HCPC Newsletter January 2021

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HCPC Newsletter January 2021 HCPC In Focus Newsletter of the Harbour City Photography Club January, 2021 President’s message by Bill Saffin Season’s Greetings and Happy New Year to any member of the executive. you all. Here’s looking forward to a brighter year ahead. We are continuing to investigate possible venues for in-person meetings, so that we We have made it through several very will be ready to switch when it becomes difcult months, with adaptations to a new possible. We welcome your feedback about way of conducting our club’s activities. It has our Zoom meetings (complaints, been challenging, certainly, but I have been suggestions, or ofers to help). very impressed by, and thankful for, the way members of our club have stepped up. We Speaking of suggestions, we are looking for have changed the way we do everything, ideas for meeting topics, presenters, possible and there have been a few rough spots, but workshops (via Zoom for the time being), we have overcome those and, I think, we software training, or other types of training/ have had a very successful season so far. education that you would like your club to consider ofering. We don’t know yet what the “new normal” will look like, since things are still subject to It is not too early to start thinking about next change, but our club is in a good position. year, particularly about the new executive We have had enough practice with Zoom board that will need to be elected at our next that our meetings go quite smoothly. We Annual General Meeting, which is scheduled have had a great lineup of presenters, most for June, 2021. All positions on the board will of whom we could never have aforded in regular times. We have two very active SIGs (Special Interest Groups), with at least one Table of Contents more scheduled to begin early in 2021. Feedback from the members participating in President’s Message 1 these SIGs has been extremely positive, and Internal Challenges 2 it is very easy for anyone who is interested to External Competitions 2 make their interest known to others. Programs, Presenters & Pandemics 3 Freeman Patterson, Iconic Photographer 4 Outings are very diferent now from the way Member Profle: Martha Hardy 6 they used to be conducted, but they are still possible. We will continue to monitor public Photo-Bio: Fred Herzog 8 health orders and adjust our outings as Populating Landscape Images 10 appropriate. If you have any ideas for Club Outings 12 outings, particularly outings that could be Wildlife,Bird&InsectPhotography 13 conducted in the current limited fashion, Puzzle 14 please forward your ideas to Don Clark or 1 be open, and all except that of Secretary non-executive member, just like most of you. must be flled by diferent members – the The club is doing well, but it will continue to remainder will have all served their do so only with the continued support and maximum two-year term at the end of this hard work of its members. club year. Please start thinking now about how you might contribute to the functioning Thanks for your continued support, and of your club in the coming year – every remember to keep shooting and sharing. member of the executive was formerly a Internal HCPC Challenges, 2021 External Competitions, 2021 President’s Challenge - Theme - An Members are encouraged to submit their Island Winter - Due Date January 1 - best images for all external competitions Show January 5 we enter as a club. Upcoming themes and deadlines for submissions to HCPC Valentines Day Showcase - Theme - Red are: -DueDateFebruary12-ShowFebruary 16 January 8th, 2021 - CAPA Creative St Patricks Day Showcase - Theme - January 23rd, 2021 - CAPA Fine Art Green - Due Date March 11 - Show TBD February 5th, 2021 - North Shore Spring Challenge - Theme - New Beginnings - Due Date May 13 - Show Challenge (Open) May 18 February 8th, 2021 - CAPA A Series of Year End Showcase - Theme - Shoes - Four Photos Due Date June 9 - Show June 15 February 28th, 2021 - CAPA Year End Awards - Black & White Monochrome Portrait - Due Date June 8 - Show June 15 March 6, 2021 - CAPA Audio Visual Presentation Year End Awards - Abstract - Due Date June 8 - Show June 15 March 24 2021 - CAPA Curves and Lines Year EndAwards - Humour - Due Date April 8, 2021 - CAPA Canada: My June 8 - Show June 15 Country Full details for all challenges and Winning images from past competitions competitions will be on our club website are posted on the CAPA website .Click calendar. on Winners, in the Competitions drop down menu. “All the technique in the world doesn’t Full details for all challenges and compensate for the inability to notice.” competitions will be on our club website ―ElliottErwitt calendar. 2 Progams, Presenters & Pandemics by Rooney Dumler April 2020 marked the beginning of the big presentations from Phillipe Scholz- shift in the Harbour City Photography Club. Rittermann and Chris Harris of Caribou Our eforts to salvage the Photo Salon led the fame, to name but a few. executive and salon planning committee into the new reality of virtual presentations and Two issues have been raised about our the world of Zoom. Little did we know how current direction. Firstly, in terms of budget it would reshape the club or for how long. and afordability, the costs of most presenters fall within our policy on Photo clubs throughout western Canada and honorariums. Apart from the cost of a Zoom the Yukon met, and continue to meet, to talk subscription, the overall cost of hosting a about the challenges of the new technology. meeting is minimal. We will also accrue Ideas regarding challenges, competitions, unexpected revenue from the Freeman