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Spoleto Festival Usa Program History 2013–1977

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Spoleto Festival Usa Program History 2013–1977 SPOLETO FESTIVAL USA PROGRAM HISTORY 2013–1977 Spoleto Festival USA Program History Page 2 2013 Opera *Matsukaze, music by Toshio Hosokawa; libretto by Hannah Dübgen; conductor, John Kennedy; director, Chen Shi-Zheng; set designer, Chris Barreca; costume designer, Elizabeth Caitlin Ward; lighting designer, Scott Zielinski; video designer, Olivier Roset; Dock Street Theatre Mese Mariano/Le Villi; Mese Mariano, music by Umberto Giordano; libretto by Salvatore Giacomo; Le Villi, music by Giacomo Puccini, libretto by Ferdinando Fontana; conductor, Maurizio Barbacini; director, Stefano Vizioli; set designer, Neil Patel; costume designer, Roberta Guidi di Bagno; lighting designer, Matt Frey; choreographer, Pierluigi Vanelli; Sottile Theatre Dance Jared Grimes; dancers, Jared Grimes, Robyn Baltzer, Dewitt Fleming Jr, Karida Griffith, Tony Mayes; Emmett Robinson Theatre Compagnie Käfig; artistic director and main choreographer, Mourad Merzouki; programs, Correria and Agwa; TD Arena Ballet Flamenco de Andalucía; artistic director and choreographer, Rubén Olmo; guest soloist, Pastora Galván; program, Noche Andaluza; TD Arena Lucky Plush Productions, creators/directors, Leslie Buxbaum Danzig and Julia Rhoads; original script, Leslie Buxbaum Danzig, Julia Rhoads, and ensemble; composition/sound design, Mikhail Fiksel; program, The Better Half; Emmett Robinson Theatre Shantala Shivalingappa; artistic director and choreographer, Shantala Shivalingappa; artistic consultant, Savitry Nair; program, Swayambhu, Emmett Robinson Theatre Theater *A Midsummer Night’s Dream, written by William Shakespeare; co-produced by Bristol Old Vic, Spoleto Festival USA, The Kennedy Center, and Luminato in association with Handspring Puppet Company; director, Tom Morris; puppet design, Adrian Kohler and Basil Jones; designer, Vicki Mortimer; Dock Street Theatre Mayday Mayday, written and performed by Tristan Sturrock; director, Katy Carmichael; designers, Katy Carmichael and Tristan Sturrock; producer, Theatre Damfino; Emmett Robinson Theatre Oedipus, written by Sophocles, adapted by Steven Berkoff, Nottingham Playhouse Theatre Company; artistic director, Giles Croft; director, Steven Berkoff; designer, Michael Vale; Memminger Auditorium The Intergalactic Nemesis, written and directed by Jason Neulander; artwork, Tim Doyle; production designer, Jason Neulander; sound effects designer, Buzz Moran; ** World Premiere * American Premiere Spoleto Festival USA Program History Page 3 company manager, Jessie Douglas; programs, Book One: Target Earth, Book Two: Robot Planet Rising; Sottile Theatre Bullet Catch, writer/director/performer, Rob Drummond; co-director, David Overend; Arches artistic director, Jackie Wylie; The Arches (Glascow, UK); Emmett Robinson Theatre Physical Theater Le Grand C; Compagnie XY; choreographer, Loïc Touzé; composer/accordion player, Marc Perrone; lighting designer, Vincent Millet, Jérémie Cuseniers; costume designers, Marie-Cecile Viault, Geraldine Guilbaud; acrobatic tutor, Mahmoud Louertani; manager, Antione Billaud Music Bank of America Chamber Music; director and host, Geoff Nuttall; quartet-in-residence, St. Lawrence String Quartet Music In Time; director and host, John Kennedy; Program I: Pamela Z; Program II: In Celebration of 100 Years of the Rite of Spring; Program III: Music of Nathan Davis; Program IV: In a Spring Garden Intermezzi; Intermezzo I, conductor, Aik Khai Pung; Intermezzo II; Intermezzo III Rimsky-Korsakov/Capriccio Espagnol, Bartók/The Wooden Prince, Rachmaninoff/Symphonic Dances, conductor, Stefan Asbury; Spoleto Festival USA Orchestra Adams/Harmonielehre, Ravel/Boulez/Frontispice, Vasks/Credo, conductor, John Kennedy; Spoleto Festival USA Orchestra Westminster Choir: Appear and Inspire; conductor, Joe Miller; Missa Alma Redemptoris Mater, “Kyrie,” Tomás Luis de Victoria; “Nunc Dimittis,” Gustav Holst; “Der Geist hilft unsrer Scwachheit auf,” BWV 225, Johann Sebastian Bach; Hymn to St. Cecilia, Benjamin Britten; “The Ballad of the Green Broom,” Benjamin Britten; “En Une Suele Fleur,” Morten Lauridsen; “Dieu! Qu’il la fait bon regarder!”, Walter Jurmann; “The Heart’s Reflection,” Daniel Elder; “Kalinda,” Sydney Guillaume; “Lullaby,” Daniel Elder; “Ride in the Chariot,” Brandon Waddles Verdi/Messa da Requiem, conductor, Joseph Flummerfelt; soprano, Jennifer Clark; mezzo-soprano, Margaret Lattimore; tenor, Bruce Sledge; bass, Alfred Walker; Westminster Choir; Charleston Symphony Orchestra Chorus; Spoleto Festival USA Orchestra Angelique Kidjo Johnnyswim Rosanne Cash JD McPherson Wells Fargo Jazz ** World Premiere * American Premiere Spoleto Festival USA Program History Page 4 Director, Michael Grofsorean Gregory Porter Iiro Rantala Eli