jimmy page discography torrent download – Discography (1982 – 2014) Robert Plant – Discography (1982 – 2014) EAC Rip | 45xCD + DVD | FLAC/WV Image + Cue + Log | Full Scans Included Total Size: 29.4 GB | 3% RAR Recovery STUDIO | COMPILATION | BOX SET | COLLABORATIVE ALBUMS Label: Various | Genre: Rock, Country Rock. In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist and bassist/keyboardist John Paul Jones. When Plant recommended his friend as the drummer, one of the most successful bands in rock history was born: . . But the group that started with such force also ended in flames after 12 years, as Bonham’s death from alcohol poisoning in 1980 split the band after nine albums. The remaining members went their separate ways, but Bonham’s death hit Plant particularly hard. Starting his solo career in 1982 with his Zeppelin-like , Plant would use a slew of great drummers over the next few years, including Phil Collins, Cozy Powell, Barriemore Barlow, and Richie Hayward. Collins appeared on the 1983 follow-up, , and Plant achieved a lighter touch somewhere between Genesis and Zeppelin’s quieter side with tracks like “In the Mood” and “.” But the singer would feed his Elvis Presley infatuation on 1984’s , Vol. 1, teaming with Page and other guests on influential roots rock material. ― Allmusic. 1. STUDIO: 1982. Pictures At Eleven (1986, Warner-Pioneer, 32XD-392, Japan) 1982. Pictures At Eleven (1990, Swan Song, 7567-90340-2, 259 418, Germany) 1982. Pictures At Eleven (1990, Swan Song, CD 8512, Canada) 1982. Pictures At Eleven (1990, Swan Song, SS 8512-2, Germany) 1982. Pictures At Eleven (1994, Swan Song, 7567-90340-2, Germany) 1983. The Principle Of Moments (1983, Es Paranza, 790 101-2, W.Germany, Target CD) 1983. The Principle Of Moments (1988, Warner- Pioneer, 32XD-935, Japan) 1983. The Principle Of Moments (1994, Es Paranza, 7567-90101-2, Germany) 1985. Shaken ‘N’ Stirred (1985, Warner-Pioneer, 32XD-310, Japan) 1985. Shaken ‘N’ Stirred (1989, Es Paranza, A2-90265, USA) 1985. Shaken ‘N’ Stirred (1994, Es Paranza, 7567-90265-2, Germany) 1988. (1988, Es Paranza, A2 90863, USA) 1988. Now And Zen (1988, Warner-Pioneer, 32XD-945, Japan) 1988. Now And Zen (1990, Es Paranza, 7567-90863-2, Germany) 1990. (1990, East West, AMCY-2743, Japan) 1990. Manic Nirvana (1990, Es Paranza, 7 91336-2, USA) 1990. Manic Nirvana (1990, MMG Inc., AMCY-29, Japan) 1990. Manic Nirvana (1994, Es Paranza, 7567-91336-2, Germany) 1993. (1993, Fontana, 514 867-2, Germany) 1993. Fate Of Nations (1993, Nippon Phonogram, PHCR-1200, Japan) 1993. Fate Of Nations (1994, Fontana, 514 867-2, France) 1993. Fate Of Nations (2000, PolyGram K.K., PHCR-4406, Japan) 2002. Dreamland (2002, Universal, 314 586 962-2, USA) 2005. Mighty Rearranger (2005, BMG Funhouse, BVCM-41034, Japan) 2005. Mighty Rearranger (2005, Sanctuary, SANDP356, EU) 2010. (2010, Es Paranza-Decca, 2742241, EU) 2014. Lullaby And …The Ceaseless Roar (2014, Nonesuch 7559-79537-3, EU) 2. COMPILATION: 2003. Sixty Six To Timbuktu (2003, Mercury, 981 319-9, EU, 2CD) 3. BOX SET: 2006. Nine Lives (2006, Swan Song-Rhino, 8122 78778-2, EU, 9CD+DVD) 4. COLLABORATIVE ALBUMS: 1984. The Honeydrippers Volume One (1994, Es Paranza, CD 92220, Canada) 1994. No Quarter (1994, Fontana, 526 362-2, Germany) 1994. No Quarter (2004, Atlantic, R2 75695, USA) 1994. No Quarter (2008, Universal, UICY-93586, Japan, SHM-CD) 1998. Walking Into Clarksdale (1998, Atlantic, 83092-2, USA) 1998. Walking Into Clarksdale (1998, Mercury, 558 025-2, UK) 1998. Walking Into Clarksdale (2008, Universal, UICY-93587, Japan, SHM-CD) DOWNLOAD FROM. Password: www.LosslessMA.net. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. - Discography (1990-2010) Artist : The Black Crowes Title : Discography Year Of Release : 1990-2010 Label : Def American, Columbia, Silver Arrow Genre : Hard Rock, , American Traditional Quality : Flac (image+.cue) scans Total Time : 18:53:06 Total Size : 8,11 Gb WebSite : Album Preview. The Black Crowes was an American rock band formed in 1989. Their discography includes eight studio albums, four live albums and several charting singles. The band was signed to Def American Recordings in 1989 by producer George Drakoulias and released its debut album, Shake Your Money Maker, the following year. The follow-up, The Southern Harmony and Musical Companion, reached the top of the in 1992. After a hiatus between 2002 and 2005, the band regrouped and toured for several years before releasing Warpaint in 