educational topics and speakers have been Patterson webinar, generated by selling exchanged. This, in itself, has provided a “seats” as organized through Eventbrite, an wealth of ideas, some of which we have event management and ticket website. This implemented in our own club. webinar will more than ofset our program and education expenses this year. Presenters who were at one time far beyond the reach of the average club have now, The second issue is, “Where to, now?” through the magic of Zoom, become accessible. Many of the “experts” that used The immediate ‘now’ for our club is to to headline major conferences have continue as we have for the past six months realigned their skills and resources into and present, through Zoom, a variety of afordable ninety-minute slide presentations. interesting speakers and opportunities for Groups such as Camera Club Hub have members to share their own work. I developed, whereby a club in need of a encourage the club to participate in the presenter can access a catalogue of Zoom Special Interest Groups (SIGs) to further presenters and topics from all over North refne photography skills. And hopefully, we America. will be able to resume small group outings in the new year. After the pause in March and April, our group found its feet and met to ofer The ‘long game’ may look diferent. Zoom speakers and events over the summer. The has opened a level of accessibility to the fall program focused on building skills and “experts” that will be difcult to ignore. knowledge through teacher-photographer, Even as we begin to once again meet face-to- Rick Hulbert. His program was interspersed face, this technology has become part of our with a presentation on street and new norm. But I welcome the day when we documentary photography from Jef Topham can all get together over cofee and cookies, and later, a presentation on long exposure in a building, all at the same table, and and fne art photography from Sharon develop the new plan for programs and Tenenbaum. In the coming months we are education that will best serve our club in the hosting a webinar from Canada’s icon, future. author and photographer, Freeman Patterson, and later, we look forward to 3 Freeman Patterson, Iconic Photographer, Coming to HCPC by Trish Hanna On January 19th, 2021, HCPC is honoured to painting and music, host a Zoom presentation, A Call to the photographer Creativity, by the renowned photographer, begins with a author, and educator, Freeman Patterson. subjective response to the objective Born and raised in New Brunswick, world. He coaches Patterson returned to that province in 1973, us to pay homage to it and to our responses settling just down the road from his to it. His guidelines are clear: discipline, childhood home in Long Reach, at understanding visual design, using care, and Shamper’s Bluf. There he created a centre diving deep into our surroundings. These for photography and design. Nearly 50 years were the tenets of his training under Dr. on, he continues to hold workshops and Helen Manzer, his tutor and mentor in New encourage students to fully explore their York in the 1960s, and they have not varied. creative potential. Watching Ken Rockburn’s interview with Known primarily as a landscape photo- Patterson,itwasdelightfultohearthathis grapher, Patterson explores his own love of photography has never abated. immediate settings, whether it’s the porch of Despite losing all 1500 shots (on flm, of his home, the felds beyond his kitchen course) from an undergraduate trip to window or the far reaches of South Africa. Yugoslavia with his frst “real” camera, He has led workshops in Australia, New which malfunctioned, he fell in love with the Zealand, Israel, the USA, and England. tool and the process of making pictures. By graduate school (Masters of In 1984, with the photographer, Colla Swart, Divinity - 1962), he distilled he co-founded annual Namaqualand his explorations into the Photography Workshops in South Africa.
Recommended publications
  • A Review of Fred Herzog: Modern Color | National Gallery of Canada 2017-10-18, 742 AM
    Donʼt Take My Kodachrome Away — A Review of Fred Herzog: Modern Color | National Gallery of Canada 2017-10-18, 742 AM Don’t Take My Kodachrome Away — A Review of Fred Herzog: Modern Color Sheila Singhal October 17, 2017 One of the things that strikes a viewer almost immediately when presented with an array of Fred Herzog’s photographs is the pop of “Kodachrome red” that appears in almost every image. Whether in the tights of a young girl and the nearby skirt of an older woman in Red Stockings (1961), or in the signage of Empty Barber Shop (1966), or in a painted billboard for Buckingham cigarettes in Elysium Cleaners (1958), Herzog includes the hue in the large majority of his photographs. “Kodachrome red, available only in slides, was his muse,” writer and critic Sarah Milroy has said, “and many of his best works are anchored in this primary hue.” Fred Herzog, Red Stockings, 1961. © Fred Herzog, Courtesy Equinox Gallery https://www.gallery.ca/magazine/books/dont-take-my-kodachrome-away-a-review-of-fred-herzog-modern-color Page 1 of 9 Donʼt Take My Kodachrome Away — A Review of Fred Herzog: Modern Color | National Gallery of Canada 2017-10-18, 742 AM In the new book, Fred Herzog: Modern Color, the photographer’s masterful use of colour is on full display. A quintessential mid-20th-century street photographer, Herzog captures daylit streets crammed with shop signs and people. At night, the neon lights of a gloriously gaudy Vancouver float in the darkness like fireflies in pitch. Open lots with wrecked and decaying automobiles sit cheek by jowl with down-at-heel businesses on forgotten street corners.