Degibri Alessandro Penezzi & Alexandre Riberio Punch Brothers André Mehmari Conversations With Host, Martha Teichner Tom Morris (A Midsummer Night’s Dream) Steven Berkoff (Oedipus) Dr. Joseph Flummerfelt (Messa da Requiem) Jason Neulander (The Intergalactic Nemesis) Visual Arts The Spoleto Watercolors of Stephen Mueller and Carl Palazzolo, Gibbes Museum of Art Rebound: Dissections and Excavations in Book Art, Halsey Institute of Contemporary Art Other Behind the Garden Gate, Charleston Horticultural Society and The Garden Conservancy’s National Open Days Program Finale The Red Stick Ramblers Beer Garden ‘Olu‘Olu Ruby the Rabbitfoot Mandolin Orange 2012 Opera Kepler, opera by Philip Glass; libretto by Martina Winkel; conductor, John Kennedy; director, Sam Helfrich; set designer, Andrew Lieberman; costume designer, Kay Voyce; lighting designer, Aaron Black Feng Yi Ting, composed by Guo Wenjing; conductor, Ken Lam; director, Atom Egoyan; scenic designer, Derek McLane; costume designer, Han Feng; lighting designer, Matt Frey; video designer, Tsang Kin-Wah; projection designer, Cameron Davis Dance ** World Premiere * American Premiere Spoleto Festival USA Program History Page 5 Alvin Ailey American Dance Theater, artistic director, Robert Battle; associate artistic director, Masazumi Chaya; (Arden Court), choreographed by Paul Taylor, music by William Boyce, restaged by Cathy McCann Buck, set and costumes by Gene Moore, lighting by Jennifer Tiption; (Home), choreographed by Rennie Harris; music by Dennis Ferrer and Raphael Xavier, costumes by Jon Taylor, lighting by Stephen Arnold; (In/Side), choreography by Robert Battle, music performed by Nina Simone, lighting by Burke Wilmore; (Revelations), choreography by Alvin Ailey, décor and costumes by Ves Harper, lighting by Nicola Cernovitch; (Minus 16), chorepgraphy by Ohan Naharin, restaged by Danielle Agami, costumes by Ohad Naharin, lighting by Avi Yona Bueno; (Takademe), choreography by Robert Battle, music by Sheila Chandra, costume by Missoni, costume recreated by Jon Taylor, lighting by Burke Wilmore; (The Hunt), choreography by Robert Battle, music by Les Tambours du Bronx, costumes by Mia McSwain, lighting by Burke Wilmore Cedar Lake Contemporary Ballet; artistic director, Benoit-Swan Pouffer; (Violet Kid), choreography and music, Hofesh Shechter; lighting design, Hofesh Shechter and Jim French; costume design, Hofesh Shechter and Junghtun Georgia Lee; (Annonciation), choreography, Angelin Preljocaj; lighting design, Jacques Chatelet; set design, Angelin Preljocaj; (Grace Engine), choreography by Crystal Pite; lighting design, Jim French; costume design, Nancy Haeyung Bae The Radio Show, Abraham.In.Motion, choreographed by Kyle Abraham; costume design, Sarah Cubbage; lighting design, Dan Scully A Crack In Everything, zoe|juniper, artistic directors, Zoe Scofield and Juniper Shuey; choreography, Zoe Scofield; production/technical director, Juniper Chuey; sound design, Matt Starritt; lighting design, Robert Aguilar; costume design, Erik Andor Theater Hay Fever, written by Noël Coward, directed by Patrick Mason, presented by Gate Theatre Dublin; set designer, Michael Pavelka; costume designer, Eimer Ní Mhaoldomhnaigh; lighting designer, James McConnell; sound designer, Denis Clohessy The Animals and Children Took to the Streets, created by 1927, directed and written by Suzanne Andrade; film/animation/design by Paul Barritt; music by Lillian Henley; costumes by Sarah Munro and Esme Appleton Making Up the Truth, written and performed by Jack Hitt, directed by Jessica Bauman; set designer, Neal Wilkinson; lighting designer, Laura Mroczkowski; video designer, Aaron Harrow The Agony and the Ecstasy of Steve Jobs, created and performed by Mike Daisey, directed by Jean-Michele Gregory A New Monologue by Mike Daisey (in place of Teching in India), created and performed by Mike Daisey, directed by Jean-Michele Gregory Physical Theater ** World Premiere * American Premiere Spoleto Festival USA Program History Page 6 Leo, produced by Circle of Eleven, based on an Original Idea by and performed by Tobias Wegner, directed by Daniel Brière; creative producer, Gregg Parks; set and lighting design, Flavia Hevia; video design, Heiko Kalmbach; animation relized by Ingo Panke; costume design, Heather MacCrimmon; choreography, Juan Kruz Diaz de Garaio Esnaola Traces, creative direction by Les 7 Doigts de la Main; direction and choreography, Shana Carroll and Gypsy Snider; acrobatic designer, Sébastian Soldevila; lights, Nol van Genuchten; costumes, Manon Desmarais; set and props original design, Lavia Hevia Music Bank of America Chamber Music Concert Series: director and host, Geoff Nuttall; quartet-in-residence, St. Lawrence String Quartet Music in Time Series: director and host, John Kennedy; Listening to the Fragrances of the Dusk: Meditation* by Toshio
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