2008, which hit number 5 on the Billboard chart. After the release of a greatest hits/acoustic double album Croweology in August 2010, the band started a 20th anniversary tour that was followed by a second hiatus. After a final tour in 2013, the band finally announced its break-up in 2015. The band sold more than 30 million albums, and is listed at number 92 on VH1's 100 Greatest Artists of Hard Rock. They were labeled by Melody Maker as "The Most Rock 'n' Roll Rock 'n' Roll Band in the World" and the readers of voted them 'Best New American Band' in 1990. Studio Albums: 1990 - Shake Your Money Maker 1992 - The Southern Harmony And Musical Companion 1994 - 1996 - Three Snakes And One Charm 1998 - By Your Side 2001 - Lions 2008 - Warpaint 2009 - Before The Frost. Live Albums: 1998 - Souled Out Live (EP) 1999 - Jimmy Page & The Black Crowes - (2CD) 2002 - Live (2CD) 2006 - Freak 'n' Roll. Into The Fog (2CD) 2009 - Warpaint Live (2CD) Compilation Albums: 2006 - The Lost Crowes-Collection of outtakes and B-sides (2CD) 2010 - Croweology-Acoustic Rearrangements Album (2CD) ROBERT PLANT. The opener, "The May Queen", comes like a newly revealed complement to the iconic "Stairway To Heaven" (Led Zeppelin IV, 1971) since it quotes the lyrics of this anthemic song. As a moment of gorgeous melody, well worthy of Plant's unique voice, let's mention "Season's Song". One may call for a (not heavier but) more rock'n'blues oriented spot, and it's there, in fact, under the name "Carving Up the World Again. A Wall and Not a Fence". There are plenty of excellent musicianship along these eleven tracks, I just want to reserve the final words for the title track, with modal oriental flavour, and to "Bluebirds Over the Mountain", coloured with the outstanding contralto of Chrissie Hynde. Where is the real meat, then? To my taste and ears, in "Moonlight In Samosa", a laid-back, latin-flavoured composition where (in addition to Plant's vocals) it shines also the exquisite acoustic guitar by Mr. Robbie Blunt. "" is a rocker with the attitude one have learned to expect from Robert in such a circumstance. Nice electric guitar solo and zeppelinesque stop-and-gos by the band, too. One of the highlights of the song is Doug Boyle's beautiful guitar playing. The other is Robert's subtle, emotive singing, a phrase not often used when it comes to Plant. The lyrics are thoughtful and open to a variety of interesting interpretations. With a sound reminiscent of "The Rain Song" from Houses of the Holy, the more musically conservative listeners ought to thoroughly enjoy "Ship of Fools". It's followed by two value-added live tracks. "Helen of Troy" combines the mythological title character with Robert's typically clever sexual innuendos. Lastly, Plant pays homage to one of Led Zeppelin's original inspirations by covering the blues classic "Dimples" by John Lee Hooker. This is a very enjoyable EP. You could even, God help us, justifiably call it Zeppelin-ish! For some time I was a fan of the three first albums of Robert Plant. well, that did not last long and now I like only one or two songs. When this album came I enthusuastically listen to it and found another side of Robert Plant. A side that the live shows already were offering (and actually, a good part of his solo career always shows). I had friends very dissapointed with the different instruments and asians and african sounds together with the Led Zeppelin songs. but you know what? Thats how artists reinvent themselves. As this could be a horrible album, the result is way better than one can expect it. If the "Band of Joy" was Robert Plant returning to a more "classic" sound (blues, roots, etc), "Lullaby and. The Ceaseless Roar" is the world music of Robert Plant (that we already saw in other times) together with a more intimist and folk background. And this way make Robert Plant's voice shine, since he doesnt have to make such high notes and his whisperings, crooking and all the rest marries so great the music. As I said, this could be a very very very dissapointing album. But its not, its a great one. And perhaps my favorite Robert Plant album so far. Review by Chicapah Prog Reviewer. However, Mr. Plant was one of the more successful of the sixties/seventies survivors who was able to continue to pursue a career without completely capitulating to the new way of doing things, thereby shafting their loyal fans who'd made them stars. He did so by maintaining a lofty standard and being as true to