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  • Reimagining Vancouver's Skid Road Through the Photography Of
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  • Fred Herzog: Vancouver
    Fred Herzog: Vancouver June 26th to September 12th, 2008 at the Canadian Cultural Centre th Opening: June 25 at 6PM with Fred Herzog Media Contact: The Canadian Cultural Centre in Paris, in collaboration T. (+33) 1 44 43 21 49 / (+33) 1 44 43 21 55 with Equinox Gallery (Vancouver, Canada), presents the [email protected] first solo exhibition in Europe by German-born photog- rapher Fred Herzog who immigrated to Canada in 1953. This European premiere follows the showing of Van- couver Photographs, the successful retrospective exhib- ition of the artist’s work presented at the Vancouver Art Gallery in 2007. The photographs of Fred Herzog were shown at ARCO this year by Trepanier Baer Gallery (Cal- gary) and were presented at two major exhibitions this past spring, at the Equinox Gallery and at the Laurence Miller Gallery in New York. Vancouver brings together a selection of prints from the large photographic body of work that Herzog dedicated to Canada’s West Coast capital, his adoptive city. In them, we see develop- ment, expansion, projects, people, extraordinary lights but also the darker side of a city that saw an uncommonly rapid expansion in the span of only a few decades, mainly due to immigration, most notably that of Asian newcomers. Herzog spent more than half a century wandering through the streets of Vancouver with his camera. His lens focussed particularly on marginal areas, peripheral to the splendours of the bud- ding city: second-hand shops, abandoned lots, barber shops, greasy spoon diners, crowded areas full of dreams, but also of disillusion.
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  • Press Release
    FOR IMMEDIATE RELEASE Vancouver Art Gallery Presents BC's Premier Visual Arts Prizes on April 15: Audain Prize, VIVA Awards April 11, 2014, Vancouver, B.C. – The visual arts in British Columbia will be celebrated as three distinguished artists receive the most prestigious awards in this province: the Audain Prize for Lifetime Achievement in the Visual Arts and the VIVA Awards. This year, Fred Herzog is awarded the 12th Audain Prize, funded by the Audain Foundation for the Visual Arts, and Skeena Reece and Mina Totino are each the recipient of the VIVA Award granted annually by the Jack and Doris Shadbolt Foundation. To mark this annual celebration with the visual arts community, a ceremony honouring the artists will be held at 7:00 pm on Tuesday, April 15 in The Great Hall of the BC Law Courts building in downtown Vancouver. “We are extremely honoured to present this year’s Audain Prize and VIVA Awards. These awards exemplify the high standards set by artists of our region,” said the Vancouver Art Gallery’s Director Kathleen S. Bartels. “All three artists have shown at the Vancouver Art Gallery – Fred Herzog’s first major exhibition was organized by the Gallery in 2007, Skeena Reece was an integral part of the Beat Nation exhibition in 2012, and Mina Totino has been included in many exhibitions at the Gallery since 1985. We congratulate all of them and celebrate the career achievements of these outstanding British Columbia artists.” Established in 2004, the Audain Prize for Lifetime Achievement in the Visual Arts has become one of Canada’s most esteemed honours.
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  • Download Download
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  • At the Gallery Save the Date
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  • The D.A.P. Catalog Fall 2020
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  • VANCOUVER ART GALLERY, Fred Herzog
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  • Fred Herzog "Modern Color"
    Hatje Cantz Verlag Mommsenstraße 27 Tel. +49 (0)30 3464678-08 Press Contact: Hatje Cantz Verlag GmbH Managing Director: Berlin Office 10629 Berlin Fax +49 (0)30 3289042-62 [email protected] HRB 118521 Thomas Ganske Deutschland www.hatjecantz.de Reg.-Gericht Hamburg Frank-H. Häger UST-ID-Nr.: DE143580256 Dr. Cristina Steingräber Dr. Thomas P.J. Feinen REALITY IN COLOR FRED HERZOG, A PIONEER OF STREET PHOTOGRAPHY Fred Herzog is a flaneur with an eye for the essential. He’s considered a pioneer of color photography, and his work is a model for the New Color movement. With more than 230 photographs, this extensive monograph, Fred Herzog | Modern Color, takes the reader through the photographic life of the Canadian immigrant, telling the story of the streets from the 1950s to the late 1980s. Berlin, November 22, 2016 – Long before the genre of color photography was recognized as a documentary or artistic style, Fred Herzog (*1930) used the medium for observing everyday life. Until the 1960s Kodachrome film, introduced in 1935, was considered an amateur product for home slide shows. Herzog, however, resisted this categorization and made color photography his own early on in his career. Besides the convenience of color film development, he was enthused about the film’s ability to reproduce details of color, texture, and atmosphere. Strolling, observing, and discovering were his passions. With a Kodak Retina I, and later, a Leica M 3, the German-born immigrant began photographing the urban west coast of Canada in his free time. The common motifs of his chosen homeland that didn’t make it into newspapers drew his eye: streets, sidewalks, shop windows and displays, advertisements, parking lots, and courtyards—sometimes empty of life, at other times, populated by random passersby.
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  • Historical Vancouver: a View of Post-War Commercial Photographers
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