himself as he could notwithstanding the circumstances he found himself in. After John Bonham's untimely death in 1980 Led Zeppelin had lost its locomotive and there was no replacing it, forcing the remaining three to find their own way going forward. Robert's solo efforts, while nowhere near as earth-shaking as what his former group had produced with regularity, were well-received so he was able to keep himself afloat while so many of his peers disappeared beneath the New Waves that saturated the industry. By the time he released 'Now and Zen,' his fourth CD, he'd established himself as a worthy banner-bearer of the analog era who, along with the likes of Bowie, Genesis and Rush had managed to straddle the fence enough to remain relevant. For that alone he deserves our admiration and gratitude. The album starts spectacularly with 'Heaven Knows,' an energetic song that sports a very strong rhythm track and production values that dutifully reflect the state-of-the-art technology that characterized and dominated that period. It's a great tune and the full chorale on the chorus is extremely dynamic. It doesn't hurt that his reliable pal Jimmy Page drops in to contribute some blistering guitar work that serves as the deal-sealer. 'Dance on my Own' follows and it projects a decent hard funk vibe but the trendy 'glittering' keyboard effects tend to date the number wretchedly, lessening its overall impact and odds for longevity. However, Doug Boyle's deft guitar playing takes it up a noteworthy notch. 'Tall Cool One' is next and it's a driving rocker augmented by Mr. Page's magic fingers and ornamented with a wild assortment of digitized samples culled from various Led Zeppelin classics. While it wasn't a Top 40 hit, it garnered a ton of FM radio exposure and that no doubt increased album sales accordingly. It definitely possesses a deceptively simple structure but the hot electricity it emits makes it quite memorable and the ending montage is an undisputed trip. Chris Blackwell's aggressive drums propel 'The Way I Feel' respectably and I detect a slight Peter Gabriel feel in its undercurrent as well as a noticeable Police presence surfacing in Boyle's guitar style that I find intriguing. 'Helen of Troy' doesn't measure up, though. It's representative of the late 80s techno-funk craze that I never could adapt to because it was so dreadfully bereft of any semblance of soul. Despite its pristine clarity it fails to dignify itself. Its only saving grace is Plant's emotional vocal performance. 'Billy's Revenge' is a treat. A curious arrangement of harmonies during the intro leads to a proggy 6/4 verse pattern that piques my interest. It's impossible to pigeonhole this cut but it does own a kind of a raucous rockabilly aura that I enjoy. 'Ship of Fools' is another highlight of the proceedings. Robert's subtle singing enhances this rock ballad superbly and the light synthesized string section score gives it a haunting, dreamlike atmosphere. 'Why' follows and the tune itself might be passable but it's hard to tell due to the tinny New Wave-ish incidentals that clutter up the scenery unnecessarily. This is an example of what I wrote about earlier. It's understandable that Plant wanted to please the kiddos with up-to-date sounds, gadgets and gimmicks but it dooms the number to being a relic that couldn't stand the test of time. He recoups, though, with 'White, Clean and Neat.' It's a combination of a wide array of elements that grant the song an inviting mien while Robert's inimitable voice distinguishes it as his own unique creation. By far it is the most exploratory and progressive cut on the record. Unfortunately, he opts to go out with a thud. While Texan Jerry Lynn Williams composed excellent material for Clapton, and , 'Walking Towards Paradise' isn't one of his better tunes. It fails to enhance on any level. Not only that but Plant's cover suffers from the inclusion of too much of that frivolous decade's studio trickery that detracts from any potential the number might have held initially. 'Now and Zen' hit the shelves on February 29, 1988 and steadily climbed the charts to the #6 position, further confirming that Robert still wielded a certain amount of clout. In comparison to the other inane schlock that was being foisted upon the public's collective ears in that woebegone era this was an oasis of sanity. As I've indicated in many other reviews of albums that were manufactured in the 80s, anything that even hinted that it had a hue of prog inside its shiny disc was to be cherished as extraordinary because, for all practical extents and purposes, prog was as dead as Mussolini. Thanks to people like Mr. Plant, the pilot light was never extinguished. 3.5 stars. I'll put it bluntly - I love Robert Plant. Led Zeppelin and his amazing voice have influenced my musical taste the way no other band has. What's more important though, after Led Zeppelin's break-up, Robert has shown that even without Jimmy Page as the main composer, his talent is not wasted. On the contrary - I'm pretty sure some people would consider his solo output to be more consistent and of higher quality than some of Led Zeppelin stuff, especially of the later period. Although fantastic as usual, the highlight of Mighty Rearranger is not Robert Plant and his vocals. The strange, euphoric sensation you feel while listening to the album is provided by. The Strange Sensation, an amazing bunch of extremely versatile musicians. I don't know whose idea it was, but for combining Plant's dreamy hard rock style with modern electronica the originator deserves a round of applause. The album is full of folk atmosphere, abounds with hard rock melodies and is cleverly interspersed with trippy electronica. All those elements complement each other perfectly, there's not a single moment of inconsistency or disarray that would make this bold mixture sound overdone. Dreamy folk infused with hard rock energy and eclectic rock creativity - that's how I'd sum up this great record. Really, it's wonderful how these musicians play with the music, the fun they have can be heard in every track in the album. If you're into anything that's even remotely related to hard rock, folk or electronic rock, check this out! TRACKS BY RATINGS: 10/10[masterpiece. ]: Tin Pan Valley || 9/10[fantastic!]: Another Tribe; Freedom Fries; Mighty ReArranger || 8/10[great]: ; All the King's Horses; The Enchanter; Takamba; Dancing in Heaven; Somebody Knocking; Let the Four Winds Blow || OVERALL = 85/100. -- Originally written for Metal Music Archives [www.metalmusicarchives.com] -- Review by J-Man Prog Reviewer. The style of production and use of synthesizers indicate that Pictures at Eleven was released in the eighties', but the album has a lot of stylistic similarities to Led Zeppelin's music. Tracks like "Slow Dancer" and "Worse Than Detroit" could've been straight off of Physical Graffiti , and while this certainly isn't a bad thing, the music here rarely exceeds the 'average' mark. The melodies simply aren't strong enough to make this an excellent purchase in my book; although it's competent in every regard, Pictures at Eleven is an average rock album that could probably be ignored by most readers. Apart from the excellent drumming courtesy of Phil Collins and Cozy Powell, this is a totally safe album that doesn't do much that's particularly noteworthy. Pictures at Eleven is a well-made and professional sounding product across the board, but it just doesn't move me in the same way that Led Zeppelin's best material does. Although Robert Plant demonstrated his potential as a solo artist here, I think most of that potential is untapped. A decent record for sure that fans of Led Zeppelin will want to investigate, but nothing to write home about as far as I'm concerned. By contrast, I always found the next Plant album (THE PRINCIPLE OF MOMENTS) to be a major disapointment, and nearly unlistenable save for two masterpieces, "Big Log" and "In the Mood." Yet so many rate it higher than PICTURES AT ELEVEN. Never got it. Still don't. Review by AtomicCrimsonRush Special Collaborator Symphonic Team. Calling To You is perhaps the best track though sounds familiar for those who remember Kashmir, particularly that Eastern mystical sound. Interestingly enough Plant references Zeppelin a few times here on the album especially on Promised Land with a riff akin to . I liked this version of If I Were a Carpenter, that is certainly way better than the original, but the rest of this album has no substance and I am perplexed as to its high ratings. Review by Sean Trane Special Collaborator Prog Folk. Outside the now-usual slightly world-ified Zep reworks, the main interest of the present disc is the excellent Enchanter track and the always-chilling rendition of Hey Joe, a correct Shine It, but little else. Even the No Quarter renditions don't serve well the legend. Plant's voice still has so good reserves, even if there is no way he could possibly match his 70's voice, nor is he trying to. I don't know if it's my copy, but I find that the bass is a bit undermixed. Sadly, because of the incessant and relentless Zep material reliance, this is not quite as interesting as the Unledded project, and at times, it might just seem like it's about some old glory that tries to linger on his fading past. Still a rather nice concert, if you're not too demanding?. The usual bonus on such a DVD include a 95 Top Of Pop version of 29 Palms and an 83 insufferable Big Log version in the same show, where Plant goes through the motions with his hands in his pockets. Both are actually throwaways (but not completely unpleasant, as are two more videoclips are added included the excellent Morning Dew (I guess it was more than a decade since I'd given up on MTV stuff) and an acceptable 29 Palms. Nothing essential except for a few Dreamland/Rearranger tracks (and even then, if you own the albums?.), so you'll want to concentrate on other DVDs or albums. SÓ SHOWS. ARTISTA: Martin Barre (Jethro Tull) ÁLVUM / TÍTULOS: Discography ANO DE LANÇAMENTO / DATA: 1993-2014 PAÍS: Kings Heath, Birmingham, England ESTILO: , , Hard Rock DURAÇÃO: 05:17:45 FORMATO DO FICHEIRO: MP3 QUALIDADE: 320 kbps Descrição álbum. 1993 - A SUMMER BAND 01. Ain't That Peculiar (3:40) 02. Too Tired (3:06) 03. Born Under A Bad Sign (3:08) 04. One Love (5:32) 05. Georgia (4:49) 06. Cold Feet (2:21) 07. Better Lying Down (3:58) 08. I Shot The Sheriff (3:26) 09. Barefootin' (3:17) 10. Mustang Sally (4:24) 11. Nutbush City Limits (2:47) 12. Faith Healer (5:52) Line-up / Musicians: Martin Barre (electric guitars, acoustic guitars) Maggie Reeday (lead vocals) Joy Russell (lead vocals) Mark Tucker (electric guitar) Craig Milverton (keyboards) Tom Glendinning (drums) Matt Pegg (bass) Rob Darnell (percussion, harmonica, vocals) 1994 - A TRICK OF MEMORY 01. Bug (4:09) 02. Way Before Your Time (4:37) 03. Bug Bee (0:51) 04. Empty Cafe (2:09) 05. Suspicion (4:27) 06. I Be Thank You (2:19) 07. A Blues for all Reasons (7:17) 08. A Trick of Memory (4:11) 09. Steal (4:49) 10. Another View (1:46) 11. Cold Heart (5:21) 12. Bug C (0:52) 13. Morris Minus (3:06) 14. In the Shade of the Shadow (4:10) Line-up / Musicians: Martin Barre / guitars, flute Rob Darnell / percussion, vocals Andy Giddings / keyboards, organ Matt Pegg / bass Marc Parnell / drums Mel Collins / sax, alto sax. 1996 - THE MEETING 01. The Meeting (4:28) 02. The Potion (5:21) 03. Outer Circle (5:55) 04. I Know Your Face (5:16) 05. Misere (6:01) 06. Time After Time (5:44) 07. Spanner (6:55) 08. Running Free (5:17) 09. Tom's (3:58) 10. Dreamer (3:24) 11. The Audition (3:18) Line-up / Musicians: Martin Barre - Electric guitar, acoustic guitar, flute Maggie Reeday, Joy Russell - Lead vocals Jonathan Noyce, Matt Pegg, Andrew Murray - Bass guitar Darren Mooney, Gerry Conway, Doane Perry, Dave Mattacks, Marc Parnell, Miles Bould - Drums/Percussion Andrew Murray, Mark Tucker - Keyboards Maggie Reeday, Joy Russell, Ian Francis, Paul Cox - Background Vocals. 2003 - STAGE LEFT 01. Count The Chickens (2:41) 02. As Told By (3:29) 03. A French Correction (4:35) 04. Murphy's Paw (3:51) 05. Favourite Things (4:04) 06. After You, After Me (4:35) 07. D.I.Y (1:56) 08. Spanish Tears (4:33) 09. Stage Fright (4:09) 10. Winter Snowscape (4:46) 11. Nelly Returns (3:40) 12. Celestial Servings (2:58) 13. I Raise My Glass To You (2:07) 14. Don't Say A Word (4:09) Line-up / Musicians: Martin Barre – Guitars Jonathan Noyce – Bass Andrew Giddings – Keyboards Darren Mooney – Drums Simon Burrett – Vocals (on "Don't Say a Word") Martin Barre & Mark Tucker – Production Mark Tucker – Recording Engineer. 2013 - AWAY WITH WORDS 01. At First Light - Moths (3:10) 02. Its My Round - Requiem (6:04) 03. One Brown Mouse - Fatcat (3:16) 04. Air [Lament Of The Spalpeen - Martin's Jig - Hymn 43] (6:11) 05. All Bars Hold (1:12) 06. Pussy Wilow (3:44) 07. Snapshot - Paparazzi (4:14) 08. Long Ago - Home (4:54) 09. Fire At Midnight - From The Ashes (4:06) 10. Protect And Survive (3:06) 11. Spare A Thought - From A Dead Beat To An Old Greaser (4:03) 12. Sundown (4:04) 2014 - ORDER OF PLAY 01. New Day Yesterday (5:15) 02. Fatman (3:20) 03. Watch your Step (4:17) 04. Crossroads (3:46) 05. Minstrel in the Gallery (4:36) 06. To Cry you a Song (4:49) 07. Steal your Heart Away (4:21) 08. Thick as a Brick (excerpt) (8:50) 09. Sweet Dream (3:41) 10. 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